‘Women in Blue’ Fight Sexism — and a Serial Killer — in This Mexican Drama
Set in 1971 Mexico City, this Apple TV+ drama is about four women hunting for a serial killer — and some modicum of equality.
John Powers, NPR
Bárbara Mori plays María in ‘Women in Blue.’ (Apple TV+)
Over the years, TV has offered up an entire precinct worth of women cops — from Angie Dickinson’s spicy Pepper Anderson in the ‘70s hit Police Woman, to Helen Mirren’s flinty Jane Tennison in the great ’90s series Prime Suspect, to Mariska Hargitay’s driven Olivia Benson, who will doubtless still be solving sex crimes on Law & Order: SVU long after the oceans have swallowed New York City. We’ve watched so many women with badges that it’s easy to forget there was a time when most men believed there shouldn’t be any.
That belief is the starting point of a new Mexican-made TV series, Women in Blue which is streaming on AppleTV+. Set in the hyper-conservative Mexico of 1971, this lively 10-part drama focuses on four vastly different women who go to work for the police and discover that it’s easier to capture a serial killer than to deal with the assorted misogynies of the men around them.
Related Article
As the story begins, Mexico City is being terrorized by a woman-killing maniac known as the Undresser, for the way he leaves his victims. To distract from the force’s failure to catch this killer, the police chief cooks up a publicity stunt. He announces that he’s opening up the police department to women, an idea he feels sure will get scads of upbeat coverage.
We follow four new recruits. Foremost among them is María, who once dreamed of being a detective but wound up an elegant bourgeois mother with a husband you know is cheating the instant you see him. There’s her sister Valentina, a revved-up feminist who hates the government. There’s Ángeles, a loner who does most of the actual crime solving. And finally there’s Gabina, a born cop whose policeman father slaps her face for joining the force against his wishes.
These four shine in training, but when it comes time to do the job — dressed in blue mini-skirts! — they’re treated as a joke. Sent out to patrol a park, they’re given not weapons but a bag with coins — to call the cops if they uncover a crime. Naturally, they do uncover one — they find the Undresser’s latest victim. And even though they’re ordered not to, they throw themselves into tracking down the killer.
Early on, I got a bit bored watching the relentless sexism faced by our heroines. I don’t doubt its realism, but nothing is more tiresome than having to watch people be bigoted in stupid ways that the world has passed by. This is 2024, and hearing some macho detective snarl that women can’t be cops made me fear that Women in Blue might be one of those shows that simply flatters its audience by letting us feel more enlightened than the people from an earlier era.
Happily, the show grows more interesting, with each of the quartet facing a different form of misogyny, even within their own families. And like them, we discover some startling wrinkles in Mexican law back then — like Article 169 of the country’s civil code. It held that a Mexican woman could be forced to quit a job if it affects the “integrity” of her family — and the person who got to decide on this was her husband. It’s since been repealed.
Related Article
Although there are original works about the shocking level of femicide in Mexico — most famously Roberto Bolaño’s great novel 2666 — Women in Blue’s crime plot is pretty generic. It resorts to such tired standbys as the cultivated serial killer who gives them brainy tips from his prison cell and the murderer deciding to target the women in blue who are investigating him.
The show’s real strength lies in showing how each of the heroines is transformed by joining the force, be it Ángeles breaking free of her emotional isolation or the idealistic Gabina discovering the brutal, corrupt truth about policing in Mexico. The story’s feminist angle is clearest in María, who, with her nice house, fancy clothes and George Clooney-looking husband, is the one who would seem to have it made. She’s the one who must decide whether she’ll sacrifice comfort to work in a police department whose men don’t want women in it.
By the end of Women in Blue, its heroines — and its audience — come face to face with a radical truth: What drives the Undresser to kill women is grounded in the ingrained patriarchal values that ordinary women lived with every single day.
‘Women in Blue’ is streaming on Apple TV+ now.
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"content": "\u003cp>Over the years, TV has offered up an entire precinct worth of women cops — from Angie Dickinson’s spicy Pepper Anderson in the ‘70s hit \u003cem>Police Woman,\u003c/em> to Helen Mirren’s flinty Jane Tennison in the great ’90s series \u003cem>Prime Suspect,\u003c/em> to Mariska Hargitay’s driven Olivia Benson, who will doubtless still be solving sex crimes on \u003cem>Law & Order: SVU\u003c/em> long after the oceans have swallowed New York City. We’ve watched so many women with badges that it’s easy to forget there was a time when most men believed there shouldn’t be any.\u003c/p>\n\u003cp>That belief is the starting point of a new Mexican-made TV series, \u003cem>Women in Blue\u003c/em> which is streaming on AppleTV+. Set in the hyper-conservative Mexico of 1971, this lively 10-part drama focuses on four vastly different women who go to work for the police and discover that it’s easier to capture a serial killer than to deal with the assorted misogynies of the men around them.\u003c/p>\n\u003cp>[aside postid='arts_13960144']As the story begins, Mexico City is being terrorized by a woman-killing maniac known as the Undresser, for the way he leaves his victims. To distract from the force’s failure to catch this killer, the police chief cooks up a publicity stunt. He announces that he’s opening up the police department to women, an idea he feels sure will get scads of upbeat coverage.\u003c/p>\n\u003cp>We follow four new recruits. Foremost among them is María, who once dreamed of being a detective but wound up an elegant bourgeois mother with a husband you know is cheating the instant you see him. There’s her sister Valentina, a revved-up feminist who hates the government. There’s Ángeles, a loner who does most of the actual crime solving. And finally there’s Gabina, a born cop whose policeman father slaps her face for joining the force against his wishes.\u003c/p>\n\u003cp>These four shine in training, but when it comes time to do the job — dressed in blue mini-skirts! — they’re treated as a joke. Sent out to patrol a park, they’re given not weapons but a bag with coins — to call the cops if they uncover a crime. Naturally, they \u003cem>do\u003c/em> uncover one — they find the Undresser’s latest victim. And even though they’re ordered not to, they throw themselves into tracking down the killer.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=KqHDHnGq2O0\u003c/p>\n\u003cp>Early on, I got a bit bored watching the relentless sexism faced by our heroines. I don’t doubt its realism, but nothing is more tiresome than having to watch people be bigoted in stupid ways that the world has passed by. This is 2024, and hearing some macho detective snarl that women can’t be cops made me fear that \u003cem>Women in Blue\u003c/em> might be one of those shows that simply flatters its audience by letting us feel more enlightened than the people from an earlier era.\u003c/p>\n\u003cp>Happily, the show grows more interesting, with each of the quartet facing a different form of misogyny, even within their own families. And like them, we discover some startling wrinkles in Mexican law back then — like Article 169 of the country’s civil code. It held that a Mexican woman could be forced to quit a job if it affects the “integrity” of her family — and the person who got to decide on this was her husband. It’s since been repealed.\u003c/p>\n\u003cp>[aside postid='arts_13960317']Although there are original works about the shocking level of femicide in Mexico — most famously \u003ca href=\"https://www.npr.org/2007/04/28/9852989/poets-and-gangsters-discovering-roberto-bolano\">Roberto Bolaño\u003c/a>’s great novel \u003ca href=\"https://www.npr.org/2009/01/27/99517680/a-final-epic-work-from-roberto-bolano\">\u003cem>2666\u003c/em>\u003c/a> — \u003cem>Women in Blue\u003c/em>’s crime plot is pretty generic. It resorts to such tired standbys as the cultivated serial killer who gives them brainy tips from his prison cell and the murderer deciding to target the women in blue who are investigating him.\u003c/p>\n\u003cp>The show’s real strength lies in showing how each of the heroines is transformed by joining the force, be it Ángeles breaking free of her emotional isolation or the idealistic Gabina discovering the brutal, corrupt truth about policing in Mexico. The story’s feminist angle is clearest in María, who, with her nice house, fancy clothes and George Clooney-looking husband, is the one who would seem to have it made. She’s the one who must decide whether she’ll sacrifice comfort to work in a police department whose men don’t want women in it.\u003c/p>\n\u003cp>By the end of \u003cem>Women in Blue\u003c/em>, its heroines — and its audience — come face to face with a radical truth: What drives the Undresser to kill women is grounded in the ingrained patriarchal values that ordinary women lived with every single day.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Women in Blue’ is streaming on Apple TV+ now.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>As the story begins, Mexico City is being terrorized by a woman-killing maniac known as the Undresser, for the way he leaves his victims. To distract from the force’s failure to catch this killer, the police chief cooks up a publicity stunt. He announces that he’s opening up the police department to women, an idea he feels sure will get scads of upbeat coverage.\u003c/p>\n\u003cp>We follow four new recruits. Foremost among them is María, who once dreamed of being a detective but wound up an elegant bourgeois mother with a husband you know is cheating the instant you see him. There’s her sister Valentina, a revved-up feminist who hates the government. There’s Ángeles, a loner who does most of the actual crime solving. And finally there’s Gabina, a born cop whose policeman father slaps her face for joining the force against his wishes.\u003c/p>\n\u003cp>These four shine in training, but when it comes time to do the job — dressed in blue mini-skirts! — they’re treated as a joke. Sent out to patrol a park, they’re given not weapons but a bag with coins — to call the cops if they uncover a crime. Naturally, they \u003cem>do\u003c/em> uncover one — they find the Undresser’s latest victim. And even though they’re ordered not to, they throw themselves into tracking down the killer.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Although there are original works about the shocking level of femicide in Mexico — most famously \u003ca href=\"https://www.npr.org/2007/04/28/9852989/poets-and-gangsters-discovering-roberto-bolano\">Roberto Bolaño\u003c/a>’s great novel \u003ca href=\"https://www.npr.org/2009/01/27/99517680/a-final-epic-work-from-roberto-bolano\">\u003cem>2666\u003c/em>\u003c/a> — \u003cem>Women in Blue\u003c/em>’s crime plot is pretty generic. It resorts to such tired standbys as the cultivated serial killer who gives them brainy tips from his prison cell and the murderer deciding to target the women in blue who are investigating him.\u003c/p>\n\u003cp>The show’s real strength lies in showing how each of the heroines is transformed by joining the force, be it Ángeles breaking free of her emotional isolation or the idealistic Gabina discovering the brutal, corrupt truth about policing in Mexico. The story’s feminist angle is clearest in María, who, with her nice house, fancy clothes and George Clooney-looking husband, is the one who would seem to have it made. She’s the one who must decide whether she’ll sacrifice comfort to work in a police department whose men don’t want women in it.\u003c/p>\n\u003cp>By the end of \u003cem>Women in Blue\u003c/em>, its heroines — and its audience — come face to face with a radical truth: What drives the Undresser to kill women is grounded in the ingrained patriarchal values that ordinary women lived with every single day.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Women in Blue’ is streaming on Apple TV+ now.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"radiolab": {
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},
"rightnowish": {
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"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
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},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
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