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"content": "\u003cp>Evan Rachel Wood says in the new HBO documentary \u003cem>Showbiz Kids\u003c/em> that there’s an easy way to spot a child actor. Just look for anyone who’s good at juggling, or at Hacky Sack—as she puts it, “any kind of weird skill that you had to master by yourself.” Not because child actors are antisocial or friendless, but simply because actors on film sets spend so much time alone, and if you spend a lot of time alone as a kid, these are the kinds of things you teach yourself. It’s one insight among many to be found in this strong new film. (And don’t be fooled by the sort of cheesy-sounding title.)\u003c/p>\n\u003cp>It’s really hard to talk about child actors in a fresh way, because there’s such lore around them. Legend typically has it that they’re all miserable, spoiled, self-destructive, exploited—and some are. What this film sets out to do is weave a number of interview subjects’ stories together to find themes within them, while respecting the fact that they’re all really different. \u003cem>Showbiz Kids \u003c/em>was made by Alex Winter, who you might know best as Bill in the \u003cem>Bill and Ted \u003c/em>movies, but who was also a child actor, mostly in theater. What he’s made here is a perceptive, sensitive film in which actors tell their own stories—some sad, many simply complicated.\u003c/p>\n\u003cp>All these stories start in different ways. Wil Wheaton says his mother was a little too eager for him to act, because of her own frustrated ambitions. But Mara Wilson says she was the one who told her parents she wanted to act, and that it genuinely came from her. Todd Bridges says the same thing. Milla Jovovich’s mother was a Russian movie star in the 1970s, and when the family came to California, Jovovich felt the focus shift to her. Evan Rachel Wood came from an artsy family that treated acting as a lofty profession where it was important to do only “great work.” You hear from Jada Pinkett Smith about starting young but also parenting kids who started young; you hear from Cameron Boyce, a self-described “Disney kid” (from \u003cem>Jessie\u003c/em>) who realizes he’s so well-trained that he’s still hesitant to swear, years after Disney. (One of the sad footnotes of the film is that Boyce, who had been in HBO’s \u003cem>Mrs. Fletcher \u003c/em>and is one of Winter’s most appealing subjects, died in his sleep in mid-2019 following a seizure.)\u003c/p>\n\u003cp>You will certainly get some discussions of things that might seem familiar. There is financial exploitation, there are parents who fail to supervise enough, there are abusive directors. There is the experience of being recognized (Wilson compares it to when the staff sings “Happy Birthday” to you in a restaurant), there are the difficulties in knowing whose treatment of you is genuine and whose is opportunistic, and there are tensions between what parents want and what kids want.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=_UnjrCOH-Mw\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>What stays with you after the documentary is over may be the details. There’s a clip of Wood and Michelle Trachtenberg at an awards ceremony for young performers in 2000. They are on a red carpet, both of them young adolescents. A TV producer stands between them, and a photographer cajoles them to get closer, and ultimately to both pose with their arms wrapped around his elbows, until they’re sort of hanging on him. (Which, by the way, he also seems to find awkward.) Did this event, individually, harm them? There’s no indication that it did. But does getting girls that age to cuddle up to adult men for pictures potentially teach them things it’s dangerous to learn, about how they should interact with powerful people and about whether they’re supposed to obey when they’re told to feign familiarity? Of course. Would it have been easy to find this all very benign? Of course. Winter structures a section of the film about sexualized roles for girls—and the potential for abuse of both girls and boys—with both frankness and restraint, allowing Wood in particular to explain the complexity of wanting film and television to explore the natural sexuality of teenagers without placing inappropriate demands on actors who may be utterly inexperienced in real life.\u003c/p>\n\u003cp>It’s a real thicket of personal and professional challenges, and none of it is past; it’s all ongoing. So Winter also follows two kids who are working on being actors right now (or at least were when he filmed). One, Marc, is an affable young ham who mugs with delight whenever you point a camera at him. His mother has brought him to L.A. for pilot season, and he’s also taking acting classes. Mom and Dad both say all the right things about how it’s entirely up to him whether he wants to do it, and they undoubtedly do ask him, just like they say they do. But through a revealing visit to one of his acting lessons, the question slowly arises: Does this kid want anything to do with \u003cem>acting\u003c/em>, or is that just the most famous way to channel his actual passion, which is \u003cem>clowning\u003c/em>? (I kept wondering whether there’s childhood improv. His energy is extreme improv-guy energy.)\u003c/p>\n\u003cp>The other is Demi Singleton, who’s already had some success. She’s been in \u003cem>School Of Rock \u003c/em>and \u003cem>The Lion King \u003c/em>on Broadway, and in \u003cem>Godfather of Harlem \u003c/em>on television. These two are good choices, because they represent different inflection points happening in real time: the moment when you have to decide how much you want to give up to try to get \u003cem>anything\u003c/em> much to happen, which is where Marc’s parents are, and the moment when you have to decide how much you want to give up to push modest success into major success, which is where Demi and her mother are.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>With the more well-known of his subjects, the most powerful choice Winter makes is to simply let them speak for themselves. There are no other talking heads here—no journalists, no psychologists, nobody. People who have often been directed and pushed and molded to varying degrees get a rare opportunity to put their stories in their own words, with the help of a filmmaker who knows how to combine these disparate experiences into something coherent. The result is a chance to get a more rounded sense of people who rarely get this kind of nuanced treatment.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27Showbiz+Kids%27+Gives+Child+Actors+The+Chance+To+Tell+Their+Own+Stories&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Evan Rachel Wood says in the new HBO documentary \u003cem>Showbiz Kids\u003c/em> that there’s an easy way to spot a child actor. Just look for anyone who’s good at juggling, or at Hacky Sack—as she puts it, “any kind of weird skill that you had to master by yourself.” Not because child actors are antisocial or friendless, but simply because actors on film sets spend so much time alone, and if you spend a lot of time alone as a kid, these are the kinds of things you teach yourself. It’s one insight among many to be found in this strong new film. (And don’t be fooled by the sort of cheesy-sounding title.)\u003c/p>\n\u003cp>It’s really hard to talk about child actors in a fresh way, because there’s such lore around them. Legend typically has it that they’re all miserable, spoiled, self-destructive, exploited—and some are. What this film sets out to do is weave a number of interview subjects’ stories together to find themes within them, while respecting the fact that they’re all really different. \u003cem>Showbiz Kids \u003c/em>was made by Alex Winter, who you might know best as Bill in the \u003cem>Bill and Ted \u003c/em>movies, but who was also a child actor, mostly in theater. What he’s made here is a perceptive, sensitive film in which actors tell their own stories—some sad, many simply complicated.\u003c/p>\n\u003cp>All these stories start in different ways. Wil Wheaton says his mother was a little too eager for him to act, because of her own frustrated ambitions. But Mara Wilson says she was the one who told her parents she wanted to act, and that it genuinely came from her. Todd Bridges says the same thing. Milla Jovovich’s mother was a Russian movie star in the 1970s, and when the family came to California, Jovovich felt the focus shift to her. Evan Rachel Wood came from an artsy family that treated acting as a lofty profession where it was important to do only “great work.” You hear from Jada Pinkett Smith about starting young but also parenting kids who started young; you hear from Cameron Boyce, a self-described “Disney kid” (from \u003cem>Jessie\u003c/em>) who realizes he’s so well-trained that he’s still hesitant to swear, years after Disney. (One of the sad footnotes of the film is that Boyce, who had been in HBO’s \u003cem>Mrs. Fletcher \u003c/em>and is one of Winter’s most appealing subjects, died in his sleep in mid-2019 following a seizure.)\u003c/p>\n\u003cp>You will certainly get some discussions of things that might seem familiar. There is financial exploitation, there are parents who fail to supervise enough, there are abusive directors. There is the experience of being recognized (Wilson compares it to when the staff sings “Happy Birthday” to you in a restaurant), there are the difficulties in knowing whose treatment of you is genuine and whose is opportunistic, and there are tensions between what parents want and what kids want.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/_UnjrCOH-Mw'\n title='//www.youtube.com/embed/_UnjrCOH-Mw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>What stays with you after the documentary is over may be the details. There’s a clip of Wood and Michelle Trachtenberg at an awards ceremony for young performers in 2000. They are on a red carpet, both of them young adolescents. A TV producer stands between them, and a photographer cajoles them to get closer, and ultimately to both pose with their arms wrapped around his elbows, until they’re sort of hanging on him. (Which, by the way, he also seems to find awkward.) Did this event, individually, harm them? There’s no indication that it did. But does getting girls that age to cuddle up to adult men for pictures potentially teach them things it’s dangerous to learn, about how they should interact with powerful people and about whether they’re supposed to obey when they’re told to feign familiarity? Of course. Would it have been easy to find this all very benign? Of course. Winter structures a section of the film about sexualized roles for girls—and the potential for abuse of both girls and boys—with both frankness and restraint, allowing Wood in particular to explain the complexity of wanting film and television to explore the natural sexuality of teenagers without placing inappropriate demands on actors who may be utterly inexperienced in real life.\u003c/p>\n\u003cp>It’s a real thicket of personal and professional challenges, and none of it is past; it’s all ongoing. So Winter also follows two kids who are working on being actors right now (or at least were when he filmed). One, Marc, is an affable young ham who mugs with delight whenever you point a camera at him. His mother has brought him to L.A. for pilot season, and he’s also taking acting classes. Mom and Dad both say all the right things about how it’s entirely up to him whether he wants to do it, and they undoubtedly do ask him, just like they say they do. But through a revealing visit to one of his acting lessons, the question slowly arises: Does this kid want anything to do with \u003cem>acting\u003c/em>, or is that just the most famous way to channel his actual passion, which is \u003cem>clowning\u003c/em>? (I kept wondering whether there’s childhood improv. His energy is extreme improv-guy energy.)\u003c/p>\n\u003cp>The other is Demi Singleton, who’s already had some success. She’s been in \u003cem>School Of Rock \u003c/em>and \u003cem>The Lion King \u003c/em>on Broadway, and in \u003cem>Godfather of Harlem \u003c/em>on television. These two are good choices, because they represent different inflection points happening in real time: the moment when you have to decide how much you want to give up to try to get \u003cem>anything\u003c/em> much to happen, which is where Marc’s parents are, and the moment when you have to decide how much you want to give up to push modest success into major success, which is where Demi and her mother are.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>With the more well-known of his subjects, the most powerful choice Winter makes is to simply let them speak for themselves. There are no other talking heads here—no journalists, no psychologists, nobody. People who have often been directed and pushed and molded to varying degrees get a rare opportunity to put their stories in their own words, with the help of a filmmaker who knows how to combine these disparate experiences into something coherent. The result is a chance to get a more rounded sense of people who rarely get this kind of nuanced treatment.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27Showbiz+Kids%27+Gives+Child+Actors+The+Chance+To+Tell+Their+Own+Stories&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Idi Amin, Fidel Castro, Enver Hoxha, Saddam Hussein, and Pol Pot. Sure, they were ruthless leaders—but more importantly, what did they eat?\u003c/p>\n\u003cfigure id=\"attachment_13879342\" class=\"wp-caption alignright\" style=\"max-width: 287px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13879342\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/Screen-Shot-2020-04-27-at-4.44.40-PM.png\" alt=\"‘How to Feed a Dictator: Saddam Hussein, Idi Amin, Enver Hoxha, Fidel Castro, and Pol Pot Through the Eyes of Their Cooks,’ by Witold Szablowski.\" width=\"287\" height=\"448\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Screen-Shot-2020-04-27-at-4.44.40-PM.png 287w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Screen-Shot-2020-04-27-at-4.44.40-PM-160x250.png 160w\" sizes=\"(max-width: 287px) 100vw, 287px\">\u003cfigcaption class=\"wp-caption-text\">‘How to Feed a Dictator: Saddam Hussein, Idi Amin, Enver Hoxha, Fidel Castro, and Pol Pot Through the Eyes of Their Cooks,’ by Witold Szablowski.\u003c/figcaption>\u003c/figure>\n\u003cp>In the new book \u003cem>How to Feed a Dictator\u003c/em>, journalist Witold Szablowski tracks down the chefs who served these five men, to paint intimate portraits of how they were at home and at the table.\u003c/p>\n\u003cp>“When I read about Pol Pot, when I was researching for the book, I read somewhere that he liked the heart of cobra,” Szablowski says. “So I felt like this is the very dictatorship-ish story. But then I went to the chef and she told me that it never happened. He didn’t like the snakes, like, he was eating chicken and fish.”\u003c/p>\n\u003cp>The chefs were complex characters, he adds. “Sometimes they are very easy to like, but sometimes they are very easy to hate. Like, they are not easy characters, because it wasn’t an easy job.”\u003c/p>\n\u003chr>\n\u003ch3>Interview Highlights\u003c/h3>\n\u003cp>\u003cstrong>On Saddam Hussein’s chef, Abu Ali\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>It was the hardest one. Firstly, to find and secondly to talk with … he was terrified because they thought that when the American troops come to Baghdad, he was afraid of being taken to Guantanamo, tortured and maybe executed, or having some other troubles. But then hiding became part of his DNA. And even when my great Iraqi fixer managed to find him, he didn’t want to talk. Like, he didn’t dream about some weird guy from Poland finding him and making him speak.\u003c/p>\n\u003cp>\u003cstrong>On the life of a chef to someone like Saddam Hussein\u003c/strong>\u003c/p>\n\u003cp>I think you can say that the chefs, usually they have amazing perspective. Like, they are very close, but at the same time, they are the guys who could possibly poison the dictator. So it’s a tricky position. You are a mother and an enemy at the same time. So Saddam was not good for Iraqi people and for the world, but he had this instinct to treat his personnel well … And the chef is mentioning the expensive gifts he has got from Saddam. Gold watches, and he had new clothes. But it was always a tricky position. It was always a dangerous job.\u003c/p>\n\u003cp>\u003cstrong>On the dangers of being Idi Amin’s chef \u003c/strong>\u003c/p>\n\u003cp>So once the son of Idi Amin had some stomach problems, and immediately Amin came with his pistol to the kitchen, and took the first chef that was working right after the door, put a gun into his head and said that “if the kid dies, I’m going to kill all of you.” And those people were scared—like, they had very good salary and … an access to food in the countries where there were a lot of hungry people. But at the same time, you could have been killed at any moment.\u003c/p>\n\u003cp>\u003cstrong>On what we can learn from these stories\u003c/strong>\u003c/p>\n\u003cp>I believe that, generally, it’s not only a book about the recipes for dictators and for the food they like, but it’s also a kind of recipe for the dictatorship. Like how exactly, step by step, is the dictatorship born and raised? Like, check how they get to power, and let’s try to prevent that to happen.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This story was edited for radio by Ian Stewart and Kitty Eisele, and adapted for the Web by Petra Mayer.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27How+To+Feed+A+Dictator%27+Spills+The+Beans+On+5+Strongmen&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Idi Amin, Fidel Castro, Enver Hoxha, Saddam Hussein, and Pol Pot. Sure, they were ruthless leaders—but more importantly, what did they eat?\u003c/p>\n\u003cfigure id=\"attachment_13879342\" class=\"wp-caption alignright\" style=\"max-width: 287px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13879342\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/Screen-Shot-2020-04-27-at-4.44.40-PM.png\" alt=\"‘How to Feed a Dictator: Saddam Hussein, Idi Amin, Enver Hoxha, Fidel Castro, and Pol Pot Through the Eyes of Their Cooks,’ by Witold Szablowski.\" width=\"287\" height=\"448\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Screen-Shot-2020-04-27-at-4.44.40-PM.png 287w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Screen-Shot-2020-04-27-at-4.44.40-PM-160x250.png 160w\" sizes=\"(max-width: 287px) 100vw, 287px\">\u003cfigcaption class=\"wp-caption-text\">‘How to Feed a Dictator: Saddam Hussein, Idi Amin, Enver Hoxha, Fidel Castro, and Pol Pot Through the Eyes of Their Cooks,’ by Witold Szablowski.\u003c/figcaption>\u003c/figure>\n\u003cp>In the new book \u003cem>How to Feed a Dictator\u003c/em>, journalist Witold Szablowski tracks down the chefs who served these five men, to paint intimate portraits of how they were at home and at the table.\u003c/p>\n\u003cp>“When I read about Pol Pot, when I was researching for the book, I read somewhere that he liked the heart of cobra,” Szablowski says. “So I felt like this is the very dictatorship-ish story. But then I went to the chef and she told me that it never happened. He didn’t like the snakes, like, he was eating chicken and fish.”\u003c/p>\n\u003cp>The chefs were complex characters, he adds. “Sometimes they are very easy to like, but sometimes they are very easy to hate. Like, they are not easy characters, because it wasn’t an easy job.”\u003c/p>\n\u003chr>\n\u003ch3>Interview Highlights\u003c/h3>\n\u003cp>\u003cstrong>On Saddam Hussein’s chef, Abu Ali\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It was the hardest one. Firstly, to find and secondly to talk with … he was terrified because they thought that when the American troops come to Baghdad, he was afraid of being taken to Guantanamo, tortured and maybe executed, or having some other troubles. But then hiding became part of his DNA. And even when my great Iraqi fixer managed to find him, he didn’t want to talk. Like, he didn’t dream about some weird guy from Poland finding him and making him speak.\u003c/p>\n\u003cp>\u003cstrong>On the life of a chef to someone like Saddam Hussein\u003c/strong>\u003c/p>\n\u003cp>I think you can say that the chefs, usually they have amazing perspective. Like, they are very close, but at the same time, they are the guys who could possibly poison the dictator. So it’s a tricky position. You are a mother and an enemy at the same time. So Saddam was not good for Iraqi people and for the world, but he had this instinct to treat his personnel well … And the chef is mentioning the expensive gifts he has got from Saddam. Gold watches, and he had new clothes. But it was always a tricky position. It was always a dangerous job.\u003c/p>\n\u003cp>\u003cstrong>On the dangers of being Idi Amin’s chef \u003c/strong>\u003c/p>\n\u003cp>So once the son of Idi Amin had some stomach problems, and immediately Amin came with his pistol to the kitchen, and took the first chef that was working right after the door, put a gun into his head and said that “if the kid dies, I’m going to kill all of you.” And those people were scared—like, they had very good salary and … an access to food in the countries where there were a lot of hungry people. But at the same time, you could have been killed at any moment.\u003c/p>\n\u003cp>\u003cstrong>On what we can learn from these stories\u003c/strong>\u003c/p>\n\u003cp>I believe that, generally, it’s not only a book about the recipes for dictators and for the food they like, but it’s also a kind of recipe for the dictatorship. Like how exactly, step by step, is the dictatorship born and raised? Like, check how they get to power, and let’s try to prevent that to happen.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This story was edited for radio by Ian Stewart and Kitty Eisele, and adapted for the Web by Petra Mayer.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27How+To+Feed+A+Dictator%27+Spills+The+Beans+On+5+Strongmen&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/news/series/baycurious",
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"source": "kqed",
"order": 3
},
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}
},
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"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
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"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
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"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/californiareport",
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"source": "kqed",
"order": 8
},
"link": "/californiareport",
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}
},
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"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
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"officialWebsiteLink": "/californiareportmagazine",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
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"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
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"officialWebsiteLink": "/podcasts/closealltabs",
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"source": "kqed",
"order": 1
},
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"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
"site": "radio",
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},
"link": "/radio/program/code-switch-life-kit",
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},
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"meta": {
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"source": "kqed",
"order": 9
},
"link": "/forum",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"freakonomics-radio": {
"id": "freakonomics-radio",
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"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
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"id": "fresh-air",
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"link": "/radio/program/fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
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"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
"link": "/podcasts/hyphenacion",
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
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