window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"arts_13703775": {
"type": "attachments",
"id": "arts_13703775",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13703775",
"found": true
},
"parent": 13703773,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Harold_And_Lillian_wide-8bd87ff655e00894a7f44f02fa06154ab410f8c9-520x292.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 292
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Harold_And_Lillian_wide-8bd87ff655e00894a7f44f02fa06154ab410f8c9-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Harold_And_Lillian_wide-8bd87ff655e00894a7f44f02fa06154ab410f8c9-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Harold_And_Lillian_wide-8bd87ff655e00894a7f44f02fa06154ab410f8c9-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Harold_And_Lillian_wide-8bd87ff655e00894a7f44f02fa06154ab410f8c9-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Harold_And_Lillian_wide-8bd87ff655e00894a7f44f02fa06154ab410f8c9-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Harold_And_Lillian_wide-8bd87ff655e00894a7f44f02fa06154ab410f8c9.jpg",
"width": 2477,
"height": 1393
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Harold_And_Lillian_wide-8bd87ff655e00894a7f44f02fa06154ab410f8c9-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Harold_And_Lillian_wide-8bd87ff655e00894a7f44f02fa06154ab410f8c9-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Harold_And_Lillian_wide-8bd87ff655e00894a7f44f02fa06154ab410f8c9-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Harold_And_Lillian_wide-8bd87ff655e00894a7f44f02fa06154ab410f8c9-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Harold_And_Lillian_wide-8bd87ff655e00894a7f44f02fa06154ab410f8c9-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Harold_And_Lillian_wide-8bd87ff655e00894a7f44f02fa06154ab410f8c9-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Harold_And_Lillian_wide-8bd87ff655e00894a7f44f02fa06154ab410f8c9-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Harold_And_Lillian_wide-8bd87ff655e00894a7f44f02fa06154ab410f8c9-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Harold_And_Lillian_wide-8bd87ff655e00894a7f44f02fa06154ab410f8c9-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Harold_And_Lillian_wide-8bd87ff655e00894a7f44f02fa06154ab410f8c9-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Harold_And_Lillian_wide-8bd87ff655e00894a7f44f02fa06154ab410f8c9-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Harold_And_Lillian_wide-8bd87ff655e00894a7f44f02fa06154ab410f8c9-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Harold_And_Lillian_wide-8bd87ff655e00894a7f44f02fa06154ab410f8c9-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Harold_And_Lillian_wide-8bd87ff655e00894a7f44f02fa06154ab410f8c9-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1500588074,
"modified": 1500588519,
"caption": "'Howard and Lillian: A True Hollywood Love Story' chronicles the marriage of Lillian and Howard Michelson, who triumphed over challenges that have doomed many Hollywood couples.",
"description": "'Howard and Lillian: A True Hollywood Love Story' chronicles the marriage of Lillian and Howard Michelson, who triumphed over challenges that have doomed many Hollywood couples.",
"title": "Howard and Lillian: A True Hollywood Love Story chronicles the marriage of Lillian and Howard Michelson, who triumphed over challenges that have doomed many Hollywood couples.",
"credit": "Zeitgeist Films",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13703131": {
"type": "attachments",
"id": "arts_13703131",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13703131",
"found": true
},
"parent": 13703128,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/Chester-Bennington-e1500580930778-520x273.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 273
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/Chester-Bennington-e1500580930778-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/Chester-Bennington-e1500580930778-160x84.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 84
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/Chester-Bennington-e1500580930778-960x504.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 504
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/Chester-Bennington-e1500580930778-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/Chester-Bennington-e1500580930778-375x197.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 197
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/Chester-Bennington-e1500580930778.jpg",
"width": 3000,
"height": 1575
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/Chester-Bennington-e1500580930778-1020x536.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 536
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/Chester-Bennington-e1500580930778-1180x620.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 620
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/Chester-Bennington-e1500580930778-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/Chester-Bennington-e1500580930778-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/Chester-Bennington-e1500580930778-800x420.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 420
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/Chester-Bennington-e1500580930778-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/Chester-Bennington-e1500580930778-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/Chester-Bennington-e1500580930778-1920x1008.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1008
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/Chester-Bennington-e1500580930778-1180x620.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 620
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/Chester-Bennington-e1500580930778-1920x1008.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1008
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/Chester-Bennington-e1500580930778-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/Chester-Bennington-e1500580930778-768x403.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 403
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/Chester-Bennington-e1500580930778-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/Chester-Bennington-e1500580930778-240x126.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 126
}
},
"publishDate": 1500580877,
"modified": 1500580982,
"caption": "Chester Bennington of Linkin Park performs on stage at the iHeartRadio Album Release Party on May 22, 2017 in Burbank, California. ",
"description": "Chester Bennington of Linkin Park performs on stage at the iHeartRadio Album Release Party on May 22, 2017 in Burbank, California. ",
"title": "Linkin Park iHeartRadio Album Release Party Presented by State Farm at the iHeartRadio Theater LA",
"credit": "Photo: Rich Fury/Getty Images for iHeartMedia",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13697496": {
"type": "attachments",
"id": "arts_13697496",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13697496",
"found": true
},
"parent": 13697495,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/100803_d1995b_wide-88bed7c1d2a273cdbf5693392371ca78758c52e3-520x292.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 292
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/100803_d1995b_wide-88bed7c1d2a273cdbf5693392371ca78758c52e3-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/100803_d1995b_wide-88bed7c1d2a273cdbf5693392371ca78758c52e3-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/100803_d1995b_wide-88bed7c1d2a273cdbf5693392371ca78758c52e3-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/100803_d1995b_wide-88bed7c1d2a273cdbf5693392371ca78758c52e3-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/100803_d1995b_wide-88bed7c1d2a273cdbf5693392371ca78758c52e3-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/100803_d1995b_wide-88bed7c1d2a273cdbf5693392371ca78758c52e3.jpg",
"width": 2238,
"height": 1258
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/100803_d1995b_wide-88bed7c1d2a273cdbf5693392371ca78758c52e3-1020x573.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 573
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/100803_d1995b_wide-88bed7c1d2a273cdbf5693392371ca78758c52e3-1180x663.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 663
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/100803_d1995b_wide-88bed7c1d2a273cdbf5693392371ca78758c52e3-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/100803_d1995b_wide-88bed7c1d2a273cdbf5693392371ca78758c52e3-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/100803_d1995b_wide-88bed7c1d2a273cdbf5693392371ca78758c52e3-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/100803_d1995b_wide-88bed7c1d2a273cdbf5693392371ca78758c52e3-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/100803_d1995b_wide-88bed7c1d2a273cdbf5693392371ca78758c52e3-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/100803_d1995b_wide-88bed7c1d2a273cdbf5693392371ca78758c52e3-1920x1079.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1079
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/100803_d1995b_wide-88bed7c1d2a273cdbf5693392371ca78758c52e3-1180x663.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 663
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/100803_d1995b_wide-88bed7c1d2a273cdbf5693392371ca78758c52e3-1920x1079.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1079
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/100803_d1995b_wide-88bed7c1d2a273cdbf5693392371ca78758c52e3-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/100803_d1995b_wide-88bed7c1d2a273cdbf5693392371ca78758c52e3-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/100803_d1995b_wide-88bed7c1d2a273cdbf5693392371ca78758c52e3-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/100803_d1995b_wide-88bed7c1d2a273cdbf5693392371ca78758c52e3-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1500507982,
"modified": 1500507982,
"caption": null,
"description": "Actors Daniel Dae Kim (far left) and Grace Park (second from right) appeared alongside Alex O'Loughlin (far right) and Scott Caan in CBS's \u003cem>Hawaii Five-0.\u003c/em>",
"title": "Actors Daniel Dae Kim (far left) and Grace Park (second from right) appeared alongside Alex O'Loughlin (far right) and Scott Caan in CBS's Hawaii Five-0.",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13696248": {
"type": "attachments",
"id": "arts_13696248",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13696248",
"found": true
},
"parent": 13696247,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-668682926-3037adb0d5c979995a79540e16a9514c64c06e51-e1500497535392-520x292.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 292
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-668682926-3037adb0d5c979995a79540e16a9514c64c06e51-e1500497535392-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-668682926-3037adb0d5c979995a79540e16a9514c64c06e51-e1500497535392-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-668682926-3037adb0d5c979995a79540e16a9514c64c06e51-e1500497535392-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-668682926-3037adb0d5c979995a79540e16a9514c64c06e51-e1500497535392-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-668682926-3037adb0d5c979995a79540e16a9514c64c06e51-e1500497535392-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-668682926-3037adb0d5c979995a79540e16a9514c64c06e51-e1500497535392.jpg",
"width": 3987,
"height": 2242
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-668682926-3037adb0d5c979995a79540e16a9514c64c06e51-e1500497535392-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-668682926-3037adb0d5c979995a79540e16a9514c64c06e51-e1500497535392-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-668682926-3037adb0d5c979995a79540e16a9514c64c06e51-e1500497535392-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-668682926-3037adb0d5c979995a79540e16a9514c64c06e51-e1500497535392-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-668682926-3037adb0d5c979995a79540e16a9514c64c06e51-e1500497535392-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-668682926-3037adb0d5c979995a79540e16a9514c64c06e51-e1500497535392-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-668682926-3037adb0d5c979995a79540e16a9514c64c06e51-e1500497535392-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-668682926-3037adb0d5c979995a79540e16a9514c64c06e51-e1500497535392-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-668682926-3037adb0d5c979995a79540e16a9514c64c06e51-e1500497535392-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-668682926-3037adb0d5c979995a79540e16a9514c64c06e51-e1500497535392-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-668682926-3037adb0d5c979995a79540e16a9514c64c06e51-e1500497535392-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-668682926-3037adb0d5c979995a79540e16a9514c64c06e51-e1500497535392-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-668682926-3037adb0d5c979995a79540e16a9514c64c06e51-e1500497535392-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-668682926-3037adb0d5c979995a79540e16a9514c64c06e51-e1500497535392-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1500496270,
"modified": 1500497509,
"caption": "Internet personality Jake Paul is not being a thoughtful neighbor, according to residents who say his rental house has been the scene of fires and loud antics.",
"description": "Internet personality Jake Paul is not being a thoughtful neighbor, according to residents who say his rental house has been the scene of fires and loud antics.",
"title": "Internet personality Jake Paul is not being a thoughtful neighbor, according to residents who say his rental house has been the scene of fires and loud antics.",
"credit": "Photo: Rich Fury/Getty Images for H&M",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13689228": {
"type": "attachments",
"id": "arts_13689228",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13689228",
"found": true
},
"parent": 13689227,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-525644556_custom-ec310a6f2735bd673eaf81c088b186dc96c89313-e1500416288906-520x299.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 299
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-525644556_custom-ec310a6f2735bd673eaf81c088b186dc96c89313-e1500416288906-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-525644556_custom-ec310a6f2735bd673eaf81c088b186dc96c89313-e1500416288906-160x92.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 92
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-525644556_custom-ec310a6f2735bd673eaf81c088b186dc96c89313-e1500416288906-960x552.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 552
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-525644556_custom-ec310a6f2735bd673eaf81c088b186dc96c89313-e1500416288906-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-525644556_custom-ec310a6f2735bd673eaf81c088b186dc96c89313-e1500416288906-375x216.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 216
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-525644556_custom-ec310a6f2735bd673eaf81c088b186dc96c89313-e1500416323806.jpg",
"width": 1920,
"height": 1104
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-525644556_custom-ec310a6f2735bd673eaf81c088b186dc96c89313-e1500416288906-1020x586.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 586
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-525644556_custom-ec310a6f2735bd673eaf81c088b186dc96c89313-e1500416288906-1180x678.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 678
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-525644556_custom-ec310a6f2735bd673eaf81c088b186dc96c89313-e1500416288906-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-525644556_custom-ec310a6f2735bd673eaf81c088b186dc96c89313-e1500416288906-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-525644556_custom-ec310a6f2735bd673eaf81c088b186dc96c89313-e1500416288906-800x460.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 460
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-525644556_custom-ec310a6f2735bd673eaf81c088b186dc96c89313-e1500416288906-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-525644556_custom-ec310a6f2735bd673eaf81c088b186dc96c89313-e1500416288906-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-525644556_custom-ec310a6f2735bd673eaf81c088b186dc96c89313-e1500416288906-1920x1104.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1104
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-525644556_custom-ec310a6f2735bd673eaf81c088b186dc96c89313-e1500416288906-1180x678.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 678
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-525644556_custom-ec310a6f2735bd673eaf81c088b186dc96c89313-e1500416288906-1920x1104.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1104
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-525644556_custom-ec310a6f2735bd673eaf81c088b186dc96c89313-e1500416288906-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-525644556_custom-ec310a6f2735bd673eaf81c088b186dc96c89313-e1500416288906-768x441.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 441
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-525644556_custom-ec310a6f2735bd673eaf81c088b186dc96c89313-e1500416288906-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-525644556_custom-ec310a6f2735bd673eaf81c088b186dc96c89313-e1500416288906-240x138.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 138
}
},
"publishDate": 1500411927,
"modified": 1500416255,
"caption": "Museums only have so much wall space, which means the vast majority of their collections are sitting in storage. The San Francisco Museum of Modern Art has a creative solution to the problem -- the museum is texting its artwork to anyone who asks",
"description": "Museums only have so much wall space, which means the vast majority of their collections are sitting in storage. The San Francisco Museum of Modern Art has a creative solution to the problem -- the museum is texting its artwork to anyone who asks",
"title": "Museums only have so much wall space, which means the vast majority of their collections are sitting in storage. The San Francisco Museum of Modern Art has a creative solution to the problem — the museum is texting its artwork to anyone who asks.",
"credit": "Photo: Josh Edelson/AFP/Getty Images",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13683598": {
"type": "attachments",
"id": "arts_13683598",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13683598",
"found": true
},
"parent": 13683597,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/handel-3356c1bbe0ddf9b48a481ed21ad14d72e1a09df6-520x390.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 390
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/handel-3356c1bbe0ddf9b48a481ed21ad14d72e1a09df6-1000x576.jpg",
"width": 1000,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/handel-3356c1bbe0ddf9b48a481ed21ad14d72e1a09df6-160x120.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 120
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/handel-3356c1bbe0ddf9b48a481ed21ad14d72e1a09df6-960x720.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 720
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/handel-3356c1bbe0ddf9b48a481ed21ad14d72e1a09df6-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/handel-3356c1bbe0ddf9b48a481ed21ad14d72e1a09df6-375x281.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 281
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/handel-3356c1bbe0ddf9b48a481ed21ad14d72e1a09df6.jpg",
"width": 1000,
"height": 750
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/handel-3356c1bbe0ddf9b48a481ed21ad14d72e1a09df6-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/handel-3356c1bbe0ddf9b48a481ed21ad14d72e1a09df6-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/handel-3356c1bbe0ddf9b48a481ed21ad14d72e1a09df6-800x600.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 600
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/handel-3356c1bbe0ddf9b48a481ed21ad14d72e1a09df6-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/handel-3356c1bbe0ddf9b48a481ed21ad14d72e1a09df6-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/handel-3356c1bbe0ddf9b48a481ed21ad14d72e1a09df6-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/handel-3356c1bbe0ddf9b48a481ed21ad14d72e1a09df6-768x576.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 576
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/handel-3356c1bbe0ddf9b48a481ed21ad14d72e1a09df6-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/handel-3356c1bbe0ddf9b48a481ed21ad14d72e1a09df6-240x180.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 180
}
},
"publishDate": 1500339734,
"modified": 1500360530,
"caption": "A portrait of George Frideric Handel, presenting his 'Water Music' to King George I.",
"description": "A portrait of George Frideric Handel, presenting his 'Water Music' to King George I.",
"title": "A portrait of George Frideric Handel, presenting his Water Music to King George I.",
"credit": "Image: Getty/Bettmann Archive",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13685280": {
"type": "attachments",
"id": "arts_13685280",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13685280",
"found": true
},
"parent": 13683593,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/GettyImages-76521417-e1500359996775-520x292.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 292
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/GettyImages-76521417-e1500359996775-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/GettyImages-76521417-e1500359996775-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/GettyImages-76521417-e1500359996775-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/GettyImages-76521417-e1500359996775-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/GettyImages-76521417-e1500359996775-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/GettyImages-76521417-e1500359996775.jpg",
"width": 3000,
"height": 1687
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/GettyImages-76521417-e1500359996775-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/GettyImages-76521417-e1500359996775-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/GettyImages-76521417-e1500359996775-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/GettyImages-76521417-e1500359996775-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/GettyImages-76521417-e1500359996775-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/GettyImages-76521417-e1500359996775-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/GettyImages-76521417-e1500359996775-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/GettyImages-76521417-e1500359996775-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/GettyImages-76521417-e1500359996775-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/GettyImages-76521417-e1500359996775-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/GettyImages-76521417-e1500359996775-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/GettyImages-76521417-e1500359996775-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/GettyImages-76521417-e1500359996775-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/GettyImages-76521417-e1500359996775-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1500359925,
"modified": 1500359974,
"caption": "President and CEO of 'Ebony' Linda Johnson Rice speaks at a breakfast for Harriette Cole and Ebony Magazine hosted by The Metropolitan Museum of Art on September 5, 2007 in New York City. ",
"description": "President and CEO of 'Ebony' Linda Johnson Rice speaks at a breakfast for Harriette Cole and Ebony Magazine hosted by The Metropolitan Museum of Art on September 5, 2007 in New York City. ",
"title": "The Metropolitan Museum of Art hosts a breakfast for Harriette Cole",
"credit": "Photo: Amy Sussman/Getty Images",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13678751": {
"type": "attachments",
"id": "arts_13678751",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13678751",
"found": true
},
"parent": 13678750,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gr2-ff99ece1a1e51b15d810989c6b1109ef90702925-e1500273551772-520x292.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 292
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gr2-ff99ece1a1e51b15d810989c6b1109ef90702925-e1500273551772-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gr2-ff99ece1a1e51b15d810989c6b1109ef90702925-e1500273551772-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gr2-ff99ece1a1e51b15d810989c6b1109ef90702925-e1500273551772-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gr2-ff99ece1a1e51b15d810989c6b1109ef90702925-e1500273551772-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gr2-ff99ece1a1e51b15d810989c6b1109ef90702925-e1500273551772-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gr2-ff99ece1a1e51b15d810989c6b1109ef90702925-e1500273551772.jpg",
"width": 2357,
"height": 1325
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gr2-ff99ece1a1e51b15d810989c6b1109ef90702925-e1500273551772-1020x573.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 573
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gr2-ff99ece1a1e51b15d810989c6b1109ef90702925-e1500273551772-1180x663.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 663
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gr2-ff99ece1a1e51b15d810989c6b1109ef90702925-e1500273551772-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gr2-ff99ece1a1e51b15d810989c6b1109ef90702925-e1500273551772-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gr2-ff99ece1a1e51b15d810989c6b1109ef90702925-e1500273551772-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gr2-ff99ece1a1e51b15d810989c6b1109ef90702925-e1500273551772-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gr2-ff99ece1a1e51b15d810989c6b1109ef90702925-e1500273551772-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gr2-ff99ece1a1e51b15d810989c6b1109ef90702925-e1500273551772-1920x1079.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1079
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gr2-ff99ece1a1e51b15d810989c6b1109ef90702925-e1500273551772-1180x663.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 663
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gr2-ff99ece1a1e51b15d810989c6b1109ef90702925-e1500273551772-1920x1079.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1079
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gr2-ff99ece1a1e51b15d810989c6b1109ef90702925-e1500273551772-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gr2-ff99ece1a1e51b15d810989c6b1109ef90702925-e1500273551772-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gr2-ff99ece1a1e51b15d810989c6b1109ef90702925-e1500273551772-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gr2-ff99ece1a1e51b15d810989c6b1109ef90702925-e1500273551772-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1500273082,
"modified": 1500273530,
"caption": "Director George A. Romero attends the Night of the Living Dead World Premiere of Restored Print during the To Save and Project: The 14th MOMA International Festival of Film Preservation at MOMA on November 5, 2016 in New York City.",
"description": "Director George A. Romero attends the Night of the Living Dead World Premiere of Restored Print during the To Save and Project: The 14th MOMA International Festival of Film Preservation at MOMA on November 5, 2016 in New York City.",
"title": "Director George A. Romero attends the Night of the Living Dead World Premiere of Restored Print during the To Save and Project: The 14th MOMA International Festival of Film Preservation at MOMA on November 5, 2016 in New York City.",
"credit": "Photo: Lars Niki/Getty Images for Museum of Modern Art",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13666384": {
"type": "attachments",
"id": "arts_13666384",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13666384",
"found": true
},
"parent": 13666383,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-187500644_wide-b48906789f44980fce4600f118e0e3f9634f7e61-1-520x293.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 293
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-187500644_wide-b48906789f44980fce4600f118e0e3f9634f7e61-1-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-187500644_wide-b48906789f44980fce4600f118e0e3f9634f7e61-1-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-187500644_wide-b48906789f44980fce4600f118e0e3f9634f7e61-1-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-187500644_wide-b48906789f44980fce4600f118e0e3f9634f7e61-1-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-187500644_wide-b48906789f44980fce4600f118e0e3f9634f7e61-1-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-187500644_wide-b48906789f44980fce4600f118e0e3f9634f7e61-1.jpg",
"width": 2586,
"height": 1455
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-187500644_wide-b48906789f44980fce4600f118e0e3f9634f7e61-1-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-187500644_wide-b48906789f44980fce4600f118e0e3f9634f7e61-1-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-187500644_wide-b48906789f44980fce4600f118e0e3f9634f7e61-1-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-187500644_wide-b48906789f44980fce4600f118e0e3f9634f7e61-1-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-187500644_wide-b48906789f44980fce4600f118e0e3f9634f7e61-1-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-187500644_wide-b48906789f44980fce4600f118e0e3f9634f7e61-1-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-187500644_wide-b48906789f44980fce4600f118e0e3f9634f7e61-1-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-187500644_wide-b48906789f44980fce4600f118e0e3f9634f7e61-1-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-187500644_wide-b48906789f44980fce4600f118e0e3f9634f7e61-1-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-187500644_wide-b48906789f44980fce4600f118e0e3f9634f7e61-1-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-187500644_wide-b48906789f44980fce4600f118e0e3f9634f7e61-1-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-187500644_wide-b48906789f44980fce4600f118e0e3f9634f7e61-1-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-187500644_wide-b48906789f44980fce4600f118e0e3f9634f7e61-1-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-187500644_wide-b48906789f44980fce4600f118e0e3f9634f7e61-1-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1500133510,
"modified": 1500133510,
"caption": null,
"description": "From left to right: Emin Agalarov, Donald Trump and Aras Agalarov (Emin's father) on the red carpet at the Miss Universe Pageant Competition 2013 in Moscow, Russia",
"title": "From left to right: Emin Agalarov, Donald Trump and Aras Agalarov (Emin's father) on the red carpet at the Miss Universe Pageant Competition 2013 in Moscow, Russia.",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13659359": {
"type": "attachments",
"id": "arts_13659359",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13659359",
"found": true
},
"parent": 13659356,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-519912836_wide-eae70f7defa83f530fdc32b17a19e831cf06d116-520x293.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 293
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-519912836_wide-eae70f7defa83f530fdc32b17a19e831cf06d116-1024x576.jpg",
"width": 1024,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-519912836_wide-eae70f7defa83f530fdc32b17a19e831cf06d116-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-519912836_wide-eae70f7defa83f530fdc32b17a19e831cf06d116-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-519912836_wide-eae70f7defa83f530fdc32b17a19e831cf06d116-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-519912836_wide-eae70f7defa83f530fdc32b17a19e831cf06d116-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-519912836_wide-eae70f7defa83f530fdc32b17a19e831cf06d116.jpg",
"width": 1024,
"height": 576
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-519912836_wide-eae70f7defa83f530fdc32b17a19e831cf06d116-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-519912836_wide-eae70f7defa83f530fdc32b17a19e831cf06d116-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-519912836_wide-eae70f7defa83f530fdc32b17a19e831cf06d116-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-519912836_wide-eae70f7defa83f530fdc32b17a19e831cf06d116-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-519912836_wide-eae70f7defa83f530fdc32b17a19e831cf06d116-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-519912836_wide-eae70f7defa83f530fdc32b17a19e831cf06d116-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-519912836_wide-eae70f7defa83f530fdc32b17a19e831cf06d116-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-519912836_wide-eae70f7defa83f530fdc32b17a19e831cf06d116-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-519912836_wide-eae70f7defa83f530fdc32b17a19e831cf06d116-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-519912836_wide-eae70f7defa83f530fdc32b17a19e831cf06d116-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1500056562,
"modified": 1500056562,
"caption": null,
"description": "Kid Rock at the 2016 Rock And Roll Hall Of Fame Induction Ceremony in New York City. Rock says he plans to run for Senate as a Republican in Michigan",
"title": "Kid Rock at the 2016 Rock And Roll Hall Of Fame Induction Ceremony in New York City. Rock says he plans to run for Senate as a Republican in Michigan.",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13654908": {
"type": "attachments",
"id": "arts_13654908",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13654908",
"found": true
},
"parent": 13654907,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/ghost-story_wide-5f34658a891d767df144284083b21b0c19a00bc1-520x292.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 292
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/ghost-story_wide-5f34658a891d767df144284083b21b0c19a00bc1-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/ghost-story_wide-5f34658a891d767df144284083b21b0c19a00bc1-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/ghost-story_wide-5f34658a891d767df144284083b21b0c19a00bc1-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/ghost-story_wide-5f34658a891d767df144284083b21b0c19a00bc1-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/ghost-story_wide-5f34658a891d767df144284083b21b0c19a00bc1-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/ghost-story_wide-5f34658a891d767df144284083b21b0c19a00bc1-e1499992884422.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/ghost-story_wide-5f34658a891d767df144284083b21b0c19a00bc1-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/ghost-story_wide-5f34658a891d767df144284083b21b0c19a00bc1-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/ghost-story_wide-5f34658a891d767df144284083b21b0c19a00bc1-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/ghost-story_wide-5f34658a891d767df144284083b21b0c19a00bc1-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/ghost-story_wide-5f34658a891d767df144284083b21b0c19a00bc1-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/ghost-story_wide-5f34658a891d767df144284083b21b0c19a00bc1-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/ghost-story_wide-5f34658a891d767df144284083b21b0c19a00bc1-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/ghost-story_wide-5f34658a891d767df144284083b21b0c19a00bc1-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/ghost-story_wide-5f34658a891d767df144284083b21b0c19a00bc1-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/ghost-story_wide-5f34658a891d767df144284083b21b0c19a00bc1-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/ghost-story_wide-5f34658a891d767df144284083b21b0c19a00bc1-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/ghost-story_wide-5f34658a891d767df144284083b21b0c19a00bc1-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/ghost-story_wide-5f34658a891d767df144284083b21b0c19a00bc1-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/ghost-story_wide-5f34658a891d767df144284083b21b0c19a00bc1-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1499992638,
"modified": 1499992943,
"caption": "'A Ghost Story' unfolds in long, static shots, most of them without faces to hang onto.",
"description": "'A Ghost Story' unfolds in long, static shots, most of them without faces to hang onto.",
"title": "A Ghost Story unfolds in long, static shots, most of them without faces to hang onto.",
"credit": "Bret Curry/Courtesy of A24",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13646989": {
"type": "attachments",
"id": "arts_13646989",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13646989",
"found": true
},
"parent": 13646988,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-76327479-3b945f751ff41c0f9ad848a220d98d8149d6b94d-e1499902708174-520x292.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 292
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-76327479-3b945f751ff41c0f9ad848a220d98d8149d6b94d-909x576.jpg",
"width": 909,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-76327479-3b945f751ff41c0f9ad848a220d98d8149d6b94d-e1499902708174-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-76327479-3b945f751ff41c0f9ad848a220d98d8149d6b94d-e1499902708174-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-76327479-3b945f751ff41c0f9ad848a220d98d8149d6b94d-e1499902708174-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-76327479-3b945f751ff41c0f9ad848a220d98d8149d6b94d-e1499902708174.jpg",
"width": 909,
"height": 511
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-76327479-3b945f751ff41c0f9ad848a220d98d8149d6b94d-e1499902708174-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-76327479-3b945f751ff41c0f9ad848a220d98d8149d6b94d-e1499902708174-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-76327479-3b945f751ff41c0f9ad848a220d98d8149d6b94d-e1499902708174-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-76327479-3b945f751ff41c0f9ad848a220d98d8149d6b94d-e1499902708174-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-76327479-3b945f751ff41c0f9ad848a220d98d8149d6b94d-e1499902708174-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-76327479-3b945f751ff41c0f9ad848a220d98d8149d6b94d-e1499902708174-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-76327479-3b945f751ff41c0f9ad848a220d98d8149d6b94d-e1499902708174-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-76327479-3b945f751ff41c0f9ad848a220d98d8149d6b94d-e1499902708174-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/07/gettyimages-76327479-3b945f751ff41c0f9ad848a220d98d8149d6b94d-e1499902708174-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1499901666,
"modified": 1499902747,
"caption": "Guitarist Ray Phiri on stage with his band Stimela in Johannesburg, South Africa, in 2007.",
"description": "Guitarist Ray Phiri on stage with his band Stimela in Johannesburg, South Africa, in 2007.",
"title": "Guitarist Ray Phiri on stage with his band Stimela in Johannesburg, South Africa, in 2007.",
"credit": "Photo: Lefty Shivambu/Gallo Images/Getty Images",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false,
"liveAudioPlayStartedAt": 0,
"liveAudioPlayContext": ""
},
"authorsReducer": {
"byline_arts_13703773": {
"type": "authors",
"id": "byline_arts_13703773",
"meta": {
"override": true
},
"slug": "byline_arts_13703773",
"name": "Scott Tobias",
"isLoading": false
},
"byline_arts_13703128": {
"type": "authors",
"id": "byline_arts_13703128",
"meta": {
"override": true
},
"slug": "byline_arts_13703128",
"name": "Anastasia Tsioulcas",
"isLoading": false
},
"byline_arts_13697495": {
"type": "authors",
"id": "byline_arts_13697495",
"meta": {
"override": true
},
"slug": "byline_arts_13697495",
"name": "Eric Deggans",
"isLoading": false
},
"byline_arts_13696247": {
"type": "authors",
"id": "byline_arts_13696247",
"meta": {
"override": true
},
"slug": "byline_arts_13696247",
"name": "Bill Chappell",
"isLoading": false
},
"byline_arts_13689227": {
"type": "authors",
"id": "byline_arts_13689227",
"meta": {
"override": true
},
"slug": "byline_arts_13689227",
"name": "David Greene",
"isLoading": false
},
"byline_arts_13683597": {
"type": "authors",
"id": "byline_arts_13683597",
"meta": {
"override": true
},
"slug": "byline_arts_13683597",
"name": "Tom Huizenga",
"isLoading": false
},
"byline_arts_13683593": {
"type": "authors",
"id": "byline_arts_13683593",
"meta": {
"override": true
},
"slug": "byline_arts_13683593",
"name": "Karen Grigsby Bates",
"isLoading": false
},
"byline_arts_13678750": {
"type": "authors",
"id": "byline_arts_13678750",
"meta": {
"override": true
},
"slug": "byline_arts_13678750",
"name": "Maquita Peters",
"isLoading": false
},
"byline_arts_13666383": {
"type": "authors",
"id": "byline_arts_13666383",
"meta": {
"override": true
},
"slug": "byline_arts_13666383",
"name": "Mandalit del Barco",
"isLoading": false
},
"byline_arts_13659356": {
"type": "authors",
"id": "byline_arts_13659356",
"meta": {
"override": true
},
"slug": "byline_arts_13659356",
"name": "Brett Neely",
"isLoading": false
},
"byline_arts_13654907": {
"type": "authors",
"id": "byline_arts_13654907",
"meta": {
"override": true
},
"slug": "byline_arts_13654907",
"name": "Bob Mondello",
"isLoading": false
},
"byline_arts_13646988": {
"type": "authors",
"id": "byline_arts_13646988",
"meta": {
"override": true
},
"slug": "byline_arts_13646988",
"name": "Anastasia Tsioulcas",
"isLoading": false
}
},
"pagesReducer": {
"arts_affiliate_npr": {
"type": "terms",
"id": "arts_137",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "137",
"score": 14.2583885
},
"featImg": "https://ww2.kqed.org/app/uploads/sites/2/2014/04/logo-npr-lg1.png",
"name": "NPR",
"description": null,
"taxonomy": "affiliate",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "NPR Archives | KQED Arts",
"ogDescription": null
},
"ttid": 138,
"slug": "npr",
"isLoading": false,
"title": "NPR",
"pageMeta": {
"site": "arts",
"WpPageTemplate": "page-topic-editorial",
"currentPage": 159
},
"blocks": [
{
"blockName": "kqed/post-list",
"attrs": {
"layout": "cardArticle2",
"query": "posts/arts?affiliate=npr",
"seeMore": false,
"paginated": true,
"page": 159
}
},
{
"blockName": "kqed/ad"
}
]
}
},
"pfsSessionReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://streams.kqed.org/kqedradio",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"arts_13703773": {
"type": "posts",
"id": "arts_13703773",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13703773",
"score": null,
"sort": [
1500642021000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1500642021,
"format": "standard",
"title": "A Behind-The-Scenes Couple Get Star Treatment In 'Harold And Lillian'",
"headTitle": "A Behind-The-Scenes Couple Get Star Treatment In ‘Harold And Lillian’ | KQED",
"content": "\u003cp>What it is like to be married in Hollywood? We have a good idea about what it’s like to be \u003cem>divorced\u003c/em> in Hollywood, we’ve seen famous couples run aground by egos and scandal, and we’re well-versed in the ups-and-downs of a lifestyle where fortunes vary and relationship are jostled like luggage on a turbulent flight. The beautiful documentary \u003cem>Harold and Lillian: A Hollywood Love Story\u003c/em> celebrates a marriage and creative partnership that lasted six decades in the business, one that survived stretches of poverty and joblessness, catastrophic injury and alcoholism, and the challenges of raising an autistic son at a time when “refrigerator mothers” were blamed for the condition. Bottom line: A Hollywood marriage can be sublime and inspiring, but it’s always an adventure.\u003c/p>\n\u003cp>Though well-known and beloved by their peers, Harold and Lillian Michelson had the sorts of jobs that are often so far below the line that they’re not credited at all. As a production designer and art director, Harold would eventually earn Academy Award nominations for \u003cem>Star Trek: The Motion Picture\u003c/em> and \u003cem>Terms of Endearment\u003c/em>, but for the bulk of his career, dating back to an apprenticeship at Columbia Pictures in the late ’40s, he worked the art department as a concept illustrator and storyboard artist. Despite a passion for books and a formidable intellect — she was a spelling bee champion in her youth — Lillian stayed home and raised their three children until the early ’60s, when Harold was brought onto the lot at Samuel Goldwyn. He helped land her a volunteer position in the research library across the street, and a second career was born.\u003c/p>\n\u003cp>https://youtu.be/yA6fdelvNtw\u003c/p>\n\u003cp>Only the most hardcore cinephiles have heard of the Michelsons, but even casual viewers are familiar with their work. Harold’s talent for adjusting his storyboards for different camera lenses and telling stories shot-by-shot is readily apparent in sword-and-sandal epics like \u003cem>The Ten Commandments\u003c/em>, \u003cem>Ben Hur\u003c/em>, and \u003cem>Spartacus\u003c/em>, and he worked side-by-side with Alfred Hitchcock on \u003cem>The Birds\u003c/em> and \u003cem>Marnie\u003c/em>, two of the master’s most strikingly composed films. One of the most famous shots in cinema history — Benjamin Braddock framed by Mrs. Robinson’s leg in \u003cem>The Graduate\u003c/em> — appeared first on Harold’s sketchbook before it was immortalized on screen. He wouldn’t start collecting more prominent credits until later, when he worked in production design and/or art direction for filmmakers like Mel Brooks and Danny DeVito.\u003c/p>\n\u003cp>For her part, Lillian toiled in the research department, where she quietly unearthed the specific period details and bric-a-brac that would lend real-world authenticity to Hollywood fictions. In \u003cem>Harold and Lillian\u003c/em>, she describes the extraordinary lengths she would go to get things right, like querying old Jewish women at a deli to find out what 1890s bloomers looked like for \u003cem>Fiddler on the Roof\u003c/em> or pressing ex- (and current) drug lords and DEA agents for information relevant to \u003cem>Scarface\u003c/em>. When asked the impossible, like getting photos from inside CIA headquarters, she could deliver. She talks about research as a “time machine” that allows her to access other worlds, much as she did as a five-year-old orphan in Miami Beach.\u003c/p>\n\u003cfigure id=\"attachment_13703784\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/07/1-1020x1466.jpg\" alt=\"Lillian and Harold Michelson\" width=\"640\" height=\"920\" class=\"size-large wp-image-13703784\">\u003cfigcaption class=\"wp-caption-text\">Lillian and Harold Michelson \u003ccite>(Courtesy of Zeitgeist Films)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Lillian’s voice carries the documentary — Harold died in 2008, though he left a wealth of interview footage behind — and collaborators like DeVito (who also executive-produced), Brooks, and Francis Ford Coppola offer themselves as talking heads, along with other researchers, storyboard artists and technicians in the field. Harold’s extensive illustrations of their lives together — including a marvelous tradition of homemade birthday and anniversary cards, adorned by sweet poems and artwork — give \u003cem>Harold and Lillian\u003c/em> all the visual panache it needs, much like a real-life version of the side-by-side comparisons between his storyboards and a finished sequence.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The stories Lillian tells are a treasure-trove of personal and professional anecdotes, doubling as a side history of Hollywood itself. But \u003cem>Harold and Lillian\u003c/em> is most affecting as a tribute to their marriage, which was full of romance and hardship and uncertainty, but built from the beginning on mutual respect and enthusiasm. “You must have shared experiences for a marriage to have some kind of soil to grow on,” she says, offering a key insight into why so many Hollywood marriages struggle to last. In a business where individual success waxes and wanes, and each new production is a job that will eventually be lost, the Michelsons rode out its crazy vicissitudes with something approaching harmony and grace. Theirs is a model few will ever get to follow.\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 809,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 8
},
"modified": 1705029991,
"excerpt": "A new documentary charts the long and loving marriage of a production designer and a film researcher; critic Scott Tobias calls it \"sublime and inspiring.\"",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "A new documentary charts the long and loving marriage of a production designer and a film researcher; critic Scott Tobias calls it "sublime and inspiring."",
"title": "A Behind-The-Scenes Couple Get Star Treatment In 'Harold And Lillian' | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "A Behind-The-Scenes Couple Get Star Treatment In 'Harold And Lillian'",
"datePublished": "2017-07-21T06:00:21-07:00",
"dateModified": "2024-01-11T19:26:31-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "a-behind-the-scenes-couple-get-star-treatment-in-harold-and-lillian",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=525056001&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprByline": "Scott Tobias",
"nprStoryDate": "Thu, 27 Apr 2017 17:00:02 -0400",
"nprLastModifiedDate": "Thu, 27 Apr 2017 17:00:02 -0400",
"sticky": false,
"nprHtmlLink": "http://www.npr.org/2017/04/27/525056001/a-behind-the-scenes-couple-get-star-treatment-in-harold-and-lillian?ft=nprml&f=525056001",
"nprImageAgency": "Zeitgeist Films",
"nprStoryId": "525056001",
"nprRetrievedStory": "1",
"nprPubDate": "Thu, 27 Apr 2017 17:00:00 -0400",
"path": "/arts/13703773/a-behind-the-scenes-couple-get-star-treatment-in-harold-and-lillian",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>What it is like to be married in Hollywood? We have a good idea about what it’s like to be \u003cem>divorced\u003c/em> in Hollywood, we’ve seen famous couples run aground by egos and scandal, and we’re well-versed in the ups-and-downs of a lifestyle where fortunes vary and relationship are jostled like luggage on a turbulent flight. The beautiful documentary \u003cem>Harold and Lillian: A Hollywood Love Story\u003c/em> celebrates a marriage and creative partnership that lasted six decades in the business, one that survived stretches of poverty and joblessness, catastrophic injury and alcoholism, and the challenges of raising an autistic son at a time when “refrigerator mothers” were blamed for the condition. Bottom line: A Hollywood marriage can be sublime and inspiring, but it’s always an adventure.\u003c/p>\n\u003cp>Though well-known and beloved by their peers, Harold and Lillian Michelson had the sorts of jobs that are often so far below the line that they’re not credited at all. As a production designer and art director, Harold would eventually earn Academy Award nominations for \u003cem>Star Trek: The Motion Picture\u003c/em> and \u003cem>Terms of Endearment\u003c/em>, but for the bulk of his career, dating back to an apprenticeship at Columbia Pictures in the late ’40s, he worked the art department as a concept illustrator and storyboard artist. Despite a passion for books and a formidable intellect — she was a spelling bee champion in her youth — Lillian stayed home and raised their three children until the early ’60s, when Harold was brought onto the lot at Samuel Goldwyn. He helped land her a volunteer position in the research library across the street, and a second career was born.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/yA6fdelvNtw'\n title='//www.youtube.com/embed/yA6fdelvNtw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Only the most hardcore cinephiles have heard of the Michelsons, but even casual viewers are familiar with their work. Harold’s talent for adjusting his storyboards for different camera lenses and telling stories shot-by-shot is readily apparent in sword-and-sandal epics like \u003cem>The Ten Commandments\u003c/em>, \u003cem>Ben Hur\u003c/em>, and \u003cem>Spartacus\u003c/em>, and he worked side-by-side with Alfred Hitchcock on \u003cem>The Birds\u003c/em> and \u003cem>Marnie\u003c/em>, two of the master’s most strikingly composed films. One of the most famous shots in cinema history — Benjamin Braddock framed by Mrs. Robinson’s leg in \u003cem>The Graduate\u003c/em> — appeared first on Harold’s sketchbook before it was immortalized on screen. He wouldn’t start collecting more prominent credits until later, when he worked in production design and/or art direction for filmmakers like Mel Brooks and Danny DeVito.\u003c/p>\n\u003cp>For her part, Lillian toiled in the research department, where she quietly unearthed the specific period details and bric-a-brac that would lend real-world authenticity to Hollywood fictions. In \u003cem>Harold and Lillian\u003c/em>, she describes the extraordinary lengths she would go to get things right, like querying old Jewish women at a deli to find out what 1890s bloomers looked like for \u003cem>Fiddler on the Roof\u003c/em> or pressing ex- (and current) drug lords and DEA agents for information relevant to \u003cem>Scarface\u003c/em>. When asked the impossible, like getting photos from inside CIA headquarters, she could deliver. She talks about research as a “time machine” that allows her to access other worlds, much as she did as a five-year-old orphan in Miami Beach.\u003c/p>\n\u003cfigure id=\"attachment_13703784\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/07/1-1020x1466.jpg\" alt=\"Lillian and Harold Michelson\" width=\"640\" height=\"920\" class=\"size-large wp-image-13703784\">\u003cfigcaption class=\"wp-caption-text\">Lillian and Harold Michelson \u003ccite>(Courtesy of Zeitgeist Films)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Lillian’s voice carries the documentary — Harold died in 2008, though he left a wealth of interview footage behind — and collaborators like DeVito (who also executive-produced), Brooks, and Francis Ford Coppola offer themselves as talking heads, along with other researchers, storyboard artists and technicians in the field. Harold’s extensive illustrations of their lives together — including a marvelous tradition of homemade birthday and anniversary cards, adorned by sweet poems and artwork — give \u003cem>Harold and Lillian\u003c/em> all the visual panache it needs, much like a real-life version of the side-by-side comparisons between his storyboards and a finished sequence.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The stories Lillian tells are a treasure-trove of personal and professional anecdotes, doubling as a side history of Hollywood itself. But \u003cem>Harold and Lillian\u003c/em> is most affecting as a tribute to their marriage, which was full of romance and hardship and uncertainty, but built from the beginning on mutual respect and enthusiasm. “You must have shared experiences for a marriage to have some kind of soil to grow on,” she says, offering a key insight into why so many Hollywood marriages struggle to last. In a business where individual success waxes and wanes, and each new production is a job that will eventually be lost, the Michelsons rode out its crazy vicissitudes with something approaching harmony and grace. Theirs is a model few will ever get to follow.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13703773/a-behind-the-scenes-couple-get-star-treatment-in-harold-and-lillian",
"authors": [
"byline_arts_13703773"
],
"categories": [
"arts_74"
],
"tags": [
"arts_1118",
"arts_769"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13703775",
"label": "arts_137"
},
"arts_13703128": {
"type": "posts",
"id": "arts_13703128",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13703128",
"score": null,
"sort": [
1500581005000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1500581005,
"format": "standard",
"title": "Linkin Park Singer Chester Bennington Dead at 41",
"headTitle": "Linkin Park Singer Chester Bennington Dead at 41 | KQED",
"content": "\u003cp>Chester Bennington, one of the lead singers for the band Linkin Park and the former singer for Stone Temple Pilots, has died. His death was confirmed to NPR Thursday afternoon by the Los Angeles County Coroner’s office, which said that his body was discovered at a house within the 2800 block of Palos Verdes Estates in Los Angeles, and that investigators are currently on the scene. The death is “being looked at as a possible suicide at this time,” according to Brian Elias of the L.A. County Coroner’s office. Bennington was 41 years old.\u003c/p>\n\u003cp>Earlier this month, Linkin Park finished a European and U.K. leg of an international tour in support of its current album, \u003cem>One More Light\u003c/em>, with guest artists Machine Gun Kelly, One OK Rock and Snoop Dogg; the band’s next scheduled tour date is for July 27 in Mansfield, Mass.\u003c/p>\n\u003cp>Although the rap-rock band never gained much critical acclaim, Linkin Park was a popular staple in the early 2000s. Its debut album in 2000, \u003cem>Hybrid Theory\u003c/em>, became the best-selling rock album of that decade, and the group went on to sell more than 50 million units. At the height of its popularity, Linkin Park toured relentlessly — the band reportedly tallied \u003ca href=\"http://grantland.com/features/the-winners-history-rock-roll-part-6-linkin-park/\" target=\"_blank\" rel=\"noopener\">342\u003c/a> live shows just in the year 2001. Overall, Linkin Park scored \u003ca href=\"http://www.billboard.com/artist/307438/linkin-park/chart?sort=position&f=379\" target=\"_blank\" rel=\"noopener\">six\u003c/a> Top 20 hits on the Billboard Hot 100 chart. But Linkin Park got credibility for some collaborations with hip-hop artists, including \u003cem>Collision Course\u003c/em>, a 2004 EP the band recorded with Jay-Z.\u003c/p>\n\u003cp>In addition to his Linkin Park work, Bennington served as the lead singer of Stone Temple Pilots between 2013 and 2015.\u003c/p>\n\u003cp>Today is also the birth date of one of Bennington’s close friends, the late Soundgarden and Audioslave frontman Chris Cornell, who \u003ca href=\"http://www.npr.org/sections/thetwo-way/2017/05/18/528899410/chris-cornell-powerhouse-voice-of-soundgarden-and-audioslave-dies-at-52\" target=\"_blank\" rel=\"noopener\">committed suicide\u003c/a> in May. Cornell and Bennington were \u003ca href=\"http://www.stereogum.com/1941913/chris-cornell-remembered-by-his-friend-chester-bennington/news/\" target=\"_blank\" rel=\"noopener\">close friends\u003c/a>, and the Linkin Park singer \u003ca href=\"http://www.billboard.com/articles/columns/rock/7809573/chris-cornell-funeral-chester-bennington-tom-morello-josh-brolin\" target=\"_blank\" rel=\"noopener\">sang\u003c/a> at Cornell’s memorial service in May. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Linkin+Park+Singer+Chester+Bennington+Dead+At+41&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 343,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 7
},
"modified": 1705029995,
"excerpt": "One of the lead singers of the band Linkin Park, which found great success in the early-2000s, died today in Los Angeles.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "One of the lead singers of the band Linkin Park, which found great success in the early-2000s, died today in Los Angeles.",
"title": "Linkin Park Singer Chester Bennington Dead at 41 | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Linkin Park Singer Chester Bennington Dead at 41",
"datePublished": "2017-07-20T13:03:25-07:00",
"dateModified": "2024-01-11T19:26:35-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "linkin-park-singer-chester-bennington-dead-at-41",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=538355067&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprByline": "Anastasia Tsioulcas",
"nprStoryDate": "Thu, 20 Jul 2017 15:31:00 -0400",
"nprLastModifiedDate": "Thu, 20 Jul 2017 15:56:41 -0400",
"sticky": false,
"nprHtmlLink": "http://www.npr.org/sections/therecord/2017/07/20/538355067/linkin-park-singer-chester-bennington-dead-at-41?ft=nprml&f=538355067",
"nprImageAgency": "Getty Images",
"nprImageCredit": "Jeff Hahne",
"nprStoryId": "538355067",
"nprRetrievedStory": "1",
"nprPubDate": "Thu, 20 Jul 2017 15:56:00 -0400",
"path": "/arts/13703128/linkin-park-singer-chester-bennington-dead-at-41",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Chester Bennington, one of the lead singers for the band Linkin Park and the former singer for Stone Temple Pilots, has died. His death was confirmed to NPR Thursday afternoon by the Los Angeles County Coroner’s office, which said that his body was discovered at a house within the 2800 block of Palos Verdes Estates in Los Angeles, and that investigators are currently on the scene. The death is “being looked at as a possible suicide at this time,” according to Brian Elias of the L.A. County Coroner’s office. Bennington was 41 years old.\u003c/p>\n\u003cp>Earlier this month, Linkin Park finished a European and U.K. leg of an international tour in support of its current album, \u003cem>One More Light\u003c/em>, with guest artists Machine Gun Kelly, One OK Rock and Snoop Dogg; the band’s next scheduled tour date is for July 27 in Mansfield, Mass.\u003c/p>\n\u003cp>Although the rap-rock band never gained much critical acclaim, Linkin Park was a popular staple in the early 2000s. Its debut album in 2000, \u003cem>Hybrid Theory\u003c/em>, became the best-selling rock album of that decade, and the group went on to sell more than 50 million units. At the height of its popularity, Linkin Park toured relentlessly — the band reportedly tallied \u003ca href=\"http://grantland.com/features/the-winners-history-rock-roll-part-6-linkin-park/\" target=\"_blank\" rel=\"noopener\">342\u003c/a> live shows just in the year 2001. Overall, Linkin Park scored \u003ca href=\"http://www.billboard.com/artist/307438/linkin-park/chart?sort=position&f=379\" target=\"_blank\" rel=\"noopener\">six\u003c/a> Top 20 hits on the Billboard Hot 100 chart. But Linkin Park got credibility for some collaborations with hip-hop artists, including \u003cem>Collision Course\u003c/em>, a 2004 EP the band recorded with Jay-Z.\u003c/p>\n\u003cp>In addition to his Linkin Park work, Bennington served as the lead singer of Stone Temple Pilots between 2013 and 2015.\u003c/p>\n\u003cp>Today is also the birth date of one of Bennington’s close friends, the late Soundgarden and Audioslave frontman Chris Cornell, who \u003ca href=\"http://www.npr.org/sections/thetwo-way/2017/05/18/528899410/chris-cornell-powerhouse-voice-of-soundgarden-and-audioslave-dies-at-52\" target=\"_blank\" rel=\"noopener\">committed suicide\u003c/a> in May. Cornell and Bennington were \u003ca href=\"http://www.stereogum.com/1941913/chris-cornell-remembered-by-his-friend-chester-bennington/news/\" target=\"_blank\" rel=\"noopener\">close friends\u003c/a>, and the Linkin Park singer \u003ca href=\"http://www.billboard.com/articles/columns/rock/7809573/chris-cornell-funeral-chester-bennington-tom-morello-josh-brolin\" target=\"_blank\" rel=\"noopener\">sang\u003c/a> at Cornell’s memorial service in May. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Linkin+Park+Singer+Chester+Bennington+Dead+At+41&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13703128/linkin-park-singer-chester-bennington-dead-at-41",
"authors": [
"byline_arts_13703128"
],
"categories": [
"arts_69",
"arts_235"
],
"tags": [
"arts_1448",
"arts_596",
"arts_1091"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13703131",
"label": "arts_137"
},
"arts_13697495": {
"type": "posts",
"id": "arts_13697495",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13697495",
"score": null,
"sort": [
1500577228000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1500577228,
"format": "standard",
"title": "'Hawaii Five-0' Casting Announcement Doesn't Fix CBS's Larger Diversity Problem",
"headTitle": "‘Hawaii Five-0’ Casting Announcement Doesn’t Fix CBS’s Larger Diversity Problem | KQED",
"content": "\u003cp>This is the network TV definition of too little, too late.\u003c/p>\n\u003cp>On Wednesday, CBS announced the names of three new actors who will be joining the cast of its long-running cop drama \u003cem>Hawaii Five-0\u003c/em>. To no one’s surprise, all three actors are nonwhite: Ian Anthony Dale is half Japanese, Meaghan Rath is half South Asian and Beulah Koale is of Samoan descent.\u003c/p>\n\u003cp>The announcement comes not long after the series weathered intense criticism when the show’s most visible cast members of Asian descent left. Daniel Dae Kim, who is Korean-American, and Grace Park, a Canadian-American of Korean descent, left the program after CBS failed to raise their pay to the same level as the show’s white co-stars, Alex O’Loughlin and Scott Caan.\u003c/p>\n\u003cp>(Another co-star, Masi Oka, who is a Japanese citizen, left the show in January.)\u003c/p>\n\u003cp>Given that \u003cem>Hawaii Five-0 \u003c/em>is set in one of the most diverse states in America, that’s kind of an issue. And the headlines were brutal. \u003cem>The Washington Post\u003c/em> \u003ca href=\"https://www.washingtonpost.com/news/arts-and-entertainment/wp/2017/07/06/hawaii-five-0-cast-departures-highlight-racial-wage-gap-in-tv/?utm_term=.9f5713cb47c9\">decried\u003c/a> the “racial wage gap” on TV. Syndicated columnist Ruben Navarrette \u003ca href=\"http://www.mercurynews.com/2017/07/07/navarrette-cbs-handling-of-hawaii-five-0-stars-flat-out-racist/\">blamed the pay gap\u003c/a> on “racism.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>But the real problem here goes all the way back to when CBS first developed the show. And it’s not the only drama on the network with this difficulty.\u003c/p>\n\u003cp>When CBS first created the new \u003cem>Hawaii Five-0,\u003c/em> it retained the old show’s formula of centering the action on two white male stars, setting up talented actors like Kim and Park to play second fiddle for the life of the series.\u003c/p>\n\u003cp>“I don’t understand why we’re dealing with this issue now,” says Brenda Ching, executive director of the Hawaii chapter of the performers’ union SAG-AFTRA. “Obviously, the success of the show has been phenomenal, and everybody’s role has built the show. … Even if you look back to the original \u003cem>Five-0,\u003c/em> what made the show was the diversity of the environment.”\u003c/p>\n\u003cp>CBS has long followed the formula of surrounding white male leads with a diverse group of supporting characters (\u003cem>NCIS: New Orleans,\u003c/em> \u003cem>Bull,\u003c/em> the \u003cem>MacGyver\u003c/em> remake). They have tweaked that pattern occasionally to actually feature women and people of color as co-leads \u003cem>(NCIS: Los Angeles,\u003c/em> \u003cem>Elementary, Superior Donuts).\u003c/em>\u003c/p>\n\u003cp>But when CBS debuts its fall season in September, the network will have just one show that features a nonwhite person as the sole lead character: a reboot of \u003cem>S.W.A.T.,\u003c/em> starring Shemar Moore, who is biracial.\u003c/p>\n\u003cp>This is why diversity is so important for networks to embrace: Decisions made at the beginning of a show’s life have ripple effects that extend throughout the life of the show and across the network for years to come.\u003c/p>\n\u003cp>Complicating things further is the way \u003cem>Hawaii Five-0 \u003c/em>marketing material often framed O’Loughlin, Caan, Park and Kim as equal characters, in some cases \u003ca href=\"https://fairyprincessdiaries.com/2017/07/07/calling-bs-on-hawaiifiveocbs/\">putting Park and Kim front and center\u003c/a>. For anyone looking to criticize the show for focusing on white characters, the pictures could argue otherwise — but it also could lead fans to assume all four characters were an equal ensemble in every way, including pay.\u003c/p>\n\u003cp>As the controversy over Kim’s and Park’s departures grew\u003cem>, Hawaii Five-0\u003c/em> executive producer Peter Lenkov \u003ca href=\"https://twitter.com/PLenkov/status/883051023299788800\">posted a note on Twitter\u003c/a> saying the actors “chose not to extend their contracts” after “getting unprecedented raises” in negotiations, listing the diversity of actors elsewhere in the cast. CBS issued a statement praising Kim and Park, noting they “tried very hard to keep them with offers for large and significant salary increases.” \u003cem>Variety\u003c/em> has \u003ca href=\"http://variety.com/2017/tv/news/hawaii-5-0-daniel-dae-kim-grace-park-deals-1202488221/\">reported\u003c/a> that Caan and O’Loughlin make about $200,000 per episode, plus a small share of the show’s back-end profits; Kim was offered a salary about $5,000 short of the show’s leads and a production deal.\u003c/p>\n\u003cp>Kim issued a \u003ca href=\"https://www.facebook.com/136577846385452/photos/a.141032709273299.23386.136577846385452/1500305656679324\">statement on Facebook\u003c/a> thanking fans, the network and those who worked on the show. He noted, “As an Asian American actor, I know first-hand how difficult it is to find opportunities at all,” later adding, “The path to equality is rarely easy.”\u003c/p>\n\u003cp>Oka emailed a statement to NPR:\u003c/p>\n\u003cblockquote>\n\u003cp>“I was as saddened as anyone to learn of Daniel and Grace leaving \u003cem>Hawaii Five-0\u003c/em> but I, probably more so than most, understand their reason for doing so. Sometimes you have to draw the line in the sand for something you believe in and something for which you stand. While pay equality was not my personal primary decision to leave … I support [Kim] and [Park] in their decision to stand up for what they believe is right.”\u003c/p>\n\u003c/blockquote>\n\u003cp>It’s true that it isn’t unusual for long-running TV shows to lose cast members as the program ages — everyone seeks pay raises, and the network tries to keep a handle on costs. Kim and Park were also different negotiations, and Lenkov said Park declined an opportunity to appear in a handful of episodes next season.\u003c/p>\n\u003cp>But these are specific issues connected to a larger, structural problem.\u003c/p>\n\u003cp>For years, I’ve used \u003cem>Hawaii Five-0\u003c/em> star O’Loughlin’s career as an example of how the TV industry gives white males the kinds of opportunities actors of color rarely share.\u003c/p>\n\u003cp>O’Loughlin ‘s first starring role on CBS was as a vampire private eye in the drama series \u003cem>Moonlight,\u003c/em> which was canceled after its first season in 2008. A year later, the Australian actor was playing a Pittsburgh-based transplant surgeon on the CBS medical drama \u003cem>Three Rivers,\u003c/em> which was also canceled after its first season.\u003cstrong> \u003c/strong>CBS clearly wanted to be in the O’Loughlin business, and it finally found success casting him in a program that seemed poised to do well — a 2010 remake of a beloved CBS cop show.\u003c/p>\n\u003cp>But given that Kim had co-starred on the hit show \u003cem>Lost \u003c/em>and Park had co-starred on the critically acclaimed reboot of \u003cem>Battlestar Galactica,\u003c/em> it’s tough to understand why it was so hard for CBS and the show’s producers to pay them as O’Loughlin’s equals.\u003c/p>\n\u003cp>The network has a similar problem with gender. For the second year in a row, every new CBS show this fall will star men, and all but one will star white men. Last TV season, CBS had one new scripted show starring a woman (\u003cem>Doubt,\u003c/em> featuring Katherine Heigl), but it was quickly canceled (the network is burning off unaired episodes this summer). CBS hasn’t announced any new scripted shows starring women for the 2017-2018 season.\u003c/p>\n\u003cp>So what happens the next time the network faces a pay dispute with a female co-star on a TV show?\u003c/p>\n\u003cp>Shows like \u003cem>Doubt,\u003c/em> \u003cem>S.W.A.T.\u003c/em> and \u003cem>Superior Donuts\u003c/em> (where co-star Jermaine Fowler, who is black, is also an executive producer) seem like efforts by CBS to break the pattern. But that change is coming too gradually; today, the worlds CBS portrays are out of step with the diversity of real life.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>The only question left is whether CBS will use this situation as a teachable moment, or let the wage gap live on. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27Hawaii+Five-0%27+Casting+Announcement+Doesn%27t+Fix+CBS%27s+Larger+Diversity+Problem&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1250,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 27
},
"modified": 1705029998,
"excerpt": "CBS announced the three new actors who will be joining the cast of its cop drama. To no one's surprise, all are nonwhite. But the network still has work to do.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "CBS announced the three new actors who will be joining the cast of its cop drama. To no one's surprise, all are nonwhite. But the network still has work to do.",
"title": "'Hawaii Five-0' Casting Announcement Doesn't Fix CBS's Larger Diversity Problem | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "'Hawaii Five-0' Casting Announcement Doesn't Fix CBS's Larger Diversity Problem",
"datePublished": "2017-07-20T12:00:28-07:00",
"dateModified": "2024-01-11T19:26:38-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "hawaii-five-0-casting-announcement-doesnt-fix-cbss-larger-diversity-problem",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=536711220&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprByline": "Eric Deggans",
"nprStoryDate": "Wed, 19 Jul 2017 17:39:00 -0400",
"nprLastModifiedDate": "Wed, 19 Jul 2017 18:45:36 -0400",
"sticky": false,
"nprHtmlLink": "http://www.npr.org/2017/07/19/536711220/-hawaii-five-0-casting-announcement-doesn-t-fix-cbs-larger-diversity-problem?ft=nprml&f=536711220",
"nprImageAgency": "CBS",
"nprImageCredit": "Kevin Lynch",
"nprStoryId": "536711220",
"nprRetrievedStory": "1",
"nprPubDate": "Wed, 19 Jul 2017 18:45:00 -0400",
"path": "/arts/13697495/hawaii-five-0-casting-announcement-doesnt-fix-cbss-larger-diversity-problem",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This is the network TV definition of too little, too late.\u003c/p>\n\u003cp>On Wednesday, CBS announced the names of three new actors who will be joining the cast of its long-running cop drama \u003cem>Hawaii Five-0\u003c/em>. To no one’s surprise, all three actors are nonwhite: Ian Anthony Dale is half Japanese, Meaghan Rath is half South Asian and Beulah Koale is of Samoan descent.\u003c/p>\n\u003cp>The announcement comes not long after the series weathered intense criticism when the show’s most visible cast members of Asian descent left. Daniel Dae Kim, who is Korean-American, and Grace Park, a Canadian-American of Korean descent, left the program after CBS failed to raise their pay to the same level as the show’s white co-stars, Alex O’Loughlin and Scott Caan.\u003c/p>\n\u003cp>(Another co-star, Masi Oka, who is a Japanese citizen, left the show in January.)\u003c/p>\n\u003cp>Given that \u003cem>Hawaii Five-0 \u003c/em>is set in one of the most diverse states in America, that’s kind of an issue. And the headlines were brutal. \u003cem>The Washington Post\u003c/em> \u003ca href=\"https://www.washingtonpost.com/news/arts-and-entertainment/wp/2017/07/06/hawaii-five-0-cast-departures-highlight-racial-wage-gap-in-tv/?utm_term=.9f5713cb47c9\">decried\u003c/a> the “racial wage gap” on TV. Syndicated columnist Ruben Navarrette \u003ca href=\"http://www.mercurynews.com/2017/07/07/navarrette-cbs-handling-of-hawaii-five-0-stars-flat-out-racist/\">blamed the pay gap\u003c/a> on “racism.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But the real problem here goes all the way back to when CBS first developed the show. And it’s not the only drama on the network with this difficulty.\u003c/p>\n\u003cp>When CBS first created the new \u003cem>Hawaii Five-0,\u003c/em> it retained the old show’s formula of centering the action on two white male stars, setting up talented actors like Kim and Park to play second fiddle for the life of the series.\u003c/p>\n\u003cp>“I don’t understand why we’re dealing with this issue now,” says Brenda Ching, executive director of the Hawaii chapter of the performers’ union SAG-AFTRA. “Obviously, the success of the show has been phenomenal, and everybody’s role has built the show. … Even if you look back to the original \u003cem>Five-0,\u003c/em> what made the show was the diversity of the environment.”\u003c/p>\n\u003cp>CBS has long followed the formula of surrounding white male leads with a diverse group of supporting characters (\u003cem>NCIS: New Orleans,\u003c/em> \u003cem>Bull,\u003c/em> the \u003cem>MacGyver\u003c/em> remake). They have tweaked that pattern occasionally to actually feature women and people of color as co-leads \u003cem>(NCIS: Los Angeles,\u003c/em> \u003cem>Elementary, Superior Donuts).\u003c/em>\u003c/p>\n\u003cp>But when CBS debuts its fall season in September, the network will have just one show that features a nonwhite person as the sole lead character: a reboot of \u003cem>S.W.A.T.,\u003c/em> starring Shemar Moore, who is biracial.\u003c/p>\n\u003cp>This is why diversity is so important for networks to embrace: Decisions made at the beginning of a show’s life have ripple effects that extend throughout the life of the show and across the network for years to come.\u003c/p>\n\u003cp>Complicating things further is the way \u003cem>Hawaii Five-0 \u003c/em>marketing material often framed O’Loughlin, Caan, Park and Kim as equal characters, in some cases \u003ca href=\"https://fairyprincessdiaries.com/2017/07/07/calling-bs-on-hawaiifiveocbs/\">putting Park and Kim front and center\u003c/a>. For anyone looking to criticize the show for focusing on white characters, the pictures could argue otherwise — but it also could lead fans to assume all four characters were an equal ensemble in every way, including pay.\u003c/p>\n\u003cp>As the controversy over Kim’s and Park’s departures grew\u003cem>, Hawaii Five-0\u003c/em> executive producer Peter Lenkov \u003ca href=\"https://twitter.com/PLenkov/status/883051023299788800\">posted a note on Twitter\u003c/a> saying the actors “chose not to extend their contracts” after “getting unprecedented raises” in negotiations, listing the diversity of actors elsewhere in the cast. CBS issued a statement praising Kim and Park, noting they “tried very hard to keep them with offers for large and significant salary increases.” \u003cem>Variety\u003c/em> has \u003ca href=\"http://variety.com/2017/tv/news/hawaii-5-0-daniel-dae-kim-grace-park-deals-1202488221/\">reported\u003c/a> that Caan and O’Loughlin make about $200,000 per episode, plus a small share of the show’s back-end profits; Kim was offered a salary about $5,000 short of the show’s leads and a production deal.\u003c/p>\n\u003cp>Kim issued a \u003ca href=\"https://www.facebook.com/136577846385452/photos/a.141032709273299.23386.136577846385452/1500305656679324\">statement on Facebook\u003c/a> thanking fans, the network and those who worked on the show. He noted, “As an Asian American actor, I know first-hand how difficult it is to find opportunities at all,” later adding, “The path to equality is rarely easy.”\u003c/p>\n\u003cp>Oka emailed a statement to NPR:\u003c/p>\n\u003cblockquote>\n\u003cp>“I was as saddened as anyone to learn of Daniel and Grace leaving \u003cem>Hawaii Five-0\u003c/em> but I, probably more so than most, understand their reason for doing so. Sometimes you have to draw the line in the sand for something you believe in and something for which you stand. While pay equality was not my personal primary decision to leave … I support [Kim] and [Park] in their decision to stand up for what they believe is right.”\u003c/p>\n\u003c/blockquote>\n\u003cp>It’s true that it isn’t unusual for long-running TV shows to lose cast members as the program ages — everyone seeks pay raises, and the network tries to keep a handle on costs. Kim and Park were also different negotiations, and Lenkov said Park declined an opportunity to appear in a handful of episodes next season.\u003c/p>\n\u003cp>But these are specific issues connected to a larger, structural problem.\u003c/p>\n\u003cp>For years, I’ve used \u003cem>Hawaii Five-0\u003c/em> star O’Loughlin’s career as an example of how the TV industry gives white males the kinds of opportunities actors of color rarely share.\u003c/p>\n\u003cp>O’Loughlin ‘s first starring role on CBS was as a vampire private eye in the drama series \u003cem>Moonlight,\u003c/em> which was canceled after its first season in 2008. A year later, the Australian actor was playing a Pittsburgh-based transplant surgeon on the CBS medical drama \u003cem>Three Rivers,\u003c/em> which was also canceled after its first season.\u003cstrong> \u003c/strong>CBS clearly wanted to be in the O’Loughlin business, and it finally found success casting him in a program that seemed poised to do well — a 2010 remake of a beloved CBS cop show.\u003c/p>\n\u003cp>But given that Kim had co-starred on the hit show \u003cem>Lost \u003c/em>and Park had co-starred on the critically acclaimed reboot of \u003cem>Battlestar Galactica,\u003c/em> it’s tough to understand why it was so hard for CBS and the show’s producers to pay them as O’Loughlin’s equals.\u003c/p>\n\u003cp>The network has a similar problem with gender. For the second year in a row, every new CBS show this fall will star men, and all but one will star white men. Last TV season, CBS had one new scripted show starring a woman (\u003cem>Doubt,\u003c/em> featuring Katherine Heigl), but it was quickly canceled (the network is burning off unaired episodes this summer). CBS hasn’t announced any new scripted shows starring women for the 2017-2018 season.\u003c/p>\n\u003cp>So what happens the next time the network faces a pay dispute with a female co-star on a TV show?\u003c/p>\n\u003cp>Shows like \u003cem>Doubt,\u003c/em> \u003cem>S.W.A.T.\u003c/em> and \u003cem>Superior Donuts\u003c/em> (where co-star Jermaine Fowler, who is black, is also an executive producer) seem like efforts by CBS to break the pattern. But that change is coming too gradually; today, the worlds CBS portrays are out of step with the diversity of real life.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The only question left is whether CBS will use this situation as a teachable moment, or let the wage gap live on. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27Hawaii+Five-0%27+Casting+Announcement+Doesn%27t+Fix+CBS%27s+Larger+Diversity+Problem&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13697495/hawaii-five-0-casting-announcement-doesnt-fix-cbss-larger-diversity-problem",
"authors": [
"byline_arts_13697495"
],
"categories": [
"arts_235",
"arts_990"
],
"tags": [
"arts_1448",
"arts_596"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13697496",
"label": "arts_137"
},
"arts_13696247": {
"type": "posts",
"id": "arts_13696247",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13696247",
"score": null,
"sort": [
1500497801000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1500497801,
"format": "standard",
"title": "Jake Paul's Neighbors Could Try to Declare Him a Public Nuisance",
"headTitle": "Jake Paul’s Neighbors Could Try to Declare Him a Public Nuisance | KQED",
"content": "\u003cp>“It’s terrible, it’s a bad situation” — and that’s how the creator of the situation, YouTube star Jake Paul, describes what his neighbors in West Hollywood are going through because of his rowdy lifestyle and made-for-video antics.\u003c/p>\n\u003cp>Residents of the street where Paul rents a large house are meeting with police and city officials to review code requirements — and they could file a class-action lawsuit that seeks to declare Paul a public nuisance, \u003ca href=\"http://ktla.com/2017/07/17/in-west-hollywood-social-media-star-jake-pauls-antics-stir-up-the-neighborhood/\" target=\"_blank\" rel=\"noopener\">local TV station KTLA 5\u003c/a> reports.\u003c/p>\n\u003cp>“I feel bad for them, for sure,” Paul, 20, said of his neighbors when KTLA visited his street. But he added, “There’s nothing we can do, though — the Jake Paulers are the strongest army out there,” using his nickname for his millions of followers.\u003c/p>\n\u003cp>When KTLA’s Chris Wolfe told Paul that some residents said he’s turned the area into a circus, Paul replied, “Yeah, it is. I mean, but people like going to circuses, right?”\u003c/p>\n\u003cp>The situation has generated hubbub in part because of Paul’s popularity — he has more than 8.5 million followers on both YouTube and on Instagram. Working with other social media stars under the title Team 10, his videos often include pranks and antics that center around his home’s pool — from sliding things and people into it to using it as a huge fire pit.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“This is a Team 10 house, and it is lit every single day, bro,” Paul says in one video.\u003c/p>\n\u003cp>His neighbors would like for it not to be lit so often — and not so loudly.\u003c/p>\n\u003cp>“We used to be a really nice, quiet street and now we’re just this, like, war zone,” neighbor Maytal Dahan told KTLA. “We’re families here, and we’re more than happy to have them live here if they’re respectful of their neighbors — but they’re not.”\u003c/p>\n\u003cp>Paul earns millions of dollars from his YouTube channel, according to an estimate from social media tracker \u003ca href=\"https://socialblade.com/youtube/c/jakepaulchannel\">Social Blade\u003c/a>. In addition to being an online celebrity, he is also an actor on \u003cem>Bizaardvark\u003c/em>, a Disney Channel show about … online celebrities.\u003c/p>\n\u003cp>https://twitter.com/jakepaul/status/887531517685248000\u003c/p>\n\u003cp>After local reports about the dispute on his block began to get attention far beyond California, Paul tweeted, “Lol it’s trending.” He later questioned \u003ca href=\"https://twitter.com/jakepaul/status/887531517685248000\" target=\"_blank\" rel=\"noopener\">why so many people care\u003c/a> about him “being a ‘bad’ neighbor,” particularly at a time when “innocent [people are] getting shot every day.”\u003c/p>\n\u003cp>One of the most popular responses to that tweet was a screenshot image (from \u003cem>Orange Is the New Black\u003c/em>) with a caption \u003ca href=\"https://twitter.com/forrestbIues/status/887543206505627648\" target=\"_blank\" rel=\"noopener\">that asks\u003c/a>, “Do you hear yourself sometimes? Like, when you speak?”\u003c/p>\n\u003cp>And while Paul’s fans urged him not to change, others questioned the underpinnings of his celebrity.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“This entire thread illustrates the downfall of our society. I’ve never been so glad to be in my 40’s,” \u003ca href=\"https://twitter.com/LeahJen/status/887540719480590336\" target=\"_blank\" rel=\"noopener\">Jen Leah wrote\u003c/a>. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=YouTube+Star+Jake+Paul%27s+Neighbors+Tell+Him%3A+We%27re+Not+Jake+Paulers&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 544,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 15
},
"modified": 1705030009,
"excerpt": "Residents of the street where Paul rents a large house are meeting with police and city officials to review code requirements, after a series of pranks and antics at his West Hollywood home.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Residents of the street where Paul rents a large house are meeting with police and city officials to review code requirements, after a series of pranks and antics at his West Hollywood home.",
"title": "Jake Paul's Neighbors Could Try to Declare Him a Public Nuisance | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Jake Paul's Neighbors Could Try to Declare Him a Public Nuisance",
"datePublished": "2017-07-19T13:56:41-07:00",
"dateModified": "2024-01-11T19:26:49-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "jake-pauls-neighbors-could-try-to-declare-him-a-public-nuisance",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=538103866&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprByline": "Bill Chappell",
"nprStoryDate": "Wed, 19 Jul 2017 12:45:00 -0400",
"nprLastModifiedDate": "Wed, 19 Jul 2017 13:10:24 -0400",
"sticky": false,
"nprHtmlLink": "http://www.npr.org/sections/thetwo-way/2017/07/19/538103866/youtube-star-jake-pauls-neighbors-tell-him-were-not-jake-paulers?ft=nprml&f=538103866",
"nprImageAgency": "Getty Images for H&M",
"nprImageCredit": "Rich Fury",
"WpOldSlug": "jake-pauls-neighbors-want-to-declare-him-a-public-nuisance",
"nprStoryId": "538103866",
"nprRetrievedStory": "1",
"nprPubDate": "Wed, 19 Jul 2017 13:10:00 -0400",
"path": "/arts/13696247/jake-pauls-neighbors-could-try-to-declare-him-a-public-nuisance",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>“It’s terrible, it’s a bad situation” — and that’s how the creator of the situation, YouTube star Jake Paul, describes what his neighbors in West Hollywood are going through because of his rowdy lifestyle and made-for-video antics.\u003c/p>\n\u003cp>Residents of the street where Paul rents a large house are meeting with police and city officials to review code requirements — and they could file a class-action lawsuit that seeks to declare Paul a public nuisance, \u003ca href=\"http://ktla.com/2017/07/17/in-west-hollywood-social-media-star-jake-pauls-antics-stir-up-the-neighborhood/\" target=\"_blank\" rel=\"noopener\">local TV station KTLA 5\u003c/a> reports.\u003c/p>\n\u003cp>“I feel bad for them, for sure,” Paul, 20, said of his neighbors when KTLA visited his street. But he added, “There’s nothing we can do, though — the Jake Paulers are the strongest army out there,” using his nickname for his millions of followers.\u003c/p>\n\u003cp>When KTLA’s Chris Wolfe told Paul that some residents said he’s turned the area into a circus, Paul replied, “Yeah, it is. I mean, but people like going to circuses, right?”\u003c/p>\n\u003cp>The situation has generated hubbub in part because of Paul’s popularity — he has more than 8.5 million followers on both YouTube and on Instagram. Working with other social media stars under the title Team 10, his videos often include pranks and antics that center around his home’s pool — from sliding things and people into it to using it as a huge fire pit.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“This is a Team 10 house, and it is lit every single day, bro,” Paul says in one video.\u003c/p>\n\u003cp>His neighbors would like for it not to be lit so often — and not so loudly.\u003c/p>\n\u003cp>“We used to be a really nice, quiet street and now we’re just this, like, war zone,” neighbor Maytal Dahan told KTLA. “We’re families here, and we’re more than happy to have them live here if they’re respectful of their neighbors — but they’re not.”\u003c/p>\n\u003cp>Paul earns millions of dollars from his YouTube channel, according to an estimate from social media tracker \u003ca href=\"https://socialblade.com/youtube/c/jakepaulchannel\">Social Blade\u003c/a>. In addition to being an online celebrity, he is also an actor on \u003cem>Bizaardvark\u003c/em>, a Disney Channel show about … online celebrities.\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "887531517685248000"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>After local reports about the dispute on his block began to get attention far beyond California, Paul tweeted, “Lol it’s trending.” He later questioned \u003ca href=\"https://twitter.com/jakepaul/status/887531517685248000\" target=\"_blank\" rel=\"noopener\">why so many people care\u003c/a> about him “being a ‘bad’ neighbor,” particularly at a time when “innocent [people are] getting shot every day.”\u003c/p>\n\u003cp>One of the most popular responses to that tweet was a screenshot image (from \u003cem>Orange Is the New Black\u003c/em>) with a caption \u003ca href=\"https://twitter.com/forrestbIues/status/887543206505627648\" target=\"_blank\" rel=\"noopener\">that asks\u003c/a>, “Do you hear yourself sometimes? Like, when you speak?”\u003c/p>\n\u003cp>And while Paul’s fans urged him not to change, others questioned the underpinnings of his celebrity.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“This entire thread illustrates the downfall of our society. I’ve never been so glad to be in my 40’s,” \u003ca href=\"https://twitter.com/LeahJen/status/887540719480590336\" target=\"_blank\" rel=\"noopener\">Jen Leah wrote\u003c/a>. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=YouTube+Star+Jake+Paul%27s+Neighbors+Tell+Him%3A+We%27re+Not+Jake+Paulers&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13696247/jake-pauls-neighbors-could-try-to-declare-him-a-public-nuisance",
"authors": [
"byline_arts_13696247"
],
"categories": [
"arts_235",
"arts_75",
"arts_990"
],
"tags": [
"arts_1448",
"arts_596"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13696248",
"label": "arts_137"
},
"arts_13689227": {
"type": "posts",
"id": "arts_13689227",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13689227",
"score": null,
"sort": [
1500490841000
]
},
"guestAuthors": [],
"slug": "tight-on-wall-space-sfmoma-will-text-its-art-to-you-instead",
"title": "Tight on Wall Space, SFMOMA Will Text Its Art to You Instead",
"publishDate": 1500490841,
"format": "standard",
"headTitle": "Tight on Wall Space, SFMOMA Will Text Its Art to You Instead | KQED",
"labelTerm": {
"term": 137,
"site": "arts"
},
"content": "\u003cp>The San Francisco Museum of Modern Art has some 34,000 works in its collection — but you’ll only find a fraction of those up on the wall.\u003c/p>\n\u003cp>“A little under 2,000 of them are on view at any one time in the galleries,” says Keir Winesmith, head of SFMOMA’s Web and digital platforms.\u003c/p>\n\u003cp>So what to do with the rest?\u003c/p>\n\u003cp>SFMOMA is trying a different approach to show off its holdings: Send an emoji or describe a mood via text and the museum \u003ca href=\"https://www.sfmoma.org/read/send-me-sfmoma/\" target=\"_blank\" rel=\"noopener\">will shoot back a picture of one of its artworks.\u003c/a> You can see how it works in the video below:\u003c/p>\n\u003cp>“We’ve now sent 2 million text messages in five days,” Winesmith says.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Most people search for love or happiness, or send an emoji of flowers, dogs or cats. There are also some more esoteric searches, Winesmith says — the ocean, or food, or music, or the names of favorite places.\u003c/p>\n\u003cp>Texters have started contacting the museum to learn more about the art they received on their phones — that “blows my mind,” Winesmith says. He suspects this diversion may be particularly popular right now because it gives people chance to cleanse their mental palate.\u003c/p>\n\u003cp>“A lot of what I read from the news media is pretty negative, and sometimes a little depressing,” he says. “We’re able to create something that is \u003cem>not\u003c/em> that, is a balance. Not quite an antidote, but certainly a balance to what’s happening out there in the news media world.”\u003c/p>\n\u003cp>So if the news on \u003cem>Morning Edition\u003c/em> has got you down today, text 572-51 with the phrase “send me” and then a word or emoji. SFMOMA will send back an image — and perhaps a moment of zen.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>David Blanchard and Graham Smith produced the audio of this story. Beth Novey adapted it for the Web.\u003c/em> \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Tight+On+Wall+Space%2C+SFMOMA+Will+Text+Its+Art+To+You+Instead&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
"blocks": [],
"excerpt": "The San Francisco Museum of Modern Art can only display a fraction of its collection at any given time. Now, you can text a word or emoji and the museum will send back a corresponding work of art.",
"status": "publish",
"parent": 0,
"modified": 1726701704,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 12,
"wordCount": 341
},
"headData": {
"title": "Tight on Wall Space, SFMOMA Will Text Its Art to You Instead | KQED",
"description": "The San Francisco Museum of Modern Art can only display a fraction of its collection at any given time. Now, you can text a word or emoji and the museum will send back a corresponding work of art.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Tight on Wall Space, SFMOMA Will Text Its Art to You Instead",
"datePublished": "2017-07-19T12:00:41-07:00",
"dateModified": "2024-09-18T16:21:44-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprImageCredit": "Josh Edelson",
"nprByline": "David Greene",
"nprImageAgency": "AFP/Getty Images",
"nprStoryId": "537737939",
"nprApiLink": "http://api.npr.org/query?id=537737939&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprHtmlLink": "http://www.npr.org/sections/alltechconsidered/2017/07/18/537737939/tight-on-wall-space-sfmoma-will-text-its-art-to-you-instead?ft=nprml&f=537737939",
"nprRetrievedStory": "1",
"nprPubDate": "Tue, 18 Jul 2017 11:25:00 -0400",
"nprStoryDate": "Tue, 18 Jul 2017 11:25:00 -0400",
"nprLastModifiedDate": "Tue, 18 Jul 2017 11:25:33 -0400",
"path": "/arts/13689227/tight-on-wall-space-sfmoma-will-text-its-art-to-you-instead",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The San Francisco Museum of Modern Art has some 34,000 works in its collection — but you’ll only find a fraction of those up on the wall.\u003c/p>\n\u003cp>“A little under 2,000 of them are on view at any one time in the galleries,” says Keir Winesmith, head of SFMOMA’s Web and digital platforms.\u003c/p>\n\u003cp>So what to do with the rest?\u003c/p>\n\u003cp>SFMOMA is trying a different approach to show off its holdings: Send an emoji or describe a mood via text and the museum \u003ca href=\"https://www.sfmoma.org/read/send-me-sfmoma/\" target=\"_blank\" rel=\"noopener\">will shoot back a picture of one of its artworks.\u003c/a> You can see how it works in the video below:\u003c/p>\n\u003cp>“We’ve now sent 2 million text messages in five days,” Winesmith says.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Most people search for love or happiness, or send an emoji of flowers, dogs or cats. There are also some more esoteric searches, Winesmith says — the ocean, or food, or music, or the names of favorite places.\u003c/p>\n\u003cp>Texters have started contacting the museum to learn more about the art they received on their phones — that “blows my mind,” Winesmith says. He suspects this diversion may be particularly popular right now because it gives people chance to cleanse their mental palate.\u003c/p>\n\u003cp>“A lot of what I read from the news media is pretty negative, and sometimes a little depressing,” he says. “We’re able to create something that is \u003cem>not\u003c/em> that, is a balance. Not quite an antidote, but certainly a balance to what’s happening out there in the news media world.”\u003c/p>\n\u003cp>So if the news on \u003cem>Morning Edition\u003c/em> has got you down today, text 572-51 with the phrase “send me” and then a word or emoji. SFMOMA will send back an image — and perhaps a moment of zen.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>David Blanchard and Graham Smith produced the audio of this story. Beth Novey adapted it for the Web.\u003c/em> \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Tight+On+Wall+Space%2C+SFMOMA+Will+Text+Its+Art+To+You+Instead&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13689227/tight-on-wall-space-sfmoma-will-text-its-art-to-you-instead",
"authors": [
"byline_arts_13689227"
],
"categories": [
"arts_235",
"arts_70"
],
"tags": [
"arts_1448",
"arts_1118",
"arts_596"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13689228",
"label": "arts_137"
},
"arts_13683597": {
"type": "posts",
"id": "arts_13683597",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13683597",
"score": null,
"sort": [
1500415214000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1500415214,
"format": "standard",
"title": "300 Years of Handel's 'Water Music,' with a Splash of Politics",
"headTitle": "300 Years of Handel’s ‘Water Music,’ with a Splash of Politics | KQED",
"content": "\u003cp>So what do you do if you’re a recently crowned Head of State and you’re already facing opposition—even from within your own family? One answer is optics. Make a big, public splash; throw a lavish party with A-list musical entertainment. That’s just what happened in London – 300 years ago today.\u003c/p>\n\u003cp>In July, 1717, King George I of England was feeling heat from an opposing political faction gathering around his son, the Prince of Wales. The King must have thought: “How can I turn the spotlight back on \u003cem>me\u003c/em>?” What about a boating party along the Thames? With an orchestra!\u003c/p>\n\u003cp>The King’s boating blowout gave birth to a smash hit – \u003cem>Water Music\u003c/em>, composed by \u003ca href=\"http://www.npr.org/artists/15509811/george-frideric-handel\" target=\"_blank\" rel=\"noopener\">George Frideric Handel\u003c/a> for his majesty’s royal ride up the Thames.\u003c/p>\n\u003cp>“This was a new thing,” says conductor \u003ca href=\"http://www.npr.org/artists/103057885/nicholas-mcgegan\" target=\"_blank\" rel=\"noopener\">Nicholas McGegan\u003c/a>, “to have quite such elegant and organized music in a barge towing behind the royal one, where the King sat with his two mistresses and watched the world go by.”\u003c/p>\n\u003cp>McGegan is marking the 300th anniversary of \u003cem>Water Music\u003c/em> by conducting the piece at a dry dock in Hull, England later this week. The political intrigue behind the music is no surprise.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“The tradition in the Georgian household was to hate your children,” McGegan notes. “And that happened over generation over generation. So it was a big publicity deal for [King George] and another way of making his son look bad.”\u003c/p>\n\u003cp>The King got the publicity he wanted. Two days later, a London newspaper crowed:\u003c/p>\n\u003cblockquote>\n\u003cp>On Wednesday evening, at about 8, the King took Water at Whitehall in an open barge … wherein were 50 instruments\u003cstrong> \u003c/strong>of all sorts, who play’d … the finest Symphonies compos’d express for the Occasion by Mr. Hendel, which his Majesty liked so well, that he caus’d it to be plaid over three times in going and returning.\u003c/p>\n\u003c/blockquote>\n\u003cp>A few of those “50 instruments” were brand new to the Brits – like French horns.\u003c/p>\n\u003cp>“The audience would, I think, say, ‘What was that funny instrument we heard? Hunting horns, but not ones that play tunes,'” McGegan says. “The horn players had to come from Bohemia, which was sort of the central place for all horn players. I guess the beer is really good.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=UcknsYVgdkM\u003c/p>\n\u003cp>Handel’s hour-long \u003cem>Water Music\u003c/em> comes in three suites of tunes – an ingenious blend of popular styles of the day.\u003c/p>\n\u003cp>“Handel is definitely the non-Brexit composer,” McGegan says. “He takes stuff from France, Germany, Italy and mixes it all up. It’s very much pan-European music, if you like.”\u003c/p>\n\u003cp>Living in London, Handel was smart enough to know he also had to throw something very English into the mix. He came up with the “Alla Hornpipe,” a variation on a dance that became \u003cem>Water Music\u003c/em>‘s signature tune.\u003c/p>\n\u003cp>“The hornpipe is an English dance particularly associated with sailors,” McGegan says, “and involves a lot of jumping up and down, and being a bit of a peacock as a dancer, to show off to the molls on the shore.”\u003c/p>\n\u003cp>Londoners lined the banks of the Thames and squeezed boats into the river to hear the music and catch a glimpse of the Royals. It was a spectacle the likes of which they’d never seen. It was also a public relations coup for King George. But would such an obvious diversion work for politicians today?\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I think it happens all the time doesn’t it?” McGegan says, with a chuckle. “Of course they wouldn’t ask a fabulous composer like John Adams to write them some wonderful music. They’d probably get in some rather trashy rock band.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=300+Years+Of+Handel%27s+%27Water+Music%27%2C+With+A+Splash+Of+Politics&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 681,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 18
},
"modified": 1705030018,
"excerpt": "300 years ago, England's embattled King George I decided to divert public attention from the country's woes with a big musical party on the River Thames.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "300 years ago, England's embattled King George I decided to divert public attention from the country's woes with a big musical party on the River Thames.",
"title": "300 Years of Handel's 'Water Music,' with a Splash of Politics | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "300 Years of Handel's 'Water Music,' with a Splash of Politics",
"datePublished": "2017-07-18T15:00:14-07:00",
"dateModified": "2024-01-11T19:26:58-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "300-years-of-handels-water-music-with-a-splash-of-politics",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=536493418&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprStoryDate": "Mon, 17 Jul 2017 16:28:00 -0400",
"nprLastModifiedDate": "Mon, 17 Jul 2017 18:58:59 -0400",
"nprHtmlLink": "http://www.npr.org/sections/deceptivecadence/2017/07/17/536493418/300-years-of-handels-water-music-with-a-splash-of-politics?ft=nprml&f=536493418",
"nprAudio": "https://ondemand.npr.org/anon.npr-mp3/npr/atc/2017/07/20170717_atc_300_years_of_handels_water_music_with_a_splash_of_politics.mp3?orgId=1&topicId=1039&d=246&p=2&story=536493418&t=progseg&e=537657366&seg=10&ft=nprml&f=536493418",
"nprImageAgency": "Bettmann Archive",
"nprAudioM3u": "http://api.npr.org/m3u/1537754634-de0a34.m3u?orgId=1&topicId=1039&d=246&p=2&story=536493418&t=progseg&e=537657366&seg=10&ft=nprml&f=536493418",
"nprStoryId": "536493418",
"nprByline": "Tom Huizenga",
"sticky": false,
"nprImageCredit": "Getty",
"nprRetrievedStory": "1",
"nprPubDate": "Mon, 17 Jul 2017 19:30:00 -0400",
"path": "/arts/13683597/300-years-of-handels-water-music-with-a-splash-of-politics",
"audioUrl": "https://ondemand.npr.org/anon.npr-mp3/npr/atc/2017/07/20170717_atc_300_years_of_handels_water_music_with_a_splash_of_politics.mp3?orgId=1&topicId=1039&d=246&p=2&story=536493418&t=progseg&e=537657366&seg=10&ft=nprml&f=536493418",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>So what do you do if you’re a recently crowned Head of State and you’re already facing opposition—even from within your own family? One answer is optics. Make a big, public splash; throw a lavish party with A-list musical entertainment. That’s just what happened in London – 300 years ago today.\u003c/p>\n\u003cp>In July, 1717, King George I of England was feeling heat from an opposing political faction gathering around his son, the Prince of Wales. The King must have thought: “How can I turn the spotlight back on \u003cem>me\u003c/em>?” What about a boating party along the Thames? With an orchestra!\u003c/p>\n\u003cp>The King’s boating blowout gave birth to a smash hit – \u003cem>Water Music\u003c/em>, composed by \u003ca href=\"http://www.npr.org/artists/15509811/george-frideric-handel\" target=\"_blank\" rel=\"noopener\">George Frideric Handel\u003c/a> for his majesty’s royal ride up the Thames.\u003c/p>\n\u003cp>“This was a new thing,” says conductor \u003ca href=\"http://www.npr.org/artists/103057885/nicholas-mcgegan\" target=\"_blank\" rel=\"noopener\">Nicholas McGegan\u003c/a>, “to have quite such elegant and organized music in a barge towing behind the royal one, where the King sat with his two mistresses and watched the world go by.”\u003c/p>\n\u003cp>McGegan is marking the 300th anniversary of \u003cem>Water Music\u003c/em> by conducting the piece at a dry dock in Hull, England later this week. The political intrigue behind the music is no surprise.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“The tradition in the Georgian household was to hate your children,” McGegan notes. “And that happened over generation over generation. So it was a big publicity deal for [King George] and another way of making his son look bad.”\u003c/p>\n\u003cp>The King got the publicity he wanted. Two days later, a London newspaper crowed:\u003c/p>\n\u003cblockquote>\n\u003cp>On Wednesday evening, at about 8, the King took Water at Whitehall in an open barge … wherein were 50 instruments\u003cstrong> \u003c/strong>of all sorts, who play’d … the finest Symphonies compos’d express for the Occasion by Mr. Hendel, which his Majesty liked so well, that he caus’d it to be plaid over three times in going and returning.\u003c/p>\n\u003c/blockquote>\n\u003cp>A few of those “50 instruments” were brand new to the Brits – like French horns.\u003c/p>\n\u003cp>“The audience would, I think, say, ‘What was that funny instrument we heard? Hunting horns, but not ones that play tunes,'” McGegan says. “The horn players had to come from Bohemia, which was sort of the central place for all horn players. I guess the beer is really good.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/UcknsYVgdkM'\n title='//www.youtube.com/embed/UcknsYVgdkM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Handel’s hour-long \u003cem>Water Music\u003c/em> comes in three suites of tunes – an ingenious blend of popular styles of the day.\u003c/p>\n\u003cp>“Handel is definitely the non-Brexit composer,” McGegan says. “He takes stuff from France, Germany, Italy and mixes it all up. It’s very much pan-European music, if you like.”\u003c/p>\n\u003cp>Living in London, Handel was smart enough to know he also had to throw something very English into the mix. He came up with the “Alla Hornpipe,” a variation on a dance that became \u003cem>Water Music\u003c/em>‘s signature tune.\u003c/p>\n\u003cp>“The hornpipe is an English dance particularly associated with sailors,” McGegan says, “and involves a lot of jumping up and down, and being a bit of a peacock as a dancer, to show off to the molls on the shore.”\u003c/p>\n\u003cp>Londoners lined the banks of the Thames and squeezed boats into the river to hear the music and catch a glimpse of the Royals. It was a spectacle the likes of which they’d never seen. It was also a public relations coup for King George. But would such an obvious diversion work for politicians today?\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I think it happens all the time doesn’t it?” McGegan says, with a chuckle. “Of course they wouldn’t ask a fabulous composer like John Adams to write them some wonderful music. They’d probably get in some rather trashy rock band.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=300+Years+Of+Handel%27s+%27Water+Music%27%2C+With+A+Splash+Of+Politics&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13683597/300-years-of-handels-water-music-with-a-splash-of-politics",
"authors": [
"byline_arts_13683597"
],
"categories": [
"arts_69"
],
"tags": [
"arts_1119",
"arts_1118",
"arts_596"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13683598",
"label": "arts_137"
},
"arts_13683593": {
"type": "posts",
"id": "arts_13683593",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13683593",
"score": null,
"sort": [
1500404441000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1500404441,
"format": "standard",
"title": "#EbonyOwes: 99 Problems and Money is One",
"headTitle": "#EbonyOwes: 99 Problems and Money is One | KQED",
"content": "\u003cp>\u003cem>Ebony\u003c/em> magazine has been the magazine of black America since it was first published in November 1945. Its stories of success and achievement were a welcome antidote to how its readers normally saw themselves portrayed in mainstream newspapers and magazines. (If they were featured at all, it was usually for something that reinforced the mainstream stereotype of who and what black Americans were.) \u003cem>\u003c/em>Until a decade ago\u003cem>, \u003c/em>\u003cem>Ebony\u003c/em> regularly sold out on newsstands and had a large and loyal subscriber base.\u003c/p>\n\u003cp>So when Los Angeles writer Liz Dwyer was asked to write three articles for the February 2017 issue, which looked at how African-Americans might fare under new President Donald Trump, she was thrilled to say yes.\u003c/p>\n\u003cp>“\u003cem>Ebony\u003c/em> is one of those historical publications that you grew up seeing on your grandma’s coffee table or your parents’ coffee table,” Dwyer says. “For me, growing up, it was one of the only places that I regularly saw myself or my parents reflected in it. Where I saw women who looked like my mom. Where I saw hair care products that worked in my hair.”\u003c/p>\n\u003cp>She wrote the articles in the fall of 2016 and assumed she would be paid upon publication. February came and went, and Dwyer saw no check. She wasn’t the only one. Several other writers, photographers, illustrators and editors were also waiting to be paid.\u003c/p>\n\u003cp>There were indications of financial trouble earlier. Facing an aging, dwindling subscriber base and overall shrinkage of the publishing industry, \u003cem>Ebony\u003c/em>‘s parent company, Johnson Publishing Inc., sold its showcase corporate headquarters in the Chicago Loop in 2010. The flagship magazine went up for sale last year. Michael Gibson and Willard Jackson, African-American private equity owners of Clear View Group, bought the magazine and its sister publication, \u003cem>Jet,\u003c/em> with plans to revive and expand a treasured cultural legacy.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Apparently those plans didn’t include paying \u003cem>Ebony\u003c/em>‘s writers in a timely manner. When asked, the writers were given a statement that said, “[As] part of our strategic growth plan, EBONY Media is working diligently to streamline and improve efficiencies throughout our operations and we will honor our commitment to our partners.”\u003c/p>\n\u003cp>For many of \u003cem>Ebony\u003c/em>‘s writers, its place in publishing history is important. Adrienne Samuels Gibbs left the \u003cem>Boston Globe\u003c/em> to return to her hometown to work for \u003cem>Ebony\u003c/em>. She was a senior staff writer and later left to freelance. She oversaw three special issues, including the commemorative issue that looked at Barack Obama’s presidency. When she heard several of the writers she had commissioned for the work were going unpaid, she tried to rectify it.\u003c/p>\n\u003cp>“Lots of us reached out to CVG to request payment. We started with accounts payable at \u003cem>Ebony,\u003c/em> and then when we got no response after weeks and weeks, we reached out to the two owners of Clear View Group, and also to Linda Johnson Rice, whose family has owned \u003cem>Ebony\u003c/em> since the beginning,” Gibbs said.\u003c/p>\n\u003cp>The response? Nada.\u003c/p>\n\u003cp>(Which is consistent with NPR’s experience: Calls to Clear View Group’s owners, via Facebook and Twitter, for comment went unacknowledged.)\u003c/p>\n\u003cp>What Gibbs \u003cem>did\u003c/em> get was an irritated tweet from CVG co-owner Jackson, accusing her of doing a takedown job on a beloved black publication.\u003c/p>\n\u003cp>“We love \u003cem>Ebony\u003c/em>,” Gibbs insists. “No one is trying to tear down a black institution that means the world to black Americans and the larger citizenship of the diaspora. But you still have to pay what you owe.”\u003c/p>\n\u003cp>Soon after, several writers began a social media campaign, #EbonyOwes, to try to leverage payment. CVG’s owners blocked their accounts to some, but #EbonyOwes picked up steam anyway.\u003c/p>\n\u003cp>Then more than two dozen writers asked the National Writers Union for help. Union President Larry Goldbetter said unfortunately, nonpayment of writers isn’t just an \u003cem>Ebony\u003c/em> problem. “Nonpayment to freelancers is so common — it’s a plague, an epidemic,” he says.\u003c/p>\n\u003cp>The #EbonyOwes writers weren’t so different in that respect, but they were in another way: “What’s unique here is the 30 writers at \u003cem>Ebony\u003c/em> have stood together,” Goldbetter says, “and that has made a difference.”\u003c/p>\n\u003cp>It’s also attracted some attention “from other writers from other publications,” the union president says. “And we are getting more names, and we intend to have a few more campaigns going in the future.”\u003c/p>\n\u003cp>This month, some writers began to receive partial payment for their published work. Three people, including Dwyer, were finally paid in full. Dwyer says even though she has been paid, she will continue to work to see that her colleagues are, too.\u003c/p>\n\u003cp>“What is really tough about it is knowing that there are so many freelancers that are in this position where they are really counting on this money to pay their bills. But even if all they wanted to do was set that money on fire, they did that work, and it’s owed to them,” she says.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Last week, the National Writers Union announced plans to sue \u003cem>Ebony\u003c/em> and CVG to recover the full amount owed to \u003cem>Ebony\u003c/em> contributors who have not yet been made whole. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%23EbonyOwes%3A+99+Problems+And+Money+Is+One&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 908,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 21
},
"modified": 1705030020,
"excerpt": "A number of writers, editors, photographers and illustrators are still waiting to be paid by the magazine for work that was published in February. The owners say they will \"honor [their] commitment.\"",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "A number of writers, editors, photographers and illustrators are still waiting to be paid by the magazine for work that was published in February. The owners say they will "honor commitment."",
"title": "#EbonyOwes: 99 Problems and Money is One | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "#EbonyOwes: 99 Problems and Money is One",
"datePublished": "2017-07-18T12:00:41-07:00",
"dateModified": "2024-01-11T19:27:00-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "ebonyowes-99-problems-and-money-is-one",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=537060492&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprStoryDate": "Mon, 17 Jul 2017 20:17:24 -0400",
"nprLastModifiedDate": "Mon, 17 Jul 2017 20:17:24 -0400",
"nprHtmlLink": "http://www.npr.org/sections/codeswitch/2017/07/17/537060492/-ebonyowes-99-problems-and-money-is-one?ft=nprml&f=537060492",
"nprAudio": "https://ondemand.npr.org/anon.npr-mp3/npr/atc/2017/07/20170717_atc_writers_launch_ebonyowes_twitter_campaign_in_demand_for_back_pay.mp3?orgId=1&topicId=1015&d=234&story=537060492&ft=nprml&f=537060492",
"nprImageAgency": "Getty Images",
"nprAudioM3u": "http://api.npr.org/m3u/1537770535-460fa5.m3u?orgId=1&topicId=1015&d=234&story=537060492&ft=nprml&f=537060492",
"nprStoryId": "537060492",
"nprByline": "Karen Grigsby Bates",
"sticky": false,
"nprImageCredit": "Earl Gibson III",
"nprRetrievedStory": "1",
"nprPubDate": "Mon, 17 Jul 2017 20:17:00 -0400",
"path": "/arts/13683593/ebonyowes-99-problems-and-money-is-one",
"audioUrl": "https://ondemand.npr.org/anon.npr-mp3/npr/atc/2017/07/20170717_atc_writers_launch_ebonyowes_twitter_campaign_in_demand_for_back_pay.mp3?orgId=1&topicId=1015&d=234&story=537060492&ft=nprml&f=537060492",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Ebony\u003c/em> magazine has been the magazine of black America since it was first published in November 1945. Its stories of success and achievement were a welcome antidote to how its readers normally saw themselves portrayed in mainstream newspapers and magazines. (If they were featured at all, it was usually for something that reinforced the mainstream stereotype of who and what black Americans were.) \u003cem>\u003c/em>Until a decade ago\u003cem>, \u003c/em>\u003cem>Ebony\u003c/em> regularly sold out on newsstands and had a large and loyal subscriber base.\u003c/p>\n\u003cp>So when Los Angeles writer Liz Dwyer was asked to write three articles for the February 2017 issue, which looked at how African-Americans might fare under new President Donald Trump, she was thrilled to say yes.\u003c/p>\n\u003cp>“\u003cem>Ebony\u003c/em> is one of those historical publications that you grew up seeing on your grandma’s coffee table or your parents’ coffee table,” Dwyer says. “For me, growing up, it was one of the only places that I regularly saw myself or my parents reflected in it. Where I saw women who looked like my mom. Where I saw hair care products that worked in my hair.”\u003c/p>\n\u003cp>She wrote the articles in the fall of 2016 and assumed she would be paid upon publication. February came and went, and Dwyer saw no check. She wasn’t the only one. Several other writers, photographers, illustrators and editors were also waiting to be paid.\u003c/p>\n\u003cp>There were indications of financial trouble earlier. Facing an aging, dwindling subscriber base and overall shrinkage of the publishing industry, \u003cem>Ebony\u003c/em>‘s parent company, Johnson Publishing Inc., sold its showcase corporate headquarters in the Chicago Loop in 2010. The flagship magazine went up for sale last year. Michael Gibson and Willard Jackson, African-American private equity owners of Clear View Group, bought the magazine and its sister publication, \u003cem>Jet,\u003c/em> with plans to revive and expand a treasured cultural legacy.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Apparently those plans didn’t include paying \u003cem>Ebony\u003c/em>‘s writers in a timely manner. When asked, the writers were given a statement that said, “[As] part of our strategic growth plan, EBONY Media is working diligently to streamline and improve efficiencies throughout our operations and we will honor our commitment to our partners.”\u003c/p>\n\u003cp>For many of \u003cem>Ebony\u003c/em>‘s writers, its place in publishing history is important. Adrienne Samuels Gibbs left the \u003cem>Boston Globe\u003c/em> to return to her hometown to work for \u003cem>Ebony\u003c/em>. She was a senior staff writer and later left to freelance. She oversaw three special issues, including the commemorative issue that looked at Barack Obama’s presidency. When she heard several of the writers she had commissioned for the work were going unpaid, she tried to rectify it.\u003c/p>\n\u003cp>“Lots of us reached out to CVG to request payment. We started with accounts payable at \u003cem>Ebony,\u003c/em> and then when we got no response after weeks and weeks, we reached out to the two owners of Clear View Group, and also to Linda Johnson Rice, whose family has owned \u003cem>Ebony\u003c/em> since the beginning,” Gibbs said.\u003c/p>\n\u003cp>The response? Nada.\u003c/p>\n\u003cp>(Which is consistent with NPR’s experience: Calls to Clear View Group’s owners, via Facebook and Twitter, for comment went unacknowledged.)\u003c/p>\n\u003cp>What Gibbs \u003cem>did\u003c/em> get was an irritated tweet from CVG co-owner Jackson, accusing her of doing a takedown job on a beloved black publication.\u003c/p>\n\u003cp>“We love \u003cem>Ebony\u003c/em>,” Gibbs insists. “No one is trying to tear down a black institution that means the world to black Americans and the larger citizenship of the diaspora. But you still have to pay what you owe.”\u003c/p>\n\u003cp>Soon after, several writers began a social media campaign, #EbonyOwes, to try to leverage payment. CVG’s owners blocked their accounts to some, but #EbonyOwes picked up steam anyway.\u003c/p>\n\u003cp>Then more than two dozen writers asked the National Writers Union for help. Union President Larry Goldbetter said unfortunately, nonpayment of writers isn’t just an \u003cem>Ebony\u003c/em> problem. “Nonpayment to freelancers is so common — it’s a plague, an epidemic,” he says.\u003c/p>\n\u003cp>The #EbonyOwes writers weren’t so different in that respect, but they were in another way: “What’s unique here is the 30 writers at \u003cem>Ebony\u003c/em> have stood together,” Goldbetter says, “and that has made a difference.”\u003c/p>\n\u003cp>It’s also attracted some attention “from other writers from other publications,” the union president says. “And we are getting more names, and we intend to have a few more campaigns going in the future.”\u003c/p>\n\u003cp>This month, some writers began to receive partial payment for their published work. Three people, including Dwyer, were finally paid in full. Dwyer says even though she has been paid, she will continue to work to see that her colleagues are, too.\u003c/p>\n\u003cp>“What is really tough about it is knowing that there are so many freelancers that are in this position where they are really counting on this money to pay their bills. But even if all they wanted to do was set that money on fire, they did that work, and it’s owed to them,” she says.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Last week, the National Writers Union announced plans to sue \u003cem>Ebony\u003c/em> and CVG to recover the full amount owed to \u003cem>Ebony\u003c/em> contributors who have not yet been made whole. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%23EbonyOwes%3A+99+Problems+And+Money+Is+One&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13683593/ebonyowes-99-problems-and-money-is-one",
"authors": [
"byline_arts_13683593"
],
"categories": [
"arts_1",
"arts_235"
],
"tags": [
"arts_1448",
"arts_1118",
"arts_596"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13685280",
"label": "arts_137"
},
"arts_13678750": {
"type": "posts",
"id": "arts_13678750",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13678750",
"score": null,
"sort": [
1500273186000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1500273186,
"format": "standard",
"title": "George Romero, 'Night Of The Living Dead' Director, Dies at 77",
"headTitle": "George Romero, ‘Night Of The Living Dead’ Director, Dies at 77 | KQED",
"content": "\u003cp>Legendary filmmaker George A. Romero, best known for directing the classic horror movie, \u003cem>Night of the Living Dead\u003c/em>, has died. He was 77.\u003c/p>\n\u003cp>Romero’s death was confirmed by his manager, Chris Roe, in a statement to NPR.\u003c/p>\n\u003cp>Roe said Romero passed away peacefully in his sleep Sunday while listening to the score of one of his all-time favorite films, \u003cem>The Quiet Man. \u003c/em>His wife, Suzanne Desrocher Romero and daughter, Tina Romero were at his side. Romero had been battling lung cancer.\u003c/p>\n\u003cp>“George Romero was a gentle giant, and one of the kindest and most giving human beings I’ve ever know or had the pleasure to work with,” Roe told NPR.\u003c/p>\n\u003cp>Born George Andrew Romero in the Bronx, New York City on Feb. 4, 1940 to a Cuban father and a Lithuania American mother, Romero launched his filmmaking career in the early 1960s, shortly after graduation from the College of Fine Arts at Carnegie Mellon University.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Romero was a pioneer in the zombie-horror movie genre and early established a name for himself with such films as the\u003cem> \u003c/em>satirical \u003cem>Night of the Living Dead, \u003c/em>which spawned\u003cem> \u003c/em>\u003cem>Dawn of the Dead,\u003c/em> \u003cem>Day of the Dead\u003c/em>\u003cem>, The Crazies\u003c/em> and \u003cem>Martin\u003c/em>. He defined the modern template for bringing the scary, gruesome and dead to life on screen, inspiring a myriad of zombies in Hollywood and the more recent high-rated AMC series, \u003cem>The Walking Dead.\u003c/em>\u003c/p>\n\u003cp>Romero once told NPR’s Arun Rath in \u003ca href=\"http://www.npr.org/2014/07/20/332644099/the-secret-behind-romeros-scary-zombies-i-made-them-the-neighbors\" target=\"_blank\" rel=\"noopener\">an interview\u003c/a>, “I have a soft spot in my heart for the zombies.”\u003c/p>\n\u003cp>He added that in his work, it’s “usually the humans that are the worst.”\u003c/p>\n\u003cp>Romero acknowledged that he used zombies as a vessel for commentary.\u003c/p>\n\u003cblockquote>\n\u003cp>“They are multi-purpose, you can’t really get angry at them, they have no hidden agendas, they are what they are. I sympathize with them. My stories have always been more about the humans and the mistakes that they’ve make and the zombies are just sort of out there. … They’re the disaster that everyone is facing, but my stories are more about the humans.”\u003c/p>\n\u003c/blockquote>\n\u003cp>When Romero created the cult classic \u003cem>Night of the Living Dead\u003c/em> back in 1968, it was on a budget of $100,000 and as the The Associated Press described, featured, “flesh-hungry ghouls trying to feast on humans holed up in a Pennsylvania house.” The film was inducted into the National Registry of Films by the Library of Congress in 1999.\u003c/p>\n\u003cp>Like many film directors, some of Romero’s movies were successful, others didn’t fare as well at the box-office. Later in life, he struggled to make films. Still, his legacy for reinventing the movie zombie, influencing years of scary movies and leaving imitators in his shadow, remain intact.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Stephen King, prolific writer of dark, scary novels, many of them turned into movies, \u003ca href=\"https://twitter.com/StephenKing/status/886710019756085248\">tweeted\u003c/a> a tribute to Romero: “Sad to hear my favorite collaborator–and good old friend–George Romero has died. George, there will never be another like you.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=George+Romero%2C+%27Night+Of+The+Living+Dead%27+Director%2C+Dies+At+77&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 537,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 15
},
"modified": 1705030043,
"excerpt": "The legendary film director died in his sleep on Sunday with his family by his side, \"following a brief but aggressive battle with lung cancer.\"",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The legendary film director died in his sleep on Sunday with his family by his side, "following a brief but aggressive battle with lung cancer."",
"title": "George Romero, 'Night Of The Living Dead' Director, Dies at 77 | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "George Romero, 'Night Of The Living Dead' Director, Dies at 77",
"datePublished": "2017-07-16T23:33:06-07:00",
"dateModified": "2024-01-11T19:27:23-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "george-romero-night-of-the-living-dead-director-dies-at-77",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=537589005&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprByline": "Maquita Peters",
"nprStoryDate": "Sun, 16 Jul 2017 21:36:00 -0400",
"nprLastModifiedDate": "Sun, 16 Jul 2017 22:20:58 -0400",
"sticky": false,
"nprHtmlLink": "http://www.npr.org/sections/thetwo-way/2017/07/16/537589005/george-romero-night-of-the-living-dead-director-dies-at-77?ft=nprml&f=537589005",
"nprImageAgency": "Getty Images for Museum of Moder",
"nprImageCredit": "Lars Niki",
"nprStoryId": "537589005",
"nprRetrievedStory": "1",
"nprPubDate": "Sun, 16 Jul 2017 22:12:00 -0400",
"path": "/arts/13678750/george-romero-night-of-the-living-dead-director-dies-at-77",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Legendary filmmaker George A. Romero, best known for directing the classic horror movie, \u003cem>Night of the Living Dead\u003c/em>, has died. He was 77.\u003c/p>\n\u003cp>Romero’s death was confirmed by his manager, Chris Roe, in a statement to NPR.\u003c/p>\n\u003cp>Roe said Romero passed away peacefully in his sleep Sunday while listening to the score of one of his all-time favorite films, \u003cem>The Quiet Man. \u003c/em>His wife, Suzanne Desrocher Romero and daughter, Tina Romero were at his side. Romero had been battling lung cancer.\u003c/p>\n\u003cp>“George Romero was a gentle giant, and one of the kindest and most giving human beings I’ve ever know or had the pleasure to work with,” Roe told NPR.\u003c/p>\n\u003cp>Born George Andrew Romero in the Bronx, New York City on Feb. 4, 1940 to a Cuban father and a Lithuania American mother, Romero launched his filmmaking career in the early 1960s, shortly after graduation from the College of Fine Arts at Carnegie Mellon University.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Romero was a pioneer in the zombie-horror movie genre and early established a name for himself with such films as the\u003cem> \u003c/em>satirical \u003cem>Night of the Living Dead, \u003c/em>which spawned\u003cem> \u003c/em>\u003cem>Dawn of the Dead,\u003c/em> \u003cem>Day of the Dead\u003c/em>\u003cem>, The Crazies\u003c/em> and \u003cem>Martin\u003c/em>. He defined the modern template for bringing the scary, gruesome and dead to life on screen, inspiring a myriad of zombies in Hollywood and the more recent high-rated AMC series, \u003cem>The Walking Dead.\u003c/em>\u003c/p>\n\u003cp>Romero once told NPR’s Arun Rath in \u003ca href=\"http://www.npr.org/2014/07/20/332644099/the-secret-behind-romeros-scary-zombies-i-made-them-the-neighbors\" target=\"_blank\" rel=\"noopener\">an interview\u003c/a>, “I have a soft spot in my heart for the zombies.”\u003c/p>\n\u003cp>He added that in his work, it’s “usually the humans that are the worst.”\u003c/p>\n\u003cp>Romero acknowledged that he used zombies as a vessel for commentary.\u003c/p>\n\u003cblockquote>\n\u003cp>“They are multi-purpose, you can’t really get angry at them, they have no hidden agendas, they are what they are. I sympathize with them. My stories have always been more about the humans and the mistakes that they’ve make and the zombies are just sort of out there. … They’re the disaster that everyone is facing, but my stories are more about the humans.”\u003c/p>\n\u003c/blockquote>\n\u003cp>When Romero created the cult classic \u003cem>Night of the Living Dead\u003c/em> back in 1968, it was on a budget of $100,000 and as the The Associated Press described, featured, “flesh-hungry ghouls trying to feast on humans holed up in a Pennsylvania house.” The film was inducted into the National Registry of Films by the Library of Congress in 1999.\u003c/p>\n\u003cp>Like many film directors, some of Romero’s movies were successful, others didn’t fare as well at the box-office. Later in life, he struggled to make films. Still, his legacy for reinventing the movie zombie, influencing years of scary movies and leaving imitators in his shadow, remain intact.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Stephen King, prolific writer of dark, scary novels, many of them turned into movies, \u003ca href=\"https://twitter.com/StephenKing/status/886710019756085248\">tweeted\u003c/a> a tribute to Romero: “Sad to hear my favorite collaborator–and good old friend–George Romero has died. George, there will never be another like you.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=George+Romero%2C+%27Night+Of+The+Living+Dead%27+Director%2C+Dies+At+77&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13678750/george-romero-night-of-the-living-dead-director-dies-at-77",
"authors": [
"byline_arts_13678750"
],
"categories": [
"arts_74",
"arts_235",
"arts_75"
],
"tags": [
"arts_1448",
"arts_596",
"arts_1091"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13678751",
"label": "arts_137"
},
"arts_13666383": {
"type": "posts",
"id": "arts_13666383",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13666383",
"score": null,
"sort": [
1500133769000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1500133769,
"format": "standard",
"title": "Meet Emin Agalarov, Trump-Connected Russian Pop Star",
"headTitle": "Meet Emin Agalarov, Trump-Connected Russian Pop Star | KQED",
"content": "\u003cp>Over the past few days, an old, hitherto unknown music video has gone viral: the music video for “In Another Life,” by Russian pop star Emin. In the video, the singer frolics in a mansion with contestants from the 2013 Miss Universe pageant — the beauty contest then owned by Donald Trump.\u003c/p>\n\u003cp>At the end of the video, Emin (full name: Emin Agalarov) wakes up from his fantasy. The video cuts to Trump at the head of a conference table, delivering lines straight from \u003cem>The Apprentice: \u003c/em>“Emin, let’s get with it. You’re always late. You’re just another pretty face. … You’re fired.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=iuZUNjFsgS8\u003c/p>\n\u003cp>Ever since Agalarov was revealed as one of the people who \u003ca href=\"http://www.npr.org/2017/07/11/536670194/donald-trump-jr-s-emails-about-meeting-with-russian-lawyer-annotated\" target=\"_blank\" rel=\"noopener\">arranged Donald Trump Jr.’s 2016 meeting\u003c/a> with a Russian lawyer who promised damaging information about rival candidate Hillary Clinton, this video and the rest of his online trail have been fodder for people curious to know more.\u003c/p>\n\u003cp>That trail is littered with plenty of photos of Agalarov with Trump over the years, as well as a \u003ca href=\"https://www.youtube.com/watch?v=6cKuqLx3A-8\">videotaped birthday message\u003c/a> Trump sent Agalarov in 2015. “You’re a winner, you’re a champ, you’re great at real estate, and boy, can you entertain,” Trump enthused.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>And after Trump won the presidency, Agalarov returned the compliment with his own \u003ca href=\"https://www.instagram.com/p/BMohqTtBC7h/\">video\u003c/a>: “You’re an absolute winner. You proved everybody wrong. It’s incredible, congratulations.”\u003c/p>\n\u003cp>A few months ago, Agalarov boasted to \u003ca href=\"https://www.forbes.com/sites/noahkirsch/2017/03/20/russian-billionaire-family-trump-ties-ongoing/#4c36272e69b3\">\u003cem>Forbes\u003c/em>\u003c/a> of his continued access to the Trump family. And Agalarov’s connections don’t stop there: His billionaire father, Aras Agalarov, is close to Vladimir Putin, and his ex-wife is the daughter of the president of Azerbaijan, where Agalarov was born.\u003c/p>\n\u003cp>Agalarov grew up in Moscow and went to college in New York. He’s now executive vice president of his family’s real estate company, the Crocus Group. And when he’s not developing Russian shopping centers, resorts and boutiques, he’s recording and performing around the world.\u003c/p>\n\u003cp>Emin has covered \u003ca href=\"http://www.npr.org/artists/15396980/frank-sinatra\" target=\"_blank\" rel=\"noopener\">Frank Sinatra\u003c/a> and \u003ca href=\"http://www.npr.org/artists/15624007/elvis-presley\" target=\"_blank\" rel=\"noopener\">Elvis Presley\u003c/a> in the past, and his latest single is “Good Love,” from a new album coming out this year. But \u003cem>LA Times\u003c/em> pop critic Mikael Wood, for one, is hardly impressed.\u003c/p>\n\u003cp>“This guy’s music is about as bland as it could be,” Wood says. “He’s like a bad \u003ca href=\"http://www.npr.org/artists/506983447/george-michael\" target=\"_blank\" rel=\"noopener\">George Michael\u003c/a> or a bad Michael Bublé or he’s a bad Ricky Martin, depending on the song.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ZJbqCIWGdLI\u003c/p>\n\u003cp>At some point in his music career, Agalarov — apparently a Russian sensation — became the client of \u003ca href=\"http://www.npr.org/2017/07/10/536456901/he-says-he-connected-trump-jr-to-russian-lawyer-put-trump-sr-in-a-music-video\" target=\"_blank\" rel=\"noopener\">Rob Goldstone\u003c/a>, a British-born music publicist. The Russian government had reached out to Agalarov’s father, after which Agalarov asked Goldstone to connect Trump Jr. with the Russian lawyer who promised damaging information about Clinton. None of these players was available for comment.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Just weeks ago, Agalarov ended his U.S. tour with a concert at Lincoln Center, where he was joined onstage by musicians David Foster and Nile Rodgers. Now, he’s center stage with Donald Trump — and everyone knows his name. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Meet+Emin+Agalarov%2C+Trump-Connected+Russian+Pop+Star&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 569,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 13
},
"modified": 1705030050,
"excerpt": "Get caught up on the singer and real-estate mogul in the news for helping arrange a meeting between Donald Trump Jr. and a Russian lawyer.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Get caught up on the singer and real-estate mogul in the news for helping arrange a meeting between Donald Trump Jr. and a Russian lawyer.",
"title": "Meet Emin Agalarov, Trump-Connected Russian Pop Star | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Meet Emin Agalarov, Trump-Connected Russian Pop Star",
"datePublished": "2017-07-15T08:49:29-07:00",
"dateModified": "2024-01-11T19:27:30-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "meet-emin-agalarov-trump-connected-russian-pop-star",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=537105712&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprStoryDate": "Fri, 14 Jul 2017 16:12:00 -0400",
"nprLastModifiedDate": "Fri, 14 Jul 2017 22:02:44 -0400",
"nprHtmlLink": "http://www.npr.org/2017/07/14/537105712/meet-emin-agalarov-trump-connected-russian-pop-star?ft=nprml&f=537105712",
"nprAudio": "https://ondemand.npr.org/anon.npr-mp3/npr/atc/2017/07/20170714_atc_meet_emin_agalarov_trump-connected_russian_pop_star.mp3?orgId=1&topicId=1106&d=164&p=2&story=537105712&t=progseg&e=537178959&seg=14&ft=nprml&f=537105712",
"nprImageAgency": "Getty Images",
"nprAudioM3u": "http://api.npr.org/m3u/1537291349-8b7de2.m3u?orgId=1&topicId=1106&d=164&p=2&story=537105712&t=progseg&e=537178959&seg=14&ft=nprml&f=537105712",
"nprStoryId": "537105712",
"nprByline": "Mandalit del Barco",
"sticky": false,
"nprImageCredit": "Victor Boyko",
"nprRetrievedStory": "1",
"nprPubDate": "Fri, 14 Jul 2017 22:02:00 -0400",
"path": "/arts/13666383/meet-emin-agalarov-trump-connected-russian-pop-star",
"audioUrl": "https://ondemand.npr.org/anon.npr-mp3/npr/atc/2017/07/20170714_atc_meet_emin_agalarov_trump-connected_russian_pop_star.mp3?orgId=1&topicId=1106&d=164&p=2&story=537105712&t=progseg&e=537178959&seg=14&ft=nprml&f=537105712",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Over the past few days, an old, hitherto unknown music video has gone viral: the music video for “In Another Life,” by Russian pop star Emin. In the video, the singer frolics in a mansion with contestants from the 2013 Miss Universe pageant — the beauty contest then owned by Donald Trump.\u003c/p>\n\u003cp>At the end of the video, Emin (full name: Emin Agalarov) wakes up from his fantasy. The video cuts to Trump at the head of a conference table, delivering lines straight from \u003cem>The Apprentice: \u003c/em>“Emin, let’s get with it. You’re always late. You’re just another pretty face. … You’re fired.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/iuZUNjFsgS8'\n title='//www.youtube.com/embed/iuZUNjFsgS8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Ever since Agalarov was revealed as one of the people who \u003ca href=\"http://www.npr.org/2017/07/11/536670194/donald-trump-jr-s-emails-about-meeting-with-russian-lawyer-annotated\" target=\"_blank\" rel=\"noopener\">arranged Donald Trump Jr.’s 2016 meeting\u003c/a> with a Russian lawyer who promised damaging information about rival candidate Hillary Clinton, this video and the rest of his online trail have been fodder for people curious to know more.\u003c/p>\n\u003cp>That trail is littered with plenty of photos of Agalarov with Trump over the years, as well as a \u003ca href=\"https://www.youtube.com/watch?v=6cKuqLx3A-8\">videotaped birthday message\u003c/a> Trump sent Agalarov in 2015. “You’re a winner, you’re a champ, you’re great at real estate, and boy, can you entertain,” Trump enthused.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>And after Trump won the presidency, Agalarov returned the compliment with his own \u003ca href=\"https://www.instagram.com/p/BMohqTtBC7h/\">video\u003c/a>: “You’re an absolute winner. You proved everybody wrong. It’s incredible, congratulations.”\u003c/p>\n\u003cp>A few months ago, Agalarov boasted to \u003ca href=\"https://www.forbes.com/sites/noahkirsch/2017/03/20/russian-billionaire-family-trump-ties-ongoing/#4c36272e69b3\">\u003cem>Forbes\u003c/em>\u003c/a> of his continued access to the Trump family. And Agalarov’s connections don’t stop there: His billionaire father, Aras Agalarov, is close to Vladimir Putin, and his ex-wife is the daughter of the president of Azerbaijan, where Agalarov was born.\u003c/p>\n\u003cp>Agalarov grew up in Moscow and went to college in New York. He’s now executive vice president of his family’s real estate company, the Crocus Group. And when he’s not developing Russian shopping centers, resorts and boutiques, he’s recording and performing around the world.\u003c/p>\n\u003cp>Emin has covered \u003ca href=\"http://www.npr.org/artists/15396980/frank-sinatra\" target=\"_blank\" rel=\"noopener\">Frank Sinatra\u003c/a> and \u003ca href=\"http://www.npr.org/artists/15624007/elvis-presley\" target=\"_blank\" rel=\"noopener\">Elvis Presley\u003c/a> in the past, and his latest single is “Good Love,” from a new album coming out this year. But \u003cem>LA Times\u003c/em> pop critic Mikael Wood, for one, is hardly impressed.\u003c/p>\n\u003cp>“This guy’s music is about as bland as it could be,” Wood says. “He’s like a bad \u003ca href=\"http://www.npr.org/artists/506983447/george-michael\" target=\"_blank\" rel=\"noopener\">George Michael\u003c/a> or a bad Michael Bublé or he’s a bad Ricky Martin, depending on the song.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ZJbqCIWGdLI'\n title='//www.youtube.com/embed/ZJbqCIWGdLI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>At some point in his music career, Agalarov — apparently a Russian sensation — became the client of \u003ca href=\"http://www.npr.org/2017/07/10/536456901/he-says-he-connected-trump-jr-to-russian-lawyer-put-trump-sr-in-a-music-video\" target=\"_blank\" rel=\"noopener\">Rob Goldstone\u003c/a>, a British-born music publicist. The Russian government had reached out to Agalarov’s father, after which Agalarov asked Goldstone to connect Trump Jr. with the Russian lawyer who promised damaging information about Clinton. None of these players was available for comment.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Just weeks ago, Agalarov ended his U.S. tour with a concert at Lincoln Center, where he was joined onstage by musicians David Foster and Nile Rodgers. Now, he’s center stage with Donald Trump — and everyone knows his name. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Meet+Emin+Agalarov%2C+Trump-Connected+Russian+Pop+Star&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13666383/meet-emin-agalarov-trump-connected-russian-pop-star",
"authors": [
"byline_arts_13666383"
],
"categories": [
"arts_69",
"arts_235"
],
"tags": [
"arts_1448",
"arts_1118",
"arts_596"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13666384",
"label": "arts_137"
},
"arts_13659356": {
"type": "posts",
"id": "arts_13659356",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13659356",
"score": null,
"sort": [
1500056769000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1500056769,
"format": "standard",
"title": "Kid Rock Claims Michigan Senate Bid is 'Not A Hoax'",
"headTitle": "Kid Rock Claims Michigan Senate Bid is ‘Not A Hoax’ | KQED",
"content": "\u003cp>Kid Rock, the singer whose career has spanned rap, hard rock and country music, is fueling the speculation that he intends to announce a bid for the U.S. Senate next year to challenge incumbent Democrat Debbie Stabenow. That is unless it’s all a publicity stunt.\u003c/p>\n\u003cp>In a post on his personal website Thursday evening, \u003ca href=\"https://kidrock.com/blog/announcement/447744/once-again-the-press-is-wrong\" target=\"_blank\" rel=\"noopener\">the 46-year-old singer wrote\u003c/a>, “Like politicians write books during their campaigns, I’m planning on putting out music during mine and IT ALL STARTS TONIGHT AT MIDNIGHT.”\u003c/p>\n\u003cp>The post continued, “Senator Stabenow and I do share a love of music, although probably not the same kind. I concede she is better at playing politics than I am so I’ll keep doing what I do best, which is being a voice for tax paying, hardworking AMERICANS…”\u003c/p>\n\u003cp>Earlier this week, Kid Rock, whose legal name is Robert James Ritchie, tweeted a picture of a “Kid Rock for US Senate” sign along with what appears to be a campaign website.\u003c/p>\n\u003cp>But after a teasing a big announcement in his Thursday post, Kid Rock announced he’s releasing two new songs on Friday.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>So far, Ritchie has not filed a statement of candidacy with the Federal Election Commission. The Kid Rock for Senate website sells campaign-themed merchandise but directs to a Warner Bros. record label website to complete transactions. That site does not ask the questions campaign websites must ask, such as whether the donor is an American citizen. The FEC says candidates must register \u003ca href=\"https://www.fec.gov/updates/testing-the-waters-2017/\" target=\"_blank\" rel=\"noopener\">if they raise or spend more than $5,000\u003c/a>.\u003c/p>\n\u003cp>In recent years, Kid Rock has become increasingly identified with conservative politics. Mitt Romney’s 2012 presidential campaign used his song, “Born Free” as its campaign theme song. Earlier this year, he attended \u003ca href=\"https://www.sarahpalin.com/behind-scenes-photos-awesome-evening-white-house/\" target=\"_blank\" rel=\"noopener\">a dinner at the White House\u003c/a> with President Trump and former Alaska Gov. Sarah Palin.\u003c/p>\n\u003cp>While Kid Rock’s hard living rock-and-roll lifestyle, which includes a sex tape and assault charges, would traditionally be considered a liability for a political candidate, the success of President Trump’s campaign last year may encourage more unconventional candidates to run for office.\u003c/p>\n\u003cp>And a lot of what’s adding fuel to the speculation is Trump’s slim-but-surprising upset victory last year in Michigan. Republicans are hoping it’s the start of a reversal of fortune in a state that typically sends Democrats to the Senate.\u003c/p>\n\u003cp>Stabenow, who was first elected to the Senate in 2000, is not considered one of the Senate’s most endangered Democrats in 2018. In a tweet, Stabenow, who plays guitar, gently poked fun at Kid Rock’s statements and vowed to “keep doing what I do best: fighting for Michigan.”\u003c/p>\n\u003cp>Her campaign tried to capitalize on the spectacle by blasting out a fundraising e-mail.\u003c/p>\n\u003cp>The subject line is: “Kid Rock… for Senate?”\u003c/p>\n\u003cp>“We don’t know if this is for real or just a publicity stunt. But after Donald Trump’s surprising win last year, we need to act fast.” It then asks for a $5 online donation.\u003c/p>\n\u003cp>Stu Sandler, a Republican campaign consultant in Michigan, says it’s not clear what Kid Rock’s intentions are, but it’s created a buzz about the upcoming campaign.\u003c/p>\n\u003cp>“I really don’t know, but it’s kind of a fun ride. He seems to be pretty emphatic by his own language, and he’s added some excitement.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“The bottom line is he’s not like any traditional candidate so he can do things other people can’t.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Kid+Rock+Claims+Michigan+Senate+Bid+Is+%27Not+A+Hoax%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 640,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 18
},
"modified": 1705030053,
"excerpt": "\"It's not a hoax, it's a strategy and marketing 101!\" wrote the singer of \"Bawitdaba\" on his personal website.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": ""It's not a hoax, it's a strategy and marketing 101!" wrote the singer of "Bawitdaba" on his personal website.",
"title": "Kid Rock Claims Michigan Senate Bid is 'Not A Hoax' | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Kid Rock Claims Michigan Senate Bid is 'Not A Hoax'",
"datePublished": "2017-07-14T11:26:09-07:00",
"dateModified": "2024-01-11T19:27:33-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "kid-rock-claims-michigan-senate-bid-is-not-a-hoax",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=537216425&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprByline": "Brett Neely",
"nprStoryDate": "Fri, 14 Jul 2017 14:06:00 -0400",
"nprLastModifiedDate": "Fri, 14 Jul 2017 14:15:04 -0400",
"sticky": false,
"nprHtmlLink": "http://www.npr.org/2017/07/14/537216425/-not-a-hoax-claims-kid-rock-about-michigan-senate-bid?ft=nprml&f=537216425",
"nprImageAgency": "Getty Images",
"nprImageCredit": "Theo Wargo",
"nprStoryId": "537216425",
"nprRetrievedStory": "1",
"nprPubDate": "Fri, 14 Jul 2017 14:15:00 -0400",
"path": "/arts/13659356/kid-rock-claims-michigan-senate-bid-is-not-a-hoax",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Kid Rock, the singer whose career has spanned rap, hard rock and country music, is fueling the speculation that he intends to announce a bid for the U.S. Senate next year to challenge incumbent Democrat Debbie Stabenow. That is unless it’s all a publicity stunt.\u003c/p>\n\u003cp>In a post on his personal website Thursday evening, \u003ca href=\"https://kidrock.com/blog/announcement/447744/once-again-the-press-is-wrong\" target=\"_blank\" rel=\"noopener\">the 46-year-old singer wrote\u003c/a>, “Like politicians write books during their campaigns, I’m planning on putting out music during mine and IT ALL STARTS TONIGHT AT MIDNIGHT.”\u003c/p>\n\u003cp>The post continued, “Senator Stabenow and I do share a love of music, although probably not the same kind. I concede she is better at playing politics than I am so I’ll keep doing what I do best, which is being a voice for tax paying, hardworking AMERICANS…”\u003c/p>\n\u003cp>Earlier this week, Kid Rock, whose legal name is Robert James Ritchie, tweeted a picture of a “Kid Rock for US Senate” sign along with what appears to be a campaign website.\u003c/p>\n\u003cp>But after a teasing a big announcement in his Thursday post, Kid Rock announced he’s releasing two new songs on Friday.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>So far, Ritchie has not filed a statement of candidacy with the Federal Election Commission. The Kid Rock for Senate website sells campaign-themed merchandise but directs to a Warner Bros. record label website to complete transactions. That site does not ask the questions campaign websites must ask, such as whether the donor is an American citizen. The FEC says candidates must register \u003ca href=\"https://www.fec.gov/updates/testing-the-waters-2017/\" target=\"_blank\" rel=\"noopener\">if they raise or spend more than $5,000\u003c/a>.\u003c/p>\n\u003cp>In recent years, Kid Rock has become increasingly identified with conservative politics. Mitt Romney’s 2012 presidential campaign used his song, “Born Free” as its campaign theme song. Earlier this year, he attended \u003ca href=\"https://www.sarahpalin.com/behind-scenes-photos-awesome-evening-white-house/\" target=\"_blank\" rel=\"noopener\">a dinner at the White House\u003c/a> with President Trump and former Alaska Gov. Sarah Palin.\u003c/p>\n\u003cp>While Kid Rock’s hard living rock-and-roll lifestyle, which includes a sex tape and assault charges, would traditionally be considered a liability for a political candidate, the success of President Trump’s campaign last year may encourage more unconventional candidates to run for office.\u003c/p>\n\u003cp>And a lot of what’s adding fuel to the speculation is Trump’s slim-but-surprising upset victory last year in Michigan. Republicans are hoping it’s the start of a reversal of fortune in a state that typically sends Democrats to the Senate.\u003c/p>\n\u003cp>Stabenow, who was first elected to the Senate in 2000, is not considered one of the Senate’s most endangered Democrats in 2018. In a tweet, Stabenow, who plays guitar, gently poked fun at Kid Rock’s statements and vowed to “keep doing what I do best: fighting for Michigan.”\u003c/p>\n\u003cp>Her campaign tried to capitalize on the spectacle by blasting out a fundraising e-mail.\u003c/p>\n\u003cp>The subject line is: “Kid Rock… for Senate?”\u003c/p>\n\u003cp>“We don’t know if this is for real or just a publicity stunt. But after Donald Trump’s surprising win last year, we need to act fast.” It then asks for a $5 online donation.\u003c/p>\n\u003cp>Stu Sandler, a Republican campaign consultant in Michigan, says it’s not clear what Kid Rock’s intentions are, but it’s created a buzz about the upcoming campaign.\u003c/p>\n\u003cp>“I really don’t know, but it’s kind of a fun ride. He seems to be pretty emphatic by his own language, and he’s added some excitement.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“The bottom line is he’s not like any traditional candidate so he can do things other people can’t.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Kid+Rock+Claims+Michigan+Senate+Bid+Is+%27Not+A+Hoax%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13659356/kid-rock-claims-michigan-senate-bid-is-not-a-hoax",
"authors": [
"byline_arts_13659356"
],
"categories": [
"arts_69",
"arts_235"
],
"tags": [
"arts_1448",
"arts_596"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13659359",
"label": "arts_137"
},
"arts_13654907": {
"type": "posts",
"id": "arts_13654907",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13654907",
"score": null,
"sort": [
1500040825000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1500040825,
"format": "standard",
"title": "Grief Hangs Around At Home In 'A Ghost Story'",
"headTitle": "Grief Hangs Around At Home In ‘A Ghost Story’ | KQED",
"content": "\u003cp>Just a few days after director David Lowery finished shooting Disney’s live-action \u003cem>Pete’s Dragon\u003c/em>, he started a project that could hardly have been more different — the micro-budget, quietly revelatory, poetic, meditative, and aptly titled \u003cem>A Ghost Story\u003c/em>.\u003c/p>\n\u003cp>Lowery shot in secret and very quickly. His setting, an entirely unremarkable suburban rambler that was slated for demolition, which allowed him to destroy it when necessary, and his chief storytelling device a childlike representation of a ghost — a figure draped in a white bedsheet.\u003c/p>\n\u003cp>His two leads — a married couple, known only as “C” and “M” — are played by Casey Affleck and Rooney Mara, who’d starred in his \u003cem>Ain’t Them Bodies Saints\u003c/em> a few years back, and who have an easy rapport that was probably essential to filming on a short shoot.\u003c/p>\n\u003cp>Affleck’s C is quiet, a composer who’s better at expressing himself in music than in words. Mara’s M seems more comfortable saying what she’s feeling, but she gets very little bounce from her spouse. She wants to move, he’s attached for some unfathomable reason to the house. She loves him, and he, her, but their relationship is difficult. And then, abruptly, he dies in an auto accident just yards from the house. At the hospital morgue, M says her goodbyes, and leaves the body on its slab, in stillness.\u003c/p>\n\u003cp>When no one’s around, C leaves too. He sits up on the slab, still covered by a sheet, looking for all the world like a Halloween costume with black holes for eyes. A ghost-in-ghost’s-clothing, he begins to wander the crowded halls of the hospital unnoticed. A portal opens — a chance to move toward the light — but instead, C returns to the house he didn’t want to leave, to be with his grieving wife.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>M does grieve — sorting through their possessions with eyes brimming, stress-eating an entire pie in one harrowing, uninterrupted take, listening to C’s music, all with the ghost of C unseen, but ever in a corner of the frame.\u003c/p>\n\u003cp>And then, as she must, M moves on. She packs, looks around one last time, and drives away. C’s ghost can’t. He’s bound to this spot, through years, through other residents, even when the home is torn down, gradually slipping away from this world, until he’s entirely unmoored in time…but still stuck.\u003c/p>\n\u003cp>Director David Lowery started out as a film editor, and you could make the case that \u003cem>A Ghost Story\u003c/em> proves what good editing can do on its own. After three years spent making an effects-heavy Disney epic, this almost amounts to a cinematic cleanse. $100,000 budget, tiny cast, finished in a couple of weeks with no effects, almost no dialogue — except for one scene where some partying grad students take up residence in C’s house, and are stoned enough to articulate what you imagine a ghost might be thinking.\u003c/p>\n\u003cp>“We build our legacy piece by piece,” says one, “and maybe the whole world will remember you, or maybe just a couple of people, but you do what you can to make sure you’re still around after you’re gone.”\u003c/p>\n\u003cp>I should mention that the film is virtually without plot, so it requires some patience. Major stars and that title notwithstanding, \u003cem>A Ghost Story\u003c/em> is not a Saturday-night date movie. More a provocative art film in the European sense. Though barely 87 minutes, it unfolds in long, static shots, most of them without faces to hang onto. It’s almost a film without genre, and by the end it’s become a story untethered from time itself.\u003c/p>\n\u003cp>Still, it manages to be achingly intimate, and somehow optimistic. A meditation on loss but also on legacy — on our enduring need to endure. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>We all hope to leave something behind — children, memories, a monument of some sort. Lowery will leave \u003cem>A Ghost Story\u003c/em>. And if my own experience is any indication, it will linger.\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 715,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 14
},
"modified": 1705030059,
"excerpt": "A new film starring Casey Affleck and Rooney Mara is provocative — if you've got the patience.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "A new film starring Casey Affleck and Rooney Mara is provocative — if you've got the patience.",
"title": "Grief Hangs Around At Home In 'A Ghost Story' | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Grief Hangs Around At Home In 'A Ghost Story'",
"datePublished": "2017-07-14T07:00:25-07:00",
"dateModified": "2024-01-11T19:27:39-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "grief-hangs-around-at-home-in-a-ghost-story",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=535968071&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprStoryDate": "Fri, 07 Jul 2017 16:31:00 -0400",
"nprLastModifiedDate": "Fri, 07 Jul 2017 18:45:40 -0400",
"nprHtmlLink": "http://www.npr.org/2017/07/07/535968071/grief-hangs-around-at-home-in-a-ghost-story?ft=nprml&f=535968071",
"nprAudio": "https://ondemand.npr.org/anon.npr-mp3/npr/atc/2017/07/20170707_atc_grief_hangs_around_at_home_in_a_ghost_story_.mp3?orgId=1&topicId=4467349&d=236&p=2&story=535968071&t=progseg&e=535922947&seg=9&ft=nprml&f=535968071",
"nprImageAgency": "Courtesy of A24",
"nprAudioM3u": "http://api.npr.org/m3u/1536025837-dc7675.m3u?orgId=1&topicId=4467349&d=236&p=2&story=535968071&t=progseg&e=535922947&seg=9&ft=nprml&f=535968071",
"nprStoryId": "535968071",
"nprByline": "Bob Mondello",
"sticky": false,
"nprImageCredit": "Bret Curry",
"nprRetrievedStory": "1",
"nprPubDate": "Fri, 07 Jul 2017 20:18:00 -0400",
"path": "/arts/13654907/grief-hangs-around-at-home-in-a-ghost-story",
"audioUrl": "https://ondemand.npr.org/anon.npr-mp3/npr/atc/2017/07/20170707_atc_grief_hangs_around_at_home_in_a_ghost_story_.mp3?orgId=1&topicId=4467349&d=236&p=2&story=535968071&t=progseg&e=535922947&seg=9&ft=nprml&f=535968071",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Just a few days after director David Lowery finished shooting Disney’s live-action \u003cem>Pete’s Dragon\u003c/em>, he started a project that could hardly have been more different — the micro-budget, quietly revelatory, poetic, meditative, and aptly titled \u003cem>A Ghost Story\u003c/em>.\u003c/p>\n\u003cp>Lowery shot in secret and very quickly. His setting, an entirely unremarkable suburban rambler that was slated for demolition, which allowed him to destroy it when necessary, and his chief storytelling device a childlike representation of a ghost — a figure draped in a white bedsheet.\u003c/p>\n\u003cp>His two leads — a married couple, known only as “C” and “M” — are played by Casey Affleck and Rooney Mara, who’d starred in his \u003cem>Ain’t Them Bodies Saints\u003c/em> a few years back, and who have an easy rapport that was probably essential to filming on a short shoot.\u003c/p>\n\u003cp>Affleck’s C is quiet, a composer who’s better at expressing himself in music than in words. Mara’s M seems more comfortable saying what she’s feeling, but she gets very little bounce from her spouse. She wants to move, he’s attached for some unfathomable reason to the house. She loves him, and he, her, but their relationship is difficult. And then, abruptly, he dies in an auto accident just yards from the house. At the hospital morgue, M says her goodbyes, and leaves the body on its slab, in stillness.\u003c/p>\n\u003cp>When no one’s around, C leaves too. He sits up on the slab, still covered by a sheet, looking for all the world like a Halloween costume with black holes for eyes. A ghost-in-ghost’s-clothing, he begins to wander the crowded halls of the hospital unnoticed. A portal opens — a chance to move toward the light — but instead, C returns to the house he didn’t want to leave, to be with his grieving wife.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>M does grieve — sorting through their possessions with eyes brimming, stress-eating an entire pie in one harrowing, uninterrupted take, listening to C’s music, all with the ghost of C unseen, but ever in a corner of the frame.\u003c/p>\n\u003cp>And then, as she must, M moves on. She packs, looks around one last time, and drives away. C’s ghost can’t. He’s bound to this spot, through years, through other residents, even when the home is torn down, gradually slipping away from this world, until he’s entirely unmoored in time…but still stuck.\u003c/p>\n\u003cp>Director David Lowery started out as a film editor, and you could make the case that \u003cem>A Ghost Story\u003c/em> proves what good editing can do on its own. After three years spent making an effects-heavy Disney epic, this almost amounts to a cinematic cleanse. $100,000 budget, tiny cast, finished in a couple of weeks with no effects, almost no dialogue — except for one scene where some partying grad students take up residence in C’s house, and are stoned enough to articulate what you imagine a ghost might be thinking.\u003c/p>\n\u003cp>“We build our legacy piece by piece,” says one, “and maybe the whole world will remember you, or maybe just a couple of people, but you do what you can to make sure you’re still around after you’re gone.”\u003c/p>\n\u003cp>I should mention that the film is virtually without plot, so it requires some patience. Major stars and that title notwithstanding, \u003cem>A Ghost Story\u003c/em> is not a Saturday-night date movie. More a provocative art film in the European sense. Though barely 87 minutes, it unfolds in long, static shots, most of them without faces to hang onto. It’s almost a film without genre, and by the end it’s become a story untethered from time itself.\u003c/p>\n\u003cp>Still, it manages to be achingly intimate, and somehow optimistic. A meditation on loss but also on legacy — on our enduring need to endure. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>We all hope to leave something behind — children, memories, a monument of some sort. Lowery will leave \u003cem>A Ghost Story\u003c/em>. And if my own experience is any indication, it will linger.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13654907/grief-hangs-around-at-home-in-a-ghost-story",
"authors": [
"byline_arts_13654907"
],
"categories": [
"arts_74"
],
"tags": [
"arts_1118",
"arts_769"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13654908",
"label": "arts_137"
},
"arts_13646988": {
"type": "posts",
"id": "arts_13646988",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13646988",
"score": null,
"sort": [
1499902778000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1499902778,
"format": "standard",
"title": "'Graceland' Guitarist and Arranger Ray Phiri Dies, Age 70",
"headTitle": "‘Graceland’ Guitarist and Arranger Ray Phiri Dies, Age 70 | KQED",
"content": "\u003cp>One of South Africa’s top musicians — and an artist whose sound was known the world over, thanks to Paul Simon’s album \u003cem>Graceland\u003c/em> — has died. Guitarist, vocalist and composer Ray Chikapa Phiri was 70 years old. He had been battling lung cancer, and died early this morning in a hospital in the northeastern city of Nelspruit. His death was \u003ca href=\"http://www.bbc.com/news/world-africa-40580246\" target=\"_blank\" rel=\"noopener\">announced\u003c/a> by a family spokesperson, Paul Nkanyane.\u003c/p>\n\u003cp>Internationally, Phiri was known primarily for his contributions to Paul Simon’s \u003cem>Graceland\u003c/em> album and ensuing tours; it was his guitar and arrangements that helped define the distinctly South African sound of the project.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=OtT7Og2LBbE\u003c/p>\n\u003cp>But at home, Phiri was also celebrated as the co-founder of the influential group Stimela, a popular fusion band that melded smooth jazz with \u003cem>\u003ca href=\"http://www.afropop.org/6406/the-zulu-factor/\" target=\"_blank\" rel=\"noopener\">mbaqanga\u003c/a>\u003c/em>: an energetic, rhythm-heavy genre that itself \u003ca href=\"https://grovemusic.github.io/Entries/S51740.htm\" target=\"_blank\" rel=\"noopener\">married\u003c/a> local styles with jazz.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=nmn3tOL2FuE\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Although \u003cem>Graceland\u003c/em> became famous around the world, it was an endeavor that came under heavy criticism at the time of its release, both in South Africa and internationally. Recorded in 1985 and released the following year, \u003cem>Graceland\u003c/em> was put together amidst the \u003ca href=\"https://www.theguardian.com/music/2012/apr/19/paul-simon-graceland-acclaim-outrage\" target=\"_blank\" rel=\"noopener\">UN-approved boycotts\u003c/a> of the apartheid state, a position which had also been endorsed by Artists United Against Apartheid, an influential group founded by guitarist Steven van Zandt and whose ranks included the likes of Bob Dylan, Peter Gabriel, Bruce Springsteen and George Clinton. (Its members recorded the anti-apartheid song \u003ca href=\"https://www.youtube.com/watch?v=TlMdYpnVOGQ\">“Sun City.”\u003c/a>) The recording project was also not sanctioned by the African National Congress (ANC).\u003c/p>\n\u003cp>But Phiri had a different perspective. In a 2012 documentary about the making of Graceland titled \u003cem>\u003ca href=\"https://www.youtube.com/watch?v=jw6eTs8mw70\" target=\"_blank\" rel=\"noopener\">Under African Skies\u003c/a>\u003c/em>, Phiri explained his decision to participate in the collaboration.\u003c/p>\n\u003cp>“Here I was, living in South Africa,” Phiri said, “and then here comes a particular individual called Paul Simon. For me, music is the closest thing to religion. And if it’s utilized in the right way, it can inform and bring people closer, and they can find solutions to their problems. And \u003cem>Graceland \u003c/em>did that.”\u003c/p>\n\u003cp>The ANC, which is now South Africa’s ruling political party, released a statement today emphasizing not just Phiri’s talent, but his contributions to South Africa’s music industry:\u003c/p>\n\u003cblockquote>\n\u003cp>“Ray Phiri was a voice for the voiceless and a legend of our time. An immensely gifted composer, vocalist and guitarist, he breathed consciousness and agitated thoughts of freedom through his music … He has played his role in unearthing and support new talent in the industry and has been an ardent and vocal advocate of the call for greater investment in local content development and the development of the industry as a whole.”\u003c/p>\n\u003c/blockquote>\n\u003cp>One of Stimela’s most famous songs was the protest track “Whispers In The Deep.” With lyrics like “We’re all tributaries of the great river of pain,” it became an anthemic cry in 1980’s South Africa. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=0FFGIw0g-LQ\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27Graceland%27+Guitarist+And+Arranger+Ray+Phiri+Dies%2C+Age+70&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 532,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 11
},
"modified": 1705030076,
"excerpt": "The South African guitarist and vocalist was best known in the U.S. for his collaboration with Paul Simon on the iconic album \u003cem>Graceland \u003c/em>-- but at home, he was a jazz fusion star.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The South African guitarist and vocalist was best known in the U.S. for his collaboration with Paul Simon on the iconic album Graceland -- but at home, he was a jazz fusion star.",
"title": "'Graceland' Guitarist and Arranger Ray Phiri Dies, Age 70 | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "'Graceland' Guitarist and Arranger Ray Phiri Dies, Age 70",
"datePublished": "2017-07-12T16:39:38-07:00",
"dateModified": "2024-01-11T19:27:56-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "graceland-guitarist-and-arranger-ray-phiri-dies-age-70",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=536824531&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprByline": "Anastasia Tsioulcas",
"nprStoryDate": "Wed, 12 Jul 2017 12:55:00 -0400",
"nprLastModifiedDate": "Wed, 12 Jul 2017 12:55:56 -0400",
"sticky": false,
"nprHtmlLink": "http://www.npr.org/sections/therecord/2017/07/12/536824531/graceland-guitarist-and-arranger-ray-phiri-dies-age-70?ft=nprml&f=536824531",
"nprImageAgency": "Getty Images",
"nprImageCredit": "Lefty Shivambu/Gallo Images",
"nprStoryId": "536824531",
"nprRetrievedStory": "1",
"nprPubDate": "Wed, 12 Jul 2017 12:55:00 -0400",
"path": "/arts/13646988/graceland-guitarist-and-arranger-ray-phiri-dies-age-70",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>One of South Africa’s top musicians — and an artist whose sound was known the world over, thanks to Paul Simon’s album \u003cem>Graceland\u003c/em> — has died. Guitarist, vocalist and composer Ray Chikapa Phiri was 70 years old. He had been battling lung cancer, and died early this morning in a hospital in the northeastern city of Nelspruit. His death was \u003ca href=\"http://www.bbc.com/news/world-africa-40580246\" target=\"_blank\" rel=\"noopener\">announced\u003c/a> by a family spokesperson, Paul Nkanyane.\u003c/p>\n\u003cp>Internationally, Phiri was known primarily for his contributions to Paul Simon’s \u003cem>Graceland\u003c/em> album and ensuing tours; it was his guitar and arrangements that helped define the distinctly South African sound of the project.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/OtT7Og2LBbE'\n title='//www.youtube.com/embed/OtT7Og2LBbE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>But at home, Phiri was also celebrated as the co-founder of the influential group Stimela, a popular fusion band that melded smooth jazz with \u003cem>\u003ca href=\"http://www.afropop.org/6406/the-zulu-factor/\" target=\"_blank\" rel=\"noopener\">mbaqanga\u003c/a>\u003c/em>: an energetic, rhythm-heavy genre that itself \u003ca href=\"https://grovemusic.github.io/Entries/S51740.htm\" target=\"_blank\" rel=\"noopener\">married\u003c/a> local styles with jazz.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/nmn3tOL2FuE'\n title='//www.youtube.com/embed/nmn3tOL2FuE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Although \u003cem>Graceland\u003c/em> became famous around the world, it was an endeavor that came under heavy criticism at the time of its release, both in South Africa and internationally. Recorded in 1985 and released the following year, \u003cem>Graceland\u003c/em> was put together amidst the \u003ca href=\"https://www.theguardian.com/music/2012/apr/19/paul-simon-graceland-acclaim-outrage\" target=\"_blank\" rel=\"noopener\">UN-approved boycotts\u003c/a> of the apartheid state, a position which had also been endorsed by Artists United Against Apartheid, an influential group founded by guitarist Steven van Zandt and whose ranks included the likes of Bob Dylan, Peter Gabriel, Bruce Springsteen and George Clinton. (Its members recorded the anti-apartheid song \u003ca href=\"https://www.youtube.com/watch?v=TlMdYpnVOGQ\">“Sun City.”\u003c/a>) The recording project was also not sanctioned by the African National Congress (ANC).\u003c/p>\n\u003cp>But Phiri had a different perspective. In a 2012 documentary about the making of Graceland titled \u003cem>\u003ca href=\"https://www.youtube.com/watch?v=jw6eTs8mw70\" target=\"_blank\" rel=\"noopener\">Under African Skies\u003c/a>\u003c/em>, Phiri explained his decision to participate in the collaboration.\u003c/p>\n\u003cp>“Here I was, living in South Africa,” Phiri said, “and then here comes a particular individual called Paul Simon. For me, music is the closest thing to religion. And if it’s utilized in the right way, it can inform and bring people closer, and they can find solutions to their problems. And \u003cem>Graceland \u003c/em>did that.”\u003c/p>\n\u003cp>The ANC, which is now South Africa’s ruling political party, released a statement today emphasizing not just Phiri’s talent, but his contributions to South Africa’s music industry:\u003c/p>\n\u003cblockquote>\n\u003cp>“Ray Phiri was a voice for the voiceless and a legend of our time. An immensely gifted composer, vocalist and guitarist, he breathed consciousness and agitated thoughts of freedom through his music … He has played his role in unearthing and support new talent in the industry and has been an ardent and vocal advocate of the call for greater investment in local content development and the development of the industry as a whole.”\u003c/p>\n\u003c/blockquote>\n\u003cp>One of Stimela’s most famous songs was the protest track “Whispers In The Deep.” With lyrics like “We’re all tributaries of the great river of pain,” it became an anthemic cry in 1980’s South Africa. \u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/0FFGIw0g-LQ'\n title='//www.youtube.com/embed/0FFGIw0g-LQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27Graceland%27+Guitarist+And+Arranger+Ray+Phiri+Dies%2C+Age+70&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13646988/graceland-guitarist-and-arranger-ray-phiri-dies-age-70",
"authors": [
"byline_arts_13646988"
],
"categories": [
"arts_69",
"arts_235"
],
"tags": [
"arts_1448",
"arts_596",
"arts_1091"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13646989",
"label": "arts_137"
}
},
"podcastsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"podcasts": {}
},
"radioProgramsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"radioPrograms": {}
},
"radioSearchSegmentsReducer": {},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"amazon": "https://music.amazon.com/podcasts/9a90d476-aa04-455d-9a4c-0871ed6216d4/bay-curious",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"amazon": "https://music.amazon.com/podcasts/44420f75-3b0e-4301-ab3b-16da6b09e543/the-political-mind-of-jerry-brown"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Snap Judgment",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Spooked",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"amazon": "https://music.amazon.com/podcasts/d800ea4c-7a2c-42f2-b861-edaf78a5db0b/the-bay",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"racesGenElection2026Reducer": {},
"racesGenElection2026PresidentialReducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/arts?affiliate=npr": {
"isFetching": false,
"latestQuery": {
"from": 1896,
"size": 12
},
"vitalsOnly": false,
"totalRequested": 12,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 2513,
"relation": "eq"
},
"items": [
"arts_13703773",
"arts_13703128",
"arts_13697495",
"arts_13696247",
"arts_13689227",
"arts_13683597",
"arts_13683593",
"arts_13678750",
"arts_13666383",
"arts_13659356",
"arts_13654907",
"arts_13646988"
],
"complete": true
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"newslettersReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"newsletters": {},
"isSubscribing": false,
"isUnsubscribing": false,
"subscribedNewsletters": {}
},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"careers": {
"name": "Careers",
"type": "terms",
"id": "careers",
"slug": "careers",
"link": "/careers",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"newsletters": {
"name": "newsletters",
"type": "terms",
"id": "newsletters",
"slug": "newsletters",
"link": "/newsletters",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"arts_affiliate_npr": {
"isLoading": true
},
"arts_137": {
"type": "terms",
"id": "arts_137",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "137",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/2/2014/04/logo-npr-lg1.png",
"name": "NPR",
"description": null,
"taxonomy": "affiliate",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "NPR Archives | KQED Arts",
"ogDescription": null
},
"ttid": 138,
"slug": "npr",
"isLoading": false,
"link": "/arts/affiliate/npr"
},
"arts_74": {
"type": "terms",
"id": "arts_74",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "74",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Movies",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Movies Archives | KQED Arts",
"ogDescription": null
},
"ttid": 75,
"slug": "movies",
"isLoading": false,
"link": "/arts/category/movies"
},
"arts_1118": {
"type": "terms",
"id": "arts_1118",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1118",
"found": true
},
"relationships": {},
"featImg": null,
"name": "featured",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "featured Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1135,
"slug": "featured",
"isLoading": false,
"link": "/arts/tag/featured"
},
"arts_769": {
"type": "terms",
"id": "arts_769",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "769",
"found": true
},
"relationships": {},
"featImg": null,
"name": "review",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "review Archives | KQED Arts",
"ogDescription": null
},
"ttid": 787,
"slug": "review",
"isLoading": false,
"link": "/arts/tag/review"
},
"arts_69": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"link": "/arts/category/music"
},
"arts_235": {
"type": "terms",
"id": "arts_235",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "235",
"found": true
},
"relationships": {},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED Arts",
"ogDescription": null
},
"ttid": 236,
"slug": "news",
"isLoading": false,
"link": "/arts/category/news"
},
"arts_1448": {
"type": "terms",
"id": "arts_1448",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1448",
"found": true
},
"relationships": {},
"featImg": null,
"name": "art wire",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "art wire Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1460,
"slug": "art-wire",
"isLoading": false,
"link": "/arts/tag/art-wire"
},
"arts_596": {
"type": "terms",
"id": "arts_596",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "596",
"found": true
},
"relationships": {},
"featImg": null,
"name": "ntv",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "ntv Archives | KQED Arts",
"ogDescription": null
},
"ttid": 602,
"slug": "ntv",
"isLoading": false,
"link": "/arts/tag/ntv"
},
"arts_1091": {
"type": "terms",
"id": "arts_1091",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1091",
"found": true
},
"relationships": {},
"featImg": null,
"name": "obit",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "obit Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1108,
"slug": "obit",
"isLoading": false,
"link": "/arts/tag/obit"
},
"arts_990": {
"type": "terms",
"id": "arts_990",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "990",
"found": true
},
"relationships": {},
"featImg": null,
"name": "TV",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "TV Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1008,
"slug": "tv",
"isLoading": false,
"link": "/arts/category/tv"
},
"arts_75": {
"type": "terms",
"id": "arts_75",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "75",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Pop Culture",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Pop Culture Archives | KQED Arts",
"ogDescription": null
},
"ttid": 76,
"slug": "popculture",
"isLoading": false,
"link": "/arts/category/popculture"
},
"arts_70": {
"type": "terms",
"id": "arts_70",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "70",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Visual Arts",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Visual Arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 71,
"slug": "visualarts",
"isLoading": false,
"link": "/arts/category/visualarts"
},
"arts_1119": {
"type": "terms",
"id": "arts_1119",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1119",
"found": true
},
"relationships": {},
"featImg": null,
"name": "feature",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "feature Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1136,
"slug": "feature",
"isLoading": false,
"link": "/arts/tag/feature"
},
"arts_1": {
"type": "terms",
"id": "arts_1",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Arts",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1,
"slug": "arts",
"isLoading": false,
"link": "/arts/category/arts"
}
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
},
"requestOutcomesReducer": {
"notFound": []
},
"navPromosReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": true,
"promos": {
"news": {
"name": "2026 Voter Guide",
"link": "/voterguide",
"imageURL": "https://cdn.kqed.org/wp-content/uploads/2026/10/Nav-News-Nov2026ElectionCoverage@2x-7bd4aad4.png",
"description": "Get informed in minutes with our Voter Guide for California’s November 3 election."
},
"podcasts-radio": {},
"video-tv": {},
"events": {},
"support": {}
}
}
}
