window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"arts_10024118": {
"type": "attachments",
"id": "arts_10024118",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10024118",
"found": true
},
"parent": 24118,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2009/02/sholi-248x140.jpg",
"width": 248,
"height": 140
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2009/02/sholi-248x140-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2009/02/sholi-248x140-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2009/02/sholi-248x140-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2009/02/sholi-248x140-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2009/02/sholi-248x140-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1235770972,
"modified": 1235770972,
"caption": null,
"description": null,
"title": "Sholi-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10024044": {
"type": "attachments",
"id": "arts_10024044",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10024044",
"found": true
},
"parent": 24044,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2009/02/leopold-and-fiction-248x1405.jpg",
"width": 248,
"height": 140
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2009/02/leopold-and-fiction-248x1405-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
}
},
"publishDate": 1234382339,
"modified": 1234382339,
"caption": null,
"description": null,
"title": "Leopold and his Fiction-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10023925": {
"type": "attachments",
"id": "arts_10023925",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10023925",
"found": true
},
"parent": 23925,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2009/01/matinees-248x1405.jpg",
"width": 248,
"height": 140
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2009/01/matinees-248x1405-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
}
},
"publishDate": 1232484881,
"modified": 1232484881,
"caption": null,
"description": null,
"title": "The Matinees-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10023876": {
"type": "attachments",
"id": "arts_10023876",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10023876",
"found": true
},
"parent": 23876,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2009/01/goh-248x1405.jpg",
"width": 248,
"height": 140
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2009/01/goh-248x1405-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
}
},
"publishDate": 1231969785,
"modified": 1231969785,
"caption": null,
"description": null,
"title": "Goh Nakamura-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10023779": {
"type": "attachments",
"id": "arts_10023779",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10023779",
"found": true
},
"parent": 23779,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2008/12/zapruder-248x1405.jpg",
"width": 248,
"height": 140
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2008/12/zapruder-248x1405-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
}
},
"publishDate": 1228873099,
"modified": 1228873099,
"caption": null,
"description": null,
"title": "Michael Zapruder-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10023752": {
"type": "attachments",
"id": "arts_10023752",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10023752",
"found": true
},
"parent": 23752,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2008/12/heavenly-states-248x1406.jpg",
"width": 248,
"height": 140
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2008/12/heavenly-states-248x1406-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
}
},
"publishDate": 1228261358,
"modified": 1228261358,
"caption": null,
"description": null,
"title": "The Heavenly States-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10023741": {
"type": "attachments",
"id": "arts_10023741",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10023741",
"found": true
},
"parent": 23741,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2008/11/miami-248x140.jpg",
"width": 248,
"height": 140
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2008/11/miami-248x140-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2008/11/miami-248x140-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2008/11/miami-248x140-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2008/11/miami-248x140-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2008/11/miami-248x140-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1227642864,
"modified": 1227642864,
"caption": null,
"description": null,
"title": "French Miami-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10023689": {
"type": "attachments",
"id": "arts_10023689",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10023689",
"found": true
},
"parent": 23689,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2008/11/music-for-animals-248x140.jpg",
"width": 248,
"height": 140
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2008/11/music-for-animals-248x140-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2008/11/music-for-animals-248x140-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2008/11/music-for-animals-248x140-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2008/11/music-for-animals-248x140-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2008/11/music-for-animals-248x140-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1227033012,
"modified": 1227033012,
"caption": null,
"description": null,
"title": "Music for Animals-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10023608": {
"type": "attachments",
"id": "arts_10023608",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10023608",
"found": true
},
"parent": 23608,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2008/10/maushaus-248x1405.jpg",
"width": 248,
"height": 140
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2008/10/maushaus-248x1405-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
}
},
"publishDate": 1225221695,
"modified": 1225221695,
"caption": null,
"description": null,
"title": "maus haus-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10023539": {
"type": "attachments",
"id": "arts_10023539",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10023539",
"found": true
},
"parent": 23539,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2008/10/loquat-248x1404.jpg",
"width": 248,
"height": 140
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2008/10/loquat-248x1404-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
}
},
"publishDate": 1224100806,
"modified": 1224100806,
"caption": null,
"description": null,
"title": "Loquat-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10023334": {
"type": "attachments",
"id": "arts_10023334",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10023334",
"found": true
},
"parent": 23334,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2008/09/davenport-248x140.jpg",
"width": 248,
"height": 140
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2008/09/davenport-248x140-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2008/09/davenport-248x140-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2008/09/davenport-248x140-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2008/09/davenport-248x140-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2008/09/davenport-248x140-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1221008861,
"modified": 1221008861,
"caption": null,
"description": null,
"title": "Bart Davenport-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10023185": {
"type": "attachments",
"id": "arts_10023185",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10023185",
"found": true
},
"parent": 23185,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2008/08/judgement-day-248x1405.jpg",
"width": 248,
"height": 140
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2008/08/judgement-day-248x1405-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
}
},
"publishDate": 1218571822,
"modified": 1218571822,
"caption": null,
"description": null,
"title": "Judgement Day-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false,
"liveAudioPlayStartedAt": 0,
"liveAudioPlayContext": ""
},
"authorsReducer": {
"kqedarts": {
"type": "authors",
"id": "92",
"meta": {
"index": "authors_1716337520",
"id": "92",
"found": true
},
"name": "KQED Arts",
"firstName": "KQED",
"lastName": "Arts",
"slug": "kqedarts",
"email": "arts@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Staff",
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/321c9ebfeb7736f9e55366a6d3399ab0?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": "https://www.instagram.com/kqed_arts/",
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"contributor"
]
},
{
"site": "pop",
"roles": [
"contributor"
]
},
{
"site": "science",
"roles": [
"author"
]
},
{
"site": "food",
"roles": [
"contributor"
]
}
],
"headData": {
"title": "KQED Arts | KQED",
"description": "KQED Staff",
"ogImgSrc": "https://secure.gravatar.com/avatar/321c9ebfeb7736f9e55366a6d3399ab0?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/321c9ebfeb7736f9e55366a6d3399ab0?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/kqedarts"
}
},
"pagesReducer": {
"arts_affiliate_the-bay-bridged": {
"type": "terms",
"id": "arts_147",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "147",
"score": 16.149218
},
"featImg": "https://ww2.kqed.org/app/uploads/sites/2/2014/04/logo-thebaybridged1.png",
"name": "The Bay Bridged",
"description": null,
"taxonomy": "affiliate",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "The Bay Bridged Archives | KQED Arts",
"ogDescription": null
},
"ttid": 148,
"slug": "the-bay-bridged",
"isLoading": false,
"title": "The Bay Bridged",
"pageMeta": {
"site": "arts",
"WpPageTemplate": "page-topic-editorial",
"currentPage": 15
},
"blocks": [
{
"blockName": "kqed/post-list",
"attrs": {
"layout": "cardArticle2",
"query": "posts/arts?affiliate=the-bay-bridged",
"seeMore": false,
"paginated": true,
"page": 15
}
},
{
"blockName": "kqed/ad"
}
]
}
},
"pfsSessionReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://streams.kqed.org/kqedradio",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"arts_24118": {
"type": "posts",
"id": "arts_24118",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "24118",
"score": null,
"sort": [
1235770972000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 147
},
"blocks": [],
"publishDate": 1235770972,
"format": "audio",
"title": "Sholi",
"headTitle": "Sholi | KQED",
"content": "\u003cp>We first got hooked on Sholi after hearing their promising demos and catching their tight live show. But for all of their talent, the trio had a limited recorded output. While Sholi spent time — a lot of it — prepping their debut album, it became something of a running joke to confront the members of the band with the demand that they “put the [expletive deleted] record out already!” We weren’t the only ones demanding more. After much work — recording, arranging, and mixing, and then doing more of all three — \u003cb>Sholi\u003c/b>, the album, came out last week on Quarterstick/Touch and Go Records, and is worth the long wait.\u003c/p>\n\u003cp>Having first interviewed the band a couple of years ago, we were pleased to visit with them again to discuss the new release. What impressed us most on this second go-around is the sense that all of their time and effort has really paid off, helping the trio to forge a really strong idea about their music — what it means, how it should sound, and how it feels. How many groups can create a fully-fleshed out aesthetic this enjoyable on their first album? With melodic indie, math, and prog rock elements sharing delicately-balanced space in the group’s transcendent mini-epics, \u003cb>Sholi\u003c/b> is an album that bears our highest recommendation. We’ll be excited to watch as more listeners discover this excellent band.\u003c/p>\n\u003cp>We sat down with Payam, Eric and Jon last week to speak about the new album’s long journey to completion. We include four great songs from \u003cb>Sholi\u003c/b> in the episode.\u003c/p>\n\u003cp>\u003cb>Upcoming Shows:\u003c/b>\u003cbr>Sholi’s CD release party is part of \u003ca href=\"http://www.noisepop.com\">Noise Pop 2009\u003c/a>:\u003cbr>Saturday, February 28, 2009\u003cbr>Bottom of the Hill\u003cbr>with The Dead Trees, Everest, Jake Mann\u003cbr>9pm, $12, All Ages\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 309,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 6
},
"modified": 1705052797,
"excerpt": "This week, we are proud to feature Sholi, an art-rock trio who have been one of our favorite bands since we first heard them around the inception of The Bay Bridged.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "This week, we are proud to feature Sholi, an art-rock trio who have been one of our favorite bands since we first heard them around the inception of The Bay Bridged.",
"title": "Sholi | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Sholi",
"datePublished": "2009-02-27T13:42:52-08:00",
"dateModified": "2024-01-12T01:46:37-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "sholi",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/programs/baybridged/",
"audioUrl": "http://media.libsyn.com/media/thebaybridged/Sholi_Show_2009.mp3",
"sticky": false,
"path": "/arts/24118/sholi",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>We first got hooked on Sholi after hearing their promising demos and catching their tight live show. But for all of their talent, the trio had a limited recorded output. While Sholi spent time — a lot of it — prepping their debut album, it became something of a running joke to confront the members of the band with the demand that they “put the [expletive deleted] record out already!” We weren’t the only ones demanding more. After much work — recording, arranging, and mixing, and then doing more of all three — \u003cb>Sholi\u003c/b>, the album, came out last week on Quarterstick/Touch and Go Records, and is worth the long wait.\u003c/p>\n\u003cp>Having first interviewed the band a couple of years ago, we were pleased to visit with them again to discuss the new release. What impressed us most on this second go-around is the sense that all of their time and effort has really paid off, helping the trio to forge a really strong idea about their music — what it means, how it should sound, and how it feels. How many groups can create a fully-fleshed out aesthetic this enjoyable on their first album? With melodic indie, math, and prog rock elements sharing delicately-balanced space in the group’s transcendent mini-epics, \u003cb>Sholi\u003c/b> is an album that bears our highest recommendation. We’ll be excited to watch as more listeners discover this excellent band.\u003c/p>\n\u003cp>We sat down with Payam, Eric and Jon last week to speak about the new album’s long journey to completion. We include four great songs from \u003cb>Sholi\u003c/b> in the episode.\u003c/p>\n\u003cp>\u003cb>Upcoming Shows:\u003c/b>\u003cbr>Sholi’s CD release party is part of \u003ca href=\"http://www.noisepop.com\">Noise Pop 2009\u003c/a>:\u003cbr>Saturday, February 28, 2009\u003cbr>Bottom of the Hill\u003cbr>with The Dead Trees, Everest, Jake Mann\u003cbr>9pm, $12, All Ages\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/24118/sholi",
"authors": [
"92"
],
"categories": [
"arts_69"
],
"affiliates": [
"arts_147"
],
"featImg": "arts_10024118",
"label": "arts_147"
},
"arts_24044": {
"type": "posts",
"id": "arts_24044",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "24044",
"score": null,
"sort": [
1234382339000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 147
},
"blocks": [],
"publishDate": 1234382339,
"format": "audio",
"title": "Leopold and his Fiction",
"headTitle": "Leopold and his Fiction | KQED",
"content": "\u003cp>This week’s featured band is San Francisco’s Leopold and his Fiction, a trio that turns pieces of garage rock, folk, psych and Americana into a remarkably cohesive and engaging mix called “vintage rock.” Detroit native Daniel James grew up around music and musicians, but it wasn’t until he left home that he really took stock of the music scene. The singer-guitarist eventually ended up at a writing program in San Francisco, where he met Kentucky transplant Ben Cook and the two bonded over a love of classic rock and vintage sounds. After some unsuccessful attempts to find a third member, they decided to make a go of it as a duo and released a self-titled album, which garnered critical praise and substantial college radio airplay.\u003c/p>\n\u003cp>Several years later, the band now celebrates the release of \u003cb>Ain’t No Surprise\u003c/b>, a second full-length album that strikes our ears as a sign 2009 will be another great year for Bay Area music. The group has accomplished no easy feat, turning its melting pot of influences into songs that, for all the talk of “vintage,” feel both innovative and exciting. After the record was completed, Cook left the group to pursue his career in 2008, meaning that along with the new release James is also introducing Leopold and his Fiction (Mach II), a trio that includes Micayla Grace (bass/vocals) and Jon Sortland (drums/vocals/organ). The new members bring new sounds and ideas to the mix and James is clearly excited about the band’s new direction. Judging from the terrific new album, we are too.\u003c/p>\n\u003cp>We sat down with Daniel James last week to speak about \u003cb>Ain’t No Surprise\u003c/b>, the songs he’s now creating with his new bandmates, and the influence of his upbringing on his musical interests. We’ve got four great songs from the new album included in this episode.\u003c/p>\n\u003cp>\u003cb>Upcoming Shows:\u003c/b>\u003cbr>Tuesday, March 10th\u003cbr>Bottom of the Hill\u003cbr>with Spindrift and The Upside Down\u003cbr>9pm, $8, All Ages\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 349,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 6
},
"modified": 1705052817,
"excerpt": "This week's featured band is San Francisco's Leopold and his Fiction, a trio that turns pieces of garage rock, folk, psych and Americana into a remarkably cohesive and engaging mix called \"vintage rock.\"",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "This week's featured band is San Francisco's Leopold and his Fiction, a trio that turns pieces of garage rock, folk, psych and Americana into a remarkably cohesive and engaging mix called "vintage rock."",
"title": "Leopold and his Fiction | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Leopold and his Fiction",
"datePublished": "2009-02-11T11:58:59-08:00",
"dateModified": "2024-01-12T01:46:57-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "leopold_and_his_fiction",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/programs/baybridged/",
"audioUrl": "http://media.libsyn.com/media/thebaybridged/Leopold_Show.mp3",
"sticky": false,
"path": "/arts/24044/leopold_and_his_fiction",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This week’s featured band is San Francisco’s Leopold and his Fiction, a trio that turns pieces of garage rock, folk, psych and Americana into a remarkably cohesive and engaging mix called “vintage rock.” Detroit native Daniel James grew up around music and musicians, but it wasn’t until he left home that he really took stock of the music scene. The singer-guitarist eventually ended up at a writing program in San Francisco, where he met Kentucky transplant Ben Cook and the two bonded over a love of classic rock and vintage sounds. After some unsuccessful attempts to find a third member, they decided to make a go of it as a duo and released a self-titled album, which garnered critical praise and substantial college radio airplay.\u003c/p>\n\u003cp>Several years later, the band now celebrates the release of \u003cb>Ain’t No Surprise\u003c/b>, a second full-length album that strikes our ears as a sign 2009 will be another great year for Bay Area music. The group has accomplished no easy feat, turning its melting pot of influences into songs that, for all the talk of “vintage,” feel both innovative and exciting. After the record was completed, Cook left the group to pursue his career in 2008, meaning that along with the new release James is also introducing Leopold and his Fiction (Mach II), a trio that includes Micayla Grace (bass/vocals) and Jon Sortland (drums/vocals/organ). The new members bring new sounds and ideas to the mix and James is clearly excited about the band’s new direction. Judging from the terrific new album, we are too.\u003c/p>\n\u003cp>We sat down with Daniel James last week to speak about \u003cb>Ain’t No Surprise\u003c/b>, the songs he’s now creating with his new bandmates, and the influence of his upbringing on his musical interests. We’ve got four great songs from the new album included in this episode.\u003c/p>\n\u003cp>\u003cb>Upcoming Shows:\u003c/b>\u003cbr>Tuesday, March 10th\u003cbr>Bottom of the Hill\u003cbr>with Spindrift and The Upside Down\u003cbr>9pm, $8, All Ages\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/24044/leopold_and_his_fiction",
"authors": [
"92"
],
"categories": [
"arts_69"
],
"affiliates": [
"arts_147"
],
"featImg": "arts_10024044",
"label": "arts_147"
},
"arts_23925": {
"type": "posts",
"id": "arts_23925",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "23925",
"score": null,
"sort": [
1232484881000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 147
},
"blocks": [],
"publishDate": 1232484881,
"format": "audio",
"title": "The Matinees",
"headTitle": "The Matinees | KQED",
"content": "\u003cp>This week’s podcast showcases SF duo The Matinees, whose second CD, \u003cb>Make The Leap\u003c/b>, comes out later this month. When the band’s 2007 release, \u003cb>Sleepy Seeds\u003c/b>, arrived at our studio, it won us over instantly. In a region with some quality indie pop, the band’s debut definitely stood out, with strong harmonies and endearing songs created from just two voices and two guitars. Both band members, PF Dumanis and Jaime Borschuk, come from a history of involvement in other projects, but there’s just an undeniable chemistry to their work as The Matinees.\u003c/p>\n\u003cp>With \u003cb>Make The Leap\u003c/b>, the band further cements its place in Bay Area indie pop by featuring contributions from members of Scrabbel, Love is Chemicals, and The Invisible Cities while retaining much of the duo’s stripped down aesthetic. Helping them navigate that balance was local producer Greg Ashley, whose experimental touch can be felt throughout without overshadowing the album’s more intimate moments. \u003cb>Make The Leap\u003c/b> is a strong release and an exciting next step for this talented band.\u003c/p>\n\u003cp>Several weeks ago, we spoke with The Matinees at our studio. PF and Jamie brought their guitars and treated us to an exclusive stripped-down mini-set of songs from the new album. We’ve included two songs from that session in this episode along with two more from the band’s albums.\u003c/p>\n\u003cp>\u003cb>Upcoming Shows:\u003c/b>\u003cbr>Thursday, January 29, 2009\u003cbr>Rickshaw Stop\u003cbr>with Love Is Chemicals and The Invisible Cities\u003cbr> (Presented by Three Ring Records)\u003cbr>8pm, $10\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 260,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 6
},
"modified": 1705052843,
"excerpt": "\u003cb>The Bay Bridged\u003c/b> showcases San Francisco duo The Matinees, whose second CD, \u003cb>Make The Leap\u003c/b>, comes out later this month.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The Bay Bridged showcases San Francisco duo The Matinees, whose second CD, Make The Leap, comes out later this month.",
"title": "The Matinees | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "The Matinees",
"datePublished": "2009-01-20T12:54:41-08:00",
"dateModified": "2024-01-12T01:47:23-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "the_matinees",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/programs/baybridged/",
"audioUrl": "http://media.libsyn.com/media/thebaybridged/Matinees_Show.mp3",
"sticky": false,
"path": "/arts/23925/the_matinees",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This week’s podcast showcases SF duo The Matinees, whose second CD, \u003cb>Make The Leap\u003c/b>, comes out later this month. When the band’s 2007 release, \u003cb>Sleepy Seeds\u003c/b>, arrived at our studio, it won us over instantly. In a region with some quality indie pop, the band’s debut definitely stood out, with strong harmonies and endearing songs created from just two voices and two guitars. Both band members, PF Dumanis and Jaime Borschuk, come from a history of involvement in other projects, but there’s just an undeniable chemistry to their work as The Matinees.\u003c/p>\n\u003cp>With \u003cb>Make The Leap\u003c/b>, the band further cements its place in Bay Area indie pop by featuring contributions from members of Scrabbel, Love is Chemicals, and The Invisible Cities while retaining much of the duo’s stripped down aesthetic. Helping them navigate that balance was local producer Greg Ashley, whose experimental touch can be felt throughout without overshadowing the album’s more intimate moments. \u003cb>Make The Leap\u003c/b> is a strong release and an exciting next step for this talented band.\u003c/p>\n\u003cp>Several weeks ago, we spoke with The Matinees at our studio. PF and Jamie brought their guitars and treated us to an exclusive stripped-down mini-set of songs from the new album. We’ve included two songs from that session in this episode along with two more from the band’s albums.\u003c/p>\n\u003cp>\u003cb>Upcoming Shows:\u003c/b>\u003cbr>Thursday, January 29, 2009\u003cbr>Rickshaw Stop\u003cbr>with Love Is Chemicals and The Invisible Cities\u003cbr> (Presented by Three Ring Records)\u003cbr>8pm, $10\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/23925/the_matinees",
"authors": [
"92"
],
"categories": [
"arts_69"
],
"affiliates": [
"arts_147"
],
"featImg": "arts_10023925",
"label": "arts_147"
},
"arts_23876": {
"type": "posts",
"id": "arts_23876",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "23876",
"score": null,
"sort": [
1231969785000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 147
},
"blocks": [],
"publishDate": 1231969785,
"format": "audio",
"title": "Goh Nakamura",
"headTitle": "Goh Nakamura | KQED",
"content": "\u003cp>\u003cb>The Bay Bridged\u003c/b> spotlights Goh Nakamura, a San Francisco singer-songwriter whose many musical talents you might have heard via his solo work, his involvement in local indie pop band The Invisible Cities and through his performances on soundtracks for films like \u003cb>American Gangster\u003c/b>. Nakamura’s love of music has long found him playing in various bands, but he credits an Elliott Smith performance with opening his eyes to the power of a solo acoustic performance. Inspired by Smith, Leonard Cohen and others, Nakamura’s first album was a collection of solo home recordings that established him as a strong songwriter capable of creating emotionally resonant moments out of a mix of folk, indie pop and acoustic rock components.\u003c/p>\n\u003cp>It was four years until Nakamura released his follow-up, \u003cb>Ulysses\u003c/b>, which came out last August. Instead of making another purely solo release, the songwriter worked with a number of talented contributors, whose vocal harmonies and full band instrumentation provide the backbone for a diverse and engaging release. And in making a full band-oriented album, Nakamura has begun confronting the challenges of performing not just as a member of a group, but as its frontman. It’s a position he has more than earned.\u003c/p>\n\u003cp>We spoke with Goh last weekend The Bay Bridged studio, discussing the experience of moving from bedroom recordings to a full-band environment. Before the interview, Nakamura treated us to an exclusive acoustic mini-set, and we’ve included two songs from that session along with two from \u003cb>Ulysses\u003c/b> in the episode.\u003c/p>\n\u003cp>\u003cb>Upcoming Shows:\u003c/b>\u003cbr>Friday, January 30th\u003cbr>Cafe Du Nord\u003cbr>Goh Nakamura’s B-Day Extravaganza, with Big Phony and Special Guests\u003cbr>9:30pm, $10\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 283,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 6
},
"modified": 1705052851,
"excerpt": "This week, \u003cb>The Bay Bridged\u003c/b> spotlights Goh Nakamura, a San Francisco singer-songwriter.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "This week, The Bay Bridged spotlights Goh Nakamura, a San Francisco singer-songwriter.",
"title": "Goh Nakamura | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Goh Nakamura",
"datePublished": "2009-01-14T13:49:45-08:00",
"dateModified": "2024-01-12T01:47:31-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "goh_nakamura",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/programs/baybridged/",
"audioUrl": "http://media.libsyn.com/media/thebaybridged/Goh_Nakamura_Show.mp3",
"sticky": false,
"path": "/arts/23876/goh_nakamura",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cb>The Bay Bridged\u003c/b> spotlights Goh Nakamura, a San Francisco singer-songwriter whose many musical talents you might have heard via his solo work, his involvement in local indie pop band The Invisible Cities and through his performances on soundtracks for films like \u003cb>American Gangster\u003c/b>. Nakamura’s love of music has long found him playing in various bands, but he credits an Elliott Smith performance with opening his eyes to the power of a solo acoustic performance. Inspired by Smith, Leonard Cohen and others, Nakamura’s first album was a collection of solo home recordings that established him as a strong songwriter capable of creating emotionally resonant moments out of a mix of folk, indie pop and acoustic rock components.\u003c/p>\n\u003cp>It was four years until Nakamura released his follow-up, \u003cb>Ulysses\u003c/b>, which came out last August. Instead of making another purely solo release, the songwriter worked with a number of talented contributors, whose vocal harmonies and full band instrumentation provide the backbone for a diverse and engaging release. And in making a full band-oriented album, Nakamura has begun confronting the challenges of performing not just as a member of a group, but as its frontman. It’s a position he has more than earned.\u003c/p>\n\u003cp>We spoke with Goh last weekend The Bay Bridged studio, discussing the experience of moving from bedroom recordings to a full-band environment. Before the interview, Nakamura treated us to an exclusive acoustic mini-set, and we’ve included two songs from that session along with two from \u003cb>Ulysses\u003c/b> in the episode.\u003c/p>\n\u003cp>\u003cb>Upcoming Shows:\u003c/b>\u003cbr>Friday, January 30th\u003cbr>Cafe Du Nord\u003cbr>Goh Nakamura’s B-Day Extravaganza, with Big Phony and Special Guests\u003cbr>9:30pm, $10\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/23876/goh_nakamura",
"authors": [
"92"
],
"categories": [
"arts_69"
],
"affiliates": [
"arts_147"
],
"featImg": "arts_10023876",
"label": "arts_147"
},
"arts_23779": {
"type": "posts",
"id": "arts_23779",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "23779",
"score": null,
"sort": [
1228873099000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 147
},
"blocks": [],
"publishDate": 1228873099,
"format": "audio",
"title": "Michael Zapruder",
"headTitle": "Michael Zapruder | KQED",
"content": "\u003cp>Michael Zapruder is an incredibly talented San Francisco singer-songwriter. He’s been on our radar for quite some time, having received considerable acclaim for his 2006 sophomore release \u003cb>New Ways of Letting Go\u003c/b> (Howells Transmitter). That album was a terrific blend of rock, folk and chamber pop buoyed by strong contributions from an impressive arsenal of friends and fellow musicians known as the Rain of Frogs. Zapruder released the follow up album, \u003cb>Dragon Chinese Cocktail Horoscope\u003c/b>, in late October 2008 on SideCho Records. Once Zapruder returned from a national tour in support of the album, we sat down for an interview.\u003c/p>\n\u003cp>The new album is certainly worth the wait. \u003cb>Dragon Chinese Cocktail Horoscope\u003c/b> incorporates many of its predecessor’s attributes — a large cast of skilled supporting players, strong melodies and intriguing lyrics — but it’s also clearly a statement of progress for Zapruder. Notable producer Scott Solter worked with the artist to give the album its landscapes, and the two have created a dynamic work full of orchestral flourishes and musical surprises. In capturing a strong songwriter-as-auteur vision tempered by the freedom to improvise and experiment, Zapruder’s latest is the sort of album that begs for — and ably rewards — repeat listens.\u003c/p>\n\u003cp>We’re pleased to feature four songs from \u003cb>Dragon Chinese Cocktail Horoscope\u003c/b> in addition to the interview.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 233,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 5
},
"modified": 1705052889,
"excerpt": "\u003cb>The Bay Bridged\u003c/b> spotlights Michael Zapruder, an incredibly talented San Francisco singer-songwriter whose album, Dragon Chinese Cocktail Horoscope, was released in late October 2008.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The Bay Bridged spotlights Michael Zapruder, an incredibly talented San Francisco singer-songwriter whose album, Dragon Chinese Cocktail Horoscope, was released in late October 2008.",
"title": "Michael Zapruder | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Michael Zapruder",
"datePublished": "2008-12-09T17:38:19-08:00",
"dateModified": "2024-01-12T01:48:09-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "michael_zapruder",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/programs/baybridged/",
"audioUrl": "http://media.libsyn.com/media/thebaybridged/Michael_Zapruder_Show.mp3",
"sticky": false,
"path": "/arts/23779/michael_zapruder",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Michael Zapruder is an incredibly talented San Francisco singer-songwriter. He’s been on our radar for quite some time, having received considerable acclaim for his 2006 sophomore release \u003cb>New Ways of Letting Go\u003c/b> (Howells Transmitter). That album was a terrific blend of rock, folk and chamber pop buoyed by strong contributions from an impressive arsenal of friends and fellow musicians known as the Rain of Frogs. Zapruder released the follow up album, \u003cb>Dragon Chinese Cocktail Horoscope\u003c/b>, in late October 2008 on SideCho Records. Once Zapruder returned from a national tour in support of the album, we sat down for an interview.\u003c/p>\n\u003cp>The new album is certainly worth the wait. \u003cb>Dragon Chinese Cocktail Horoscope\u003c/b> incorporates many of its predecessor’s attributes — a large cast of skilled supporting players, strong melodies and intriguing lyrics — but it’s also clearly a statement of progress for Zapruder. Notable producer Scott Solter worked with the artist to give the album its landscapes, and the two have created a dynamic work full of orchestral flourishes and musical surprises. In capturing a strong songwriter-as-auteur vision tempered by the freedom to improvise and experiment, Zapruder’s latest is the sort of album that begs for — and ably rewards — repeat listens.\u003c/p>\n\u003cp>We’re pleased to feature four songs from \u003cb>Dragon Chinese Cocktail Horoscope\u003c/b> in addition to the interview.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/23779/michael_zapruder",
"authors": [
"92"
],
"categories": [
"arts_69"
],
"affiliates": [
"arts_147"
],
"featImg": "arts_10023779",
"label": "arts_147"
},
"arts_23752": {
"type": "posts",
"id": "arts_23752",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "23752",
"score": null,
"sort": [
1228261358000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 147
},
"blocks": [],
"publishDate": 1228261358,
"format": "audio",
"title": "The Heavenly States",
"headTitle": "The Heavenly States | KQED",
"content": "\u003cp>Long before the excellent Oakland rock quartet The Heavenly States headlined our \u003cb>Presents\u003c/b> show in late 2007, we began eagerly awaiting the follow-up to their well received 2005 album \u003cb>Black Comet\u003c/b>. Released earlier this year on The Rebel Group label, \u003cb>Delayer\u003c/b> is a strong work which displays the band’s skill at applying rich instrumental texture to all-out rockers and more contemplative numbers alike. At the same time, the lyrics consistently resonate with wit and honesty, giving the whole CD the feeling of a unified and personal worldview.\u003c/p>\n\u003cp>As we learned during our interview, the delay (no pun intended) in the new record’s arrival is in part attributable to the attention the band received for being the first American act to tour Libya following the lifting of the trade embargo between the the US and the former “rogue state.” And while that trip cut short the band’s recording schedule for \u003cb>Black Comet\u003c/b>, they spent significantly more time in the studio on the new CD, self-producing the record as a group. Needless to say, they’re very excited for people to hear the results.\u003c/p>\n\u003cp>We spoke with all four members at \u003cb>The Bay Bridged\u003c/b> headquarters and discussed the new album’s place in their discography, reflections on the Libyan tour, and a slew of frequently hilarious anecdotes. Too many, in fact, for us to include them all in one episode and, for time, some great stuff remains on the cutting room floor. Along with the talk, we’ve got four Heavenly States songs, including two from \u003cb>Delayer\u003c/b> and another two from their past works.\u003c/p>\n\u003cp>The Heavenly States celebrate the release of the Foggy Holiday Compilation put out by Talking House Records:\u003cbr>Friday, December 5th\u003cbr>Bottom of the Hill\u003cbr>with The Trophy Fire, The Federalists and I the Mighty\u003cbr>8:30pm, $10\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 312,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 6
},
"modified": 1705052897,
"excerpt": "This week \u003cb>The Bay Bridged\u003c/b> spotlights The Heavenly States, a four piece rock group out of the East Bay who released their latest full length \u003cb>Delayer\u003c/b> earlier this year.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "This week The Bay Bridged spotlights The Heavenly States, a four piece rock group out of the East Bay who released their latest full length Delayer earlier this year.",
"title": "The Heavenly States | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "The Heavenly States",
"datePublished": "2008-12-02T15:42:38-08:00",
"dateModified": "2024-01-12T01:48:17-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "the_heavenly_states",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/programs/baybridged/",
"audioUrl": "http://media.libsyn.com/media/thebaybridged/Heavenly_States_Show_KQED.mp3",
"sticky": false,
"path": "/arts/23752/the_heavenly_states",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Long before the excellent Oakland rock quartet The Heavenly States headlined our \u003cb>Presents\u003c/b> show in late 2007, we began eagerly awaiting the follow-up to their well received 2005 album \u003cb>Black Comet\u003c/b>. Released earlier this year on The Rebel Group label, \u003cb>Delayer\u003c/b> is a strong work which displays the band’s skill at applying rich instrumental texture to all-out rockers and more contemplative numbers alike. At the same time, the lyrics consistently resonate with wit and honesty, giving the whole CD the feeling of a unified and personal worldview.\u003c/p>\n\u003cp>As we learned during our interview, the delay (no pun intended) in the new record’s arrival is in part attributable to the attention the band received for being the first American act to tour Libya following the lifting of the trade embargo between the the US and the former “rogue state.” And while that trip cut short the band’s recording schedule for \u003cb>Black Comet\u003c/b>, they spent significantly more time in the studio on the new CD, self-producing the record as a group. Needless to say, they’re very excited for people to hear the results.\u003c/p>\n\u003cp>We spoke with all four members at \u003cb>The Bay Bridged\u003c/b> headquarters and discussed the new album’s place in their discography, reflections on the Libyan tour, and a slew of frequently hilarious anecdotes. Too many, in fact, for us to include them all in one episode and, for time, some great stuff remains on the cutting room floor. Along with the talk, we’ve got four Heavenly States songs, including two from \u003cb>Delayer\u003c/b> and another two from their past works.\u003c/p>\n\u003cp>The Heavenly States celebrate the release of the Foggy Holiday Compilation put out by Talking House Records:\u003cbr>Friday, December 5th\u003cbr>Bottom of the Hill\u003cbr>with The Trophy Fire, The Federalists and I the Mighty\u003cbr>8:30pm, $10\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/23752/the_heavenly_states",
"authors": [
"92"
],
"categories": [
"arts_69"
],
"affiliates": [
"arts_147"
],
"featImg": "arts_10023752",
"label": "arts_147"
},
"arts_23741": {
"type": "posts",
"id": "arts_23741",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "23741",
"score": null,
"sort": [
1227642864000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 147
},
"blocks": [],
"publishDate": 1227642864,
"format": "audio",
"title": "French Miami",
"headTitle": "French Miami | KQED",
"content": "\u003cp>Few groups have left the impression that this trio did when we first saw them perform at this year’s \u003cb>Rock Make Street Festival\u003c/b>, where they delivered a compelling performance combining the precision of prog- and math-rock with an addictive melodic streak. It’s the rare band that can balance equal parts heaviness and catchiness without coming off as a disjointed mess, and French Miami manages to fuse the two with impeccable skill.\u003c/p>\n\u003cp>While the guys won us over with their live show, last week they celebrated the release of their first full length effort, a self-titled album on Dinner Party Records. Working with Phil Manley (Trans Am/The F—ing Champs), \u003cb>French Miami\u003c/b> (the album) captures the bassless trio’s big sound well. It’s a brawny record full of sharp interplay between multi-instrumentalists Jay Heiselmann and Roland Curtis on compositions that favor repetition and dynamic shifts. Heiselmann’s vocals shift and adapt to the music as it goes, and he can be Mackaye-intense or Ocasek-poppy as each phrase requires. It’s an impressive release from a creative group that we hope will emerge as one of the Bay Area’s breakout bands in 2009.\u003c/p>\n\u003cp>We sat down with Roland, Jay, and drummer Chris Crawford a few weeks ago to discuss the band’s early quest to find a sound, as well as the inspiration behind the band members’ interest in music. Along with the interview, we’ve included four songs from the new album.\u003c/p>\n\u003cp>\u003cb>Upcoming Shows:\u003c/b>\u003cbr>Friday, December 19th\u003cbr>Bottom of the Hill\u003cbr>with Happy Hollows (Los Angeles) and Master/Slave\u003cbr>10pm, $8\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 280,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 6
},
"modified": 1705052900,
"excerpt": "This week, \u003cb>The Bay Bridged\u003c/b> spotlights French Miami, a San Francisco band whose synth-rock sound is as immediately gripping as it is difficult to pigeonhole.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "This week, The Bay Bridged spotlights French Miami, a San Francisco band whose synth-rock sound is as immediately gripping as it is difficult to pigeonhole.",
"title": "French Miami | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "French Miami",
"datePublished": "2008-11-25T11:54:24-08:00",
"dateModified": "2024-01-12T01:48:20-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "french_miami",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/programs/baybridged/",
"audioUrl": "http://media.libsyn.com/media/thebaybridged/French_Miami_Show.mp3",
"sticky": false,
"path": "/arts/23741/french_miami",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Few groups have left the impression that this trio did when we first saw them perform at this year’s \u003cb>Rock Make Street Festival\u003c/b>, where they delivered a compelling performance combining the precision of prog- and math-rock with an addictive melodic streak. It’s the rare band that can balance equal parts heaviness and catchiness without coming off as a disjointed mess, and French Miami manages to fuse the two with impeccable skill.\u003c/p>\n\u003cp>While the guys won us over with their live show, last week they celebrated the release of their first full length effort, a self-titled album on Dinner Party Records. Working with Phil Manley (Trans Am/The F—ing Champs), \u003cb>French Miami\u003c/b> (the album) captures the bassless trio’s big sound well. It’s a brawny record full of sharp interplay between multi-instrumentalists Jay Heiselmann and Roland Curtis on compositions that favor repetition and dynamic shifts. Heiselmann’s vocals shift and adapt to the music as it goes, and he can be Mackaye-intense or Ocasek-poppy as each phrase requires. It’s an impressive release from a creative group that we hope will emerge as one of the Bay Area’s breakout bands in 2009.\u003c/p>\n\u003cp>We sat down with Roland, Jay, and drummer Chris Crawford a few weeks ago to discuss the band’s early quest to find a sound, as well as the inspiration behind the band members’ interest in music. Along with the interview, we’ve included four songs from the new album.\u003c/p>\n\u003cp>\u003cb>Upcoming Shows:\u003c/b>\u003cbr>Friday, December 19th\u003cbr>Bottom of the Hill\u003cbr>with Happy Hollows (Los Angeles) and Master/Slave\u003cbr>10pm, $8\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/23741/french_miami",
"authors": [
"92"
],
"categories": [
"arts_69"
],
"affiliates": [
"arts_147"
],
"featImg": "arts_10023741",
"label": "arts_147"
},
"arts_23689": {
"type": "posts",
"id": "arts_23689",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "23689",
"score": null,
"sort": [
1227033012000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 147
},
"blocks": [],
"publishDate": 1227033012,
"format": "audio",
"title": "Music for Animals",
"headTitle": "Music for Animals | KQED",
"content": "\u003cp>Music for Animals is a San Francisco quartet that mixes a fondness for classic rock-pop hooks with a stripped-down modern aesthetic. Like their self-titled album, Music for Animals’ latest work, the \u003cb>If Looks Could Kill\u003c/b> EP is full of catchy choruses and danceable songs. But it also demonstrates the band pushing in new directions, with some slower tempos and production choices that highlight the their nuanced songwriting.\u003c/p>\n\u003cp>Ben and Christian sat down with Jay, Eli and Nick from Music for Animals a few weeks ago, discussing the new EP and the band’s ability to write songs that work equally well on record and on stage. We’ve also included four songs from the band’s catalog — including two from the new EP.\u003c/p>\n\u003cp>\u003cb>Upcoming Shows:\u003c/b>\u003cbr>Saturday, November 22nd\u003cbr>El Rio\u003cbr>with Transfer, The Silent Comedy, and Apside\u003cbr>9pm, $7\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 146,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 5
},
"modified": 1705052912,
"excerpt": "\u003cb>The Bay Bridged\u003c/b> interviews Music for Animals, a San Francisco quartet mixing a fondness for classic rock-pop hooks with a stripped-down modern aesthetic.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The Bay Bridged interviews Music for Animals, a San Francisco quartet mixing a fondness for classic rock-pop hooks with a stripped-down modern aesthetic.",
"title": "Music for Animals | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Music for Animals",
"datePublished": "2008-11-18T10:30:12-08:00",
"dateModified": "2024-01-12T01:48:32-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "music_for_animals",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/programs/baybridged/",
"audioUrl": "http://media.libsyn.com/media/thebaybridged/Music_for_Animals_Show.mp3",
"sticky": false,
"path": "/arts/23689/music_for_animals",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Music for Animals is a San Francisco quartet that mixes a fondness for classic rock-pop hooks with a stripped-down modern aesthetic. Like their self-titled album, Music for Animals’ latest work, the \u003cb>If Looks Could Kill\u003c/b> EP is full of catchy choruses and danceable songs. But it also demonstrates the band pushing in new directions, with some slower tempos and production choices that highlight the their nuanced songwriting.\u003c/p>\n\u003cp>Ben and Christian sat down with Jay, Eli and Nick from Music for Animals a few weeks ago, discussing the new EP and the band’s ability to write songs that work equally well on record and on stage. We’ve also included four songs from the band’s catalog — including two from the new EP.\u003c/p>\n\u003cp>\u003cb>Upcoming Shows:\u003c/b>\u003cbr>Saturday, November 22nd\u003cbr>El Rio\u003cbr>with Transfer, The Silent Comedy, and Apside\u003cbr>9pm, $7\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/23689/music_for_animals",
"authors": [
"92"
],
"categories": [
"arts_69"
],
"affiliates": [
"arts_147"
],
"featImg": "arts_10023689",
"label": "arts_147"
},
"arts_23608": {
"type": "posts",
"id": "arts_23608",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "23608",
"score": null,
"sort": [
1225221695000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 147
},
"blocks": [],
"publishDate": 1225221695,
"format": "audio",
"title": "maus haus",
"headTitle": "maus haus | KQED",
"content": "\u003cp>We were intrigued when we first heard that Aaron Weiss (ex-Social Studies) and Jason Kick (The Lovely Public, Social Studies) were working on a new project called maus haus. The band’s self-distributed demos set early expectations quite high with a unique sound that eschewed guitars for a pastiche-driven mix of synthesizers, classical instruments and drum machines.\u003c/p>\n\u003cp>Maus haus’s debut album, \u003cb>Lark Marvels\u003c/b>, out this week, reflects the twin touchstones of Krautrock and off-kilter baroque pop. Somehow, the members of maus haus seem free to try anything, while maintaining the focus needed to harness an apparantly limitless sound palette. It’s remarkable that a group with this many members, who have all been involved in other acclaimed musical projects, could succeed cohesively in the studio or on the stage.\u003c/p>\n\u003cp>We spoke with five-sixths of maus haus a few weeks ago, discussing how the band has managed to channel its members’ diverse musical ideas and interests. We’re excited to include four songs from \u003cb>Lark Marvels\u003c/b> alongside excerpts from the interview.\u003c/p>\n\u003cp>\u003cb>Upcoming Shows:\u003c/b>\u003c/p>\n\u003cp>Wednesday, October 29, 2008\u003cbr>Rickshaw Stop (Record release show!)\u003cbr>Casy #38; Brian and Religious Girls\u003cbr>8pm, $8\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Saturday, November 15, 2008\u003cbr>UC Merced (Merced, CA)\u003cbr>with Scissors for Lefty and Rademacher\u003cbr>1pm, all ages\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 215,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 8
},
"modified": 1705052937,
"excerpt": "This week's podcast features San Francisco experimental pop sextet maus haus, a band that ranks as one of the most promising young groups in Bay Area indie music.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "This week's podcast features San Francisco experimental pop sextet maus haus, a band that ranks as one of the most promising young groups in Bay Area indie music.",
"title": "maus haus | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "maus haus",
"datePublished": "2008-10-28T12:21:35-07:00",
"dateModified": "2024-01-12T01:48:57-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "maus_haus",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/programs/baybridged/",
"audioUrl": "http://media.libsyn.com/media/thebaybridged/Maus_Haus_Show.mp3",
"sticky": false,
"path": "/arts/23608/maus_haus",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>We were intrigued when we first heard that Aaron Weiss (ex-Social Studies) and Jason Kick (The Lovely Public, Social Studies) were working on a new project called maus haus. The band’s self-distributed demos set early expectations quite high with a unique sound that eschewed guitars for a pastiche-driven mix of synthesizers, classical instruments and drum machines.\u003c/p>\n\u003cp>Maus haus’s debut album, \u003cb>Lark Marvels\u003c/b>, out this week, reflects the twin touchstones of Krautrock and off-kilter baroque pop. Somehow, the members of maus haus seem free to try anything, while maintaining the focus needed to harness an apparantly limitless sound palette. It’s remarkable that a group with this many members, who have all been involved in other acclaimed musical projects, could succeed cohesively in the studio or on the stage.\u003c/p>\n\u003cp>We spoke with five-sixths of maus haus a few weeks ago, discussing how the band has managed to channel its members’ diverse musical ideas and interests. We’re excited to include four songs from \u003cb>Lark Marvels\u003c/b> alongside excerpts from the interview.\u003c/p>\n\u003cp>\u003cb>Upcoming Shows:\u003c/b>\u003c/p>\n\u003cp>Wednesday, October 29, 2008\u003cbr>Rickshaw Stop (Record release show!)\u003cbr>Casy #38; Brian and Religious Girls\u003cbr>8pm, $8\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Saturday, November 15, 2008\u003cbr>UC Merced (Merced, CA)\u003cbr>with Scissors for Lefty and Rademacher\u003cbr>1pm, all ages\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/23608/maus_haus",
"authors": [
"92"
],
"categories": [
"arts_69"
],
"affiliates": [
"arts_147"
],
"featImg": "arts_10023608",
"label": "arts_147"
},
"arts_23539": {
"type": "posts",
"id": "arts_23539",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "23539",
"score": null,
"sort": [
1224100806000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 147
},
"blocks": [],
"publishDate": 1224100806,
"format": "audio",
"title": "Loquat",
"headTitle": "Loquat | KQED",
"content": "\u003cp>This week’s podcast episode spotlights San Francisco’s Loquat, a quintet that creates catchy, melodic indie pop with a mix of electronic and traditional rock sounds. In 2005, the band released \u003cb>It’s Yours To Keep\u003c/b>, a full length debut that continues to win new fans with its seductively catchy songs. In the three years the band has been working on their latest album, their live shows have continued to please crowds, including a set at the Bay Area Takeover that remains one of our South by Southwest highlights. Today, the wait for Loquat’s latest is over, with the release of \u003cb>Secrets of the Sea\u003c/b> on Talking House Records.\u003c/p>\n\u003cp> <p.A lot of bands tend to overwhelm the listener with electronic layers and production tricks, but Loquat's sound manages to feel simultaneously full and slinky. There's sophisticated songwriting at work here, but the well-placed synth sounds and funky low end make it super danceable as well. Add to that Kylee Swenson's strong vocals and moving personal lyrics, and you've got an album that should appeal to fans of indie pop and synth-rock alike. It's also an exciting next step for this very talented Bay Area band.\u003c/p>\n\u003cp>We sat down with members of Loquat a few months ago, discussing the long creative process behind the new album and the band’s plans now that it’s out. We’re pleased to include four songs from \u003cb>Secrets of the Sea\u003c/b> along with excerpts from that conversation.\u003c/p>\n\u003cp>\u003cb>Upcoming Shows:\u003c/b>\u003cbr>Saturday, November 8, 2008\u003cbr>Bottom of the Hill\u003cbr>with The Frail and Mist and Mast\u003cbr>10pm, $12, all ages\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 281,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 6
},
"modified": 1705052955,
"excerpt": "This week, Christian and Ben spotlight San Francisco's Loquat, a quintet that creates catchy, melodic indie pop with a mix of electronic and traditional rock sounds. This episode features an interview with the band and 4 songs off of their brand new full length album, \u003cb>Songs of the Sea\u003c/b>.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "This week, Christian and Ben spotlight San Francisco's Loquat, a quintet that creates catchy, melodic indie pop with a mix of electronic and traditional rock sounds. This episode features an interview with the band and 4 songs off of their brand new full length album, Songs of the Sea.",
"title": "Loquat | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Loquat",
"datePublished": "2008-10-15T13:00:06-07:00",
"dateModified": "2024-01-12T01:49:15-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "loquat",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/programs/baybridged/",
"audioUrl": "http://media.libsyn.com/media/thebaybridged/Loquat_Show.mp3",
"sticky": false,
"path": "/arts/23539/loquat",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This week’s podcast episode spotlights San Francisco’s Loquat, a quintet that creates catchy, melodic indie pop with a mix of electronic and traditional rock sounds. In 2005, the band released \u003cb>It’s Yours To Keep\u003c/b>, a full length debut that continues to win new fans with its seductively catchy songs. In the three years the band has been working on their latest album, their live shows have continued to please crowds, including a set at the Bay Area Takeover that remains one of our South by Southwest highlights. Today, the wait for Loquat’s latest is over, with the release of \u003cb>Secrets of the Sea\u003c/b> on Talking House Records.\u003c/p>\n\u003cp> <p.A lot of bands tend to overwhelm the listener with electronic layers and production tricks, but Loquat's sound manages to feel simultaneously full and slinky. There's sophisticated songwriting at work here, but the well-placed synth sounds and funky low end make it super danceable as well. Add to that Kylee Swenson's strong vocals and moving personal lyrics, and you've got an album that should appeal to fans of indie pop and synth-rock alike. It's also an exciting next step for this very talented Bay Area band.\u003c/p>\n\u003cp>We sat down with members of Loquat a few months ago, discussing the long creative process behind the new album and the band’s plans now that it’s out. We’re pleased to include four songs from \u003cb>Secrets of the Sea\u003c/b> along with excerpts from that conversation.\u003c/p>\n\u003cp>\u003cb>Upcoming Shows:\u003c/b>\u003cbr>Saturday, November 8, 2008\u003cbr>Bottom of the Hill\u003cbr>with The Frail and Mist and Mast\u003cbr>10pm, $12, all ages\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/23539/loquat",
"authors": [
"92"
],
"categories": [
"arts_69"
],
"affiliates": [
"arts_147"
],
"featImg": "arts_10023539",
"label": "arts_147"
},
"arts_23334": {
"type": "posts",
"id": "arts_23334",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "23334",
"score": null,
"sort": [
1221008861000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 147
},
"blocks": [],
"publishDate": 1221008861,
"format": "audio",
"title": "Bart Davenport",
"headTitle": "Bart Davenport | KQED",
"content": "\u003cp>This week’s podcast features Bart Davenport, a Berkeley native whose lengthy music career has spanned RB, garage rock, and electronic pop with The Loved Ones, The Kinetics, Persephone’s Bees and Honeycut, as well as several well-received albums as a solo singer-songwriter. After years of successful touring with Honeycut, Bart now returns to the solo artist world with \u003cb>Palaces\u003c/b>, out today on Antenna Farm Records. Full of compelling, catchy melodies and great pop songwriting, \u003cb>Palaces\u003c/b> is definitely one of the best records we’ve heard this year.\u003c/p>\n\u003cp>Initially planned as collaborative effort with local producer and songwriter Kelley Stoltz, Davenport found himself taking over the reigns with only a handful of songs completed, when scheduling conflicts directed Stoltz elsewhere. Perhaps as a result, the album draws from across the talented performer’s broad spectrum of musical tastes, with songs ranging from folksy to funky and melancholic to upbeat. And while Stoltz, the guys from Honeycut, and others appear on the album, it’s clearly Bart’s show, as he manages to channel his love of classic RB and pop into a thoroughly modern affair.\u003c/p>\n\u003cp>We spoke with Bart a few weeks back for a fascinating discussion of tour stories, evolving musical influences and more. We’re also excited to include four songs from \u003cb>Palaces\u003c/b> in the episode and you should be sure to catch Bart live at his CD release show later this month, or on his upcoming national tour.\u003c/p>\n\u003cp>\u003cb>Upcoming Shows:\u003c/b>\u003cbr>Cafe du Nord\u003cbr>with Sugar and Gold and Miles Benjamin Anthony Robinson\u003cbr>Friday, Sept. 19, 9:30pm, $12\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 270,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 6
},
"modified": 1705052998,
"excerpt": "This week, Ben and Christian interview Bart Davenport, a Berkeley native whose lengthy music career has spanned RB, garage rock, and electronic pop with The Loved Ones, The Kinetics, Persephone's Bees and Honeycut.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "This week, Ben and Christian interview Bart Davenport, a Berkeley native whose lengthy music career has spanned RB, garage rock, and electronic pop with The Loved Ones, The Kinetics, Persephone's Bees and Honeycut.",
"title": "Bart Davenport | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Bart Davenport",
"datePublished": "2008-09-09T18:07:41-07:00",
"dateModified": "2024-01-12T01:49:58-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "bart_davenport",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/programs/baybridged/",
"audioUrl": "http://media.libsyn.com/media/thebaybridged/Bart_Davenport_Show.mp3",
"sticky": false,
"path": "/arts/23334/bart_davenport",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This week’s podcast features Bart Davenport, a Berkeley native whose lengthy music career has spanned RB, garage rock, and electronic pop with The Loved Ones, The Kinetics, Persephone’s Bees and Honeycut, as well as several well-received albums as a solo singer-songwriter. After years of successful touring with Honeycut, Bart now returns to the solo artist world with \u003cb>Palaces\u003c/b>, out today on Antenna Farm Records. Full of compelling, catchy melodies and great pop songwriting, \u003cb>Palaces\u003c/b> is definitely one of the best records we’ve heard this year.\u003c/p>\n\u003cp>Initially planned as collaborative effort with local producer and songwriter Kelley Stoltz, Davenport found himself taking over the reigns with only a handful of songs completed, when scheduling conflicts directed Stoltz elsewhere. Perhaps as a result, the album draws from across the talented performer’s broad spectrum of musical tastes, with songs ranging from folksy to funky and melancholic to upbeat. And while Stoltz, the guys from Honeycut, and others appear on the album, it’s clearly Bart’s show, as he manages to channel his love of classic RB and pop into a thoroughly modern affair.\u003c/p>\n\u003cp>We spoke with Bart a few weeks back for a fascinating discussion of tour stories, evolving musical influences and more. We’re also excited to include four songs from \u003cb>Palaces\u003c/b> in the episode and you should be sure to catch Bart live at his CD release show later this month, or on his upcoming national tour.\u003c/p>\n\u003cp>\u003cb>Upcoming Shows:\u003c/b>\u003cbr>Cafe du Nord\u003cbr>with Sugar and Gold and Miles Benjamin Anthony Robinson\u003cbr>Friday, Sept. 19, 9:30pm, $12\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/23334/bart_davenport",
"authors": [
"92"
],
"categories": [
"arts_69"
],
"affiliates": [
"arts_147"
],
"featImg": "arts_10023334",
"label": "arts_147"
},
"arts_23185": {
"type": "posts",
"id": "arts_23185",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "23185",
"score": null,
"sort": [
1218571822000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 147
},
"blocks": [],
"publishDate": 1218571822,
"format": "audio",
"title": "Judgement Day",
"headTitle": "Judgement Day | KQED",
"content": "\u003cp>This week’s featured band is Judgement Day, a violin-cello-drums trio from Oakland that plays instrumental rock that’s as intense as it is unconventional. Unlike the many who abandon their early instruments for guitars, Anton and Lewis Patzner use their classical training to explore rock motifs, amplifying the results through the manipulation of a variety of effects pedals and the similarly strong drumming of bandmate Jon Bush.\u003c/p>\n\u003cp>The Patzners’ innovative use of effects and the band’s heavy sound have led many to label their band “string metal,” although their unique setup and ability to go acoustic or electric means that the trio continues to play shows with punk rockers and indie poppers alike. As we learned during the interview, the process of recording their second full-length album has found them exploring slower tempos and different sounds, moving from string metal to heavy, powerful rock. They’ve also gained experience accompanying other more veteran groups on tour, as they did recently with Mates of State.\u003c/p>\n\u003cp>We sat down with Anton and Lewis a few weeks ago to discuss Judgement Day’s upcoming album, the group’s early performances, and the things they’ve learned from playing with other bands. We also recorded an exclusive impromptu jam featuring Anton on violin and Lewis on percussion. It’s a great performance that showcases the band’s intuitive sense of creativity and eye-widening musicianship.\u003c/p>\n\u003cp>Upcoming Shows:\u003cbr>The Bay Bridged Presents:\u003cbr>Sunday, August 17th\u003cbr>Cafe du Nord\u003cbr>with Geographer (CD Release!) and Cotillion\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 266,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 6
},
"modified": 1705053035,
"excerpt": "Ben and Christian interview Anton and Lewis Patzner of Judgement Day, a violin-cello-drums trio from Oakland that plays instrumental rock that is as intense as it is unconventional.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Ben and Christian interview Anton and Lewis Patzner of Judgement Day, a violin-cello-drums trio from Oakland that plays instrumental rock that is as intense as it is unconventional.",
"title": "Judgement Day | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Judgement Day",
"datePublished": "2008-08-12T13:10:22-07:00",
"dateModified": "2024-01-12T01:50:35-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "judgement_day",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/programs/baybridged/",
"audioUrl": "http://media.libsyn.com/media/thebaybridged/Judgement_Day_Show.mp3",
"sticky": false,
"path": "/arts/23185/judgement_day",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This week’s featured band is Judgement Day, a violin-cello-drums trio from Oakland that plays instrumental rock that’s as intense as it is unconventional. Unlike the many who abandon their early instruments for guitars, Anton and Lewis Patzner use their classical training to explore rock motifs, amplifying the results through the manipulation of a variety of effects pedals and the similarly strong drumming of bandmate Jon Bush.\u003c/p>\n\u003cp>The Patzners’ innovative use of effects and the band’s heavy sound have led many to label their band “string metal,” although their unique setup and ability to go acoustic or electric means that the trio continues to play shows with punk rockers and indie poppers alike. As we learned during the interview, the process of recording their second full-length album has found them exploring slower tempos and different sounds, moving from string metal to heavy, powerful rock. They’ve also gained experience accompanying other more veteran groups on tour, as they did recently with Mates of State.\u003c/p>\n\u003cp>We sat down with Anton and Lewis a few weeks ago to discuss Judgement Day’s upcoming album, the group’s early performances, and the things they’ve learned from playing with other bands. We also recorded an exclusive impromptu jam featuring Anton on violin and Lewis on percussion. It’s a great performance that showcases the band’s intuitive sense of creativity and eye-widening musicianship.\u003c/p>\n\u003cp>Upcoming Shows:\u003cbr>The Bay Bridged Presents:\u003cbr>Sunday, August 17th\u003cbr>Cafe du Nord\u003cbr>with Geographer (CD Release!) and Cotillion\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/23185/judgement_day",
"authors": [
"92"
],
"categories": [
"arts_69"
],
"affiliates": [
"arts_147"
],
"featImg": "arts_10023185",
"label": "arts_147"
}
},
"podcastsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"podcasts": {}
},
"radioProgramsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"radioPrograms": {}
},
"radioSearchSegmentsReducer": {},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"amazon": "https://music.amazon.com/podcasts/9a90d476-aa04-455d-9a4c-0871ed6216d4/bay-curious",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"amazon": "https://music.amazon.com/podcasts/44420f75-3b0e-4301-ab3b-16da6b09e543/the-political-mind-of-jerry-brown"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Snap Judgment",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Spooked",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"amazon": "https://music.amazon.com/podcasts/d800ea4c-7a2c-42f2-b861-edaf78a5db0b/the-bay",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"racesGenElection2026Reducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/arts?affiliate=the-bay-bridged": {
"isFetching": false,
"latestQuery": {
"from": 168,
"size": 12
},
"vitalsOnly": false,
"totalRequested": 12,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 183,
"relation": "eq"
},
"items": [
"arts_24118",
"arts_24044",
"arts_23925",
"arts_23876",
"arts_23779",
"arts_23752",
"arts_23741",
"arts_23689",
"arts_23608",
"arts_23539",
"arts_23334",
"arts_23185"
],
"complete": true
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"newslettersReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"newsletters": {},
"isSubscribing": false,
"isUnsubscribing": false,
"subscribedNewsletters": {}
},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"careers": {
"name": "Careers",
"type": "terms",
"id": "careers",
"slug": "careers",
"link": "/careers",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"newsletters": {
"name": "newsletters",
"type": "terms",
"id": "newsletters",
"slug": "newsletters",
"link": "/newsletters",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"arts_affiliate_the-bay-bridged": {
"isLoading": true
},
"arts_147": {
"type": "terms",
"id": "arts_147",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "147",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/2/2014/04/logo-thebaybridged1.png",
"name": "The Bay Bridged",
"description": null,
"taxonomy": "affiliate",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "The Bay Bridged Archives | KQED Arts",
"ogDescription": null
},
"ttid": 148,
"slug": "the-bay-bridged",
"isLoading": false,
"link": "/arts/affiliate/the-bay-bridged"
},
"arts_69": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"link": "/arts/category/music"
}
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
}
}