Kaytlin Bailey's one-woman show combines comedy and sex worker history. (Sriya Sarkar)
Kaytlin Bailey didn’t originally set out to become a sex worker rights activist. She just wanted to be funny.
But in 2018, under the first Trump administration, the FOSTA-SESTA bill passed, criminalizing the online assistance, facilitation and support systems sex workers relied on to stay safe. Bailey, a New York–based stand-up comedian and former sex worker, felt compelled to use her platform to speak out against the law’s devastating impact.
“I believe that if you can make people laugh, you can make people listen,” Bailey said. “Comedy has a long history of that, and it’s a great way to cut through a lot of noise.”
Since then, Bailey’s career has expanded well beyond the stand-up stage. She is the founder and executive director of Old Pros, a sex worker–led nonprofit focused on advocacy through storytelling; the host of The Oldest Profession podcast; and the writer and performer behind a series of one-woman shows.
Her most recent one-woman show, also called The Oldest Profession, comes to San Francisco on Dec. 17, at the Lost Church. The 70-minute solo performance is a narrative sprint through 10,000 years of sex worker history as it has manifested globally, dating back as early as ancient Mesopotamia. Bailey brings her trademark irreverence to this hybrid of history lecture, comedic monologue and cultural critique that explores and revives the marginalized stories of sex workers.
Bailey performing her previous one-woman show, ‘Whore’s Eye View,’ in Orlando. (Ashleigh Ann Gardner)
Before doors open for the performance, the Lost Church will host a free community event honoring sex workers who’ve passed away. The gathering is part of the International Day to End Violence Against Sex Workers, founded by San Francisco–based sex worker activists Annie Sprinkle and Robyn Few, who also founded the Sex Workers Outreach Project USA (SWOP-USA).
“There’s a lot of examples of sex workers coming together and organizing and making their voices heard in San Francisco, which is why I’m so excited to be bringing this show there and performing it in front of people that do this work,” Bailey said.
Throughout her career, Bailey has witnessed the “pendulum swing both ways” with regard to attitudes toward sex work. She recalls that when she first started out in the early 2000s, a time steeped in fat-shaming and slut-shaming, pop culture icons like Christina Aguilera seemed to promise a new era of freedom.
“It once felt inconceivable that Roe v. Wade could be overturned. It felt like opportunities for women were always expanding,” she said.
Yet progress has proven fragile, and many of the legal and cultural barriers from decades past persist and have intensified under the current political climate.
The first Trump administration’s nomination of three conservative Supreme Court justices shifted the Court’s balance and set the stage for the overturn of Roe v. Wade in 2022. This shift in reproductive rights reflected a larger pattern of restricting sexual autonomy — a reality that sex workers, in particular, continue to confront. For the next generation of feminists, Bailey urges expanding rights and resources for sex workers, and not mistaking prohibition for protection.
“I believe that we will work towards a future with less sexual violence and less gender-based violence, not by policing anyone’s sex life harder, but by giving more people, including the most vulnerable people, more access to rights and resources,” Bailey said. “Criminalizing our work and criminalizing our livelihood just isn’t how you get there.”
Bailey’s one-woman show, The Oldest Profession, comes to the Lost Church (988 Columbus Ave., San Francisco) on December 17. Doors open at 7:30 p.m., with a free community event starting at 6 p.m. Tickets and more information here.
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"title": "Comedian Kaytlin Bailey Revives the Forgotten Histories of Sex Workers",
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"headTitle": "Comedian Kaytlin Bailey Revives the Forgotten Histories of Sex Workers | KQED",
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"content": "\u003cp>Kaytlin Bailey didn’t originally set out to become a sex worker rights activist. She just wanted to be funny.\u003c/p>\n\u003cp>But in 2018, under the first Trump administration, the FOSTA-SESTA bill passed, criminalizing the online assistance, facilitation and support systems sex workers relied on to stay safe. Bailey, a New York–based stand-up comedian and former sex worker, felt compelled to use her platform to speak out against the law’s devastating impact.\u003c/p>\n\u003cp>“I believe that if you can make people laugh, you can make people listen,” Bailey said. “Comedy has a long history of that, and it’s a great way to cut through a lot of noise.”\u003c/p>\n\u003cp>Since then, Bailey’s career has expanded well beyond the stand-up stage. She is the founder and executive director of \u003ca href=\"https://oldprosonline.org/\">Old Pros\u003c/a>, a sex worker–led nonprofit focused on advocacy through storytelling; the host of \u003ci>The Oldest Profession\u003c/i> podcast; and the writer and performer behind a series of one-woman shows.\u003c/p>\n\u003cp>Her most recent one-woman show, also called \u003ci>The Oldest Profession\u003c/i>, comes to San Francisco on Dec. 17, at the Lost Church. The 70-minute solo performance is a narrative sprint through 10,000 years of sex worker history as it has manifested globally, dating back as early as ancient Mesopotamia. Bailey brings her trademark irreverence to this hybrid of history lecture, comedic monologue and cultural critique that explores and revives the marginalized stories of sex workers.\u003c/p>\n\u003cfigure id=\"attachment_13984970\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13984970\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/WhoresEyeView_OrlandoFringe2024_PRODUCTION_PhotoAshleighAnnGardner-15-scaled-1.jpg\" alt=\"A woman holding a microphone as she speaks on stage.\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/WhoresEyeView_OrlandoFringe2024_PRODUCTION_PhotoAshleighAnnGardner-15-scaled-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/WhoresEyeView_OrlandoFringe2024_PRODUCTION_PhotoAshleighAnnGardner-15-scaled-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/WhoresEyeView_OrlandoFringe2024_PRODUCTION_PhotoAshleighAnnGardner-15-scaled-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/WhoresEyeView_OrlandoFringe2024_PRODUCTION_PhotoAshleighAnnGardner-15-scaled-1-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Bailey performing her previous one-woman show, ‘Whore’s Eye View,’ in Orlando. \u003ccite>(Ashleigh Ann Gardner)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Before doors open for the performance, the Lost Church will host a free community event honoring sex workers who’ve passed away. The gathering is part of the \u003ca href=\"https://www.nswp.org/event/international-day-end-violence-against-sex-workers-6\">International Day to End Violence Against Sex Workers\u003c/a>, founded by San Francisco–based sex worker activists Annie Sprinkle and Robyn Few, who also founded the \u003ca href=\"https://www.nswp.org/featured/swop-usa\">Sex Workers Outreach Project USA\u003c/a> (SWOP-USA).\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“There’s a lot of examples of sex workers coming together and organizing and making their voices heard in San Francisco, which is why I’m so excited to be bringing this show there and performing it in front of people that do this work,” Bailey said.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[aside postID='arts_13894842']\u003c/span>Throughout her career, Bailey has witnessed the “pendulum swing both ways” with regard to attitudes toward sex work. She recalls that when she first started out in the early 2000s, a time steeped in fat-shaming and slut-shaming, pop culture icons like Christina Aguilera seemed to promise a new era of freedom.\u003c/p>\n\u003cp>“It once felt inconceivable that \u003ci>Roe v. Wade\u003c/i> could be overturned. It felt like opportunities for women were always expanding,” she said.\u003c/p>\n\u003cp>Yet progress has proven fragile, and many of the legal and cultural barriers from decades past persist and have intensified under the current political climate.\u003c/p>\n\u003cp>The first Trump administration’s nomination of three conservative Supreme Court justices shifted the Court’s balance and set the stage for the \u003ca href=\"https://www.npr.org/2022/06/24/1102305878/supreme-court-abortion-roe-v-wade-decision-overturn\">overturn of \u003ci>Roe v. Wade\u003c/i>\u003c/a> in 2022. This shift in reproductive rights reflected a larger pattern of restricting sexual autonomy — a reality that sex workers, in particular, continue to confront. For the next generation of feminists, Bailey urges expanding rights and resources for sex workers, and not mistaking prohibition for protection.\u003c/p>\n\u003cp>“I believe that we will work towards a future with less sexual violence and less gender-based violence, not by policing anyone’s sex life harder, but by giving more people, including the most vulnerable people, more access to rights and resources,” Bailey said. “Criminalizing our work and criminalizing our livelihood just isn’t how you get there.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Bailey’s one-woman show, \u003c/i>The Oldest Profession\u003ci>, comes to the Lost Church (988 Columbus Ave., San Francisco) on December 17. Doors open at 7:30 p.m., with a free community event starting at 6 p.m. Tickets and more information \u003c/i>\u003ca href=\"https://thelostchurch.my.salesforce-sites.com/ticket/#/instances/a0FTU00000M8OtJ2AV\">\u003ci>here\u003c/i>\u003c/a>\u003ci>.\u003c/i>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Kaytlin Bailey didn’t originally set out to become a sex worker rights activist. She just wanted to be funny.\u003c/p>\n\u003cp>But in 2018, under the first Trump administration, the FOSTA-SESTA bill passed, criminalizing the online assistance, facilitation and support systems sex workers relied on to stay safe. Bailey, a New York–based stand-up comedian and former sex worker, felt compelled to use her platform to speak out against the law’s devastating impact.\u003c/p>\n\u003cp>“I believe that if you can make people laugh, you can make people listen,” Bailey said. “Comedy has a long history of that, and it’s a great way to cut through a lot of noise.”\u003c/p>\n\u003cp>Since then, Bailey’s career has expanded well beyond the stand-up stage. She is the founder and executive director of \u003ca href=\"https://oldprosonline.org/\">Old Pros\u003c/a>, a sex worker–led nonprofit focused on advocacy through storytelling; the host of \u003ci>The Oldest Profession\u003c/i> podcast; and the writer and performer behind a series of one-woman shows.\u003c/p>\n\u003cp>Her most recent one-woman show, also called \u003ci>The Oldest Profession\u003c/i>, comes to San Francisco on Dec. 17, at the Lost Church. The 70-minute solo performance is a narrative sprint through 10,000 years of sex worker history as it has manifested globally, dating back as early as ancient Mesopotamia. Bailey brings her trademark irreverence to this hybrid of history lecture, comedic monologue and cultural critique that explores and revives the marginalized stories of sex workers.\u003c/p>\n\u003cfigure id=\"attachment_13984970\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13984970\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/WhoresEyeView_OrlandoFringe2024_PRODUCTION_PhotoAshleighAnnGardner-15-scaled-1.jpg\" alt=\"A woman holding a microphone as she speaks on stage.\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/WhoresEyeView_OrlandoFringe2024_PRODUCTION_PhotoAshleighAnnGardner-15-scaled-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/WhoresEyeView_OrlandoFringe2024_PRODUCTION_PhotoAshleighAnnGardner-15-scaled-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/WhoresEyeView_OrlandoFringe2024_PRODUCTION_PhotoAshleighAnnGardner-15-scaled-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/12/WhoresEyeView_OrlandoFringe2024_PRODUCTION_PhotoAshleighAnnGardner-15-scaled-1-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Bailey performing her previous one-woman show, ‘Whore’s Eye View,’ in Orlando. \u003ccite>(Ashleigh Ann Gardner)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Before doors open for the performance, the Lost Church will host a free community event honoring sex workers who’ve passed away. The gathering is part of the \u003ca href=\"https://www.nswp.org/event/international-day-end-violence-against-sex-workers-6\">International Day to End Violence Against Sex Workers\u003c/a>, founded by San Francisco–based sex worker activists Annie Sprinkle and Robyn Few, who also founded the \u003ca href=\"https://www.nswp.org/featured/swop-usa\">Sex Workers Outreach Project USA\u003c/a> (SWOP-USA).\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“There’s a lot of examples of sex workers coming together and organizing and making their voices heard in San Francisco, which is why I’m so excited to be bringing this show there and performing it in front of people that do this work,” Bailey said.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/span>Throughout her career, Bailey has witnessed the “pendulum swing both ways” with regard to attitudes toward sex work. She recalls that when she first started out in the early 2000s, a time steeped in fat-shaming and slut-shaming, pop culture icons like Christina Aguilera seemed to promise a new era of freedom.\u003c/p>\n\u003cp>“It once felt inconceivable that \u003ci>Roe v. Wade\u003c/i> could be overturned. It felt like opportunities for women were always expanding,” she said.\u003c/p>\n\u003cp>Yet progress has proven fragile, and many of the legal and cultural barriers from decades past persist and have intensified under the current political climate.\u003c/p>\n\u003cp>The first Trump administration’s nomination of three conservative Supreme Court justices shifted the Court’s balance and set the stage for the \u003ca href=\"https://www.npr.org/2022/06/24/1102305878/supreme-court-abortion-roe-v-wade-decision-overturn\">overturn of \u003ci>Roe v. Wade\u003c/i>\u003c/a> in 2022. This shift in reproductive rights reflected a larger pattern of restricting sexual autonomy — a reality that sex workers, in particular, continue to confront. For the next generation of feminists, Bailey urges expanding rights and resources for sex workers, and not mistaking prohibition for protection.\u003c/p>\n\u003cp>“I believe that we will work towards a future with less sexual violence and less gender-based violence, not by policing anyone’s sex life harder, but by giving more people, including the most vulnerable people, more access to rights and resources,” Bailey said. “Criminalizing our work and criminalizing our livelihood just isn’t how you get there.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Bailey’s one-woman show, \u003c/i>The Oldest Profession\u003ci>, comes to the Lost Church (988 Columbus Ave., San Francisco) on December 17. Doors open at 7:30 p.m., with a free community event starting at 6 p.m. Tickets and more information \u003c/i>\u003ca href=\"https://thelostchurch.my.salesforce-sites.com/ticket/#/instances/a0FTU00000M8OtJ2AV\">\u003ci>here\u003c/i>\u003c/a>\u003ci>.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
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"marketplace": {
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"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
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"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
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"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"politicalbreakdown": {
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"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
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"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
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"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"order": 16
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},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
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},
"soldout": {
"id": "soldout",
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