window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"arts_13836187": {
"type": "attachments",
"id": "arts_13836187",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13836187",
"found": true
},
"parent": 13836186,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-901984840_wide-ab1c35bb76fc0f5cc4448ed683ad9d44e3d727b1-520x292.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 292
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-901984840_wide-ab1c35bb76fc0f5cc4448ed683ad9d44e3d727b1-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-901984840_wide-ab1c35bb76fc0f5cc4448ed683ad9d44e3d727b1-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-901984840_wide-ab1c35bb76fc0f5cc4448ed683ad9d44e3d727b1-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-901984840_wide-ab1c35bb76fc0f5cc4448ed683ad9d44e3d727b1-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-901984840_wide-ab1c35bb76fc0f5cc4448ed683ad9d44e3d727b1-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-901984840_wide-ab1c35bb76fc0f5cc4448ed683ad9d44e3d727b1.jpg",
"width": 2048,
"height": 1151
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-901984840_wide-ab1c35bb76fc0f5cc4448ed683ad9d44e3d727b1-1020x573.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 573
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-901984840_wide-ab1c35bb76fc0f5cc4448ed683ad9d44e3d727b1-1180x663.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 663
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-901984840_wide-ab1c35bb76fc0f5cc4448ed683ad9d44e3d727b1-1200x675.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 675
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-901984840_wide-ab1c35bb76fc0f5cc4448ed683ad9d44e3d727b1-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-901984840_wide-ab1c35bb76fc0f5cc4448ed683ad9d44e3d727b1-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-901984840_wide-ab1c35bb76fc0f5cc4448ed683ad9d44e3d727b1-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-901984840_wide-ab1c35bb76fc0f5cc4448ed683ad9d44e3d727b1-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-901984840_wide-ab1c35bb76fc0f5cc4448ed683ad9d44e3d727b1-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-901984840_wide-ab1c35bb76fc0f5cc4448ed683ad9d44e3d727b1-1920x1079.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1079
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-901984840_wide-ab1c35bb76fc0f5cc4448ed683ad9d44e3d727b1-1180x663.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 663
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-901984840_wide-ab1c35bb76fc0f5cc4448ed683ad9d44e3d727b1-1920x1079.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1079
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-901984840_wide-ab1c35bb76fc0f5cc4448ed683ad9d44e3d727b1-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-901984840_wide-ab1c35bb76fc0f5cc4448ed683ad9d44e3d727b1-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-901984840_wide-ab1c35bb76fc0f5cc4448ed683ad9d44e3d727b1-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-901984840_wide-ab1c35bb76fc0f5cc4448ed683ad9d44e3d727b1-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1530226790,
"modified": 1530227112,
"caption": "Writer Harlan Ellison, seen here in 1991, died Thursday at 84.",
"description": "Writer Harlan Ellison, seen here in 1991, died Thursday at 84.",
"title": "Writer Harlan Ellison, seen here in 1991, died Thursday at 84.",
"credit": "Beth Gwinn/Getty Images",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13836180": {
"type": "attachments",
"id": "arts_13836180",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13836180",
"found": true
},
"parent": 13836179,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_070228056589-196a80cd689781557b0c708067cb15b2074e78f3-520x390.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 390
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_070228056589-196a80cd689781557b0c708067cb15b2074e78f3-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_070228056589-196a80cd689781557b0c708067cb15b2074e78f3-160x120.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 120
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_070228056589-196a80cd689781557b0c708067cb15b2074e78f3-960x720.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 720
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_070228056589-196a80cd689781557b0c708067cb15b2074e78f3-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_070228056589-196a80cd689781557b0c708067cb15b2074e78f3-375x281.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 281
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_070228056589-196a80cd689781557b0c708067cb15b2074e78f3.jpg",
"width": 1776,
"height": 1332
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_070228056589-196a80cd689781557b0c708067cb15b2074e78f3-1020x765.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 765
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_070228056589-196a80cd689781557b0c708067cb15b2074e78f3-1180x885.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 885
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_070228056589-196a80cd689781557b0c708067cb15b2074e78f3-1200x900.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 900
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_070228056589-196a80cd689781557b0c708067cb15b2074e78f3-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_070228056589-196a80cd689781557b0c708067cb15b2074e78f3-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_070228056589-196a80cd689781557b0c708067cb15b2074e78f3-800x600.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 600
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_070228056589-196a80cd689781557b0c708067cb15b2074e78f3-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_070228056589-196a80cd689781557b0c708067cb15b2074e78f3-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_070228056589-196a80cd689781557b0c708067cb15b2074e78f3-1180x885.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 885
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_070228056589-196a80cd689781557b0c708067cb15b2074e78f3-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_070228056589-196a80cd689781557b0c708067cb15b2074e78f3-768x576.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 576
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_070228056589-196a80cd689781557b0c708067cb15b2074e78f3-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_070228056589-196a80cd689781557b0c708067cb15b2074e78f3-240x180.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 180
}
},
"publishDate": 1530225616,
"modified": 1530226259,
"caption": "The white clapboard farmhouse where Laura Ingalls Wilder wrote many of the books in her Little House on the Prairie novels still stands in Mansfield, Mo.",
"description": "The white clapboard farmhouse where Laura Ingalls Wilder wrote many of the books in her \u003cem>Little House on the Prairie\u003c/em> novels still stands in Mansfield, Mo",
"title": "The white clapboard farmhouse where Laura Ingalls Wilder wrote many of the books in her Little House on the Prairie novels still stands in Mansfield, Mo.",
"credit": "Mark Schiefelbein /AP",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13836143": {
"type": "attachments",
"id": "arts_13836143",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13836143",
"found": true
},
"parent": 13836142,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/jesseyjoy1_wide-37fdda6135c2a9cc1368c3a2dc2b2b972d24a57f-520x293.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 293
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/jesseyjoy1_wide-37fdda6135c2a9cc1368c3a2dc2b2b972d24a57f-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/jesseyjoy1_wide-37fdda6135c2a9cc1368c3a2dc2b2b972d24a57f-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/jesseyjoy1_wide-37fdda6135c2a9cc1368c3a2dc2b2b972d24a57f.jpg",
"width": 640,
"height": 360
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/jesseyjoy1_wide-37fdda6135c2a9cc1368c3a2dc2b2b972d24a57f-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/jesseyjoy1_wide-37fdda6135c2a9cc1368c3a2dc2b2b972d24a57f-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/jesseyjoy1_wide-37fdda6135c2a9cc1368c3a2dc2b2b972d24a57f-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/jesseyjoy1_wide-37fdda6135c2a9cc1368c3a2dc2b2b972d24a57f-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/jesseyjoy1_wide-37fdda6135c2a9cc1368c3a2dc2b2b972d24a57f-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/jesseyjoy1_wide-37fdda6135c2a9cc1368c3a2dc2b2b972d24a57f-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/jesseyjoy1_wide-37fdda6135c2a9cc1368c3a2dc2b2b972d24a57f-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1530205199,
"modified": 1530205260,
"caption": "Jesse and Joy Huerta, who make up the Mexican pop duo Jesse & Joy, are considering making English-language albums, and have become vocal advocates for Mexican migrants in the U.S.",
"description": "Jesse and Joy Huerta, who make up the Mexican pop duo Jesse",
"title": null,
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13836083": {
"type": "attachments",
"id": "arts_13836083",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13836083",
"found": true
},
"parent": 13836082,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-89985390_wide-2f61c1a4ae6cc2a03187a2c0a190e147fa8b7bb5-520x293.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 293
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-89985390_wide-2f61c1a4ae6cc2a03187a2c0a190e147fa8b7bb5-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-89985390_wide-2f61c1a4ae6cc2a03187a2c0a190e147fa8b7bb5-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-89985390_wide-2f61c1a4ae6cc2a03187a2c0a190e147fa8b7bb5-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-89985390_wide-2f61c1a4ae6cc2a03187a2c0a190e147fa8b7bb5-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-89985390_wide-2f61c1a4ae6cc2a03187a2c0a190e147fa8b7bb5-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-89985390_wide-2f61c1a4ae6cc2a03187a2c0a190e147fa8b7bb5.jpg",
"width": 2048,
"height": 1152
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-89985390_wide-2f61c1a4ae6cc2a03187a2c0a190e147fa8b7bb5-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-89985390_wide-2f61c1a4ae6cc2a03187a2c0a190e147fa8b7bb5-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-89985390_wide-2f61c1a4ae6cc2a03187a2c0a190e147fa8b7bb5-1200x675.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 675
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-89985390_wide-2f61c1a4ae6cc2a03187a2c0a190e147fa8b7bb5-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-89985390_wide-2f61c1a4ae6cc2a03187a2c0a190e147fa8b7bb5-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-89985390_wide-2f61c1a4ae6cc2a03187a2c0a190e147fa8b7bb5-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-89985390_wide-2f61c1a4ae6cc2a03187a2c0a190e147fa8b7bb5-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-89985390_wide-2f61c1a4ae6cc2a03187a2c0a190e147fa8b7bb5-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-89985390_wide-2f61c1a4ae6cc2a03187a2c0a190e147fa8b7bb5-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-89985390_wide-2f61c1a4ae6cc2a03187a2c0a190e147fa8b7bb5-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-89985390_wide-2f61c1a4ae6cc2a03187a2c0a190e147fa8b7bb5-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-89985390_wide-2f61c1a4ae6cc2a03187a2c0a190e147fa8b7bb5-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-89985390_wide-2f61c1a4ae6cc2a03187a2c0a190e147fa8b7bb5-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-89985390_wide-2f61c1a4ae6cc2a03187a2c0a190e147fa8b7bb5-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-89985390_wide-2f61c1a4ae6cc2a03187a2c0a190e147fa8b7bb5-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1530123029,
"modified": 1530125021,
"caption": "Marlon Jackson (from left), father Joe Jackson, an unidentified friend, Michael Jackson and Randy Jackson backstage at the Inglewood Forum on Aug. 26, 1973.",
"description": "Marlon Jackson (from left), father Joe Jackson, an unidentified friend, Michael Jackson and Randy Jackson backstage at the Inglewood Forum on Aug. 26, 1973.",
"title": "Marlon Jackson (from left), father Joe Jackson, an unidentified friend, Michael Jackson and Randy Jackson backstage at the Inglewood Forum on Aug. 26, 1973.",
"credit": "Michael Ochs Archives/Getty Images",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13836031": {
"type": "attachments",
"id": "arts_13836031",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13836031",
"found": true
},
"parent": 13836030,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-146142992_wide-70373d49a172a97037896aedafe322ccdc3ec4c8-520x293.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 293
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-146142992_wide-70373d49a172a97037896aedafe322ccdc3ec4c8-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-146142992_wide-70373d49a172a97037896aedafe322ccdc3ec4c8-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-146142992_wide-70373d49a172a97037896aedafe322ccdc3ec4c8-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-146142992_wide-70373d49a172a97037896aedafe322ccdc3ec4c8-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-146142992_wide-70373d49a172a97037896aedafe322ccdc3ec4c8-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-146142992_wide-70373d49a172a97037896aedafe322ccdc3ec4c8.jpg",
"width": 2048,
"height": 1152
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-146142992_wide-70373d49a172a97037896aedafe322ccdc3ec4c8-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-146142992_wide-70373d49a172a97037896aedafe322ccdc3ec4c8-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-146142992_wide-70373d49a172a97037896aedafe322ccdc3ec4c8-1200x675.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 675
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-146142992_wide-70373d49a172a97037896aedafe322ccdc3ec4c8-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-146142992_wide-70373d49a172a97037896aedafe322ccdc3ec4c8-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-146142992_wide-70373d49a172a97037896aedafe322ccdc3ec4c8-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-146142992_wide-70373d49a172a97037896aedafe322ccdc3ec4c8-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-146142992_wide-70373d49a172a97037896aedafe322ccdc3ec4c8-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-146142992_wide-70373d49a172a97037896aedafe322ccdc3ec4c8-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-146142992_wide-70373d49a172a97037896aedafe322ccdc3ec4c8-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-146142992_wide-70373d49a172a97037896aedafe322ccdc3ec4c8-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-146142992_wide-70373d49a172a97037896aedafe322ccdc3ec4c8-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-146142992_wide-70373d49a172a97037896aedafe322ccdc3ec4c8-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-146142992_wide-70373d49a172a97037896aedafe322ccdc3ec4c8-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-146142992_wide-70373d49a172a97037896aedafe322ccdc3ec4c8-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1530050469,
"modified": 1530050778,
"caption": null,
"description": "Killdeer with two eggs, photographed in Arizona under controlled conditions. A nest discovered by organizers of the RBC Bluesfest in Ottawa, Canada has prevented them from constructing its main stage.",
"title": "Killdeer with two eggs, photographed in Arizona under controlled conditions. A nest discovered by organizers of the RBC Bluesfest in Ottawa, Canada has prevented them from constructing its main stage.",
"credit": "Wild Horizon/UIG via Getty Images",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13836022": {
"type": "attachments",
"id": "arts_13836022",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13836022",
"found": true
},
"parent": 13836021,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/pratt-_el_2_custom-850a69c337cb9c3f97698a8920cd3c330f517f8a-520x260.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 260
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/pratt-_el_2_custom-850a69c337cb9c3f97698a8920cd3c330f517f8a-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/pratt-_el_2_custom-850a69c337cb9c3f97698a8920cd3c330f517f8a-160x80.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 80
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/pratt-_el_2_custom-850a69c337cb9c3f97698a8920cd3c330f517f8a-960x480.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 480
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/pratt-_el_2_custom-850a69c337cb9c3f97698a8920cd3c330f517f8a-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/pratt-_el_2_custom-850a69c337cb9c3f97698a8920cd3c330f517f8a-375x188.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 188
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/pratt-_el_2_custom-850a69c337cb9c3f97698a8920cd3c330f517f8a.jpg",
"width": 2048,
"height": 1024
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/pratt-_el_2_custom-850a69c337cb9c3f97698a8920cd3c330f517f8a-1020x510.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 510
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/pratt-_el_2_custom-850a69c337cb9c3f97698a8920cd3c330f517f8a-1180x590.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 590
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/pratt-_el_2_custom-850a69c337cb9c3f97698a8920cd3c330f517f8a-1200x600.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 600
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/pratt-_el_2_custom-850a69c337cb9c3f97698a8920cd3c330f517f8a-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/pratt-_el_2_custom-850a69c337cb9c3f97698a8920cd3c330f517f8a-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/pratt-_el_2_custom-850a69c337cb9c3f97698a8920cd3c330f517f8a-800x400.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 400
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/pratt-_el_2_custom-850a69c337cb9c3f97698a8920cd3c330f517f8a-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/pratt-_el_2_custom-850a69c337cb9c3f97698a8920cd3c330f517f8a-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/pratt-_el_2_custom-850a69c337cb9c3f97698a8920cd3c330f517f8a-1920x960.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 960
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/pratt-_el_2_custom-850a69c337cb9c3f97698a8920cd3c330f517f8a-1180x590.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 590
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/pratt-_el_2_custom-850a69c337cb9c3f97698a8920cd3c330f517f8a-1920x960.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 960
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/pratt-_el_2_custom-850a69c337cb9c3f97698a8920cd3c330f517f8a-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/pratt-_el_2_custom-850a69c337cb9c3f97698a8920cd3c330f517f8a-768x384.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 384
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/pratt-_el_2_custom-850a69c337cb9c3f97698a8920cd3c330f517f8a-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/pratt-_el_2_custom-850a69c337cb9c3f97698a8920cd3c330f517f8a-240x120.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 120
}
},
"publishDate": 1530048620,
"modified": 1530049952,
"caption": "The National Museum of the American Indian announced its winning design for the National Native American Veterans Memorial.",
"description": "The National Museum of the American Indian announced its winning design for the National Native American Veterans Memorial",
"title": "The National Museum of the American Indian announced its winning design for the National Native American Veterans Memorial.",
"credit": "National Museum of the American Indian",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13835985": {
"type": "attachments",
"id": "arts_13835985",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13835985",
"found": true
},
"parent": 13835984,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_18176746280820-d5aa96f0b0b3085fe48547b8c4f2e013deda1666-520x390.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 390
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_18176746280820-d5aa96f0b0b3085fe48547b8c4f2e013deda1666-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_18176746280820-d5aa96f0b0b3085fe48547b8c4f2e013deda1666-160x120.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 120
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_18176746280820-d5aa96f0b0b3085fe48547b8c4f2e013deda1666-960x720.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 720
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_18176746280820-d5aa96f0b0b3085fe48547b8c4f2e013deda1666-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_18176746280820-d5aa96f0b0b3085fe48547b8c4f2e013deda1666-375x281.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 281
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_18176746280820-d5aa96f0b0b3085fe48547b8c4f2e013deda1666.jpg",
"width": 2048,
"height": 1536
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_18176746280820-d5aa96f0b0b3085fe48547b8c4f2e013deda1666-1020x765.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 765
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_18176746280820-d5aa96f0b0b3085fe48547b8c4f2e013deda1666-1180x885.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 885
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_18176746280820-d5aa96f0b0b3085fe48547b8c4f2e013deda1666-1200x900.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 900
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_18176746280820-d5aa96f0b0b3085fe48547b8c4f2e013deda1666-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_18176746280820-d5aa96f0b0b3085fe48547b8c4f2e013deda1666-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_18176746280820-d5aa96f0b0b3085fe48547b8c4f2e013deda1666-800x600.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 600
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_18176746280820-d5aa96f0b0b3085fe48547b8c4f2e013deda1666-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_18176746280820-d5aa96f0b0b3085fe48547b8c4f2e013deda1666-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_18176746280820-d5aa96f0b0b3085fe48547b8c4f2e013deda1666-1920x1440.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1440
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_18176746280820-d5aa96f0b0b3085fe48547b8c4f2e013deda1666-1180x885.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 885
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_18176746280820-d5aa96f0b0b3085fe48547b8c4f2e013deda1666-1920x1440.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1440
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_18176746280820-d5aa96f0b0b3085fe48547b8c4f2e013deda1666-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_18176746280820-d5aa96f0b0b3085fe48547b8c4f2e013deda1666-768x576.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 576
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_18176746280820-d5aa96f0b0b3085fe48547b8c4f2e013deda1666-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/ap_18176746280820-d5aa96f0b0b3085fe48547b8c4f2e013deda1666-240x180.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 180
}
},
"publishDate": 1530032808,
"modified": 1530033081,
"caption": "This combination photo shows, top row from left, Dave Chappelle, Amy Schumer, Kumail Nanjiani, Jada Pinkett Smith and Timothee Chalamet, and bottom row from left, Kendrick Lamar, Gina Rodriguez, Chloe Zhao, Tiffany Haddish and Sarah Silverman who are among 928 people invited to become members of the Academy of Motion Picture Arts and Sciences.",
"description": "This combination photo shows, top row from left, Dave Chappelle, Amy Schumer, Kumail Nanjiani, Jada Pinkett Smith and Timothee Chalamet, and bottom row from left, Kendrick Lamar, Gina Rodriguez, Chloe Zhao, Tiffany Haddish and Sarah Silverman who are among 928 people invited to become members of the Academy of Motion Picture Arts and Sciences.",
"title": "This combination photo shows, top row from left, Dave Chappelle, Amy Schumer, Kumail Nanjiani, Jada Pinkett Smith and Timothee Chalamet, and bottom row from left, Kendrick Lamar, Gina Rodriguez, Chloe Zhao, Tiffany Haddish and Sarah Silverman who are among 928 people invited to become members of the Academy of Motion Picture Arts and Sciences.",
"credit": "AP",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13835927": {
"type": "attachments",
"id": "arts_13835927",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13835927",
"found": true
},
"parent": 13835926,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/donald-hall-9659b517fa46f77c99b395085447b8c88f203ada-520x390.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 390
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/donald-hall-9659b517fa46f77c99b395085447b8c88f203ada-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/donald-hall-9659b517fa46f77c99b395085447b8c88f203ada-160x120.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 120
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/donald-hall-9659b517fa46f77c99b395085447b8c88f203ada-960x720.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 720
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/donald-hall-9659b517fa46f77c99b395085447b8c88f203ada-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/donald-hall-9659b517fa46f77c99b395085447b8c88f203ada-375x281.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 281
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/donald-hall-9659b517fa46f77c99b395085447b8c88f203ada.jpg",
"width": 2048,
"height": 1536
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/donald-hall-9659b517fa46f77c99b395085447b8c88f203ada-1020x765.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 765
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/donald-hall-9659b517fa46f77c99b395085447b8c88f203ada-1180x885.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 885
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/donald-hall-9659b517fa46f77c99b395085447b8c88f203ada-1200x900.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 900
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/donald-hall-9659b517fa46f77c99b395085447b8c88f203ada-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/donald-hall-9659b517fa46f77c99b395085447b8c88f203ada-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/donald-hall-9659b517fa46f77c99b395085447b8c88f203ada-800x600.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 600
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/donald-hall-9659b517fa46f77c99b395085447b8c88f203ada-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/donald-hall-9659b517fa46f77c99b395085447b8c88f203ada-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/donald-hall-9659b517fa46f77c99b395085447b8c88f203ada-1920x1440.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1440
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/donald-hall-9659b517fa46f77c99b395085447b8c88f203ada-1180x885.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 885
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/donald-hall-9659b517fa46f77c99b395085447b8c88f203ada-1920x1440.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1440
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/donald-hall-9659b517fa46f77c99b395085447b8c88f203ada-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/donald-hall-9659b517fa46f77c99b395085447b8c88f203ada-768x576.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 576
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/donald-hall-9659b517fa46f77c99b395085447b8c88f203ada-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/donald-hall-9659b517fa46f77c99b395085447b8c88f203ada-240x180.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 180
}
},
"publishDate": 1529953899,
"modified": 1529953899,
"caption": null,
"description": "Donald Hall, former poet laureate of the United States and author of numerous poetry books, poses in 2006 in the barn of the 200-year-old Wilmot, N.H., farm that has been in his family for four generations. Hall died on Saturday at age 89.",
"title": "Donald Hall, former poet laureate of the United States and author of numerous poetry books, poses in 2006 in the barn of the 200-year-old Wilmot, N.H., farm that has been in his family for four generations. Hall died on Saturday at age 89.",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13835810": {
"type": "attachments",
"id": "arts_13835810",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13835810",
"found": true
},
"parent": 13835809,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-978144228_wide-dc92fd20ee56b5e64917523fd9cda7f829f15683-520x292.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 292
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-978144228_wide-dc92fd20ee56b5e64917523fd9cda7f829f15683-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-978144228_wide-dc92fd20ee56b5e64917523fd9cda7f829f15683-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-978144228_wide-dc92fd20ee56b5e64917523fd9cda7f829f15683-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-978144228_wide-dc92fd20ee56b5e64917523fd9cda7f829f15683-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-978144228_wide-dc92fd20ee56b5e64917523fd9cda7f829f15683-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-978144228_wide-dc92fd20ee56b5e64917523fd9cda7f829f15683.jpg",
"width": 2048,
"height": 1152
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-978144228_wide-dc92fd20ee56b5e64917523fd9cda7f829f15683-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-978144228_wide-dc92fd20ee56b5e64917523fd9cda7f829f15683-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-978144228_wide-dc92fd20ee56b5e64917523fd9cda7f829f15683-1200x675.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 675
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-978144228_wide-dc92fd20ee56b5e64917523fd9cda7f829f15683-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-978144228_wide-dc92fd20ee56b5e64917523fd9cda7f829f15683-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-978144228_wide-dc92fd20ee56b5e64917523fd9cda7f829f15683-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-978144228_wide-dc92fd20ee56b5e64917523fd9cda7f829f15683-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-978144228_wide-dc92fd20ee56b5e64917523fd9cda7f829f15683-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-978144228_wide-dc92fd20ee56b5e64917523fd9cda7f829f15683-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-978144228_wide-dc92fd20ee56b5e64917523fd9cda7f829f15683-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-978144228_wide-dc92fd20ee56b5e64917523fd9cda7f829f15683-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-978144228_wide-dc92fd20ee56b5e64917523fd9cda7f829f15683-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-978144228_wide-dc92fd20ee56b5e64917523fd9cda7f829f15683-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-978144228_wide-dc92fd20ee56b5e64917523fd9cda7f829f15683-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-978144228_wide-dc92fd20ee56b5e64917523fd9cda7f829f15683-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1529694882,
"modified": 1529695436,
"caption": "A BMW sits idle after reports of a shooting in Deerfield Beach involving the rapper XXXTentacion on Monday, June 18, 2018.",
"description": "A BMW sits idle after reports of a shooting in Deerfield Beach involving the rapper XXXTentacion on Monday, June 18, 2018.",
"title": "A BMW sits idle after reports of a shooting in Deerfield Beach involving the rapper XXXTentacion on Monday, June 18, 2018.",
"credit": "Sun Sentinel/TNS via Getty Images",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13835586": {
"type": "attachments",
"id": "arts_13835586",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13835586",
"found": true
},
"parent": 13835585,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-515462202_wide-85759b20d8effc1ef3115c3a5c648be1e3da0c3a-520x292.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 292
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-515462202_wide-85759b20d8effc1ef3115c3a5c648be1e3da0c3a-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-515462202_wide-85759b20d8effc1ef3115c3a5c648be1e3da0c3a-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-515462202_wide-85759b20d8effc1ef3115c3a5c648be1e3da0c3a-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-515462202_wide-85759b20d8effc1ef3115c3a5c648be1e3da0c3a-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-515462202_wide-85759b20d8effc1ef3115c3a5c648be1e3da0c3a-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-515462202_wide-85759b20d8effc1ef3115c3a5c648be1e3da0c3a.jpg",
"width": 2048,
"height": 1152
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-515462202_wide-85759b20d8effc1ef3115c3a5c648be1e3da0c3a-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-515462202_wide-85759b20d8effc1ef3115c3a5c648be1e3da0c3a-1180x663.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 663
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-515462202_wide-85759b20d8effc1ef3115c3a5c648be1e3da0c3a-1200x675.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 675
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-515462202_wide-85759b20d8effc1ef3115c3a5c648be1e3da0c3a-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-515462202_wide-85759b20d8effc1ef3115c3a5c648be1e3da0c3a-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-515462202_wide-85759b20d8effc1ef3115c3a5c648be1e3da0c3a-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-515462202_wide-85759b20d8effc1ef3115c3a5c648be1e3da0c3a-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-515462202_wide-85759b20d8effc1ef3115c3a5c648be1e3da0c3a-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-515462202_wide-85759b20d8effc1ef3115c3a5c648be1e3da0c3a-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-515462202_wide-85759b20d8effc1ef3115c3a5c648be1e3da0c3a-1180x663.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 663
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-515462202_wide-85759b20d8effc1ef3115c3a5c648be1e3da0c3a-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-515462202_wide-85759b20d8effc1ef3115c3a5c648be1e3da0c3a-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-515462202_wide-85759b20d8effc1ef3115c3a5c648be1e3da0c3a-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-515462202_wide-85759b20d8effc1ef3115c3a5c648be1e3da0c3a-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-515462202_wide-85759b20d8effc1ef3115c3a5c648be1e3da0c3a-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1529516646,
"modified": 1529516646,
"caption": null,
"description": "Members of the Knickerbocker Four, photographed during a Barbershop Quartet Contest on June 20, 1946 in Central Par",
"title": "Members of the Knickerbocker Four, photographed during a Barbershop Quartet Contest on June 20, 1946 in Central Park.",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13835495": {
"type": "attachments",
"id": "arts_13835495",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13835495",
"found": true
},
"parent": 13835490,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-973077510_custom-db59e7d983610d000d776239f69e68e435d70b58-520x350.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 350
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-973077510_custom-db59e7d983610d000d776239f69e68e435d70b58-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-973077510_custom-db59e7d983610d000d776239f69e68e435d70b58-160x108.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 108
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-973077510_custom-db59e7d983610d000d776239f69e68e435d70b58-960x645.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 645
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-973077510_custom-db59e7d983610d000d776239f69e68e435d70b58-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-973077510_custom-db59e7d983610d000d776239f69e68e435d70b58-375x252.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 252
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-973077510_custom-db59e7d983610d000d776239f69e68e435d70b58.jpg",
"width": 2048,
"height": 1377
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-973077510_custom-db59e7d983610d000d776239f69e68e435d70b58-1020x686.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 686
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-973077510_custom-db59e7d983610d000d776239f69e68e435d70b58-1180x793.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 793
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-973077510_custom-db59e7d983610d000d776239f69e68e435d70b58-1200x807.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 807
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-973077510_custom-db59e7d983610d000d776239f69e68e435d70b58-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-973077510_custom-db59e7d983610d000d776239f69e68e435d70b58-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-973077510_custom-db59e7d983610d000d776239f69e68e435d70b58-800x538.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 538
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-973077510_custom-db59e7d983610d000d776239f69e68e435d70b58-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-973077510_custom-db59e7d983610d000d776239f69e68e435d70b58-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-973077510_custom-db59e7d983610d000d776239f69e68e435d70b58-1920x1291.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1291
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-973077510_custom-db59e7d983610d000d776239f69e68e435d70b58-1180x793.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 793
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-973077510_custom-db59e7d983610d000d776239f69e68e435d70b58-1920x1291.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1291
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-973077510_custom-db59e7d983610d000d776239f69e68e435d70b58-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-973077510_custom-db59e7d983610d000d776239f69e68e435d70b58-768x516.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 516
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-973077510_custom-db59e7d983610d000d776239f69e68e435d70b58-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/gettyimages-973077510_custom-db59e7d983610d000d776239f69e68e435d70b58-240x161.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 161
}
},
"publishDate": 1529430087,
"modified": 1529435530,
"caption": "A 2-year-old Honduran asylum seeker cries as her mother is searched and detained near the U.S.-Mexico border on June 12 in McAllen, Texas. The asylum seekers had rafted across the Rio Grande River from Mexico and were detained by U.S. Border Patrol agents before being sent to a processing center for possible separation.",
"description": "A 2-year-old Honduran asylum seeker cries as her mother is searched and detained near the U.S.-Mexico border on June 12 in McAllen, Texas. The asylum seekers had rafted across the Rio Grande River from Mexico and were detained by U.S. Border Patrol agents before being sent to a processing center for possible separation.",
"title": "A 2-year-old Honduran asylum seeker cries as her mother is searched and detained near the U.S.-Mexico border on June 12 in McAllen, Texas. The asylum seekers had rafted across the Rio Grande River from Mexico and were detained by U.S. Border Patrol agents before being sent to a processing center for possible separation.",
"credit": "John Moore/Getty Images",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13835392": {
"type": "attachments",
"id": "arts_13835392",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13835392",
"found": true
},
"parent": 13835391,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/serpentwithfeet5_byashkingston_wide-ffcec5d8aa9686f2be51b5e60dadcfeb5f3437aa-1-520x293.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 293
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/serpentwithfeet5_byashkingston_wide-ffcec5d8aa9686f2be51b5e60dadcfeb5f3437aa-1-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/serpentwithfeet5_byashkingston_wide-ffcec5d8aa9686f2be51b5e60dadcfeb5f3437aa-1-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/serpentwithfeet5_byashkingston_wide-ffcec5d8aa9686f2be51b5e60dadcfeb5f3437aa-1-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/serpentwithfeet5_byashkingston_wide-ffcec5d8aa9686f2be51b5e60dadcfeb5f3437aa-1-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/serpentwithfeet5_byashkingston_wide-ffcec5d8aa9686f2be51b5e60dadcfeb5f3437aa-1-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/serpentwithfeet5_byashkingston_wide-ffcec5d8aa9686f2be51b5e60dadcfeb5f3437aa-1.jpg",
"width": 1632,
"height": 918
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/serpentwithfeet5_byashkingston_wide-ffcec5d8aa9686f2be51b5e60dadcfeb5f3437aa-1-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/serpentwithfeet5_byashkingston_wide-ffcec5d8aa9686f2be51b5e60dadcfeb5f3437aa-1-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/serpentwithfeet5_byashkingston_wide-ffcec5d8aa9686f2be51b5e60dadcfeb5f3437aa-1-1200x675.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 675
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/serpentwithfeet5_byashkingston_wide-ffcec5d8aa9686f2be51b5e60dadcfeb5f3437aa-1-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/serpentwithfeet5_byashkingston_wide-ffcec5d8aa9686f2be51b5e60dadcfeb5f3437aa-1-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/serpentwithfeet5_byashkingston_wide-ffcec5d8aa9686f2be51b5e60dadcfeb5f3437aa-1-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/serpentwithfeet5_byashkingston_wide-ffcec5d8aa9686f2be51b5e60dadcfeb5f3437aa-1-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/serpentwithfeet5_byashkingston_wide-ffcec5d8aa9686f2be51b5e60dadcfeb5f3437aa-1-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/serpentwithfeet5_byashkingston_wide-ffcec5d8aa9686f2be51b5e60dadcfeb5f3437aa-1-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/serpentwithfeet5_byashkingston_wide-ffcec5d8aa9686f2be51b5e60dadcfeb5f3437aa-1-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/serpentwithfeet5_byashkingston_wide-ffcec5d8aa9686f2be51b5e60dadcfeb5f3437aa-1-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/serpentwithfeet5_byashkingston_wide-ffcec5d8aa9686f2be51b5e60dadcfeb5f3437aa-1-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2018/06/serpentwithfeet5_byashkingston_wide-ffcec5d8aa9686f2be51b5e60dadcfeb5f3437aa-1-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1529354915,
"modified": 1529357803,
"caption": "serpentwithfeet's debut album, soil, is available now.\n",
"description": "serpentwithfeet's debut album, soil, is available now.\n",
"title": "serpentwithfeet's debut album, soil, is available now.",
"credit": "Ash Kingston/Courtesy of the artist",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false,
"liveAudioPlayStartedAt": 0,
"liveAudioPlayContext": ""
},
"authorsReducer": {
"byline_arts_13836186": {
"type": "authors",
"id": "byline_arts_13836186",
"meta": {
"override": true
},
"slug": "byline_arts_13836186",
"name": "Linda Holmes",
"isLoading": false
},
"byline_arts_13836179": {
"type": "authors",
"id": "byline_arts_13836179",
"meta": {
"override": true
},
"slug": "byline_arts_13836179",
"name": "Kat Chow",
"isLoading": false
},
"byline_arts_13836142": {
"type": "authors",
"id": "byline_arts_13836142",
"meta": {
"override": true
},
"slug": "byline_arts_13836142",
"name": "Carrie Kahn",
"isLoading": false
},
"byline_arts_13836082": {
"type": "authors",
"id": "byline_arts_13836082",
"meta": {
"override": true
},
"slug": "byline_arts_13836082",
"name": "Felix Contreras",
"isLoading": false
},
"byline_arts_13836030": {
"type": "authors",
"id": "byline_arts_13836030",
"meta": {
"override": true
},
"slug": "byline_arts_13836030",
"name": "Andrew Flanagan",
"isLoading": false
},
"byline_arts_13836021": {
"type": "authors",
"id": "byline_arts_13836021",
"meta": {
"override": true
},
"slug": "byline_arts_13836021",
"name": "Kat Chow",
"isLoading": false
},
"byline_arts_13835984": {
"type": "authors",
"id": "byline_arts_13835984",
"meta": {
"override": true
},
"slug": "byline_arts_13835984",
"name": "Vanessa Romo",
"isLoading": false
},
"byline_arts_13835926": {
"type": "authors",
"id": "byline_arts_13835926",
"meta": {
"override": true
},
"slug": "byline_arts_13835926",
"name": "Jason Breslow",
"isLoading": false
},
"byline_arts_13835809": {
"type": "authors",
"id": "byline_arts_13835809",
"meta": {
"override": true
},
"slug": "byline_arts_13835809",
"name": "Andrew Flanagan",
"isLoading": false
},
"byline_arts_13835585": {
"type": "authors",
"id": "byline_arts_13835585",
"meta": {
"override": true
},
"slug": "byline_arts_13835585",
"name": "Andrew Flanagan",
"isLoading": false
},
"byline_arts_13835490": {
"type": "authors",
"id": "byline_arts_13835490",
"meta": {
"override": true
},
"slug": "byline_arts_13835490",
"name": "Lulu Garcia-Navarro",
"isLoading": false
},
"byline_arts_13835391": {
"type": "authors",
"id": "byline_arts_13835391",
"meta": {
"override": true
},
"slug": "byline_arts_13835391",
"name": "Taylor Haney",
"isLoading": false
}
},
"pagesReducer": {
"arts_affiliate_npr": {
"type": "terms",
"id": "arts_137",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "137",
"score": 14.258304
},
"featImg": "https://ww2.kqed.org/app/uploads/sites/2/2014/04/logo-npr-lg1.png",
"name": "NPR",
"description": null,
"taxonomy": "affiliate",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "NPR Archives | KQED Arts",
"ogDescription": null
},
"ttid": 138,
"slug": "npr",
"isLoading": false,
"title": "NPR",
"pageMeta": {
"site": "arts",
"WpPageTemplate": "page-topic-editorial",
"currentPage": 136
},
"blocks": [
{
"blockName": "kqed/post-list",
"attrs": {
"layout": "cardArticle2",
"query": "posts/arts?affiliate=npr",
"seeMore": false,
"paginated": true,
"page": 136
}
},
{
"blockName": "kqed/ad"
}
]
}
},
"pfsSessionReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://streams.kqed.org/kqedradio",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"arts_13836186": {
"type": "posts",
"id": "arts_13836186",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13836186",
"score": null,
"sort": [
1530227211000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1530227211,
"format": "standard",
"title": "Harlan Ellison, Award-Winning Science Fiction Writer, Dies at 84",
"headTitle": "Harlan Ellison, Award-Winning Science Fiction Writer, Dies at 84 | KQED",
"content": "\u003cp>Science fiction writer and provocateur Harlan Ellison, who wrote stories including “Jeffty Is Five,” “‘Repent, Harlequin!’ Said the Ticktockman,” and “I Have No Mouth and I Must Scream,” died in his sleep at home in Los Angeles at age 84. Like many who write short stories and novellas in genres like speculative fiction, the sweep of his career is evident in his collection of awards: Hugo Awards, Nebula Awards, Edgar Awards and many others. He wrote episodes of \u003cem>Star Trek \u003c/em>(“The City on the Edge of Forever” won him a Writer’s Guild of America Award), as well as \u003cem>The Outer Limits\u003c/em> and \u003cem>The Twilight Zone\u003c/em>. He wrote comics and read audiobooks.\u003c/p>\n\u003cp>He also had a reputation for being, as Jason Sheehan called him in \u003ca href=\"https://www.npr.org/2015/12/28/461281398/harlan-ellison-returns-with-a-cantankerous-new-collection\">a review of his 2015 collection \u003cem>Can and Can’tankerous\u003c/em>\u003c/a>, “America’s weird uncle.” Words like that one from the title — “cantankerous” — and “irascible” and “difficult” followed him for much of his life. His rants were legendary, including a profanity-filled \u003ca href=\"https://www.youtube.com/watch?v=mj5IV23g-fE\">one about the need to pay writers\u003c/a> that has been viewed on YouTube more than a million times. Sheehan also said:\u003c/p>\n\u003cblockquote>\n\u003cp>He fronts \u003cem>Weariness \u003c/em>[a story in the collection] by telling the tale of running a workshop at a convention in Washington. A bunch of art pieces handed around as inspiration. A bunch of writers given one hour to compose a complete story.\u003c/p>\n\u003cp>And then there’s Harlan, at the front of the room, with his portable Olympia typewriter, poking away at 120 words per minute (with two fingers and no typos, he brags), feeling sad and tired and coming up with a story about the heat death of the universe which begins: “Very near the final thaw of the universe, the last of them left behind, the last three of the most perfect beings who had ever existed, stood waiting for the transitional moment. The neap tide of all time.”\u003c/p>\n\u003cp>One draft. No idea where he was going with it. Just start hitting the keys and seeing what happens next. That’s how Ellison rolls. Tired, old, ornery — and yet kind, too. Generous. Giving us stories, and then stories about the stories. The lettuce story? Inspired by a Chinese dinner with Norman Spinrad in 1956, sold to \u003cem>Amazing Stories \u003c/em>that same year for $49.50, then remastered for this collection. \u003cem>Weariness\u003c/em> is just a few hundred words long but his afterword is a kind of love letter to Ray Bradbury, and runs for five times the story’s length, maybe more. And it is beautiful.\u003c/p>\n\u003c/blockquote>\n\u003cp>Ellison, who won so many awards, wrote a \u003ca href=\"https://variety.com/2013/film/awards/harlan-ellison-award-shows-the-oscar-1200857501/\">column in \u003cem>Variety\u003c/em>\u003c/a>\u003cem> \u003c/em>in 2013 about the Oscars in which he said, “I do not merely hate all awards shows, I wish to see them beheaded, stakes driven through their black and corrupted widdle hearts, and to see the decapitated remains buried at a crossroads come midnight.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Harlan+Ellison%2C+Award-Winning+Science+Fiction+Writer%2C+Dies+at+84&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 521,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 8
},
"modified": 1705027558,
"excerpt": "The writer of award-winning stories, as well as episodes of 'Star Trek,' 'The Outer Limits' and 'The Twilight Zone,' died Thursday.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The writer of award-winning stories, as well as episodes of 'Star Trek,' 'The Outer Limits' and 'The Twilight Zone,' died Thursday.",
"title": "Harlan Ellison, Award-Winning Science Fiction Writer, Dies at 84 | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Harlan Ellison, Award-Winning Science Fiction Writer, Dies at 84",
"datePublished": "2018-06-28T16:06:51-07:00",
"dateModified": "2024-01-11T18:45:58-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "harlan-ellison-award-winning-science-fiction-writer-dies-at-84",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=624416014&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprByline": "Linda Holmes",
"nprStoryDate": "Thu, 28 Jun 2018 17:41:24 -0400",
"nprLastModifiedDate": "Thu, 28 Jun 2018 17:41:24 -0400",
"sticky": false,
"nprHtmlLink": "https://www.npr.org/sections/monkeysee/2018/06/28/624416014/harlan-ellison-award-winning-science-fiction-writer-dies-at-84?ft=nprml&f=624416014",
"nprImageAgency": "Getty Images",
"nprImageCredit": "Beth Gwinn",
"nprStoryId": "624416014",
"nprRetrievedStory": "1",
"nprPubDate": "Thu, 28 Jun 2018 17:41:00 -0400",
"path": "/arts/13836186/harlan-ellison-award-winning-science-fiction-writer-dies-at-84",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Science fiction writer and provocateur Harlan Ellison, who wrote stories including “Jeffty Is Five,” “‘Repent, Harlequin!’ Said the Ticktockman,” and “I Have No Mouth and I Must Scream,” died in his sleep at home in Los Angeles at age 84. Like many who write short stories and novellas in genres like speculative fiction, the sweep of his career is evident in his collection of awards: Hugo Awards, Nebula Awards, Edgar Awards and many others. He wrote episodes of \u003cem>Star Trek \u003c/em>(“The City on the Edge of Forever” won him a Writer’s Guild of America Award), as well as \u003cem>The Outer Limits\u003c/em> and \u003cem>The Twilight Zone\u003c/em>. He wrote comics and read audiobooks.\u003c/p>\n\u003cp>He also had a reputation for being, as Jason Sheehan called him in \u003ca href=\"https://www.npr.org/2015/12/28/461281398/harlan-ellison-returns-with-a-cantankerous-new-collection\">a review of his 2015 collection \u003cem>Can and Can’tankerous\u003c/em>\u003c/a>, “America’s weird uncle.” Words like that one from the title — “cantankerous” — and “irascible” and “difficult” followed him for much of his life. His rants were legendary, including a profanity-filled \u003ca href=\"https://www.youtube.com/watch?v=mj5IV23g-fE\">one about the need to pay writers\u003c/a> that has been viewed on YouTube more than a million times. Sheehan also said:\u003c/p>\n\u003cblockquote>\n\u003cp>He fronts \u003cem>Weariness \u003c/em>[a story in the collection] by telling the tale of running a workshop at a convention in Washington. A bunch of art pieces handed around as inspiration. A bunch of writers given one hour to compose a complete story.\u003c/p>\n\u003cp>And then there’s Harlan, at the front of the room, with his portable Olympia typewriter, poking away at 120 words per minute (with two fingers and no typos, he brags), feeling sad and tired and coming up with a story about the heat death of the universe which begins: “Very near the final thaw of the universe, the last of them left behind, the last three of the most perfect beings who had ever existed, stood waiting for the transitional moment. The neap tide of all time.”\u003c/p>\n\u003cp>One draft. No idea where he was going with it. Just start hitting the keys and seeing what happens next. That’s how Ellison rolls. Tired, old, ornery — and yet kind, too. Generous. Giving us stories, and then stories about the stories. The lettuce story? Inspired by a Chinese dinner with Norman Spinrad in 1956, sold to \u003cem>Amazing Stories \u003c/em>that same year for $49.50, then remastered for this collection. \u003cem>Weariness\u003c/em> is just a few hundred words long but his afterword is a kind of love letter to Ray Bradbury, and runs for five times the story’s length, maybe more. And it is beautiful.\u003c/p>\n\u003c/blockquote>\n\u003cp>Ellison, who won so many awards, wrote a \u003ca href=\"https://variety.com/2013/film/awards/harlan-ellison-award-shows-the-oscar-1200857501/\">column in \u003cem>Variety\u003c/em>\u003c/a>\u003cem> \u003c/em>in 2013 about the Oscars in which he said, “I do not merely hate all awards shows, I wish to see them beheaded, stakes driven through their black and corrupted widdle hearts, and to see the decapitated remains buried at a crossroads come midnight.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Harlan+Ellison%2C+Award-Winning+Science+Fiction+Writer%2C+Dies+at+84&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13836186/harlan-ellison-award-winning-science-fiction-writer-dies-at-84",
"authors": [
"byline_arts_13836186"
],
"categories": [
"arts_73",
"arts_235"
],
"tags": [
"arts_1091",
"arts_4358"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13836187",
"label": "arts_137"
},
"arts_13836179": {
"type": "posts",
"id": "arts_13836179",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13836179",
"score": null,
"sort": [
1530226269000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1530226269,
"format": "standard",
"title": "Little House on the Controversy: Laura Ingalls Wilder's Name Removed From Book Award",
"headTitle": "Little House on the Controversy: Laura Ingalls Wilder’s Name Removed From Book Award | KQED",
"content": "\u003cp>A division of the American Library Association \u003ca href=\"http://www.alsc.ala.org/blog/2018/06/childrens-literature-legacy-award-alaac18/\" target=\"_blank\" rel=\"noopener\">voted unanimously Saturday\u003c/a> to strip Laura Ingalls Wilder’s name from a major children’s literature award over concerns about how the author referred to Native Americans and blacks.\u003c/p>\n\u003cp>The Association for Library Service to Children says the Laura Ingalls Wilder Award will now be known as the Children’s Literature Legacy Award.\u003c/p>\n\u003cp>Wilder, who wrote the \u003cem>Little House \u003c/em>book series\u003cem>, \u003c/em>was the first recipient of the award, which was established in 1954 and intended to honor books published in the U.S. that have had a big impact on children’s literature.\u003c/p>\n\u003cp>The \u003cem>Little House\u003c/em> series was based on Wilder’s own life and told the story of the Ingalls family as it moved around the Great Plains in the 19th century. While many of the \u003cem>Little House \u003c/em>books became widely read, critics said her work included many stereotypical and reductive depictions of Native Americans and people of color.\u003c/p>\n\u003cp>In 1935’s \u003cem>Little House on the Prairie, \u003c/em>for example, Wilder described one setting as a place where “there were no people. Only Indians lived there.” That description was changed in later editions of the book. And multiple characters in the \u003cem>Little House\u003c/em> series intone that “the only good Indian is a dead Indian.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The ALSC had been considering whether it should strip Wilder’s name from the award since February and \u003ca href=\"http://www.alsc.ala.org/blog/2018/02/board-action-update-laura-ingalls-wilder-award/\">announced at the time\u003c/a> that the author’s legacy “may no longer be consistent with the intention of the award named for her.”\u003c/p>\n\u003cp>“The decision was made in consideration of the fact that Wilder’s legacy, as represented by her body of work, includes expressions of stereotypical attitudes inconsistent with ALSC’s core values of inclusiveness, integrity and respect, and responsiveness,” the ALSC said in a \u003ca href=\"http://www.ala.org/alsc/awardsgrants/bookmedia/wildermedal\" target=\"_blank\" rel=\"noopener\">brief statement\u003c/a> following the vote. Previously, \u003ca href=\"http://www.alsc.ala.org/blog/2018/02/board-action-update-laura-ingalls-wilder-award/\">the organization had noted\u003c/a> the “anti-Native and anti-Black sentiments” in Wilder’s writing.\u003c/p>\n\u003cp>However, some Wilder scholars say the author’s work shouldn’t be downplayed. Instead, they say, it should be scrutinized — and taken as an opportunity to inform children of the context surrounding it.\u003c/p>\n\u003cp>The \u003ca href=\"http://beyondlittlehouse.com/tag/laura-ingalls-wilder-legacy-and-research-association/\" target=\"_blank\" rel=\"noopener\">Laura Ingalls Wilder Legacy and Research Association\u003c/a> released a \u003ca href=\"https://www.facebook.com/LIWLegacy/\" target=\"_blank\" rel=\"noopener\">statement defending Wilder’s work\u003c/a>, saying that while her writing included “the perspectives of racism that were representative of her time and place,” it also made “positive contributions to children’s literature”:\u003c/p>\n\u003cblockquote>\n\u003cp>“We believe it is not beneficial to the body of literature to sweep away her name as though the perspectives in her books never existed. Those perspectives are teaching moments to show generations to come how the past was and how we, as a society, must move forward with a more inclusive and diverse perspective.”\u003c/p>\n\u003c/blockquote>\n\u003cp>Debbie Reese, a scholar and the founder of \u003ca href=\"https://americanindiansinchildrensliterature.blogspot.com/\" target=\"_blank\" rel=\"noopener\">American Indians In Children’s Literature\u003c/a>, tweeted that the vote to change the award’s name was a “\u003ca href=\"https://twitter.com/debreese/status/1010842553921482755\" target=\"_blank\" rel=\"noopener\">significant and historic moment\u003c/a>” but still only a step. “There are many more, ahead of us. The backlash to the change is already evident.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The author Jacqueline Woodson, known for award-winning books including \u003cem>Brown Girl Dreaming\u003c/em> and \u003cem>Another Brooklyn,\u003c/em> will be the first honoree of the newly named Children’s Literature Legacy Award. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Little+House+On+The+Controversy%3A+Laura+Ingalls+Wilder%27s+Name+Removed+From+Book+Award&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 578,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 14
},
"modified": 1705027560,
"excerpt": "The Association for Library Service to Children voted unanimously to strike Wilder's name from a major children's lit award over concerns about how the author referred to Native Americans and blacks.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The Association for Library Service to Children voted unanimously to strike Wilder's name from a major children's lit award over concerns about how the author referred to Native Americans and blacks.",
"title": "Little House on the Controversy: Laura Ingalls Wilder's Name Removed From Book Award | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Little House on the Controversy: Laura Ingalls Wilder's Name Removed From Book Award",
"datePublished": "2018-06-28T15:51:09-07:00",
"dateModified": "2024-01-11T18:46:00-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "little-house-on-the-controversy-laura-ingalls-wilders-name-removed-from-book-award",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=623184440&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprByline": "Kat Chow",
"nprStoryDate": "Mon, 25 Jun 2018 13:27:00 -0400",
"nprLastModifiedDate": "Mon, 25 Jun 2018 22:36:24 -0400",
"sticky": false,
"nprHtmlLink": "https://www.npr.org/2018/06/25/623184440/little-house-on-the-controversy-laura-ingalls-wilders-name-removed-from-book-awa?ft=nprml&f=623184440",
"nprImageAgency": "AP",
"nprImageCredit": "Mark Schiefelbein ",
"nprStoryId": "623184440",
"nprRetrievedStory": "1",
"nprPubDate": "Mon, 25 Jun 2018 22:36:00 -0400",
"path": "/arts/13836179/little-house-on-the-controversy-laura-ingalls-wilders-name-removed-from-book-award",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A division of the American Library Association \u003ca href=\"http://www.alsc.ala.org/blog/2018/06/childrens-literature-legacy-award-alaac18/\" target=\"_blank\" rel=\"noopener\">voted unanimously Saturday\u003c/a> to strip Laura Ingalls Wilder’s name from a major children’s literature award over concerns about how the author referred to Native Americans and blacks.\u003c/p>\n\u003cp>The Association for Library Service to Children says the Laura Ingalls Wilder Award will now be known as the Children’s Literature Legacy Award.\u003c/p>\n\u003cp>Wilder, who wrote the \u003cem>Little House \u003c/em>book series\u003cem>, \u003c/em>was the first recipient of the award, which was established in 1954 and intended to honor books published in the U.S. that have had a big impact on children’s literature.\u003c/p>\n\u003cp>The \u003cem>Little House\u003c/em> series was based on Wilder’s own life and told the story of the Ingalls family as it moved around the Great Plains in the 19th century. While many of the \u003cem>Little House \u003c/em>books became widely read, critics said her work included many stereotypical and reductive depictions of Native Americans and people of color.\u003c/p>\n\u003cp>In 1935’s \u003cem>Little House on the Prairie, \u003c/em>for example, Wilder described one setting as a place where “there were no people. Only Indians lived there.” That description was changed in later editions of the book. And multiple characters in the \u003cem>Little House\u003c/em> series intone that “the only good Indian is a dead Indian.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The ALSC had been considering whether it should strip Wilder’s name from the award since February and \u003ca href=\"http://www.alsc.ala.org/blog/2018/02/board-action-update-laura-ingalls-wilder-award/\">announced at the time\u003c/a> that the author’s legacy “may no longer be consistent with the intention of the award named for her.”\u003c/p>\n\u003cp>“The decision was made in consideration of the fact that Wilder’s legacy, as represented by her body of work, includes expressions of stereotypical attitudes inconsistent with ALSC’s core values of inclusiveness, integrity and respect, and responsiveness,” the ALSC said in a \u003ca href=\"http://www.ala.org/alsc/awardsgrants/bookmedia/wildermedal\" target=\"_blank\" rel=\"noopener\">brief statement\u003c/a> following the vote. Previously, \u003ca href=\"http://www.alsc.ala.org/blog/2018/02/board-action-update-laura-ingalls-wilder-award/\">the organization had noted\u003c/a> the “anti-Native and anti-Black sentiments” in Wilder’s writing.\u003c/p>\n\u003cp>However, some Wilder scholars say the author’s work shouldn’t be downplayed. Instead, they say, it should be scrutinized — and taken as an opportunity to inform children of the context surrounding it.\u003c/p>\n\u003cp>The \u003ca href=\"http://beyondlittlehouse.com/tag/laura-ingalls-wilder-legacy-and-research-association/\" target=\"_blank\" rel=\"noopener\">Laura Ingalls Wilder Legacy and Research Association\u003c/a> released a \u003ca href=\"https://www.facebook.com/LIWLegacy/\" target=\"_blank\" rel=\"noopener\">statement defending Wilder’s work\u003c/a>, saying that while her writing included “the perspectives of racism that were representative of her time and place,” it also made “positive contributions to children’s literature”:\u003c/p>\n\u003cblockquote>\n\u003cp>“We believe it is not beneficial to the body of literature to sweep away her name as though the perspectives in her books never existed. Those perspectives are teaching moments to show generations to come how the past was and how we, as a society, must move forward with a more inclusive and diverse perspective.”\u003c/p>\n\u003c/blockquote>\n\u003cp>Debbie Reese, a scholar and the founder of \u003ca href=\"https://americanindiansinchildrensliterature.blogspot.com/\" target=\"_blank\" rel=\"noopener\">American Indians In Children’s Literature\u003c/a>, tweeted that the vote to change the award’s name was a “\u003ca href=\"https://twitter.com/debreese/status/1010842553921482755\" target=\"_blank\" rel=\"noopener\">significant and historic moment\u003c/a>” but still only a step. “There are many more, ahead of us. The backlash to the change is already evident.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The author Jacqueline Woodson, known for award-winning books including \u003cem>Brown Girl Dreaming\u003c/em> and \u003cem>Another Brooklyn,\u003c/em> will be the first honoree of the newly named Children’s Literature Legacy Award. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Little+House+On+The+Controversy%3A+Laura+Ingalls+Wilder%27s+Name+Removed+From+Book+Award&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13836179/little-house-on-the-controversy-laura-ingalls-wilders-name-removed-from-book-award",
"authors": [
"byline_arts_13836179"
],
"categories": [
"arts_73",
"arts_235"
],
"tags": [
"arts_1448",
"arts_4358"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13836180",
"label": "arts_137"
},
"arts_13836142": {
"type": "posts",
"id": "arts_13836142",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13836142",
"score": null,
"sort": [
1530221165000
]
},
"guestAuthors": [],
"slug": "mexican-american-duo-jesse-joy-advocate-for-migrants-in-the-u-s",
"title": "Mexican-American Duo Jesse & Joy Advocate for Migrants in the U.S.",
"publishDate": 1530221165,
"format": "standard",
"headTitle": "Mexican-American Duo Jesse & Joy Advocate for Migrants in the U.S. | KQED",
"labelTerm": {
"term": 137,
"site": "arts"
},
"content": "\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://www.npr.org/player/embed/623313792/623773912\" width=\"100%\" height=\"290\" frameborder=\"0\" scrolling=\"no\" title=\"NPR embedded audio player\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Jesse and Joy Huerta of the sibling duo \u003ca href=\"https://www.npr.org/sections/therecord/2012/11/16/165268816/jesse-joy-juanes-win-big-at-latin-grammys\" target=\"_blank\" rel=\"noopener\">Jesse & Joy\u003c/a> have been staples in Latin American pop circles for more than a decade. Jesse, with his trademark wide-brim fedoras and tattoos, plays guitar and piano. Joy brings the melodies and harmonic high notes.\u003c/p>\n\u003cp>While long-embracing their bicultural heritage, current tensions between the U.S. and Mexico over immigration have compelled the duo to plunge into the \u003ca href=\"https://www.npr.org/2018/06/19/621065383/what-we-know-family-separation-and-zero-tolerance-at-the-border\" target=\"_blank\" rel=\"noopener\">debate over migrant families\u003c/a>. In making the video for the title track of the pair’s Grammy Award-winning album \u003ca href=\"https://itunes.apple.com/mx/album/un-besito-m%C3%A1s/1056387508\" target=\"_blank\" rel=\"noopener\">Un Besito Más\u003c/a>, Jesse says he and his sister dove deep into the plight of separated families. The song’s official video spotlights the struggle of a mother and father facing deportation and their decision to leave their U.S.-born daughter behind.\u003c/p>\n\u003cp>https://youtu.be/z1EB-fI0JDI\u003c/p>\n\u003cp>Jesse says speaking both languages and holding two passports gives them a unique place to speak out for those not as privileged. “Why are we so lucky and blessed enough that we can travel back and forth without exposing our lives?” he asks. “That just made us commit more to it.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Joy hopes their music can change hearts and minds. “I think it’s a matter of respect, and if we give people information enough just to respect one another, I think we can help,” she says.\u003c/p>\n\u003cp>The duo’s musical success has helped cement them as binational, bilingual advocates, a role Joy tearfully embraced during her acceptance speech at\u003ca href=\"https://www.youtube.com/watch?v=SCOuVniZlGM\"> last year’s Grammy Awards\u003c/a>.\u003c/p>\n\u003cp>“We are so proud to be Mexican-Americans, so this goes to all the Hispanics out there in this country,” Jesse said in the speech. “To every minority group: We are with you. We stand with you.”\u003c/p>\n\u003cp>Though the pair has made a wholesome foray into reggaeton — their remixed single “3 A.M.” with Cuba’s reggaeton duo \u003ca href=\"https://www.npr.org/2017/08/02/541133965/subeme-la-radio-is-cuba-s-heartbreak-anthem-of-the-summer\" target=\"_blank\" rel=\"noopener\">Gente de Zona\u003c/a> is a hit among fans — Jesse & Joy sometimes strike a chord reminiscent of 1970s brother-and-sister pop icons \u003ca href=\"https://www.npr.org/artists/15395475/donny-osmond\" target=\"_blank\" rel=\"noopener\">Donny and Marie Osmond\u003c/a>.\u003c/p>\n\u003cp>That simplicity, often an outlier in today’s music scene, is what 22-year-old fan Carla Hernandez Pedraza likes about Jesse & Joy.\u003c/p>\n\u003cp>“I love the way they are,” Pedraza says in Spanish. “They are just really down to Earth, lovely people.”\u003c/p>\n\u003cp>Church factored big in the roots of Jesse and Joy. They learned music by borrowing instruments from their father’s evangelical church. And while they started off writing and singing in Spanish, both languages got equal play in their recent hometown concert in Mexico City.\u003c/p>\n\u003cp>Their father is Mexican, their mother is from Wisconsin, and Joy says she had strict rules: “No Spanglish at home. She’s like, ‘No, no, no, just stick to one language.’ I guess she wanted us to really get both languages separately.”\u003c/p>\n\u003cp>Moving into English language albums would seem like a natural next step for the duo, but like many of their fellow Latin American artists, it’s a tough calculation.\u003c/p>\n\u003cp>“We want to, but we don’t want to lose our crowd, you know, our fan base” Joy says. “We don’t want them to hate us here,” Jesse adds.\u003c/p>\n\u003cp>While they haven’t committed to all-English just yet, Jesse & Joy released several English cuts, including the melodic “Echoes of Love.”\u003c/p>\n\u003cp>But Jesse & Joy shouldn’t worry about being labeled a sell-out act. Eighteen-year-old fan Fatima Garcia traveled six hours by bus to get to the Mexico City concert. She says she loves the positive image Jesse & Joy reflect of Mexico and Mexicans these days, especially in the U.S.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“We are all just so proud of them,” Garcia says.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Mexican-American+Duo+Jesse+%26+Joy+Advocate+For+Migrants+In+The+U.S.&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
"blocks": [],
"excerpt": "The duo's video for the title track of their latest album \u003cem>Un Besito Más \u003c/em>depicts a mother and father, who are facing deportation, deciding to leave their child in the U.S. It has millions of views.",
"status": "publish",
"parent": 0,
"modified": 1729112003,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 19,
"wordCount": 672
},
"headData": {
"title": "Mexican-American Duo Jesse & Joy Advocate for Migrants in the U.S. | KQED",
"description": "The duo's video for the title track of their latest album Un Besito Más depicts a mother and father, who are facing deportation, deciding to leave their child in the U.S. It has millions of views.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Mexican-American Duo Jesse & Joy Advocate for Migrants in the U.S.",
"datePublished": "2018-06-28T14:26:05-07:00",
"dateModified": "2024-10-16T13:53:23-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprImageCredit": "Carrie Kahn",
"nprByline": "Carrie Kahn",
"nprImageAgency": "NPR ",
"nprStoryId": "623313792",
"nprApiLink": "http://api.npr.org/query?id=623313792&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprHtmlLink": "https://www.npr.org/sections/altlatino/2018/06/27/623313792/mexican-american-duo-jesse-joy-advocate-for-migrants-in-the-u-s?ft=nprml&f=623313792",
"nprRetrievedStory": "1",
"nprPubDate": "Wed, 27 Jun 2018 11:19:00 -0400",
"nprStoryDate": "Wed, 27 Jun 2018 05:09:00 -0400",
"nprLastModifiedDate": "Wed, 27 Jun 2018 09:19:21 -0400",
"nprAudio": "https://ondemand.npr.org/anon.npr-mp3/npr/me/2018/06/20180627_me_mexican-american_duo_jesse_joy_advocate_for_migrants_in_the_us.mp3?orgId=1&topicId=1105&d=350&p=3&story=623313792&ft=nprml&f=623313792",
"nprAudioM3u": "http://api.npr.org/m3u/1623773912-2616a5.m3u?orgId=1&topicId=1105&d=350&p=3&story=623313792&ft=nprml&f=623313792",
"path": "/arts/13836142/mexican-american-duo-jesse-joy-advocate-for-migrants-in-the-u-s",
"audioUrl": "https://ondemand.npr.org/anon.npr-mp3/npr/me/2018/06/20180627_me_mexican-american_duo_jesse_joy_advocate_for_migrants_in_the_us.mp3?orgId=1&topicId=1105&d=350&p=3&story=623313792&ft=nprml&f=623313792",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://www.npr.org/player/embed/623313792/623773912\" width=\"100%\" height=\"290\" frameborder=\"0\" scrolling=\"no\" title=\"NPR embedded audio player\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Jesse and Joy Huerta of the sibling duo \u003ca href=\"https://www.npr.org/sections/therecord/2012/11/16/165268816/jesse-joy-juanes-win-big-at-latin-grammys\" target=\"_blank\" rel=\"noopener\">Jesse & Joy\u003c/a> have been staples in Latin American pop circles for more than a decade. Jesse, with his trademark wide-brim fedoras and tattoos, plays guitar and piano. Joy brings the melodies and harmonic high notes.\u003c/p>\n\u003cp>While long-embracing their bicultural heritage, current tensions between the U.S. and Mexico over immigration have compelled the duo to plunge into the \u003ca href=\"https://www.npr.org/2018/06/19/621065383/what-we-know-family-separation-and-zero-tolerance-at-the-border\" target=\"_blank\" rel=\"noopener\">debate over migrant families\u003c/a>. In making the video for the title track of the pair’s Grammy Award-winning album \u003ca href=\"https://itunes.apple.com/mx/album/un-besito-m%C3%A1s/1056387508\" target=\"_blank\" rel=\"noopener\">Un Besito Más\u003c/a>, Jesse says he and his sister dove deep into the plight of separated families. The song’s official video spotlights the struggle of a mother and father facing deportation and their decision to leave their U.S.-born daughter behind.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/z1EB-fI0JDI'\n title='//www.youtube.com/embed/z1EB-fI0JDI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Jesse says speaking both languages and holding two passports gives them a unique place to speak out for those not as privileged. “Why are we so lucky and blessed enough that we can travel back and forth without exposing our lives?” he asks. “That just made us commit more to it.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Joy hopes their music can change hearts and minds. “I think it’s a matter of respect, and if we give people information enough just to respect one another, I think we can help,” she says.\u003c/p>\n\u003cp>The duo’s musical success has helped cement them as binational, bilingual advocates, a role Joy tearfully embraced during her acceptance speech at\u003ca href=\"https://www.youtube.com/watch?v=SCOuVniZlGM\"> last year’s Grammy Awards\u003c/a>.\u003c/p>\n\u003cp>“We are so proud to be Mexican-Americans, so this goes to all the Hispanics out there in this country,” Jesse said in the speech. “To every minority group: We are with you. We stand with you.”\u003c/p>\n\u003cp>Though the pair has made a wholesome foray into reggaeton — their remixed single “3 A.M.” with Cuba’s reggaeton duo \u003ca href=\"https://www.npr.org/2017/08/02/541133965/subeme-la-radio-is-cuba-s-heartbreak-anthem-of-the-summer\" target=\"_blank\" rel=\"noopener\">Gente de Zona\u003c/a> is a hit among fans — Jesse & Joy sometimes strike a chord reminiscent of 1970s brother-and-sister pop icons \u003ca href=\"https://www.npr.org/artists/15395475/donny-osmond\" target=\"_blank\" rel=\"noopener\">Donny and Marie Osmond\u003c/a>.\u003c/p>\n\u003cp>That simplicity, often an outlier in today’s music scene, is what 22-year-old fan Carla Hernandez Pedraza likes about Jesse & Joy.\u003c/p>\n\u003cp>“I love the way they are,” Pedraza says in Spanish. “They are just really down to Earth, lovely people.”\u003c/p>\n\u003cp>Church factored big in the roots of Jesse and Joy. They learned music by borrowing instruments from their father’s evangelical church. And while they started off writing and singing in Spanish, both languages got equal play in their recent hometown concert in Mexico City.\u003c/p>\n\u003cp>Their father is Mexican, their mother is from Wisconsin, and Joy says she had strict rules: “No Spanglish at home. She’s like, ‘No, no, no, just stick to one language.’ I guess she wanted us to really get both languages separately.”\u003c/p>\n\u003cp>Moving into English language albums would seem like a natural next step for the duo, but like many of their fellow Latin American artists, it’s a tough calculation.\u003c/p>\n\u003cp>“We want to, but we don’t want to lose our crowd, you know, our fan base” Joy says. “We don’t want them to hate us here,” Jesse adds.\u003c/p>\n\u003cp>While they haven’t committed to all-English just yet, Jesse & Joy released several English cuts, including the melodic “Echoes of Love.”\u003c/p>\n\u003cp>But Jesse & Joy shouldn’t worry about being labeled a sell-out act. Eighteen-year-old fan Fatima Garcia traveled six hours by bus to get to the Mexico City concert. She says she loves the positive image Jesse & Joy reflect of Mexico and Mexicans these days, especially in the U.S.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“We are all just so proud of them,” Garcia says.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Mexican-American+Duo+Jesse+%26+Joy+Advocate+For+Migrants+In+The+U.S.&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13836142/mexican-american-duo-jesse-joy-advocate-for-migrants-in-the-u-s",
"authors": [
"byline_arts_13836142"
],
"categories": [
"arts_22352",
"arts_69"
],
"tags": [
"arts_1118",
"arts_1773",
"arts_4591"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13836143",
"label": "arts_137"
},
"arts_13836082": {
"type": "posts",
"id": "arts_13836082",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13836082",
"score": null,
"sort": [
1530124475000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1530124475,
"format": "standard",
"title": "Joe Jackson, Patriarch of the Jacksons, Dead at 89",
"headTitle": "Joe Jackson, Patriarch of the Jacksons, Dead at 89 | KQED",
"content": "\u003cp>Joe Jackson, patriarch of the legendary Jackson family, which included Michael and Janet Jackson, has died, the estate of Michael has confirmed in a statement. No cause of death was given, though he had reportedly been diagnosed with cancer.\u003c/p>\n\u003cp>Officially, Joe Jackson was a band manager, taking five of his sons from a locally celebrated pop vocal group in Gary, Ind., in the mid-1960s to international acclaim, acting as the launchpad to superstardom for his son Michael. Their paths, however, would be revealed through the decades as ones paved in checkers.\u003c/p>\n\u003cp>Joe Jackson, \u003ca href=\"https://www.jwjackson.com/about-joejackson/\" target=\"_blank\" rel=\"noopener\">born\u003c/a> in Alabama on July 26, 1928, was the eldest of six children of Samuel and Chrystal Jackson. Jackson’s parents separated in 1942, leaving Joe to travel between his father in Oakland, Calif. and his mother in East Chicago, Ind., before settling in the latter.\u003c/p>\n\u003cp>In his early 20s, while moonlighting in a blues band with his brother Luther, Joe met Katherine Scruse, whom he would marry in November 1949. (It would be his second, following a brief marriage that was annulled.) Rebbie Jackson — the first of their 10 children — was born in 1950; Jackie in 1951; Tito in 1953; Jermaine in 1954; La Toya in 1956; Marlon in 1957; Brandon in 1957; Michael in 1958; Randy in 1961; and Janet in 1966.\u003c/p>\n\u003cp>In the early 1960s, Jackson was working in a steel mill when he formed — or regimented, with regular daily practice scheduled by the tempestuous family head — a band sourced from his five sons: Jermaine, Jackie, Marlon, Tito and the youngest, Michael, as its charismatic lead singer.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Through performances at local malls and talent shows, the group quickly cultivated a sterling local reputation, eventually taking top prize in a contest at the Apollo Theater in New York in 1967, when Michael was 9 years old. After auditioning in July 1968, The Jackson 5 was signed to Berry Gordy’s legendary Motown Records in March 1969. The group released its first single, “I Want You Back,” that October, \u003ca href=\"https://www.billboard.com/music/the-jacksons/chart-history/hot-100/song/581782\" target=\"_blank\" rel=\"noopener\">becoming\u003c/a> its first No. 1 hit the following January. The group’s first album, \u003cem>Diana Ross Presents The Jackson 5,\u003c/em> would tally an astounding 10 million sales over just 10 months; the following April, the Jackson 5’s classic “ABC” would dethrone The Beatles’ “Let It Be” from the top of the singles chart.\u003c/p>\n\u003cp>Later in life, however — after “Jackson Mania” and Saturday morning cartoons, solo careers and meet-and-greets with the Queen of England — a darker public picture of the Jackson family’s internal life was slowly revealed.\u003c/p>\n\u003cp>In an \u003ca href=\"https://www.youtube.com/watch?v=BbItFJJPPmA\" target=\"_blank\" rel=\"noopener\">interview with Oprah Winfrey\u003c/a> in 1993, Michael Jackson revealed that the drive behind his and his brothers’ early success was a harsh regime enforced by Joe, bordering on physical and mental abuse.\u003c/p>\n\u003cp>Joe Jackson and some of the other Jackson siblings denied those allegations, describing the treatment as in line with the stern discipline practices of the day.\u003c/p>\n\u003cp>“There was a lot of love in that little house,” Jackie Jackson, the eldest brother, is quoted as saying in \u003cem>The Jacksons: Legacy\u003c/em>. “My mother was the sweetest woman you could ever meet. … My father was the one who cracked the whip.”\u003c/p>\n\u003cp>In a 2007 interview with \u003cem>The Chicago Defender,\u003c/em> Joe Jackson explained that his form of discipline was not unlike any other black family of the era. “Yeah, I whipped my kids and back then there was nothing wrong with that,” he said. “Nowadays people want to call the police on you. The people complaining about what I did got whippings from their parents too.”\u003c/p>\n\u003cp>Despite the internal tensions the allegations caused within the family, Jackson was seen holding his son’s hand as they walked into the Santa Barbara County Superior Court, before Michael’s 2005 trial on charges of child molestation, and never wavered in maintaining his son’s innocence.\u003c/p>\n\u003cp>In fact, Jackson acknowledged Michael did not exactly have the most idyllic of childhoods, saying it may have influenced the public’s perception of The King of Pop. As he \u003ca href=\"https://www.cnn.com/2013/01/30/showbiz/joe-jackson-pmt/index.html\">told CNN\u003c/a> in 2013: “Well … Michael was a big old kid himself. He was still — had the mind of a kid. But he loved kids so much. And the things that he didn’t have, he tried to help them to have it.”\u003c/p>\n\u003cp>When questioned about any regrets in that CNN interview, Jackson replied: “Well, I’m glad I was tough, because look what I came out with. I came out with some kids that everybody loved all over the world. And they treated everybody right.”\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Additional reporting by Andrew Flanagan.\u003c/em> \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Joe+Jackson%2C+Strict+Manager+And+Father+To+Pop+Royalty%2C+Dead+At+89&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 813,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 17
},
"modified": 1705027572,
"excerpt": "The patriarch helped take his legendary family from Gary, Ind., to global stardom, though the disciplinarian streak he used to get them there proved controversial later in life.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The patriarch helped take his legendary family from Gary, Ind., to global stardom, though the disciplinarian streak he used to get them there proved controversial later in life.",
"title": "Joe Jackson, Patriarch of the Jacksons, Dead at 89 | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Joe Jackson, Patriarch of the Jacksons, Dead at 89",
"datePublished": "2018-06-27T11:34:35-07:00",
"dateModified": "2024-01-11T18:46:12-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "joe-jackson-patriarch-of-the-jacksons-dead-at-89",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=622585843&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprByline": "Felix Contreras",
"nprStoryDate": "Wed, 27 Jun 2018 13:22:08 -0400",
"nprLastModifiedDate": "Wed, 27 Jun 2018 13:22:08 -0400",
"sticky": false,
"nprHtmlLink": "https://www.npr.org/2018/06/27/622585843/joe-jackson-strict-manager-and-father-to-pop-royalty-dead-at-89?ft=nprml&f=622585843",
"nprImageAgency": "Getty Images",
"nprImageCredit": "Michael Ochs Archives",
"nprStoryId": "622585843",
"nprRetrievedStory": "1",
"nprPubDate": "Wed, 27 Jun 2018 13:22:00 -0400",
"path": "/arts/13836082/joe-jackson-patriarch-of-the-jacksons-dead-at-89",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Joe Jackson, patriarch of the legendary Jackson family, which included Michael and Janet Jackson, has died, the estate of Michael has confirmed in a statement. No cause of death was given, though he had reportedly been diagnosed with cancer.\u003c/p>\n\u003cp>Officially, Joe Jackson was a band manager, taking five of his sons from a locally celebrated pop vocal group in Gary, Ind., in the mid-1960s to international acclaim, acting as the launchpad to superstardom for his son Michael. Their paths, however, would be revealed through the decades as ones paved in checkers.\u003c/p>\n\u003cp>Joe Jackson, \u003ca href=\"https://www.jwjackson.com/about-joejackson/\" target=\"_blank\" rel=\"noopener\">born\u003c/a> in Alabama on July 26, 1928, was the eldest of six children of Samuel and Chrystal Jackson. Jackson’s parents separated in 1942, leaving Joe to travel between his father in Oakland, Calif. and his mother in East Chicago, Ind., before settling in the latter.\u003c/p>\n\u003cp>In his early 20s, while moonlighting in a blues band with his brother Luther, Joe met Katherine Scruse, whom he would marry in November 1949. (It would be his second, following a brief marriage that was annulled.) Rebbie Jackson — the first of their 10 children — was born in 1950; Jackie in 1951; Tito in 1953; Jermaine in 1954; La Toya in 1956; Marlon in 1957; Brandon in 1957; Michael in 1958; Randy in 1961; and Janet in 1966.\u003c/p>\n\u003cp>In the early 1960s, Jackson was working in a steel mill when he formed — or regimented, with regular daily practice scheduled by the tempestuous family head — a band sourced from his five sons: Jermaine, Jackie, Marlon, Tito and the youngest, Michael, as its charismatic lead singer.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Through performances at local malls and talent shows, the group quickly cultivated a sterling local reputation, eventually taking top prize in a contest at the Apollo Theater in New York in 1967, when Michael was 9 years old. After auditioning in July 1968, The Jackson 5 was signed to Berry Gordy’s legendary Motown Records in March 1969. The group released its first single, “I Want You Back,” that October, \u003ca href=\"https://www.billboard.com/music/the-jacksons/chart-history/hot-100/song/581782\" target=\"_blank\" rel=\"noopener\">becoming\u003c/a> its first No. 1 hit the following January. The group’s first album, \u003cem>Diana Ross Presents The Jackson 5,\u003c/em> would tally an astounding 10 million sales over just 10 months; the following April, the Jackson 5’s classic “ABC” would dethrone The Beatles’ “Let It Be” from the top of the singles chart.\u003c/p>\n\u003cp>Later in life, however — after “Jackson Mania” and Saturday morning cartoons, solo careers and meet-and-greets with the Queen of England — a darker public picture of the Jackson family’s internal life was slowly revealed.\u003c/p>\n\u003cp>In an \u003ca href=\"https://www.youtube.com/watch?v=BbItFJJPPmA\" target=\"_blank\" rel=\"noopener\">interview with Oprah Winfrey\u003c/a> in 1993, Michael Jackson revealed that the drive behind his and his brothers’ early success was a harsh regime enforced by Joe, bordering on physical and mental abuse.\u003c/p>\n\u003cp>Joe Jackson and some of the other Jackson siblings denied those allegations, describing the treatment as in line with the stern discipline practices of the day.\u003c/p>\n\u003cp>“There was a lot of love in that little house,” Jackie Jackson, the eldest brother, is quoted as saying in \u003cem>The Jacksons: Legacy\u003c/em>. “My mother was the sweetest woman you could ever meet. … My father was the one who cracked the whip.”\u003c/p>\n\u003cp>In a 2007 interview with \u003cem>The Chicago Defender,\u003c/em> Joe Jackson explained that his form of discipline was not unlike any other black family of the era. “Yeah, I whipped my kids and back then there was nothing wrong with that,” he said. “Nowadays people want to call the police on you. The people complaining about what I did got whippings from their parents too.”\u003c/p>\n\u003cp>Despite the internal tensions the allegations caused within the family, Jackson was seen holding his son’s hand as they walked into the Santa Barbara County Superior Court, before Michael’s 2005 trial on charges of child molestation, and never wavered in maintaining his son’s innocence.\u003c/p>\n\u003cp>In fact, Jackson acknowledged Michael did not exactly have the most idyllic of childhoods, saying it may have influenced the public’s perception of The King of Pop. As he \u003ca href=\"https://www.cnn.com/2013/01/30/showbiz/joe-jackson-pmt/index.html\">told CNN\u003c/a> in 2013: “Well … Michael was a big old kid himself. He was still — had the mind of a kid. But he loved kids so much. And the things that he didn’t have, he tried to help them to have it.”\u003c/p>\n\u003cp>When questioned about any regrets in that CNN interview, Jackson replied: “Well, I’m glad I was tough, because look what I came out with. I came out with some kids that everybody loved all over the world. And they treated everybody right.”\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Additional reporting by Andrew Flanagan.\u003c/em> \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Joe+Jackson%2C+Strict+Manager+And+Father+To+Pop+Royalty%2C+Dead+At+89&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13836082/joe-jackson-patriarch-of-the-jacksons-dead-at-89",
"authors": [
"byline_arts_13836082"
],
"categories": [
"arts_69",
"arts_235"
],
"tags": [
"arts_4919",
"arts_596",
"arts_1091"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13836083",
"label": "arts_137"
},
"arts_13836030": {
"type": "posts",
"id": "arts_13836030",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13836030",
"score": null,
"sort": [
1530050811000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1530050811,
"format": "standard",
"title": "Killdeer Plays Killjoy, Halts Production of 'Canada's Coachella'",
"headTitle": "Killdeer Plays Killjoy, Halts Production of ‘Canada’s Coachella’ | KQED",
"content": "\u003cp>\u003cstrong>\u003cem>Updated\u003c/em>\u003c/strong>\u003cem> 1:57 p.m. ET, June 26 with a statement from the Canadian government.\u003c/em>\u003c/p>\n\u003cp>Organizers of Ottawa’s RBC Bluesfest, which \u003ca href=\"https://ottawabluesfest.ca/our-organization/\" target=\"_blank\" rel=\"noopener\">describes\u003c/a> itself as “the Canadian version of Bonnaroo, Coachella, and/or the New Orleans Jazz and Heritage festival,” are refusing to separate a family of birds that has nested near its festival site, preventing the construction of its main stage.\u003c/p>\n\u003cp>“The fact of the matter is that, without sounding righteous, we want to do the most humane thing,” AJ Sauve, the festival’s communications director, told NPR.\u003c/p>\n\u003cp>The festival, which is expecting to draw 100,000 music fans from July 5-15, has received the go-ahead to relocate the eggs some time Tuesday.\u003c/p>\n\u003cp>“We’ve seen it all — you name it, we’ve seen it,” Sauve said. “This one here, this is a new one.” Sauve added that he and his team have become amateur ornithologists over the past two days.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Environment and Climate Change Canada (ECCC) has issued a permit under the federal Migratory Birds Convention Act to allow the relocation of the nest to nearby suitable habitat,” a spokesperson for the ECCC writes in a statement to NPR. “The Killdeer is not a species at risk although the Canadian population has seen a decline over the last 40 years. The relocation will allow the nest to remain and eggs to hatch in the natural environment. In the event of nest abandonment, eggs will be transported to a rehabilitation facility to provide the best probability for survival.”\u003c/p>\n\u003cp>In a \u003ca href=\"https://www.youtube.com/watch?v=QFzxR3NERUQ\" target=\"_blank\" rel=\"noopener\">press conference\u003c/a> held Monday, festival director Mark Monahan stressed the need to find a compromise. “Within a week or so there’s going to be 100,000 people congregating on this site,” he said. “We realize that, although it may seem calm right now, it is highly unlikely that the activity level, which will be tremendous, will be conducive to the eggs or the bird continuing to be here. So we’re trying to come up with a solution that’s best obviously for the eggs and the birds, and also hopefully that wouldn’t hamper our ability to set up and eventually put on the festival.”\u003c/p>\n\u003cp>The birds are a common species called “killdeers,” which is known for both its boisterous vocalizing and its “fake broken wing dance,” which it uses to distract predators from its nest. Organizers hope to incubate the eggs, or move the nest to a safer location until the eggs hatch, after which the chicks — unlike, say, human beings — become relatively independent. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=I5Kt8XGFcXw\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Killdeer+Plays+Killjoy%2C+Halts+Production+Of+%27Canada%27s+Coachella%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 471,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 10
},
"modified": 1705027575,
"excerpt": "The birds nest was found in the same location organizers hoped to construct the main stage of the Ottawa Bluesfest.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The birds nest was found in the same location organizers hoped to construct the main stage of the Ottawa Bluesfest.",
"title": "Killdeer Plays Killjoy, Halts Production of 'Canada's Coachella' | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Killdeer Plays Killjoy, Halts Production of 'Canada's Coachella'",
"datePublished": "2018-06-26T15:06:51-07:00",
"dateModified": "2024-01-11T18:46:15-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "killdeer-plays-killjoy-halts-production-of-canadas-coachella",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=623522637&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprByline": "Andrew Flanagan",
"nprStoryDate": "Tue, 26 Jun 2018 11:58:00 -0400",
"nprLastModifiedDate": "Tue, 26 Jun 2018 14:13:45 -0400",
"sticky": false,
"nprHtmlLink": "https://www.npr.org/2018/06/26/623522637/killdeer-plays-killjoy-halts-production-of-canadas-coachella?ft=nprml&f=623522637",
"nprImageAgency": "UIG via Getty Images",
"nprImageCredit": "Wild Horizon",
"nprStoryId": "623522637",
"nprRetrievedStory": "1",
"nprPubDate": "Tue, 26 Jun 2018 14:13:00 -0400",
"path": "/arts/13836030/killdeer-plays-killjoy-halts-production-of-canadas-coachella",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>\u003cem>Updated\u003c/em>\u003c/strong>\u003cem> 1:57 p.m. ET, June 26 with a statement from the Canadian government.\u003c/em>\u003c/p>\n\u003cp>Organizers of Ottawa’s RBC Bluesfest, which \u003ca href=\"https://ottawabluesfest.ca/our-organization/\" target=\"_blank\" rel=\"noopener\">describes\u003c/a> itself as “the Canadian version of Bonnaroo, Coachella, and/or the New Orleans Jazz and Heritage festival,” are refusing to separate a family of birds that has nested near its festival site, preventing the construction of its main stage.\u003c/p>\n\u003cp>“The fact of the matter is that, without sounding righteous, we want to do the most humane thing,” AJ Sauve, the festival’s communications director, told NPR.\u003c/p>\n\u003cp>The festival, which is expecting to draw 100,000 music fans from July 5-15, has received the go-ahead to relocate the eggs some time Tuesday.\u003c/p>\n\u003cp>“We’ve seen it all — you name it, we’ve seen it,” Sauve said. “This one here, this is a new one.” Sauve added that he and his team have become amateur ornithologists over the past two days.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Environment and Climate Change Canada (ECCC) has issued a permit under the federal Migratory Birds Convention Act to allow the relocation of the nest to nearby suitable habitat,” a spokesperson for the ECCC writes in a statement to NPR. “The Killdeer is not a species at risk although the Canadian population has seen a decline over the last 40 years. The relocation will allow the nest to remain and eggs to hatch in the natural environment. In the event of nest abandonment, eggs will be transported to a rehabilitation facility to provide the best probability for survival.”\u003c/p>\n\u003cp>In a \u003ca href=\"https://www.youtube.com/watch?v=QFzxR3NERUQ\" target=\"_blank\" rel=\"noopener\">press conference\u003c/a> held Monday, festival director Mark Monahan stressed the need to find a compromise. “Within a week or so there’s going to be 100,000 people congregating on this site,” he said. “We realize that, although it may seem calm right now, it is highly unlikely that the activity level, which will be tremendous, will be conducive to the eggs or the bird continuing to be here. So we’re trying to come up with a solution that’s best obviously for the eggs and the birds, and also hopefully that wouldn’t hamper our ability to set up and eventually put on the festival.”\u003c/p>\n\u003cp>The birds are a common species called “killdeers,” which is known for both its boisterous vocalizing and its “fake broken wing dance,” which it uses to distract predators from its nest. Organizers hope to incubate the eggs, or move the nest to a safer location until the eggs hatch, after which the chicks — unlike, say, human beings — become relatively independent. \u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/I5Kt8XGFcXw'\n title='//www.youtube.com/embed/I5Kt8XGFcXw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Killdeer+Plays+Killjoy%2C+Halts+Production+Of+%27Canada%27s+Coachella%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13836030/killdeer-plays-killjoy-halts-production-of-canadas-coachella",
"authors": [
"byline_arts_13836030"
],
"categories": [
"arts_69",
"arts_235"
],
"tags": [
"arts_10589",
"arts_596"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13836031",
"label": "arts_137"
},
"arts_13836021": {
"type": "posts",
"id": "arts_13836021",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13836021",
"score": null,
"sort": [
1530049994000
]
},
"guestAuthors": [],
"slug": "smithsonian-reveals-winning-design-for-new-native-american-veterans-memorial",
"title": "Smithsonian Reveals Winning Design for New Native American Veterans Memorial",
"publishDate": 1530049994,
"format": "standard",
"headTitle": "Smithsonian Reveals Winning Design for New Native American Veterans Memorial | KQED",
"labelTerm": {
"term": 137,
"site": "arts"
},
"content": "\u003cp>\u003cstrong>Updated at 1:45 p.m. ET\u003c/strong>\u003c/p>\n\u003cp>The Smithsonian’s \u003ca href=\"http://www.nmai.si.edu/\">National Museum of the American Indian\u003c/a> has announced the winning concept for the \u003ca href=\"https://nmai.si.edu/nnavm/\">National Native American Veterans Memorial\u003c/a>: Multimedia artist \u003ca href=\"https://harveypratt.com/\">Harvey Pratt’s\u003c/a> \u003cem>Warriors’ Circle of Honor\u003c/em> will incorporate a large, upright stainless steel circle set above a stone drum in the center of a circular walkway with intricate carvings of the five military seals.\u003c/p>\n\u003cfigure id=\"attachment_13836023\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281-800x800.jpg\" alt=\"The multimedia artist Harvey Pratt's "Warriors' Circle of Honor" will incorporate an enormous, upright stainless steel circle.\" width=\"800\" height=\"800\" class=\"size-medium wp-image-13836023\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281-1200x1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281-1920x1920.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281-1180x1180.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281-960x960.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281-150x150.jpg 150w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The multimedia artist Harvey Pratt’s “Warriors’ Circle of Honor” will incorporate an enormous, upright stainless steel circle. \u003ccite>(National Museum of the American Indian)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The memorial will sit on the National Mall in Washington, D.C., and Pratt envisions that from there will be a clear view of the U.S. Capitol’s dome. As Smithsonian.com \u003ca href=\"https://www.smithsonianmag.com/smithsonian-institution/this-innovative-memorial-soon-honor-native-american-veterans-180969060/\">has reported\u003c/a>, Pratt’s use of circles suggest “the cycle of life and death, and the continuity of all things.” The stone drum, it adds, symbolizes an invitation for people to “harmonize their experiences” with one another to the “silent rhythms” of the drumbeat.\u003c/p>\n\u003cp>Pratt was born in Guthrie, Okla., and is a citizen of the Cheyenne and Arapaho nations. He’s a veteran of the Marine Corps and served in Vietnam from 1962 to 1965. He also worked as a forensic artist for years, creating witness description drawings for law enforcement.\u003c/p>\n\u003cp>Pratt tells NPR’s Mary Louise Kelly that he hopes his design will function as an architectural piece rather than just a work of sculpture — something that people can become a part of.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>He says he can picture people taking a seat on the benches tucked into the drum fountain, and reflecting on their own experiences with the military. He also hopes that it might be a cathartic place for some veterans.\u003c/p>\n\u003cp>“Most nations have veterans tell stories about what they did,” Pratt says. “People can come in there and do that and be comforted, and get rid of some things that are on their minds that bother them.”\u003c/p>\n\u003cp>More than 150,000 veterans \u003ca href=\"https://www.census.gov/newsroom/releases/archives/facts_for_features_special_editions/cb11-ff22.html\">identified as American Indian and Alaska Native in the 2010 census\u003c/a>. And according to the U.S. Department of Defense, \u003ca href=\"https://www.va.gov/TRIBALGOVERNMENT/docs/AIAN_Report_FINAL_v2_7.pdf\">there are more than 20,000 active duty service members\u003c/a> in the military who identify as American Indian or Alaska Native.\u003c/p>\n\u003cp>The memorial was selected unanimously by an eight-person jury of Native and non-Native artists, designers, museum directors and veterans. It acknowledges the history and service of American Indian, Alaska Native and Native Hawaiian veterans, according to the museum’s director, Kevin Gover, who is a citizen of the Pawnee Tribe of Oklahoma.\u003c/p>\n\u003cp>Gover says that throughout the process of helping plan the memorial, he’s met thousands Native American veterans who have demonstrated over and over their commitment to the U.S.\u003c/p>\n\u003cp>“These veterans are perfectly aware that they are serving a country that had not kept its commitments to Native people, and yet they chose — and are still choosing — to serve,” Gover says. “This reflects a very deep kind of patriotism. I can think of no finer example of service to the United States and the promise it holds.”\u003c/p>\n\u003cp>The memorial will break ground on Sept. 21, 2019, and will be unveiled in late 2020.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I want it to be a place of healing and comfort, and a place that’s hopefully going to be built on love,” Pratt says. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Smithsonian+Reveals+Winning+Design+For+New+Native+American+Veterans+Memorial&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
"blocks": [],
"excerpt": "Harvey Pratt's \u003cem>Warriors' Circle of Honor\u003c/em> will incorporate a large, upright stainless steel circle above a stone drum and a walkway with intricate carvings of the five military seals.",
"status": "publish",
"parent": 0,
"modified": 1726771058,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 15,
"wordCount": 598
},
"headData": {
"title": "Smithsonian Reveals Winning Design for New Native American Veterans Memorial | KQED",
"description": "Harvey Pratt's Warriors' Circle of Honor will incorporate a large, upright stainless steel circle above a stone drum and a walkway with intricate carvings of the five military seals.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Smithsonian Reveals Winning Design for New Native American Veterans Memorial",
"datePublished": "2018-06-26T14:53:14-07:00",
"dateModified": "2024-09-19T11:37:38-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprByline": "Kat Chow",
"nprImageAgency": "National Museum of the American Indian",
"nprStoryId": "623515229",
"nprApiLink": "http://api.npr.org/query?id=623515229&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprHtmlLink": "https://www.npr.org/2018/06/26/623515229/smithsonian-reveals-winning-design-for-new-native-american-veterans-memorial?ft=nprml&f=623515229",
"nprRetrievedStory": "1",
"nprPubDate": "Tue, 26 Jun 2018 16:53:00 -0400",
"nprStoryDate": "Tue, 26 Jun 2018 11:32:00 -0400",
"nprLastModifiedDate": "Tue, 26 Jun 2018 13:59:23 -0400",
"path": "/arts/13836021/smithsonian-reveals-winning-design-for-new-native-american-veterans-memorial",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Updated at 1:45 p.m. ET\u003c/strong>\u003c/p>\n\u003cp>The Smithsonian’s \u003ca href=\"http://www.nmai.si.edu/\">National Museum of the American Indian\u003c/a> has announced the winning concept for the \u003ca href=\"https://nmai.si.edu/nnavm/\">National Native American Veterans Memorial\u003c/a>: Multimedia artist \u003ca href=\"https://harveypratt.com/\">Harvey Pratt’s\u003c/a> \u003cem>Warriors’ Circle of Honor\u003c/em> will incorporate a large, upright stainless steel circle set above a stone drum in the center of a circular walkway with intricate carvings of the five military seals.\u003c/p>\n\u003cfigure id=\"attachment_13836023\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281-800x800.jpg\" alt=\"The multimedia artist Harvey Pratt's "Warriors' Circle of Honor" will incorporate an enormous, upright stainless steel circle.\" width=\"800\" height=\"800\" class=\"size-medium wp-image-13836023\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281-1200x1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281-1920x1920.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281-1180x1180.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281-960x960.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281-150x150.jpg 150w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/pratt-_el_3_sq-cc78aa8bc6bc125bb6b78dfdc7fe40420803c281.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The multimedia artist Harvey Pratt’s “Warriors’ Circle of Honor” will incorporate an enormous, upright stainless steel circle. \u003ccite>(National Museum of the American Indian)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The memorial will sit on the National Mall in Washington, D.C., and Pratt envisions that from there will be a clear view of the U.S. Capitol’s dome. As Smithsonian.com \u003ca href=\"https://www.smithsonianmag.com/smithsonian-institution/this-innovative-memorial-soon-honor-native-american-veterans-180969060/\">has reported\u003c/a>, Pratt’s use of circles suggest “the cycle of life and death, and the continuity of all things.” The stone drum, it adds, symbolizes an invitation for people to “harmonize their experiences” with one another to the “silent rhythms” of the drumbeat.\u003c/p>\n\u003cp>Pratt was born in Guthrie, Okla., and is a citizen of the Cheyenne and Arapaho nations. He’s a veteran of the Marine Corps and served in Vietnam from 1962 to 1965. He also worked as a forensic artist for years, creating witness description drawings for law enforcement.\u003c/p>\n\u003cp>Pratt tells NPR’s Mary Louise Kelly that he hopes his design will function as an architectural piece rather than just a work of sculpture — something that people can become a part of.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>He says he can picture people taking a seat on the benches tucked into the drum fountain, and reflecting on their own experiences with the military. He also hopes that it might be a cathartic place for some veterans.\u003c/p>\n\u003cp>“Most nations have veterans tell stories about what they did,” Pratt says. “People can come in there and do that and be comforted, and get rid of some things that are on their minds that bother them.”\u003c/p>\n\u003cp>More than 150,000 veterans \u003ca href=\"https://www.census.gov/newsroom/releases/archives/facts_for_features_special_editions/cb11-ff22.html\">identified as American Indian and Alaska Native in the 2010 census\u003c/a>. And according to the U.S. Department of Defense, \u003ca href=\"https://www.va.gov/TRIBALGOVERNMENT/docs/AIAN_Report_FINAL_v2_7.pdf\">there are more than 20,000 active duty service members\u003c/a> in the military who identify as American Indian or Alaska Native.\u003c/p>\n\u003cp>The memorial was selected unanimously by an eight-person jury of Native and non-Native artists, designers, museum directors and veterans. It acknowledges the history and service of American Indian, Alaska Native and Native Hawaiian veterans, according to the museum’s director, Kevin Gover, who is a citizen of the Pawnee Tribe of Oklahoma.\u003c/p>\n\u003cp>Gover says that throughout the process of helping plan the memorial, he’s met thousands Native American veterans who have demonstrated over and over their commitment to the U.S.\u003c/p>\n\u003cp>“These veterans are perfectly aware that they are serving a country that had not kept its commitments to Native people, and yet they chose — and are still choosing — to serve,” Gover says. “This reflects a very deep kind of patriotism. I can think of no finer example of service to the United States and the promise it holds.”\u003c/p>\n\u003cp>The memorial will break ground on Sept. 21, 2019, and will be unveiled in late 2020.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I want it to be a place of healing and comfort, and a place that’s hopefully going to be built on love,” Pratt says. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Smithsonian+Reveals+Winning+Design+For+New+Native+American+Veterans+Memorial&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13836021/smithsonian-reveals-winning-design-for-new-native-american-veterans-memorial",
"authors": [
"byline_arts_13836021"
],
"categories": [
"arts_235",
"arts_70"
],
"tags": [
"arts_1448",
"arts_1118",
"arts_596"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13836022",
"label": "arts_137"
},
"arts_13835984": {
"type": "posts",
"id": "arts_13835984",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13835984",
"score": null,
"sort": [
1530033096000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1530033096,
"format": "standard",
"title": "Oscar's Academy Invites 928 New Members, Getting Closer to Diversity Goals",
"headTitle": "Oscar’s Academy Invites 928 New Members, Getting Closer to Diversity Goals | KQED",
"content": "\u003cp>Following through on promises to finally diversify the rank and file of the Academy of Motion Pictures, the Oscar-granting body has \u003ca href=\"http://www.app.oscars.org/newmembers2018/\">invited a record number of 928 new members\u003c/a>, making the 2018 class the largest in history.\u003c/p>\n\u003cp>The invitations, issued Monday to an array of people involved in the film industry across 59 countries, are part of the Academy’s stated mission to include more women and more people of color after the 2014 and 2015 #OscarsSoWhite controversies, which essentially shut-out non-white acting nominees from all 20 spots in the lead and supporting acting roles.\u003c/p>\n\u003cp>According to the Academy’s breakdown, 49 percent of new members this year are women and 38 percent are people of color. Still, those numbers do little to raise overall numbers of both groups over last year. Should everyone who has been invited actually agree to join, it would raise overall female membership from 28 percent to 31 percent, while non-white participation would inch up from 13 percent to 16 percent.\u003c/p>\n\u003cp>Among the most recognizable names asked into the privileged fold are Tiffany Haddish, Dave Chappelle, Mindy Kaling, Amy Schumer, Kumail Nanjiani, Wendell Pierce, Gina Rodriguez, Sarah Silverman, J.K. Rowling, Kendrick Lamar, Questlove and Jada Pinkett Smith, who boycotted the 2016 awards for its lack of diversity.\u003c/p>\n\u003cp>As of Tuesday morning, only a handful of those newly invited had acknowledged it on Twitter. Rodriguez and Pierce both said they were “honored.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://twitter.com/HereIsGina/status/1011378202973859840\u003c/p>\n\u003cp>https://twitter.com/WendellPierce/status/1011383955793248256\u003c/p>\n\u003cp>Nanjiani took a more factual tone, writing, “Hey yo. I’m in the Academy.”\u003c/p>\n\u003cp>https://twitter.com/kumailn/status/1011322202694864897\u003c/p>\n\u003cp>And actor Miles Teller promised “to never let anyone borrow my screeners.”\u003c/p>\n\u003cp>https://twitter.com/Miles_Teller/status/1011367085715402753\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Former Academy president Cheryl Boone Isaacs — the first African-American president of the group and the third woman to hold the position — initiated push to broaden membership in 2016 after it was revealed that 92% were white and 75% male. At the time she said her goal was to \u003ca href=\"https://www.hollywoodreporter.com/news/new-academy-members-2018-revealed-1123069\">double the number of women and people of color\u003c/a> in the Academy by 2020. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Oscar%27s+Academy+Invites+928+New+Members%2C+Getting+Closer+To+Diversity+Goals&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 378,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 10
},
"modified": 1705027581,
"excerpt": "After two years of #OscarsSoWhite hashtags, the Academy vowed to double the number of women and people of color by 2020. While it's close to achieving that, overall membership remains far from equal.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "After two years of #OscarsSoWhite hashtags, the Academy vowed to double the number of women and people of color by 2020. While it's close to achieving that, overall membership remains far from equal.",
"title": "Oscar's Academy Invites 928 New Members, Getting Closer to Diversity Goals | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Oscar's Academy Invites 928 New Members, Getting Closer to Diversity Goals",
"datePublished": "2018-06-26T10:11:36-07:00",
"dateModified": "2024-01-11T18:46:21-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "oscars-academy-invites-928-new-members-getting-closer-to-diversity-goals",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=623459593&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprByline": "Vanessa Romo",
"nprStoryDate": "Tue, 26 Jun 2018 06:57:00 -0400",
"nprLastModifiedDate": "Tue, 26 Jun 2018 08:47:40 -0400",
"sticky": false,
"nprHtmlLink": "https://www.npr.org/2018/06/26/623459593/oscars-academy-invites-928-new-members-getting-closer-to-diversity-goals?ft=nprml&f=623459593",
"nprImageAgency": "AP",
"nprStoryId": "623459593",
"nprRetrievedStory": "1",
"nprPubDate": "Tue, 26 Jun 2018 08:47:00 -0400",
"path": "/arts/13835984/oscars-academy-invites-928-new-members-getting-closer-to-diversity-goals",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Following through on promises to finally diversify the rank and file of the Academy of Motion Pictures, the Oscar-granting body has \u003ca href=\"http://www.app.oscars.org/newmembers2018/\">invited a record number of 928 new members\u003c/a>, making the 2018 class the largest in history.\u003c/p>\n\u003cp>The invitations, issued Monday to an array of people involved in the film industry across 59 countries, are part of the Academy’s stated mission to include more women and more people of color after the 2014 and 2015 #OscarsSoWhite controversies, which essentially shut-out non-white acting nominees from all 20 spots in the lead and supporting acting roles.\u003c/p>\n\u003cp>According to the Academy’s breakdown, 49 percent of new members this year are women and 38 percent are people of color. Still, those numbers do little to raise overall numbers of both groups over last year. Should everyone who has been invited actually agree to join, it would raise overall female membership from 28 percent to 31 percent, while non-white participation would inch up from 13 percent to 16 percent.\u003c/p>\n\u003cp>Among the most recognizable names asked into the privileged fold are Tiffany Haddish, Dave Chappelle, Mindy Kaling, Amy Schumer, Kumail Nanjiani, Wendell Pierce, Gina Rodriguez, Sarah Silverman, J.K. Rowling, Kendrick Lamar, Questlove and Jada Pinkett Smith, who boycotted the 2016 awards for its lack of diversity.\u003c/p>\n\u003cp>As of Tuesday morning, only a handful of those newly invited had acknowledged it on Twitter. Rodriguez and Pierce both said they were “honored.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "1011378202973859840"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "1011383955793248256"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Nanjiani took a more factual tone, writing, “Hey yo. I’m in the Academy.”\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "1011322202694864897"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>And actor Miles Teller promised “to never let anyone borrow my screeners.”\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "1011367085715402753"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003c/p>\n\u003cp>Former Academy president Cheryl Boone Isaacs — the first African-American president of the group and the third woman to hold the position — initiated push to broaden membership in 2016 after it was revealed that 92% were white and 75% male. At the time she said her goal was to \u003ca href=\"https://www.hollywoodreporter.com/news/new-academy-members-2018-revealed-1123069\">double the number of women and people of color\u003c/a> in the Academy by 2020. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Oscar%27s+Academy+Invites+928+New+Members%2C+Getting+Closer+To+Diversity+Goals&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13835984/oscars-academy-invites-928-new-members-getting-closer-to-diversity-goals",
"authors": [
"byline_arts_13835984"
],
"categories": [
"arts_74",
"arts_235"
],
"tags": [
"arts_1448",
"arts_1118",
"arts_596",
"arts_3698"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13835985",
"label": "arts_137"
},
"arts_13835926": {
"type": "posts",
"id": "arts_13835926",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13835926",
"score": null,
"sort": [
1529954027000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1529954027,
"format": "standard",
"title": "Donald Hall, Former Poet Laureate, Dies at 89",
"headTitle": "Donald Hall, Former Poet Laureate, Dies at 89 | KQED",
"content": "\u003cp>Donald Hall, a former poet laureate of the United States whose writing explored everything from nature to mortality to the toss of a baseball, has died at the age of 89. \u003c/p>\n\u003cp>Hall died on Saturday at his family farm, known as Eagle Pond, in the small town of Wilmot, N.H. His death was announced by his literary agent, Wendy Strothman. \u003c/p>\n\u003cp>Hall was a prolific author who began writing when he was just 12 years old. Over the course of a career that spanned more than seven decades, he wrote over 40 books, about half of which were works of poetry. \u003c/p>\n\u003cp>“My body causes me trouble when I cross the room,” he told \u003cem>Fresh Air\u003c/em>‘s Terry Gross in \u003ca href=\"https://www.npr.org/2012/02/08/146348759/donald-hall-a-poets-view-out-the-window\" target=\"_blank\" rel=\"noopener\">a 2012 interview\u003c/a>, “but when I am sitting down writing, I am in my heaven — my old heaven.” \u003c/p>\n\u003cp>From 2006 to 2007, Hall served as the nation’s poet laureate, and in 2010, he was among the recipients of the National Medal of Arts, the nation’s highest honor for artists and arts patrons. His writing, former President Barack Obama once said, “inspired Americans and enhanced the role of poetry in our national life.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Donald+Hall%2C+Former+Poet+Laureate%2C+Dies+At+89&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 216,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 7
},
"modified": 1705027584,
"excerpt": "Hall, the author of more than 40 books, died on Saturday at his family farm in the town of Wilmot, N.H. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Hall, the author of more than 40 books, died on Saturday at his family farm in the town of Wilmot, N.H. ",
"title": "Donald Hall, Former Poet Laureate, Dies at 89 | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Donald Hall, Former Poet Laureate, Dies at 89",
"datePublished": "2018-06-25T12:13:47-07:00",
"dateModified": "2024-01-11T18:46:24-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "donald-hall-former-poet-laureate-dies-at-89",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=623033688&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprByline": "Jason Breslow",
"nprStoryDate": "Sun, 24 Jun 2018 18:03:26 -0400",
"nprLastModifiedDate": "Mon, 25 Jun 2018 08:57:21 -0400",
"sticky": false,
"nprHtmlLink": "https://www.npr.org/2018/06/24/623033688/donald-hall-former-poet-laureate-dies-at-89?ft=nprml&f=623033688",
"nprImageAgency": "AP",
"nprImageCredit": "Jim Cole ",
"nprStoryId": "623033688",
"nprRetrievedStory": "1",
"nprPubDate": "Mon, 25 Jun 2018 08:57:00 -0400",
"path": "/arts/13835926/donald-hall-former-poet-laureate-dies-at-89",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Donald Hall, a former poet laureate of the United States whose writing explored everything from nature to mortality to the toss of a baseball, has died at the age of 89. \u003c/p>\n\u003cp>Hall died on Saturday at his family farm, known as Eagle Pond, in the small town of Wilmot, N.H. His death was announced by his literary agent, Wendy Strothman. \u003c/p>\n\u003cp>Hall was a prolific author who began writing when he was just 12 years old. Over the course of a career that spanned more than seven decades, he wrote over 40 books, about half of which were works of poetry. \u003c/p>\n\u003cp>“My body causes me trouble when I cross the room,” he told \u003cem>Fresh Air\u003c/em>‘s Terry Gross in \u003ca href=\"https://www.npr.org/2012/02/08/146348759/donald-hall-a-poets-view-out-the-window\" target=\"_blank\" rel=\"noopener\">a 2012 interview\u003c/a>, “but when I am sitting down writing, I am in my heaven — my old heaven.” \u003c/p>\n\u003cp>From 2006 to 2007, Hall served as the nation’s poet laureate, and in 2010, he was among the recipients of the National Medal of Arts, the nation’s highest honor for artists and arts patrons. His writing, former President Barack Obama once said, “inspired Americans and enhanced the role of poetry in our national life.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Donald+Hall%2C+Former+Poet+Laureate%2C+Dies+At+89&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13835926/donald-hall-former-poet-laureate-dies-at-89",
"authors": [
"byline_arts_13835926"
],
"categories": [
"arts_73",
"arts_235"
],
"tags": [
"arts_596",
"arts_1091",
"arts_4358"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13835927",
"label": "arts_137"
},
"arts_13835809": {
"type": "posts",
"id": "arts_13835809",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13835809",
"score": null,
"sort": [
1529695487000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1529695487,
"format": "standard",
"title": "Arrest Made in the Murder of Rapper XXXTentacion",
"headTitle": "Arrest Made in the Murder of Rapper XXXTentacion | KQED",
"content": "\u003cp>A suspect in the murder of 20-year-old Jahseh Onfroy, better known as the controversial and chart-topping rapper XXXTentacion (pronounced “ex-ex-ex-ten-tah-see-ohn”), has been arrested, the Broward Sheriff’s Office \u003ca href=\"https://twitter.com/browardsheriff/status/1009799365156855809\" target=\"_blank\" rel=\"noopener\">announced\u003c/a> Thursday morning. The police say that Dedrick Williams, 22 years old, was \u003ca href=\"https://apps.sheriff.org/ArrestSearch/InmateDetail/121800604\" target=\"_blank\" rel=\"noopener\">arrested\u003c/a> for the the murder of Onfroy, who was shot outside of a high-end motor sports dealership in Deerfield Beach, Fla. on June 18. Williams was arrested around 7 p.m. on Wednesday in Pompano Beach, Fla., just south of Deerfield Beach, according to police. In a follow-up statement, police \u003ca href=\"https://twitter.com/browardsheriff/status/1009836415964860417\" target=\"_blank\" rel=\"noopener\">say\u003c/a> Williams was arrested during a traffic stop and that they are still searching for additional suspects.\u003c/p>\n\u003cp>On Monday, \u003ca href=\"https://www.sheriff.org/PIO/News/Pages/RAPPER-KILLED-IN-BROAD-DAYLIGHT.aspx\" target=\"_blank\" rel=\"noopener\">investigators said\u003c/a> they were searching for two suspects, at least one of whom shot at Onfroy during an “apparent robbery,” before fleeing in a dark-colored SUV. In that statement, the sheriff’s office also noted it would offer a $3,000 reward for information that led to an arrest.\u003c/p>\n\u003cfigure id=\"attachment_13835811\" class=\"wp-caption alignright\" style=\"max-width: 200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/d_williams_custom-6fe856f780f7e47b62854eeb36f7087f0dadb5bc.jpg\" alt=\"Mug shot of Dedrick Williams.\" width=\"200\" height=\"231\" class=\"size-full wp-image-13835811\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/d_williams_custom-6fe856f780f7e47b62854eeb36f7087f0dadb5bc.jpg 200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/d_williams_custom-6fe856f780f7e47b62854eeb36f7087f0dadb5bc-160x185.jpg 160w\" sizes=\"(max-width: 200px) 100vw, 200px\">\u003cfigcaption class=\"wp-caption-text\">Mug shot of Dedrick Williams. \u003ccite>(Courtesy of the Broward Sheriff's Office)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A \u003ca href=\"https://twitter.com/AKWPR/status/1009169337293213696?ref_src=twsrc%5Etfw&ref_url=http%3A%2F%2Fwww.nme.com%2Fnews%2Fmusic%2Fxxxtentacion-manager-statement-2341329\" target=\"_blank\" rel=\"noopener\">statement\u003c/a> from Onfroy’s manager posted on social media on Tuesday, June 19 requested that the privacy of his family, friends and loved ones “be respected at this time.”\u003c/p>\n\u003cp>Onfroy’s murder triggered an outpouring of tributes from his fans and other artists, with Kanye West \u003ca href=\"https://twitter.com/kanyewest/status/1008839504902307840\" target=\"_blank\" rel=\"noopener\">writing\u003c/a> that he never told Onfroy “how much you inspired me when you were here.” In Los Angeles on Tuesday night, a vigil attended by around 1,000 devolved into the crowd jumping on a news van and swarming passing cars, \u003ca href=\"http://www.latimes.com/local/lanow/la-me-ln-xxxtentacion-memorial-fairfax-20180619-story.html\" target=\"_blank\" rel=\"noopener\">according to\u003c/a> the \u003cem>Los Angeles Times\u003c/em>,\u003cem> \u003c/em>before being dispersed by police. Earlier that day, a Broward television station \u003ca href=\"https://www.local10.com/news/florida/deerfield-beach/vigil-held-tuesday-for-rapper-gunned-down-in-deerfield-beach\" target=\"_blank\" rel=\"noopener\">reported\u003c/a> that “hundreds” gathered at the site of his shooting in a vigil, leaving behind teddy bears and graffiti.\u003c/p>\n\u003cp>But the response to Onfroy’s death has been notably divided, due to the litany of allegations against him, including \u003ca href=\"https://www2.miami-dadeclerk.com/cjis/CasePrinter.aspx?case=Jw2cFa%2fOs%2fffWfyL1nWI8A%3d%3d&AspxAutoDetectCookieSupport=1\" target=\"_blank\" rel=\"noopener\">the battery\u003c/a> of a pregnant ex-girlfriend and a history of other violent actions, as Onfroy \u003ca href=\"http://www.miaminewtimes.com/music/the-real-story-of-rapper-xxxtentacion-10410980\" target=\"_blank\" rel=\"noopener\">recently described\u003c/a> in an interview with \u003cem>Miami New Times\u003c/em>. On Twitter, \u003ca href=\"https://twitter.com/francesssraeee/status/1008840916218646529\" target=\"_blank\" rel=\"noopener\">some\u003c/a> thought he didn’t deserve posthumous celebration because of that past.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“If we act as if he never existed, or as if he was not as popular as he was … or as if his fans didn’t see some articulation of their own hurt and hopelessness in his music, we’re lying to ourselves,” \u003cem>The Ringer\u003c/em>‘s Lindsay Zoladz \u003ca href=\"https://www.theringer.com/music/2018/6/18/17477234/xxxtentacion-death\" target=\"_blank\" rel=\"noopener\">wrote\u003c/a> the day of his death. In the headline of a piece on responses to his death, \u003cem>The New York Times\u003c/em> \u003ca href=\"https://www.nytimes.com/2018/06/19/arts/music/xxxtentacion-death-reaction.html\" target=\"_blank\" rel=\"noopener\">wondered\u003c/a>: “Hero or Villain?”\u003c/p>\n\u003cp>XXXTentacion was one of two artists initially targeted by a “hateful conduct” policy that Spotify \u003ca href=\"https://www.npr.org/sections/therecord/2018/05/16/611426272/spotifys-hateful-conduct-policy-drags-the-music-industry-into-the-metoo-moment\" target=\"_blank\" rel=\"noopener\">announced\u003c/a> in May, which resulted in artists not being placed onto the streaming service’s highly popular playlists. (Following criticism and protests from other artists — including \u003ca href=\"https://www.billboard.com/articles/business/8458884/top-dawg-warned-spotify-ceo-kendrick-lamar-others-pull-music-hate-conduct-policy\" target=\"_blank\" rel=\"noopener\">an ultimatum\u003c/a> from the head of Kendrick Lamar’s record label — the company later \u003ca href=\"https://www.npr.org/sections/therecord/2018/06/01/616179202/spotify-to-roll-back-its-hateful-conduct-policy\" target=\"_blank\" rel=\"noopener\">rolled back\u003c/a> the policy.)\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The day after his death, June 19, XXXTentacion’s song “SAD!” was streamed 10.4 million times on Spotify, breaking the global single-day streaming record set by Taylor Swift on Aug. 25 of last year, the day that her single “Look What You Made Me Do” was released, with 10.1 million. As well, his album \u003cem>?\u003c/em> is expected to \u003ca href=\"https://www.billboard.com/biz/articles/8461856/xxxtentacions-music-sales-rise-1603-after-death-as-his-album-heads-back-to-top\" target=\"_blank\" rel=\"noopener\">return\u003c/a> to the top 10 of next week’s \u003cem>Billboard \u003c/em>200 albums chart. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Arrest+Made+In+The+Murder+Of+Rapper+XXXTentacion&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 621,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 10
},
"modified": 1705027589,
"excerpt": "Police have arrested a suspect in the death of Jahseh Onfroy, better known as the rapper XXXTentacion, who was shot and killed outside of a motor sports dealership on June 18 in Florida.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Police have arrested a suspect in the death of Jahseh Onfroy, better known as the rapper XXXTentacion, who was shot and killed outside of a motor sports dealership on June 18 in Florida.",
"title": "Arrest Made in the Murder of Rapper XXXTentacion | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Arrest Made in the Murder of Rapper XXXTentacion",
"datePublished": "2018-06-22T12:24:47-07:00",
"dateModified": "2024-01-11T18:46:29-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "arrest-made-in-the-murder-of-rapper-xxxtentacion",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=622218652&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprByline": "Andrew Flanagan",
"nprStoryDate": "Thu, 21 Jun 2018 14:52:49 -0400",
"nprLastModifiedDate": "Thu, 21 Jun 2018 14:57:08 -0400",
"sticky": false,
"nprHtmlLink": "https://www.npr.org/2018/06/21/622218652/arrest-made-in-the-murder-of-rapper-xxxtentacion?ft=nprml&f=622218652",
"nprImageAgency": "TNS via Getty Images",
"nprImageCredit": "Sun Sentinel",
"nprStoryId": "622218652",
"nprRetrievedStory": "1",
"nprPubDate": "Thu, 21 Jun 2018 14:56:00 -0400",
"path": "/arts/13835809/arrest-made-in-the-murder-of-rapper-xxxtentacion",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A suspect in the murder of 20-year-old Jahseh Onfroy, better known as the controversial and chart-topping rapper XXXTentacion (pronounced “ex-ex-ex-ten-tah-see-ohn”), has been arrested, the Broward Sheriff’s Office \u003ca href=\"https://twitter.com/browardsheriff/status/1009799365156855809\" target=\"_blank\" rel=\"noopener\">announced\u003c/a> Thursday morning. The police say that Dedrick Williams, 22 years old, was \u003ca href=\"https://apps.sheriff.org/ArrestSearch/InmateDetail/121800604\" target=\"_blank\" rel=\"noopener\">arrested\u003c/a> for the the murder of Onfroy, who was shot outside of a high-end motor sports dealership in Deerfield Beach, Fla. on June 18. Williams was arrested around 7 p.m. on Wednesday in Pompano Beach, Fla., just south of Deerfield Beach, according to police. In a follow-up statement, police \u003ca href=\"https://twitter.com/browardsheriff/status/1009836415964860417\" target=\"_blank\" rel=\"noopener\">say\u003c/a> Williams was arrested during a traffic stop and that they are still searching for additional suspects.\u003c/p>\n\u003cp>On Monday, \u003ca href=\"https://www.sheriff.org/PIO/News/Pages/RAPPER-KILLED-IN-BROAD-DAYLIGHT.aspx\" target=\"_blank\" rel=\"noopener\">investigators said\u003c/a> they were searching for two suspects, at least one of whom shot at Onfroy during an “apparent robbery,” before fleeing in a dark-colored SUV. In that statement, the sheriff’s office also noted it would offer a $3,000 reward for information that led to an arrest.\u003c/p>\n\u003cfigure id=\"attachment_13835811\" class=\"wp-caption alignright\" style=\"max-width: 200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/d_williams_custom-6fe856f780f7e47b62854eeb36f7087f0dadb5bc.jpg\" alt=\"Mug shot of Dedrick Williams.\" width=\"200\" height=\"231\" class=\"size-full wp-image-13835811\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/d_williams_custom-6fe856f780f7e47b62854eeb36f7087f0dadb5bc.jpg 200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/d_williams_custom-6fe856f780f7e47b62854eeb36f7087f0dadb5bc-160x185.jpg 160w\" sizes=\"(max-width: 200px) 100vw, 200px\">\u003cfigcaption class=\"wp-caption-text\">Mug shot of Dedrick Williams. \u003ccite>(Courtesy of the Broward Sheriff's Office)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A \u003ca href=\"https://twitter.com/AKWPR/status/1009169337293213696?ref_src=twsrc%5Etfw&ref_url=http%3A%2F%2Fwww.nme.com%2Fnews%2Fmusic%2Fxxxtentacion-manager-statement-2341329\" target=\"_blank\" rel=\"noopener\">statement\u003c/a> from Onfroy’s manager posted on social media on Tuesday, June 19 requested that the privacy of his family, friends and loved ones “be respected at this time.”\u003c/p>\n\u003cp>Onfroy’s murder triggered an outpouring of tributes from his fans and other artists, with Kanye West \u003ca href=\"https://twitter.com/kanyewest/status/1008839504902307840\" target=\"_blank\" rel=\"noopener\">writing\u003c/a> that he never told Onfroy “how much you inspired me when you were here.” In Los Angeles on Tuesday night, a vigil attended by around 1,000 devolved into the crowd jumping on a news van and swarming passing cars, \u003ca href=\"http://www.latimes.com/local/lanow/la-me-ln-xxxtentacion-memorial-fairfax-20180619-story.html\" target=\"_blank\" rel=\"noopener\">according to\u003c/a> the \u003cem>Los Angeles Times\u003c/em>,\u003cem> \u003c/em>before being dispersed by police. Earlier that day, a Broward television station \u003ca href=\"https://www.local10.com/news/florida/deerfield-beach/vigil-held-tuesday-for-rapper-gunned-down-in-deerfield-beach\" target=\"_blank\" rel=\"noopener\">reported\u003c/a> that “hundreds” gathered at the site of his shooting in a vigil, leaving behind teddy bears and graffiti.\u003c/p>\n\u003cp>But the response to Onfroy’s death has been notably divided, due to the litany of allegations against him, including \u003ca href=\"https://www2.miami-dadeclerk.com/cjis/CasePrinter.aspx?case=Jw2cFa%2fOs%2fffWfyL1nWI8A%3d%3d&AspxAutoDetectCookieSupport=1\" target=\"_blank\" rel=\"noopener\">the battery\u003c/a> of a pregnant ex-girlfriend and a history of other violent actions, as Onfroy \u003ca href=\"http://www.miaminewtimes.com/music/the-real-story-of-rapper-xxxtentacion-10410980\" target=\"_blank\" rel=\"noopener\">recently described\u003c/a> in an interview with \u003cem>Miami New Times\u003c/em>. On Twitter, \u003ca href=\"https://twitter.com/francesssraeee/status/1008840916218646529\" target=\"_blank\" rel=\"noopener\">some\u003c/a> thought he didn’t deserve posthumous celebration because of that past.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“If we act as if he never existed, or as if he was not as popular as he was … or as if his fans didn’t see some articulation of their own hurt and hopelessness in his music, we’re lying to ourselves,” \u003cem>The Ringer\u003c/em>‘s Lindsay Zoladz \u003ca href=\"https://www.theringer.com/music/2018/6/18/17477234/xxxtentacion-death\" target=\"_blank\" rel=\"noopener\">wrote\u003c/a> the day of his death. In the headline of a piece on responses to his death, \u003cem>The New York Times\u003c/em> \u003ca href=\"https://www.nytimes.com/2018/06/19/arts/music/xxxtentacion-death-reaction.html\" target=\"_blank\" rel=\"noopener\">wondered\u003c/a>: “Hero or Villain?”\u003c/p>\n\u003cp>XXXTentacion was one of two artists initially targeted by a “hateful conduct” policy that Spotify \u003ca href=\"https://www.npr.org/sections/therecord/2018/05/16/611426272/spotifys-hateful-conduct-policy-drags-the-music-industry-into-the-metoo-moment\" target=\"_blank\" rel=\"noopener\">announced\u003c/a> in May, which resulted in artists not being placed onto the streaming service’s highly popular playlists. (Following criticism and protests from other artists — including \u003ca href=\"https://www.billboard.com/articles/business/8458884/top-dawg-warned-spotify-ceo-kendrick-lamar-others-pull-music-hate-conduct-policy\" target=\"_blank\" rel=\"noopener\">an ultimatum\u003c/a> from the head of Kendrick Lamar’s record label — the company later \u003ca href=\"https://www.npr.org/sections/therecord/2018/06/01/616179202/spotify-to-roll-back-its-hateful-conduct-policy\" target=\"_blank\" rel=\"noopener\">rolled back\u003c/a> the policy.)\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The day after his death, June 19, XXXTentacion’s song “SAD!” was streamed 10.4 million times on Spotify, breaking the global single-day streaming record set by Taylor Swift on Aug. 25 of last year, the day that her single “Look What You Made Me Do” was released, with 10.1 million. As well, his album \u003cem>?\u003c/em> is expected to \u003ca href=\"https://www.billboard.com/biz/articles/8461856/xxxtentacions-music-sales-rise-1603-after-death-as-his-album-heads-back-to-top\" target=\"_blank\" rel=\"noopener\">return\u003c/a> to the top 10 of next week’s \u003cem>Billboard \u003c/em>200 albums chart. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Arrest+Made+In+The+Murder+Of+Rapper+XXXTentacion&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13835809/arrest-made-in-the-murder-of-rapper-xxxtentacion",
"authors": [
"byline_arts_13835809"
],
"categories": [
"arts_69",
"arts_235"
],
"tags": [
"arts_1448",
"arts_596",
"arts_2456"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13835810",
"label": "arts_137"
},
"arts_13835585": {
"type": "posts",
"id": "arts_13835585",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13835585",
"score": null,
"sort": [
1529517070000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1529517070,
"format": "standard",
"title": "After 80 Years, the Barbershop Harmony Society Will Allow Women to Join",
"headTitle": "After 80 Years, the Barbershop Harmony Society Will Allow Women to Join | KQED",
"content": "\u003cp>If you’re at all familiar with the modern perception of barbershop singing, you might have guessed that one of its leading organizations, the Barbershop Harmony Society, was an all-male — and all-white — organization at the time of its founding in 1938. The organization opened to people of color in 1963, as the country was living within the crucible of the civil rights movement. For 80 years, though, it remained closed to women. Until yesterday.\u003c/p>\n\u003cp>“Beginning today,” the BHS’ statement, released June 19, reads, “we welcome women to join the Barbershop Harmony Society as members.” Its membership chapters can, however, “choose to stay exactly the same as you are today” — as a male-only club — or “choose to add a mixed chorus, or a new, distinct women’s chorus. New chapters might form — male, female, or mixed. This is about adding, not subtracting. More people, sharing more harmony, and more joy, in more ways.” Later, its announcement makes it plain that chapters are not required to begin accepting female members. And, further suggesting a controversial core to the announcement, the BHS notes it believes “preserving the experience of men singing together \u003cem>and\u003c/em> welcoming women as members of the barbershop harmony society are compatible ideas.”\u003c/p>\n\u003cp>The announcement is the result of a three-year soul search undertaken by the BHS, during which it conducted membership surveys, studies and research on its aims, which yielded a broad platform: “\u003ca href=\"http://www.barbershop.org/everyoneinharmony/\" target=\"_blank\" rel=\"noopener\">Everyone In Harmony\u003c/a>.”\u003c/p>\n\u003cp>The BHS’ policy shift and the statement accompanying it is notable both for its timing and its tone — “cautious” might be the word. It’s a tiptoe that can be traced with ease to the cultural origins in which barbershop became popular. The Barbershop Harmony Society’s first meeting took place in the spring of 1938 at the Tulsa Club, an all-white, membership-only organization of the time, established to provide southern oil men a place to socialize in private. After a two-decade wane in popularity that began in the ’20s, the establishment of the BHS kicked off a revival of the barbershop sound through the ’40s and helped to define \u003ca href=\"https://www.google.com/search?q=barbershop+quartet&num=20&safe=off&source=lnms&tbm=isch&sa=X&ved=0ahUKEwj-1f2MpuDbAhXNx1kKHb0NBM4Q_AUICygC&biw=1365&bih=619\" target=\"_blank\" rel=\"noopener\">a (not-incorrect) perception\u003c/a> of the genre that has lasted into the present day.\u003c/p>\n\u003cp>“Gentlemen,” the organization’s initial, industrialist-tinged call to song \u003ca href=\"http://www.barbershop.org/about-us/history-of-barbershop/how-it-all-began/\" target=\"_blank\" rel=\"noopener\">began\u003c/a>, “In this age of dictators and government control of everything, about the only privilege guaranteed by the Bill of Rights not in some way supervised and directed, is the art of barber shop \u003cem>[sic]\u003c/em> quartet singing.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In that note, from 1938, a plan to head off interlopers and to protect delicate sensibilities was well in place: “We will have a private room and so will not be embarrassed by the curiosity of the vulgar public,” it read, before concluding, “You may bring a fellow singer if you desire.” With that, the bedrock for what was then called the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America was established.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=yjnveOPkLq4\u003c/p>\n\u003cp>That plea for harmony was written 80 years ago by Rupert Hall, “Royal Keeper of the Minor Keys,” and Owen Clifton Cash, “Third Assistant Temporary Vice Chairman.” Those self-applied titles were an \u003ca href=\"http://www.barbershop.org/owen-clifton-oc-cash-our-founder/\">apparent\u003c/a> tongue-in-cheek dig at the honorifics going around at the time thanks to the New Deal, as was its ludicrous acronym, SPEBSQSA.\u003c/p>\n\u003cp>But, as the BHS enters the 21st century with its new, admittedly spongy, policy of inclusion, it has stood side-by-side for nearly its whole history with an organization that does much the same thing, but across the formerly impassable line of gender: Sweet Adelines International, a women’s barbershop organization also founded in Tulsa, still under the shadow of World War II at the time.\u003c/p>\n\u003cp>“In 1945, there were several wives of barbershoppers who wanted to do what their husbands were doing. The BHS were all men and they wanted to keep it that way,” Patty Cobb-Baker, president of Sweet Adelines, tells NPR. The men wanted to “keep the wives at home and doing whatever they were doing back in 1945. But a woman by the name of Edna Mae Anderson said ‘Well, we can, and we want to.’ ”\u003c/p>\n\u003cp>Cobb-Baker says Sweet Adelines became a way to foster leadership within (white) female communities — the harmonies gave its members “the opportunity to commune with other women,” Cobb-Baker says, “to become leaders. Kind of like the Girl Scouts, we like to grow leadership skills in women that they never knew they had.”\u003c/p>\n\u003cp>Of the potential competition that BHS’ new policy could present to her organization, Cobb-Baker says she’d “be lying” if the thought didn’t cross her mind. “We have a very strong strategic plan ourselves, our own vision,” she says. “We will always be happy when there are more opportunities for people to sing in the world.”\u003c/p>\n\u003cp>Barbershop’s origins as a genre and a term are more diverse than the image it has accrued over the 80 years since the BHS’ founding, however — wildly so, according to Frédéric Döhl, a musicologist and author of the \u003ca href=\"https://www.jstor.org/stable/10.5406/americanmusic.32.2.0123\" target=\"_blank\" rel=\"noopener\">2014 paper\u003c/a>\u003cem> From Harmonic Style to Genre: The Early History of the Uniquely American Musical Term Barbershop\u003c/em>. Döhl writes that, at least when it comes to use of the word barbershop to describe the musical style, that “no reliable attributions can be made about its origins with regard to race, gender, region, social environment, amateur or professional, impromptu or composed-arranged, highbrow or lowbrow etc.”\u003c/p>\n\u003cp>Despite that, the form has cultivated — on purpose at first, later perhaps by reflex — a palpable and gentry-ish defensive streak among its practitioners. As one singer \u003ca href=\"https://www.npr.org/templates/story/story.php?storyId=92246274&ft=nprml&f=92246274\" target=\"_blank\" rel=\"noopener\">told NPR in 2008\u003c/a>, commenting on the introduction of more modern pop songs into the form: “I happen to be one of many that has difficulty in telling you what barbershop is, but I can sure tell you when it isn’t.”\u003c/p>\n\u003cp>“We like to think of them as ‘preservationists.’ There is certainly a range of devotion to what is believed to be the ‘pure’ barbershop style,” Brian Lynch, a public relations executive with the BHS, tells NPR. “In my experience, ‘barbershop’ is whatever it was the day you joined.”\u003c/p>\n\u003cp>Of its checkered origins, Lynch is forthright. Asked of its past as an all-white, all-male organization, he says it “is a piece of our history that we’re working hard to acknowledge and understand and move forward from. It’s not something we’re proud of today.” He adds that the BHS has \u003ca href=\"https://issuu.com/theharmonizer/docs/harmonizer_vol77_no6_novdec2017/24\" target=\"_blank\" rel=\"noopener\">established\u003c/a> an endowment fund for persons of color, “all parts of the evolution of any organization to reset and understand what your purpose is.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“Our motto,” Cobb-Baker says, “is ‘harmonize the world.’ ” That’s a tall order — always, perhaps more so now than ever. But it’s never too late to try. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=After+80+Years%2C+The+Barbershop+Harmony+Society+Will+Allow+Women+To+Join&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1258,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 18
},
"modified": 1705027604,
"excerpt": "The Society for The Preservation and Encouragement of Barber Shop Quartet Singing in America first convened in the spring 1938, in an all-white social club in Tulsa, Oklahoma. It's come a long way.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The Society for The Preservation and Encouragement of Barber Shop Quartet Singing in America first convened in the spring 1938, in an all-white social club in Tulsa, Oklahoma. It's come a long way.",
"title": "After 80 Years, the Barbershop Harmony Society Will Allow Women to Join | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "After 80 Years, the Barbershop Harmony Society Will Allow Women to Join",
"datePublished": "2018-06-20T10:51:10-07:00",
"dateModified": "2024-01-11T18:46:44-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "after-80-years-the-barbershop-harmony-society-will-allow-women-to-join",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=621603558&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprByline": "Andrew Flanagan",
"nprStoryDate": "Wed, 20 Jun 2018 13:11:05 -0400",
"nprLastModifiedDate": "Wed, 20 Jun 2018 13:11:05 -0400",
"sticky": false,
"nprHtmlLink": "https://www.npr.org/2018/06/20/621603558/after-80-years-the-barbershop-harmony-society-will-allow-women-to-join?ft=nprml&f=621603558",
"nprImageAgency": "Bettmann Archive",
"nprStoryId": "621603558",
"nprRetrievedStory": "1",
"nprPubDate": "Wed, 20 Jun 2018 13:11:00 -0400",
"path": "/arts/13835585/after-80-years-the-barbershop-harmony-society-will-allow-women-to-join",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>If you’re at all familiar with the modern perception of barbershop singing, you might have guessed that one of its leading organizations, the Barbershop Harmony Society, was an all-male — and all-white — organization at the time of its founding in 1938. The organization opened to people of color in 1963, as the country was living within the crucible of the civil rights movement. For 80 years, though, it remained closed to women. Until yesterday.\u003c/p>\n\u003cp>“Beginning today,” the BHS’ statement, released June 19, reads, “we welcome women to join the Barbershop Harmony Society as members.” Its membership chapters can, however, “choose to stay exactly the same as you are today” — as a male-only club — or “choose to add a mixed chorus, or a new, distinct women’s chorus. New chapters might form — male, female, or mixed. This is about adding, not subtracting. More people, sharing more harmony, and more joy, in more ways.” Later, its announcement makes it plain that chapters are not required to begin accepting female members. And, further suggesting a controversial core to the announcement, the BHS notes it believes “preserving the experience of men singing together \u003cem>and\u003c/em> welcoming women as members of the barbershop harmony society are compatible ideas.”\u003c/p>\n\u003cp>The announcement is the result of a three-year soul search undertaken by the BHS, during which it conducted membership surveys, studies and research on its aims, which yielded a broad platform: “\u003ca href=\"http://www.barbershop.org/everyoneinharmony/\" target=\"_blank\" rel=\"noopener\">Everyone In Harmony\u003c/a>.”\u003c/p>\n\u003cp>The BHS’ policy shift and the statement accompanying it is notable both for its timing and its tone — “cautious” might be the word. It’s a tiptoe that can be traced with ease to the cultural origins in which barbershop became popular. The Barbershop Harmony Society’s first meeting took place in the spring of 1938 at the Tulsa Club, an all-white, membership-only organization of the time, established to provide southern oil men a place to socialize in private. After a two-decade wane in popularity that began in the ’20s, the establishment of the BHS kicked off a revival of the barbershop sound through the ’40s and helped to define \u003ca href=\"https://www.google.com/search?q=barbershop+quartet&num=20&safe=off&source=lnms&tbm=isch&sa=X&ved=0ahUKEwj-1f2MpuDbAhXNx1kKHb0NBM4Q_AUICygC&biw=1365&bih=619\" target=\"_blank\" rel=\"noopener\">a (not-incorrect) perception\u003c/a> of the genre that has lasted into the present day.\u003c/p>\n\u003cp>“Gentlemen,” the organization’s initial, industrialist-tinged call to song \u003ca href=\"http://www.barbershop.org/about-us/history-of-barbershop/how-it-all-began/\" target=\"_blank\" rel=\"noopener\">began\u003c/a>, “In this age of dictators and government control of everything, about the only privilege guaranteed by the Bill of Rights not in some way supervised and directed, is the art of barber shop \u003cem>[sic]\u003c/em> quartet singing.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In that note, from 1938, a plan to head off interlopers and to protect delicate sensibilities was well in place: “We will have a private room and so will not be embarrassed by the curiosity of the vulgar public,” it read, before concluding, “You may bring a fellow singer if you desire.” With that, the bedrock for what was then called the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America was established.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/yjnveOPkLq4'\n title='//www.youtube.com/embed/yjnveOPkLq4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>That plea for harmony was written 80 years ago by Rupert Hall, “Royal Keeper of the Minor Keys,” and Owen Clifton Cash, “Third Assistant Temporary Vice Chairman.” Those self-applied titles were an \u003ca href=\"http://www.barbershop.org/owen-clifton-oc-cash-our-founder/\">apparent\u003c/a> tongue-in-cheek dig at the honorifics going around at the time thanks to the New Deal, as was its ludicrous acronym, SPEBSQSA.\u003c/p>\n\u003cp>But, as the BHS enters the 21st century with its new, admittedly spongy, policy of inclusion, it has stood side-by-side for nearly its whole history with an organization that does much the same thing, but across the formerly impassable line of gender: Sweet Adelines International, a women’s barbershop organization also founded in Tulsa, still under the shadow of World War II at the time.\u003c/p>\n\u003cp>“In 1945, there were several wives of barbershoppers who wanted to do what their husbands were doing. The BHS were all men and they wanted to keep it that way,” Patty Cobb-Baker, president of Sweet Adelines, tells NPR. The men wanted to “keep the wives at home and doing whatever they were doing back in 1945. But a woman by the name of Edna Mae Anderson said ‘Well, we can, and we want to.’ ”\u003c/p>\n\u003cp>Cobb-Baker says Sweet Adelines became a way to foster leadership within (white) female communities — the harmonies gave its members “the opportunity to commune with other women,” Cobb-Baker says, “to become leaders. Kind of like the Girl Scouts, we like to grow leadership skills in women that they never knew they had.”\u003c/p>\n\u003cp>Of the potential competition that BHS’ new policy could present to her organization, Cobb-Baker says she’d “be lying” if the thought didn’t cross her mind. “We have a very strong strategic plan ourselves, our own vision,” she says. “We will always be happy when there are more opportunities for people to sing in the world.”\u003c/p>\n\u003cp>Barbershop’s origins as a genre and a term are more diverse than the image it has accrued over the 80 years since the BHS’ founding, however — wildly so, according to Frédéric Döhl, a musicologist and author of the \u003ca href=\"https://www.jstor.org/stable/10.5406/americanmusic.32.2.0123\" target=\"_blank\" rel=\"noopener\">2014 paper\u003c/a>\u003cem> From Harmonic Style to Genre: The Early History of the Uniquely American Musical Term Barbershop\u003c/em>. Döhl writes that, at least when it comes to use of the word barbershop to describe the musical style, that “no reliable attributions can be made about its origins with regard to race, gender, region, social environment, amateur or professional, impromptu or composed-arranged, highbrow or lowbrow etc.”\u003c/p>\n\u003cp>Despite that, the form has cultivated — on purpose at first, later perhaps by reflex — a palpable and gentry-ish defensive streak among its practitioners. As one singer \u003ca href=\"https://www.npr.org/templates/story/story.php?storyId=92246274&ft=nprml&f=92246274\" target=\"_blank\" rel=\"noopener\">told NPR in 2008\u003c/a>, commenting on the introduction of more modern pop songs into the form: “I happen to be one of many that has difficulty in telling you what barbershop is, but I can sure tell you when it isn’t.”\u003c/p>\n\u003cp>“We like to think of them as ‘preservationists.’ There is certainly a range of devotion to what is believed to be the ‘pure’ barbershop style,” Brian Lynch, a public relations executive with the BHS, tells NPR. “In my experience, ‘barbershop’ is whatever it was the day you joined.”\u003c/p>\n\u003cp>Of its checkered origins, Lynch is forthright. Asked of its past as an all-white, all-male organization, he says it “is a piece of our history that we’re working hard to acknowledge and understand and move forward from. It’s not something we’re proud of today.” He adds that the BHS has \u003ca href=\"https://issuu.com/theharmonizer/docs/harmonizer_vol77_no6_novdec2017/24\" target=\"_blank\" rel=\"noopener\">established\u003c/a> an endowment fund for persons of color, “all parts of the evolution of any organization to reset and understand what your purpose is.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Our motto,” Cobb-Baker says, “is ‘harmonize the world.’ ” That’s a tall order — always, perhaps more so now than ever. But it’s never too late to try. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=After+80+Years%2C+The+Barbershop+Harmony+Society+Will+Allow+Women+To+Join&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13835585/after-80-years-the-barbershop-harmony-society-will-allow-women-to-join",
"authors": [
"byline_arts_13835585"
],
"categories": [
"arts_69",
"arts_235"
],
"tags": [
"arts_1448",
"arts_596"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13835586",
"label": "arts_137"
},
"arts_13835490": {
"type": "posts",
"id": "arts_13835490",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13835490",
"score": null,
"sort": [
1529436641000
]
},
"guestAuthors": [],
"slug": "it-was-hard-to-take-these-pictures-knowing-what-was-coming-next",
"title": "'It Was Hard to Take These Pictures, Knowing What Was Coming Next'",
"publishDate": 1529436641,
"format": "standard",
"headTitle": "‘It Was Hard to Take These Pictures, Knowing What Was Coming Next’ | KQED",
"labelTerm": {
"term": 137,
"site": "arts"
},
"content": "\u003cp>Sometimes, an image breaks through and captures the essence of a story that we’ve all been hearing about. John Moore made one of those images last week, when he photographed a 2-year-old Honduran girl stopped by the Border Patrol after crossing the U.S.-Mexico border.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://www.npr.org/player/embed/620775153/620775154\" width=\"100%\" height=\"290\" frameborder=\"0\" scrolling=\"no\" title=\"NPR embedded audio player\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>The photo is taken from her vantage point. Adults loom over her in the dark out of frame, and she’s crying as her mother is searched.\u003c/p>\n\u003cp>Moore had been photographing Border Patrol agents in the Rio Grande Valley on June 12. On that moonless night, they encountered a group of people seeking to cross the border, most of them families.\u003c/p>\n\u003cp>“I could see the fear on their faces, in their eyes,” says Moore, an award-winning photographer with Getty Images. “As the Border Patrol took people’s names down, I could see a mother holding a young child.”\u003c/p>\n\u003cfigure id=\"attachment_13835491\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/gettyimages-107497219_custom-52190bdf156069dd96bada913b5267cee3e35dc3-800x515.jpg\" alt=\"A group of young men walk along the Mexican side of the border fence in a remote area of the Sonoran Desert in 2010 on the Tohono O'odham Reservation in Arizona\" width=\"800\" height=\"515\" class=\"size-medium wp-image-13835491\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-107497219_custom-52190bdf156069dd96bada913b5267cee3e35dc3-800x515.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-107497219_custom-52190bdf156069dd96bada913b5267cee3e35dc3-160x103.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-107497219_custom-52190bdf156069dd96bada913b5267cee3e35dc3-768x494.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-107497219_custom-52190bdf156069dd96bada913b5267cee3e35dc3-1020x656.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-107497219_custom-52190bdf156069dd96bada913b5267cee3e35dc3-1200x772.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-107497219_custom-52190bdf156069dd96bada913b5267cee3e35dc3-1920x1235.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-107497219_custom-52190bdf156069dd96bada913b5267cee3e35dc3-1180x759.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-107497219_custom-52190bdf156069dd96bada913b5267cee3e35dc3-960x618.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-107497219_custom-52190bdf156069dd96bada913b5267cee3e35dc3-240x154.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-107497219_custom-52190bdf156069dd96bada913b5267cee3e35dc3-375x241.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-107497219_custom-52190bdf156069dd96bada913b5267cee3e35dc3-520x335.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-107497219_custom-52190bdf156069dd96bada913b5267cee3e35dc3.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A group of young men walk along the Mexican side of the border fence in a remote area of the Sonoran Desert in 2010 on the Tohono O’odham Reservation in Arizona \u003ccite>(John Moore/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Then, it was time for the undocumented immigrants to be searched before being transported to a processing center. The Border Patrol asked the mother to set down her daughter.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“At that moment, the young child broke into tears, and she started wailing,” Moore says. “I took a knee and had very few frames of that moment before it was over.”\u003c/p>\n\u003cp>Moore, who speaks Spanish, was able to talk with them briefly. The mother told him they were from Honduras and had been on the road for a month.\u003c/p>\n\u003cfigure id=\"attachment_13835505\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/Looking-through-fence-800x532.jpg\" alt=\"A man looks through the U.S.-Mexico border fence into the United States from Tijuana, Mexico, in 2016. Friendship Park on the border is one of the few places on the 2,000-mile border where separated families are allowed to meet.\" width=\"800\" height=\"532\" class=\"size-medium wp-image-13835505\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Looking-through-fence-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Looking-through-fence-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Looking-through-fence-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Looking-through-fence-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Looking-through-fence-1200x798.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Looking-through-fence-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Looking-through-fence-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Looking-through-fence-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Looking-through-fence-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Looking-through-fence-520x346.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Looking-through-fence.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A man looks through the U.S.-Mexico border fence into the United States from Tijuana, Mexico, in 2016. Friendship Park on the border is one of the few places on the 2,000-mile border where separated families are allowed to meet. \u003ccite>(John Moore/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“And I knew at that moment that this point in their journey, which was very emotional for me to see them being detained, for them was just part of a very, very long journey,” says Moore, who has covered the U.S.-Mexico border for a decade.\u003c/p>\n\u003cp>After that, he says, the mother picked up her daughter. They got in a van and were taken away.\u003c/p>\n\u003cp>“I do not know what happened to them. I would very much like to know,” he says. “Ever since I took those pictures, I think about that moment often. And it’s emotional for me every time.”\u003c/p>\n\u003cfigure id=\"attachment_13835494\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/gettyimages-635353292_custom-055a100f60aa30f9d16e876793de25039b36e655-800x533.jpe\" alt=\"Families attend a memorial service for two boys who were kidnapped and killed on Feb. 14, 2017, in San Juan Sacatepequez, Guatemala. Such crimes have driven emigration from Guatemala to the United States, as families seek refuge from the violence.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13835494\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-635353292_custom-055a100f60aa30f9d16e876793de25039b36e655-800x533.jpe 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-635353292_custom-055a100f60aa30f9d16e876793de25039b36e655-160x107.jpe 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-635353292_custom-055a100f60aa30f9d16e876793de25039b36e655-768x511.jpe 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-635353292_custom-055a100f60aa30f9d16e876793de25039b36e655-1020x679.jpe 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-635353292_custom-055a100f60aa30f9d16e876793de25039b36e655-1200x799.jpe 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-635353292_custom-055a100f60aa30f9d16e876793de25039b36e655-1920x1279.jpe 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-635353292_custom-055a100f60aa30f9d16e876793de25039b36e655-1180x786.jpe 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-635353292_custom-055a100f60aa30f9d16e876793de25039b36e655-960x639.jpe 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-635353292_custom-055a100f60aa30f9d16e876793de25039b36e655-240x160.jpe 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-635353292_custom-055a100f60aa30f9d16e876793de25039b36e655-375x250.jpe 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-635353292_custom-055a100f60aa30f9d16e876793de25039b36e655-520x346.jpe 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-635353292_custom-055a100f60aa30f9d16e876793de25039b36e655.jpe 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Families attend a memorial service for two boys who were kidnapped and killed on Feb. 14, 2017, in San Juan Sacatepequez, Guatemala. Such crimes have driven emigration from Guatemala to the United States, as families seek refuge from the violence. \u003ccite>(John Moore/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003chr>\n\u003ch3>Interview Highlights\u003c/h3>\n\u003cp>\u003cstrong>On how recent political developments have changed the story at the border\u003c/strong>\u003c/p>\n\u003cp>Having covered this story for the last 10 years, I’ve seen a lot along the way. But in this case, this last week, it was different because I knew that what happened after these pictures were taken was going to be something very different. Most of us here had heard the news that the [Trump] administration had planned to separate families. And these people [coming across the border] really had no idea about this news. And it was hard to take these pictures, knowing what was coming next.\u003c/p>\n\u003cfigure id=\"attachment_13835492\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/gettyimages-521334010_custom-6d936fd10f6b093fd71bf997cf0fb4c6091ba0ae-800x542.jpe\" alt=\"Undocumented immigrants comfort each other after being caught by Border Patrol agents near the U.S.-Mexico border in 2016 in Weslaco, Texas.\" width=\"800\" height=\"542\" class=\"size-medium wp-image-13835492\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-521334010_custom-6d936fd10f6b093fd71bf997cf0fb4c6091ba0ae-800x542.jpe 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-521334010_custom-6d936fd10f6b093fd71bf997cf0fb4c6091ba0ae-160x108.jpe 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-521334010_custom-6d936fd10f6b093fd71bf997cf0fb4c6091ba0ae-768x521.jpe 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-521334010_custom-6d936fd10f6b093fd71bf997cf0fb4c6091ba0ae-1020x692.jpe 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-521334010_custom-6d936fd10f6b093fd71bf997cf0fb4c6091ba0ae-1200x814.jpe 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-521334010_custom-6d936fd10f6b093fd71bf997cf0fb4c6091ba0ae-1920x1302.jpe 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-521334010_custom-6d936fd10f6b093fd71bf997cf0fb4c6091ba0ae-1180x800.jpe 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-521334010_custom-6d936fd10f6b093fd71bf997cf0fb4c6091ba0ae-960x651.jpe 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-521334010_custom-6d936fd10f6b093fd71bf997cf0fb4c6091ba0ae-240x163.jpe 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-521334010_custom-6d936fd10f6b093fd71bf997cf0fb4c6091ba0ae-375x254.jpe 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-521334010_custom-6d936fd10f6b093fd71bf997cf0fb4c6091ba0ae-520x353.jpe 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-521334010_custom-6d936fd10f6b093fd71bf997cf0fb4c6091ba0ae.jpe 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Undocumented immigrants comfort each other after being caught by Border Patrol agents near the U.S.-Mexico border in 2016 in Weslaco, Texas. \u003ccite>(John Moore/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>On what Border Patrol officials say about this new policy\u003c/strong>\u003c/p>\n\u003cp>I think with Border Patrol agents, it’s all on an individual basis. Some of them are very supportive of President Trump’s policies and others probably a little bit less so.\u003c/p>\n\u003cp>And I think it’s important to note that the laws have not changed since President Trump came into office. It’s really \u003ca href=\"https://www.npr.org/2018/05/29/615211215/fact-check-are-democrats-responsible-for-dhs-separating-children-from-their-pare\">the administration’s policies that have changed\u003c/a>. In the past, most families who sought political asylum would be processed and then released, pending a court date in the future. And, of course, that policy has changed in recent months, and we’re seeing the results of that now.\u003c/p>\n\u003cfigure id=\"attachment_13835493\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/gettyimages-458329272_custom-2bb2cd09823b9723598ccde7a6f3ab5fecb896c2-800x547.jpe\" alt=\"A boy from Honduras watches a movie at a detention facility run by the U.S. Border Patrol in McAllen, Texas, in 2014. The Border Patrol opened the holding center to temporarily house the children after tens of thousands of families and unaccompanied minors from Central America crossed the border illegally into the United States during the spring and summer.\" width=\"800\" height=\"547\" class=\"size-medium wp-image-13835493\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-458329272_custom-2bb2cd09823b9723598ccde7a6f3ab5fecb896c2-800x547.jpe 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-458329272_custom-2bb2cd09823b9723598ccde7a6f3ab5fecb896c2-160x109.jpe 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-458329272_custom-2bb2cd09823b9723598ccde7a6f3ab5fecb896c2-768x525.jpe 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-458329272_custom-2bb2cd09823b9723598ccde7a6f3ab5fecb896c2-1020x697.jpe 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-458329272_custom-2bb2cd09823b9723598ccde7a6f3ab5fecb896c2-1200x820.jpe 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-458329272_custom-2bb2cd09823b9723598ccde7a6f3ab5fecb896c2-1920x1312.jpe 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-458329272_custom-2bb2cd09823b9723598ccde7a6f3ab5fecb896c2-1180x806.jpe 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-458329272_custom-2bb2cd09823b9723598ccde7a6f3ab5fecb896c2-960x656.jpe 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-458329272_custom-2bb2cd09823b9723598ccde7a6f3ab5fecb896c2-240x164.jpe 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-458329272_custom-2bb2cd09823b9723598ccde7a6f3ab5fecb896c2-375x256.jpe 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-458329272_custom-2bb2cd09823b9723598ccde7a6f3ab5fecb896c2-520x355.jpe 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-458329272_custom-2bb2cd09823b9723598ccde7a6f3ab5fecb896c2.jpe 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A boy from Honduras watches a movie at a detention facility run by the U.S. Border Patrol in McAllen, Texas, in 2014. The Border Patrol opened the holding center to temporarily house the children after tens of thousands of families and unaccompanied minors from Central America crossed the border illegally into the United States during the spring and summer. \u003ccite>(John Moore/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>On how this story has affected him \u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>As a photojournalist, it’s my role to keep going, even when it’s hard. But as a father — and I have a toddler myself — it was very difficult to see what was happening in front of my lens and thinking what it would be like for my kids to be separated from me. \u003c/p>\n\u003cfigure id=\"attachment_13835507\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/Border-Wall-Moore-800x532.jpeg\" alt=\"U.S. Border Patrol agent Sal De Leon stands near a section of the U.S.- Mexico border fence while stopping on patrol in 2013 in La Joya, Texas.\" width=\"800\" height=\"532\" class=\"size-medium wp-image-13835507\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Border-Wall-Moore-800x532.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Border-Wall-Moore-160x106.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Border-Wall-Moore-768x511.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Border-Wall-Moore-1020x679.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Border-Wall-Moore-1200x798.jpeg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Border-Wall-Moore-1180x785.jpeg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Border-Wall-Moore-960x639.jpeg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Border-Wall-Moore-240x160.jpeg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Border-Wall-Moore-375x250.jpeg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Border-Wall-Moore-520x346.jpeg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Border-Wall-Moore.jpeg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">U.S. Border Patrol agent Sal De Leon stands near a section of the U.S.- Mexico border fence while stopping on patrol in 2013 in La Joya, Texas. \u003ccite>(John Moore/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27It+Was+Hard+To+Take+These+Pictures%2C+Knowing+What+Was+Coming+Next%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
"blocks": [],
"excerpt": "John Moore describes photographing the distressed Honduran toddler, whose mother was being searched by U.S. Border Patrol. That moment, he says, \"was just part of a very, very long journey\" for them.",
"status": "publish",
"parent": 0,
"modified": 1726771077,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 20,
"wordCount": 911
},
"headData": {
"title": "'It Was Hard to Take These Pictures, Knowing What Was Coming Next' | KQED",
"description": "John Moore describes photographing the distressed Honduran toddler, whose mother was being searched by U.S. Border Patrol. That moment, he says, "was just part of a very, very long journey" for them.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "'It Was Hard to Take These Pictures, Knowing What Was Coming Next'",
"datePublished": "2018-06-19T12:30:41-07:00",
"dateModified": "2024-09-19T11:37:57-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprImageCredit": "John Moore",
"nprByline": "Lulu Garcia-Navarro",
"nprImageAgency": "Getty Images",
"path": "/arts/13835490/it-was-hard-to-take-these-pictures-knowing-what-was-coming-next",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Sometimes, an image breaks through and captures the essence of a story that we’ve all been hearing about. John Moore made one of those images last week, when he photographed a 2-year-old Honduran girl stopped by the Border Patrol after crossing the U.S.-Mexico border.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://www.npr.org/player/embed/620775153/620775154\" width=\"100%\" height=\"290\" frameborder=\"0\" scrolling=\"no\" title=\"NPR embedded audio player\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>The photo is taken from her vantage point. Adults loom over her in the dark out of frame, and she’s crying as her mother is searched.\u003c/p>\n\u003cp>Moore had been photographing Border Patrol agents in the Rio Grande Valley on June 12. On that moonless night, they encountered a group of people seeking to cross the border, most of them families.\u003c/p>\n\u003cp>“I could see the fear on their faces, in their eyes,” says Moore, an award-winning photographer with Getty Images. “As the Border Patrol took people’s names down, I could see a mother holding a young child.”\u003c/p>\n\u003cfigure id=\"attachment_13835491\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/gettyimages-107497219_custom-52190bdf156069dd96bada913b5267cee3e35dc3-800x515.jpg\" alt=\"A group of young men walk along the Mexican side of the border fence in a remote area of the Sonoran Desert in 2010 on the Tohono O'odham Reservation in Arizona\" width=\"800\" height=\"515\" class=\"size-medium wp-image-13835491\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-107497219_custom-52190bdf156069dd96bada913b5267cee3e35dc3-800x515.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-107497219_custom-52190bdf156069dd96bada913b5267cee3e35dc3-160x103.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-107497219_custom-52190bdf156069dd96bada913b5267cee3e35dc3-768x494.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-107497219_custom-52190bdf156069dd96bada913b5267cee3e35dc3-1020x656.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-107497219_custom-52190bdf156069dd96bada913b5267cee3e35dc3-1200x772.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-107497219_custom-52190bdf156069dd96bada913b5267cee3e35dc3-1920x1235.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-107497219_custom-52190bdf156069dd96bada913b5267cee3e35dc3-1180x759.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-107497219_custom-52190bdf156069dd96bada913b5267cee3e35dc3-960x618.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-107497219_custom-52190bdf156069dd96bada913b5267cee3e35dc3-240x154.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-107497219_custom-52190bdf156069dd96bada913b5267cee3e35dc3-375x241.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-107497219_custom-52190bdf156069dd96bada913b5267cee3e35dc3-520x335.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-107497219_custom-52190bdf156069dd96bada913b5267cee3e35dc3.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A group of young men walk along the Mexican side of the border fence in a remote area of the Sonoran Desert in 2010 on the Tohono O’odham Reservation in Arizona \u003ccite>(John Moore/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Then, it was time for the undocumented immigrants to be searched before being transported to a processing center. The Border Patrol asked the mother to set down her daughter.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“At that moment, the young child broke into tears, and she started wailing,” Moore says. “I took a knee and had very few frames of that moment before it was over.”\u003c/p>\n\u003cp>Moore, who speaks Spanish, was able to talk with them briefly. The mother told him they were from Honduras and had been on the road for a month.\u003c/p>\n\u003cfigure id=\"attachment_13835505\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/Looking-through-fence-800x532.jpg\" alt=\"A man looks through the U.S.-Mexico border fence into the United States from Tijuana, Mexico, in 2016. Friendship Park on the border is one of the few places on the 2,000-mile border where separated families are allowed to meet.\" width=\"800\" height=\"532\" class=\"size-medium wp-image-13835505\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Looking-through-fence-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Looking-through-fence-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Looking-through-fence-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Looking-through-fence-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Looking-through-fence-1200x798.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Looking-through-fence-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Looking-through-fence-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Looking-through-fence-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Looking-through-fence-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Looking-through-fence-520x346.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Looking-through-fence.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A man looks through the U.S.-Mexico border fence into the United States from Tijuana, Mexico, in 2016. Friendship Park on the border is one of the few places on the 2,000-mile border where separated families are allowed to meet. \u003ccite>(John Moore/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“And I knew at that moment that this point in their journey, which was very emotional for me to see them being detained, for them was just part of a very, very long journey,” says Moore, who has covered the U.S.-Mexico border for a decade.\u003c/p>\n\u003cp>After that, he says, the mother picked up her daughter. They got in a van and were taken away.\u003c/p>\n\u003cp>“I do not know what happened to them. I would very much like to know,” he says. “Ever since I took those pictures, I think about that moment often. And it’s emotional for me every time.”\u003c/p>\n\u003cfigure id=\"attachment_13835494\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/gettyimages-635353292_custom-055a100f60aa30f9d16e876793de25039b36e655-800x533.jpe\" alt=\"Families attend a memorial service for two boys who were kidnapped and killed on Feb. 14, 2017, in San Juan Sacatepequez, Guatemala. Such crimes have driven emigration from Guatemala to the United States, as families seek refuge from the violence.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13835494\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-635353292_custom-055a100f60aa30f9d16e876793de25039b36e655-800x533.jpe 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-635353292_custom-055a100f60aa30f9d16e876793de25039b36e655-160x107.jpe 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-635353292_custom-055a100f60aa30f9d16e876793de25039b36e655-768x511.jpe 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-635353292_custom-055a100f60aa30f9d16e876793de25039b36e655-1020x679.jpe 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-635353292_custom-055a100f60aa30f9d16e876793de25039b36e655-1200x799.jpe 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-635353292_custom-055a100f60aa30f9d16e876793de25039b36e655-1920x1279.jpe 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-635353292_custom-055a100f60aa30f9d16e876793de25039b36e655-1180x786.jpe 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-635353292_custom-055a100f60aa30f9d16e876793de25039b36e655-960x639.jpe 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-635353292_custom-055a100f60aa30f9d16e876793de25039b36e655-240x160.jpe 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-635353292_custom-055a100f60aa30f9d16e876793de25039b36e655-375x250.jpe 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-635353292_custom-055a100f60aa30f9d16e876793de25039b36e655-520x346.jpe 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-635353292_custom-055a100f60aa30f9d16e876793de25039b36e655.jpe 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Families attend a memorial service for two boys who were kidnapped and killed on Feb. 14, 2017, in San Juan Sacatepequez, Guatemala. Such crimes have driven emigration from Guatemala to the United States, as families seek refuge from the violence. \u003ccite>(John Moore/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003chr>\n\u003ch3>Interview Highlights\u003c/h3>\n\u003cp>\u003cstrong>On how recent political developments have changed the story at the border\u003c/strong>\u003c/p>\n\u003cp>Having covered this story for the last 10 years, I’ve seen a lot along the way. But in this case, this last week, it was different because I knew that what happened after these pictures were taken was going to be something very different. Most of us here had heard the news that the [Trump] administration had planned to separate families. And these people [coming across the border] really had no idea about this news. And it was hard to take these pictures, knowing what was coming next.\u003c/p>\n\u003cfigure id=\"attachment_13835492\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/gettyimages-521334010_custom-6d936fd10f6b093fd71bf997cf0fb4c6091ba0ae-800x542.jpe\" alt=\"Undocumented immigrants comfort each other after being caught by Border Patrol agents near the U.S.-Mexico border in 2016 in Weslaco, Texas.\" width=\"800\" height=\"542\" class=\"size-medium wp-image-13835492\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-521334010_custom-6d936fd10f6b093fd71bf997cf0fb4c6091ba0ae-800x542.jpe 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-521334010_custom-6d936fd10f6b093fd71bf997cf0fb4c6091ba0ae-160x108.jpe 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-521334010_custom-6d936fd10f6b093fd71bf997cf0fb4c6091ba0ae-768x521.jpe 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-521334010_custom-6d936fd10f6b093fd71bf997cf0fb4c6091ba0ae-1020x692.jpe 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-521334010_custom-6d936fd10f6b093fd71bf997cf0fb4c6091ba0ae-1200x814.jpe 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-521334010_custom-6d936fd10f6b093fd71bf997cf0fb4c6091ba0ae-1920x1302.jpe 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-521334010_custom-6d936fd10f6b093fd71bf997cf0fb4c6091ba0ae-1180x800.jpe 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-521334010_custom-6d936fd10f6b093fd71bf997cf0fb4c6091ba0ae-960x651.jpe 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-521334010_custom-6d936fd10f6b093fd71bf997cf0fb4c6091ba0ae-240x163.jpe 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-521334010_custom-6d936fd10f6b093fd71bf997cf0fb4c6091ba0ae-375x254.jpe 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-521334010_custom-6d936fd10f6b093fd71bf997cf0fb4c6091ba0ae-520x353.jpe 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-521334010_custom-6d936fd10f6b093fd71bf997cf0fb4c6091ba0ae.jpe 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Undocumented immigrants comfort each other after being caught by Border Patrol agents near the U.S.-Mexico border in 2016 in Weslaco, Texas. \u003ccite>(John Moore/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>On what Border Patrol officials say about this new policy\u003c/strong>\u003c/p>\n\u003cp>I think with Border Patrol agents, it’s all on an individual basis. Some of them are very supportive of President Trump’s policies and others probably a little bit less so.\u003c/p>\n\u003cp>And I think it’s important to note that the laws have not changed since President Trump came into office. It’s really \u003ca href=\"https://www.npr.org/2018/05/29/615211215/fact-check-are-democrats-responsible-for-dhs-separating-children-from-their-pare\">the administration’s policies that have changed\u003c/a>. In the past, most families who sought political asylum would be processed and then released, pending a court date in the future. And, of course, that policy has changed in recent months, and we’re seeing the results of that now.\u003c/p>\n\u003cfigure id=\"attachment_13835493\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/gettyimages-458329272_custom-2bb2cd09823b9723598ccde7a6f3ab5fecb896c2-800x547.jpe\" alt=\"A boy from Honduras watches a movie at a detention facility run by the U.S. Border Patrol in McAllen, Texas, in 2014. The Border Patrol opened the holding center to temporarily house the children after tens of thousands of families and unaccompanied minors from Central America crossed the border illegally into the United States during the spring and summer.\" width=\"800\" height=\"547\" class=\"size-medium wp-image-13835493\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-458329272_custom-2bb2cd09823b9723598ccde7a6f3ab5fecb896c2-800x547.jpe 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-458329272_custom-2bb2cd09823b9723598ccde7a6f3ab5fecb896c2-160x109.jpe 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-458329272_custom-2bb2cd09823b9723598ccde7a6f3ab5fecb896c2-768x525.jpe 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-458329272_custom-2bb2cd09823b9723598ccde7a6f3ab5fecb896c2-1020x697.jpe 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-458329272_custom-2bb2cd09823b9723598ccde7a6f3ab5fecb896c2-1200x820.jpe 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-458329272_custom-2bb2cd09823b9723598ccde7a6f3ab5fecb896c2-1920x1312.jpe 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-458329272_custom-2bb2cd09823b9723598ccde7a6f3ab5fecb896c2-1180x806.jpe 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-458329272_custom-2bb2cd09823b9723598ccde7a6f3ab5fecb896c2-960x656.jpe 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-458329272_custom-2bb2cd09823b9723598ccde7a6f3ab5fecb896c2-240x164.jpe 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-458329272_custom-2bb2cd09823b9723598ccde7a6f3ab5fecb896c2-375x256.jpe 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-458329272_custom-2bb2cd09823b9723598ccde7a6f3ab5fecb896c2-520x355.jpe 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/gettyimages-458329272_custom-2bb2cd09823b9723598ccde7a6f3ab5fecb896c2.jpe 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A boy from Honduras watches a movie at a detention facility run by the U.S. Border Patrol in McAllen, Texas, in 2014. The Border Patrol opened the holding center to temporarily house the children after tens of thousands of families and unaccompanied minors from Central America crossed the border illegally into the United States during the spring and summer. \u003ccite>(John Moore/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>On how this story has affected him \u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>As a photojournalist, it’s my role to keep going, even when it’s hard. But as a father — and I have a toddler myself — it was very difficult to see what was happening in front of my lens and thinking what it would be like for my kids to be separated from me. \u003c/p>\n\u003cfigure id=\"attachment_13835507\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/Border-Wall-Moore-800x532.jpeg\" alt=\"U.S. Border Patrol agent Sal De Leon stands near a section of the U.S.- Mexico border fence while stopping on patrol in 2013 in La Joya, Texas.\" width=\"800\" height=\"532\" class=\"size-medium wp-image-13835507\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Border-Wall-Moore-800x532.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Border-Wall-Moore-160x106.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Border-Wall-Moore-768x511.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Border-Wall-Moore-1020x679.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Border-Wall-Moore-1200x798.jpeg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Border-Wall-Moore-1180x785.jpeg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Border-Wall-Moore-960x639.jpeg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Border-Wall-Moore-240x160.jpeg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Border-Wall-Moore-375x250.jpeg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Border-Wall-Moore-520x346.jpeg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Border-Wall-Moore.jpeg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">U.S. Border Patrol agent Sal De Leon stands near a section of the U.S.- Mexico border fence while stopping on patrol in 2013 in La Joya, Texas. \u003ccite>(John Moore/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27It+Was+Hard+To+Take+These+Pictures%2C+Knowing+What+Was+Coming+Next%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13835490/it-was-hard-to-take-these-pictures-knowing-what-was-coming-next",
"authors": [
"byline_arts_13835490"
],
"categories": [
"arts_235",
"arts_70"
],
"tags": [
"arts_5185",
"arts_822"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13835495",
"label": "arts_137"
},
"arts_13835391": {
"type": "posts",
"id": "arts_13835391",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13835391",
"score": null,
"sort": [
1529358911000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1529358911,
"format": "standard",
"title": "serpentwithfeet Crafts His Own Language for Queer Life",
"headTitle": "serpentwithfeet Crafts His Own Language for Queer Life | KQED",
"content": "\u003cp>Josiah Wise has face tattoos and a prominent septum piercing that almost touches his lips. Some days he wears bright blue makeup, or colors his facial hair neon pink. He has a collection of dolls and often carries one with him.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://www.npr.org/player/embed/620364558/620939210\" width=\"100%\" height=\"290\" frameborder=\"0\" scrolling=\"no\" title=\"NPR embedded audio player\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Equally eclectic is his musical background. He grew up singing in church choir, attended college for classical music, and now is finding his sound at a cross-section of gospel, R&B and avant-garde pop, performing under the name \u003ca href=\"https://www.npr.org/artists/591500094/serpentwithfeet\" target=\"_blank\" rel=\"noopener\">serpentwithfeet\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13835422\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/serpentwithfeet_soil_album.jpg\" alt=\"serpentwithfeet, 'Soil'\" width=\"400\" height=\"400\" class=\"size-full wp-image-13835422\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/serpentwithfeet_soil_album.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/serpentwithfeet_soil_album-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/serpentwithfeet_soil_album-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/serpentwithfeet_soil_album-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/serpentwithfeet_soil_album-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/serpentwithfeet_soil_album-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/serpentwithfeet_soil_album-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/serpentwithfeet_soil_album-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/serpentwithfeet_soil_album-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/serpentwithfeet_soil_album-150x150.jpg 150w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">serpentwithfeet, ‘Soil’ \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On his full-length debut album, \u003cem>soil \u003c/em>(released June 8), he looks back to the sounds of his religious upbringing while crafting language to express living as a queer black person in the present. Wise was closeted growing up — partially to avoid conflict, he says, but mainly because he didn’t have the language to express himself.\u003c/p>\n\u003cp>“Me being inconspicuous growing up, or people around me maybe not being comfortable, was because I didn’t know what was going on,” he says. “I didn’t know how to talk about how I was feeling.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Wise says he wanted to be able to have a full conversation about the way he felt, not just about sex or attraction: “It just needed to be a full conversation, because my day is a queer day. I eat breakfast queer. I walk queer. I think that takes time for a young person.”\u003c/p>\n\u003cp>As he’s found his voice, others have taken notice. \u003ca href=\"https://www.npr.org/artists/15191158/bjork\">Bjork\u003c/a> featured him on a \u003ca href=\"https://open.spotify.com/album/08G1xcaXGSR4rywf6DsqAH\">remix \u003c/a>of her song “Blissing Me” last year, and he toured as an opener for \u003ca href=\"https://www.npr.org/artists/14866307/grizzly-bear\">Grizzly Bear\u003c/a>. With a sonic semblance to peers like \u003ca href=\"https://www.npr.org/artists/250255694/childish-gambino\">Childish Gambino\u003c/a>, \u003ca href=\"https://www.npr.org/artists/186483722/thundercat\">Thundercat\u003c/a> and \u003ca href=\"https://www.npr.org/artists/537778695/moses-sumney\">Moses Sumney\u003c/a>, Wise is positioning himself within the ranks of neo-soul staples.\u003c/p>\n\u003cp>Wise spoke about the musical and emotional road to the creation of \u003cem>soil\u003c/em> with NPR’s Rachel Martin. Hear their conversation at the audio link.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Web intern Emily Abshire contributed to this story.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=serpentwithfeet+Crafts+His+Own+Language+For+Queer+Life&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 355,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 11
},
"modified": 1705027621,
"excerpt": "Growing up, Josiah Wise says, he was closeted because he didn't have the language to express himself. His new album is intended to put words to his identity that go beyond sex and attraction.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Growing up, Josiah Wise says, he was closeted because he didn't have the language to express himself. His new album is intended to put words to his identity that go beyond sex and attraction.",
"title": "serpentwithfeet Crafts His Own Language for Queer Life | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "serpentwithfeet Crafts His Own Language for Queer Life",
"datePublished": "2018-06-18T14:55:11-07:00",
"dateModified": "2024-01-11T18:47:01-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "serpentwithfeet-crafts-his-own-language-for-queer-life",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=620364558&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprStoryDate": "Mon, 18 Jun 2018 04:56:00 -0400",
"nprLastModifiedDate": "Mon, 18 Jun 2018 14:50:42 -0400",
"nprHtmlLink": "https://www.npr.org/2018/06/18/620364558/serpentwithfeet-crafts-his-own-language-for-queer-life?ft=nprml&f=620364558",
"nprAudio": "https://ondemand.npr.org/anon.npr-mp3/npr/me/2018/06/20180618_me_serpentwithfeet_crafts_his_own_language_for_queer_life.mp3?orgId=1&topicId=1105&d=439&p=3&story=620364558&ft=nprml&f=620364558",
"nprImageAgency": "Courtesy of the artist",
"nprAudioM3u": "http://api.npr.org/m3u/1620939210-ccdb16.m3u?orgId=1&topicId=1105&d=439&p=3&story=620364558&ft=nprml&f=620364558",
"nprStoryId": "620364558",
"nprByline": "Taylor Haney",
"sticky": false,
"nprImageCredit": "Ash Kingston",
"nprRetrievedStory": "1",
"nprPubDate": "Mon, 18 Jun 2018 11:41:00 -0400",
"path": "/arts/13835391/serpentwithfeet-crafts-his-own-language-for-queer-life",
"audioUrl": "https://ondemand.npr.org/anon.npr-mp3/npr/me/2018/06/20180618_me_serpentwithfeet_crafts_his_own_language_for_queer_life.mp3?orgId=1&topicId=1105&d=439&p=3&story=620364558&ft=nprml&f=620364558",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Josiah Wise has face tattoos and a prominent septum piercing that almost touches his lips. Some days he wears bright blue makeup, or colors his facial hair neon pink. He has a collection of dolls and often carries one with him.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://www.npr.org/player/embed/620364558/620939210\" width=\"100%\" height=\"290\" frameborder=\"0\" scrolling=\"no\" title=\"NPR embedded audio player\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Equally eclectic is his musical background. He grew up singing in church choir, attended college for classical music, and now is finding his sound at a cross-section of gospel, R&B and avant-garde pop, performing under the name \u003ca href=\"https://www.npr.org/artists/591500094/serpentwithfeet\" target=\"_blank\" rel=\"noopener\">serpentwithfeet\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13835422\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/serpentwithfeet_soil_album.jpg\" alt=\"serpentwithfeet, 'Soil'\" width=\"400\" height=\"400\" class=\"size-full wp-image-13835422\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/serpentwithfeet_soil_album.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/serpentwithfeet_soil_album-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/serpentwithfeet_soil_album-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/serpentwithfeet_soil_album-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/serpentwithfeet_soil_album-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/serpentwithfeet_soil_album-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/serpentwithfeet_soil_album-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/serpentwithfeet_soil_album-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/serpentwithfeet_soil_album-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/serpentwithfeet_soil_album-150x150.jpg 150w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">serpentwithfeet, ‘Soil’ \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On his full-length debut album, \u003cem>soil \u003c/em>(released June 8), he looks back to the sounds of his religious upbringing while crafting language to express living as a queer black person in the present. Wise was closeted growing up — partially to avoid conflict, he says, but mainly because he didn’t have the language to express himself.\u003c/p>\n\u003cp>“Me being inconspicuous growing up, or people around me maybe not being comfortable, was because I didn’t know what was going on,” he says. “I didn’t know how to talk about how I was feeling.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Wise says he wanted to be able to have a full conversation about the way he felt, not just about sex or attraction: “It just needed to be a full conversation, because my day is a queer day. I eat breakfast queer. I walk queer. I think that takes time for a young person.”\u003c/p>\n\u003cp>As he’s found his voice, others have taken notice. \u003ca href=\"https://www.npr.org/artists/15191158/bjork\">Bjork\u003c/a> featured him on a \u003ca href=\"https://open.spotify.com/album/08G1xcaXGSR4rywf6DsqAH\">remix \u003c/a>of her song “Blissing Me” last year, and he toured as an opener for \u003ca href=\"https://www.npr.org/artists/14866307/grizzly-bear\">Grizzly Bear\u003c/a>. With a sonic semblance to peers like \u003ca href=\"https://www.npr.org/artists/250255694/childish-gambino\">Childish Gambino\u003c/a>, \u003ca href=\"https://www.npr.org/artists/186483722/thundercat\">Thundercat\u003c/a> and \u003ca href=\"https://www.npr.org/artists/537778695/moses-sumney\">Moses Sumney\u003c/a>, Wise is positioning himself within the ranks of neo-soul staples.\u003c/p>\n\u003cp>Wise spoke about the musical and emotional road to the creation of \u003cem>soil\u003c/em> with NPR’s Rachel Martin. Hear their conversation at the audio link.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Web intern Emily Abshire contributed to this story.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=serpentwithfeet+Crafts+His+Own+Language+For+Queer+Life&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13835391/serpentwithfeet-crafts-his-own-language-for-queer-life",
"authors": [
"byline_arts_13835391"
],
"categories": [
"arts_69"
],
"tags": [
"arts_596"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13835392",
"label": "arts_137"
}
},
"podcastsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"podcasts": {}
},
"radioProgramsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"radioPrograms": {}
},
"radioSearchSegmentsReducer": {},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"amazon": "https://music.amazon.com/podcasts/9a90d476-aa04-455d-9a4c-0871ed6216d4/bay-curious",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"amazon": "https://music.amazon.com/podcasts/44420f75-3b0e-4301-ab3b-16da6b09e543/the-political-mind-of-jerry-brown"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Snap Judgment",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Spooked",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"amazon": "https://music.amazon.com/podcasts/d800ea4c-7a2c-42f2-b861-edaf78a5db0b/the-bay",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"racesGenElection2026Reducer": {},
"racesGenElection2026PresidentialReducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/arts?affiliate=npr": {
"isFetching": false,
"latestQuery": {
"from": 1620,
"size": 12
},
"vitalsOnly": false,
"totalRequested": 12,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 2513,
"relation": "eq"
},
"items": [
"arts_13836186",
"arts_13836179",
"arts_13836142",
"arts_13836082",
"arts_13836030",
"arts_13836021",
"arts_13835984",
"arts_13835926",
"arts_13835809",
"arts_13835585",
"arts_13835490",
"arts_13835391"
],
"complete": true
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"newslettersReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"newsletters": {},
"isSubscribing": false,
"isUnsubscribing": false,
"subscribedNewsletters": {}
},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"careers": {
"name": "Careers",
"type": "terms",
"id": "careers",
"slug": "careers",
"link": "/careers",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"newsletters": {
"name": "newsletters",
"type": "terms",
"id": "newsletters",
"slug": "newsletters",
"link": "/newsletters",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"arts_affiliate_npr": {
"isLoading": true
},
"arts_137": {
"type": "terms",
"id": "arts_137",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "137",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/2/2014/04/logo-npr-lg1.png",
"name": "NPR",
"description": null,
"taxonomy": "affiliate",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "NPR Archives | KQED Arts",
"ogDescription": null
},
"ttid": 138,
"slug": "npr",
"isLoading": false,
"link": "/arts/affiliate/npr"
},
"arts_73": {
"type": "terms",
"id": "arts_73",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "73",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Books",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Books Archives | KQED Arts",
"ogDescription": null
},
"ttid": 74,
"slug": "literature",
"isLoading": false,
"link": "/arts/category/literature"
},
"arts_235": {
"type": "terms",
"id": "arts_235",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "235",
"found": true
},
"relationships": {},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED Arts",
"ogDescription": null
},
"ttid": 236,
"slug": "news",
"isLoading": false,
"link": "/arts/category/news"
},
"arts_1091": {
"type": "terms",
"id": "arts_1091",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1091",
"found": true
},
"relationships": {},
"featImg": null,
"name": "obit",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "obit Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1108,
"slug": "obit",
"isLoading": false,
"link": "/arts/tag/obit"
},
"arts_4358": {
"type": "terms",
"id": "arts_4358",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "4358",
"found": true
},
"relationships": {},
"featImg": null,
"name": "TGAR news",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "TGAR news Archives | KQED Arts",
"ogDescription": null
},
"ttid": 4370,
"slug": "tgar-news",
"isLoading": false,
"link": "/arts/tag/tgar-news"
},
"arts_1448": {
"type": "terms",
"id": "arts_1448",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1448",
"found": true
},
"relationships": {},
"featImg": null,
"name": "art wire",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "art wire Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1460,
"slug": "art-wire",
"isLoading": false,
"link": "/arts/tag/art-wire"
},
"arts_22352": {
"type": "terms",
"id": "arts_22352",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "22352",
"found": true
},
"relationships": {},
"name": "Immigration",
"slug": "immigration",
"taxonomy": "category",
"description": null,
"featImg": null,
"headData": {
"title": "Immigration | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 22364,
"isLoading": false,
"link": "/arts/category/immigration"
},
"arts_69": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"link": "/arts/category/music"
},
"arts_1118": {
"type": "terms",
"id": "arts_1118",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1118",
"found": true
},
"relationships": {},
"featImg": null,
"name": "featured",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "featured Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1135,
"slug": "featured",
"isLoading": false,
"link": "/arts/tag/featured"
},
"arts_1773": {
"type": "terms",
"id": "arts_1773",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1773",
"found": true
},
"relationships": {},
"featImg": null,
"name": "immigration",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "immigration Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1785,
"slug": "immigration",
"isLoading": false,
"link": "/arts/tag/immigration"
},
"arts_4591": {
"type": "terms",
"id": "arts_4591",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "4591",
"found": true
},
"relationships": {},
"featImg": null,
"name": "npr music",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "npr music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 4603,
"slug": "npr-music",
"isLoading": false,
"link": "/arts/tag/npr-music"
},
"arts_4919": {
"type": "terms",
"id": "arts_4919",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "4919",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Michael Jackson",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Michael Jackson Archives | KQED Arts",
"ogDescription": null
},
"ttid": 4931,
"slug": "michael-jackson",
"isLoading": false,
"link": "/arts/tag/michael-jackson"
},
"arts_596": {
"type": "terms",
"id": "arts_596",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "596",
"found": true
},
"relationships": {},
"featImg": null,
"name": "ntv",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "ntv Archives | KQED Arts",
"ogDescription": null
},
"ttid": 602,
"slug": "ntv",
"isLoading": false,
"link": "/arts/tag/ntv"
},
"arts_10589": {
"type": "terms",
"id": "arts_10589",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10589",
"found": true
},
"relationships": {},
"featImg": null,
"name": "&Music",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "&Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10601,
"slug": "music",
"isLoading": false,
"link": "/arts/tag/music"
},
"arts_70": {
"type": "terms",
"id": "arts_70",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "70",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Visual Arts",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Visual Arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 71,
"slug": "visualarts",
"isLoading": false,
"link": "/arts/category/visualarts"
},
"arts_74": {
"type": "terms",
"id": "arts_74",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "74",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Movies",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Movies Archives | KQED Arts",
"ogDescription": null
},
"ttid": 75,
"slug": "movies",
"isLoading": false,
"link": "/arts/category/movies"
},
"arts_3698": {
"type": "terms",
"id": "arts_3698",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3698",
"found": true
},
"relationships": {},
"featImg": null,
"name": "oscars",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "oscars Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3710,
"slug": "oscars",
"isLoading": false,
"link": "/arts/tag/oscars"
},
"arts_2456": {
"type": "terms",
"id": "arts_2456",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2456",
"found": true
},
"relationships": {},
"featImg": null,
"name": "XXXtentacion",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "XXXtentacion Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2468,
"slug": "xxxtentacion",
"isLoading": false,
"link": "/arts/tag/xxxtentacion"
},
"arts_5185": {
"type": "terms",
"id": "arts_5185",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "5185",
"found": true
},
"relationships": {},
"featImg": null,
"name": "family separation",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "family separation Archives | KQED Arts",
"ogDescription": null
},
"ttid": 5197,
"slug": "family-separation",
"isLoading": false,
"link": "/arts/tag/family-separation"
},
"arts_822": {
"type": "terms",
"id": "arts_822",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "822",
"found": true
},
"relationships": {},
"featImg": null,
"name": "photography",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "photography Archives | KQED Arts",
"ogDescription": null
},
"ttid": 840,
"slug": "photography",
"isLoading": false,
"link": "/arts/tag/photography"
}
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
},
"requestOutcomesReducer": {
"notFound": []
},
"navPromosReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": true,
"promos": {
"news": {
"name": "2026 Voter Guide",
"link": "/voterguide",
"imageURL": "https://cdn.kqed.org/wp-content/uploads/2026/10/Nav-News-Nov2026ElectionCoverage@2x-7bd4aad4.png",
"description": "Get informed in minutes with our Voter Guide for California’s November 3 election."
},
"podcasts-radio": {},
"video-tv": {},
"events": {},
"support": {}
}
}
}
