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"caption": "Novio Electrico plays the the last show at Amnesia on Saturday. The bar is set to close as a venue on Feb. 29, 2020 and reopen in another capacity.",
"description": "Novio Electrico plays the the last show at Amnesia on Saturday. The bar is set to close as a venue on Feb. 29, 2020 and reopen in another capacity.",
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"title": "Amnesia's Last Show: An 'Essential' SF Venue for Local Artists Closes After 20 Years",
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"content": "\u003cp>Amnesia ended its 20-year run as a music venue with a sold-out show Saturday night. The Mission District bar — with capacity for less than 100 people — is another one of San Francisco’s small music venues to shut down in recent years.\u003c/p>\n\u003cp>https://twitter.com/bethlaberge/status/1234139246539104259\u003c/p>\n\u003cp>General Manager Adam Del Rio said that there was a combination of problems that led to the venue closing. “The last year has been a struggle. Shows haven’t been as well attended and people have been drinking less,” he said.\u003c/p>\n\u003cp>The owners plan to reopen the bar and pledge that it will live on as a neighborhood gathering space, as it has been for the past 100 years. “It’s been a wild and wonderful run, and truly bittersweet to say goodbye,” Craig Wathen, Amnesia’s owner, said in a statement.\u003c/p>\n\u003cfigure id=\"attachment_11804480\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11804480\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/03/024_KQED_SanFrancisco_Amnesia_LastNight_02292020_9389-1.jpg\" alt=\"Parker Simon plays bass for the band Tong, who opened the final show at Amnesia on Saturday night. This is the band's 10th time playing at the venue and Parker said, "We found our identity as a band at Amnesia." When asked about the closure of the venue and what it means to him he said, "It scares me. Especially seeing somewhere like this to close. As you're coming up as a new band ... these are the only kinds of places where you can start to build. You can't go straight to the Independent or anything like that. These places are so essential because they'll give anybody a chance. It's one less place supporting creativity."\" width=\"1920\" height=\"1278\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/024_KQED_SanFrancisco_Amnesia_LastNight_02292020_9389-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/024_KQED_SanFrancisco_Amnesia_LastNight_02292020_9389-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/024_KQED_SanFrancisco_Amnesia_LastNight_02292020_9389-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/024_KQED_SanFrancisco_Amnesia_LastNight_02292020_9389-1-1020x679.jpg 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The band Tong opens during Amnesia’s last show on Feb. 29, 2020. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As the final show at Amnesia begins Saturday night, Parker Simon plays bass for the band Tong. This is the band’s tenth time playing at the venue, and Simon said, “We found our identity as a band at Amnesia.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>When asked about the closure of the venue and what it means to him, he said, “It scares me. Especially seeing somewhere like this to close. As you’re coming up as a new band … these are the only kinds of places where you can start to build. You can’t go straight to the Independent or anything like that. These places are so essential because they’ll give anybody a chance. It’s one less place supporting creativity.”\u003c/p>\n\u003cfigure id=\"attachment_11804491\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11804491\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/03/012_KQED_SanFrancisco_Amnesia_LastNight_02292020_4871.jpg\" alt=\"Patrons dance to the band Novio Electrico during the last night of Amnesia on Saturday.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/012_KQED_SanFrancisco_Amnesia_LastNight_02292020_4871.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/012_KQED_SanFrancisco_Amnesia_LastNight_02292020_4871-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/012_KQED_SanFrancisco_Amnesia_LastNight_02292020_4871-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/012_KQED_SanFrancisco_Amnesia_LastNight_02292020_4871-1020x680.jpg 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Patrons dance to the band Novio Electrico during the last night of Amnesia on Saturday. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11804477\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11804477\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/03/023_KQED_SanFrancisco_Amnesia_LastNight_02292020_9357.jpg\" alt=\"A slim selection of beer remained at Amnesia in San Francisco during the music venue's last night on Saturday. The sign reads, "Thank you! It has been one HELL of a run." The bar will reopen in another capacity in the future, but not as a music venue. In a statement from the current owner Craig Wathen, who also owns City Beer Store, he said "In 2015 we took over the helm at Amnesia. In those five years, we have put on over 4,000 shows, shared countless experiences, served thousands of beers, and created many joyful memories. Amnesia has been a great experience for our families, and we want to thank all the musicians, patrons and employees for that gift." He goes on to say that, "We’ve explored many options over the course of the past two years, but the hard truth is that this business is not fiscally sustainable."\" width=\"1920\" height=\"1278\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/023_KQED_SanFrancisco_Amnesia_LastNight_02292020_9357.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/023_KQED_SanFrancisco_Amnesia_LastNight_02292020_9357-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/023_KQED_SanFrancisco_Amnesia_LastNight_02292020_9357-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/023_KQED_SanFrancisco_Amnesia_LastNight_02292020_9357-1020x679.jpg 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The drink board is unusually empty during Amnesia’s last show. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On a drink board once full of craft beer choices, only a few remain. The sign reads, “Thank you! It has been one HELL of a run.”\u003c/p>\n\u003cp>The bar will reopen in another capacity in the future, but not as a music venue. In a statement from Wathen, who also owns City Beer Store, he said, “In 2015 we took over the helm at Amnesia. In those five years, we have put on over 4,000 shows, shared countless experiences, served thousands of beers and created many joyful memories. Amnesia has been a great experience for our families, and we want to thank all the musicians, patrons and employees for that gift. We’ve explored many options over the course of the past two years, but the hard truth is that this business is not fiscally sustainable.”\u003c/p>\n\u003cfigure id=\"attachment_11804417\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11804417\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/03/020_KQED_SanFrancisco_Amnesia_LastNight_02292020_4839.jpg\" alt=\"Rex Shelverton plays in Novio Electrico during the last night of the small music venue Amnesia on Saturday night. The band has played at Amnesia just about every 6 weeks for the past 1 1/2 years. Rex Shelverton said, "I've been playing here since it was called the Chameleon. It feels like such a neighborhood spot. It doesn't feel like such a destination like the way The Chapel does. I love all those places too. This is just more casual, you can just show up." When asked about the future of small music venue's in San Francisco he said, "City's change. Unfortunately, it's the way it goes."\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/020_KQED_SanFrancisco_Amnesia_LastNight_02292020_4839.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/020_KQED_SanFrancisco_Amnesia_LastNight_02292020_4839-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/020_KQED_SanFrancisco_Amnesia_LastNight_02292020_4839-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/020_KQED_SanFrancisco_Amnesia_LastNight_02292020_4839-1020x680.jpg 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Guitarist Rex Shelverton plays with Novio Electrico. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Next up on stage is Novio Electrico. Rex Shelverton plays guitar for the band, which has played at Amnesia just about every month for the past one and a half years.\u003c/p>\n\u003cp>“I’ve been playing here since it was called the Chameleon. It feels like such a neighborhood spot. It doesn’t feel like such a destination like the way The Chapel does. I love all those places, too. This is just more casual, you can just show up,” Shelverton said.\u003c/p>\n\u003cp>When asked about the future of small music venues in San Francisco, he said, “Cities change. Unfortunately, it’s the way it goes.”\u003c/p>\n\u003cfigure id=\"attachment_11804485\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11804485 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/03/013_KQED_SanFrancisco_Amnesia_LastNight_02292020_4894-800x533.jpg\" alt=\"Amnesia's General Manager Adam Del Rio (left) hangs out backstage during the last show at the venue on Saturday night. He said that there was a combination of problems that lead to the closure. “The last year has been a struggle. Shows haven’t been as well attended and people have been drinking less in general.” He has many fond memories of the bar, including playing his own music and "watching the kids who cut their teeth here. They're stoked to play and have a rock n roll show."\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/013_KQED_SanFrancisco_Amnesia_LastNight_02292020_4894-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/013_KQED_SanFrancisco_Amnesia_LastNight_02292020_4894-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/013_KQED_SanFrancisco_Amnesia_LastNight_02292020_4894-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/013_KQED_SanFrancisco_Amnesia_LastNight_02292020_4894.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Amnesia’s General Manager Adam Del Rio (left) hangs out backstage during the last show at the venue on Saturday night. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Hanging out backstage, Amnesia’s General Manager, Adam Del Rio, talked about his favorite memories of the bar, including playing his own music and “watching the kids who cut their teeth here. They’re stoked to play and have a rock ‘n’ roll show.”\u003c/p>\n\u003cfigure id=\"attachment_11804486\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11804486 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/03/013_KQED_SanFrancisco_Amnesia_LastNight_02292020_9511-1-800x533.jpg\" alt=\"Indiana Hale plays during the last night at Amnesia on Saturday night. The bar was known for its eclectic music nights, cozy space and dim red lighting. Mondays were bluegrass and Wednesdays were jazz and other nights could be anything and everything in between.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/013_KQED_SanFrancisco_Amnesia_LastNight_02292020_9511-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/013_KQED_SanFrancisco_Amnesia_LastNight_02292020_9511-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/013_KQED_SanFrancisco_Amnesia_LastNight_02292020_9511-1-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/013_KQED_SanFrancisco_Amnesia_LastNight_02292020_9511-1.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Indianna Hale plays during the last night at Amnesia on Saturday night. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11804425\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11804425\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/03/022_KQED_SanFrancisco_Amnesia_LastNight_02292020_4864.jpg\" alt=\"Regulars, band members and staff fill Amnesia during the last night of music on Saturday.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/022_KQED_SanFrancisco_Amnesia_LastNight_02292020_4864.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/022_KQED_SanFrancisco_Amnesia_LastNight_02292020_4864-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/022_KQED_SanFrancisco_Amnesia_LastNight_02292020_4864-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/022_KQED_SanFrancisco_Amnesia_LastNight_02292020_4864-1020x680.jpg 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Regulars, band members and staff fill Amnesia during the last night of music on Saturday. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The bar was known for its eclectic music nights, cozy space and dim red lighting. Mondays were bluegrass, Wednesdays were jazz and other nights could be anything and everything in between.\u003c/p>\n\u003cfigure id=\"attachment_11804484\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11804484\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/03/015_KQED_SanFrancisco_Amnesia_LastNight_02292020_9533-800x533.jpg\" alt=\"Caravan 222 plays during the last night before the venue closes on March 1, 2020.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/015_KQED_SanFrancisco_Amnesia_LastNight_02292020_9533-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/015_KQED_SanFrancisco_Amnesia_LastNight_02292020_9533-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/015_KQED_SanFrancisco_Amnesia_LastNight_02292020_9533-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/015_KQED_SanFrancisco_Amnesia_LastNight_02292020_9533.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Caravan 222 plays during the last night before the venue closes. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11804490\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11804490 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/03/014_KQED_SanFrancisco_Amnesia_LastNight_02292020_4915-800x533.jpg\" alt='Caravan 222 plays the last set during the last night at Amnesia on Saturday. They announced during their set that due to the closing of Amnesia they would change their name to the Chinatown Mustangs. Guitarist Jacob Landry said, \"this is a huge loss for me.\"' width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/014_KQED_SanFrancisco_Amnesia_LastNight_02292020_4915-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/014_KQED_SanFrancisco_Amnesia_LastNight_02292020_4915-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/014_KQED_SanFrancisco_Amnesia_LastNight_02292020_4915-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/014_KQED_SanFrancisco_Amnesia_LastNight_02292020_4915.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd watches Caravan 222 play on Feb. 29, 2020. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>To close the night, Caravan 222 plays the last set for Amnesia’s final show. In between songs, the band announces that due to the closing of Amnesia, they are changing their name to the Chinatown Mustangs. “We’ve had a lot of good times here. And we’ll have a lot of good times in the future,” the band said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Looking for another small venue in the Mission District to see local or underground music? Here are some places to stop by: \u003ca href=\"http://www.makeoutroom.com/\">The Makeout Room\u003c/a>, \u003ca href=\"https://theknockoutsf.com/\">The Knockout\u003c/a>, \u003ca href=\"http://ritespotcafe.net/\">Rite Spot\u003c/a>, \u003ca href=\"http://www.amadossf.com/\">Amado’s\u003c/a> and \u003ca href=\"https://www.elriosf.com/\">El Rio\u003c/a> host a consistent rotation of music. Missing gypsy jazz? Check out \u003ca href=\"http://www.revolutioncafesf.com/\">Revolution Cafe\u003c/a>. For an acoustic set, \u003ca href=\"https://www.thelostchurch.com/san-francisco.html\">The Lost Church\u003c/a> has you covered. While \u003ca href=\"https://www.thechapelsf.com/\">The Chapel\u003c/a> and \u003ca href=\"https://www.brickandmortarmusic.com/\">Brick & Mortar\u003c/a> are larger venues, they book both local and touring bands.\u003c/p>\n\n",
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"excerpt": "The Mission District bar — with capacity for only about 100 people — is another one of the city's small music venues to shut down in recent years.",
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"title": "Amnesia's Last Show: An 'Essential' SF Venue for Local Artists Closes After 20 Years | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Amnesia ended its 20-year run as a music venue with a sold-out show Saturday night. The Mission District bar — with capacity for less than 100 people — is another one of San Francisco’s small music venues to shut down in recent years.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>General Manager Adam Del Rio said that there was a combination of problems that led to the venue closing. “The last year has been a struggle. Shows haven’t been as well attended and people have been drinking less,” he said.\u003c/p>\n\u003cp>The owners plan to reopen the bar and pledge that it will live on as a neighborhood gathering space, as it has been for the past 100 years. “It’s been a wild and wonderful run, and truly bittersweet to say goodbye,” Craig Wathen, Amnesia’s owner, said in a statement.\u003c/p>\n\u003cfigure id=\"attachment_11804480\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11804480\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/03/024_KQED_SanFrancisco_Amnesia_LastNight_02292020_9389-1.jpg\" alt=\"Parker Simon plays bass for the band Tong, who opened the final show at Amnesia on Saturday night. This is the band's 10th time playing at the venue and Parker said, "We found our identity as a band at Amnesia." When asked about the closure of the venue and what it means to him he said, "It scares me. Especially seeing somewhere like this to close. As you're coming up as a new band ... these are the only kinds of places where you can start to build. You can't go straight to the Independent or anything like that. These places are so essential because they'll give anybody a chance. It's one less place supporting creativity."\" width=\"1920\" height=\"1278\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/024_KQED_SanFrancisco_Amnesia_LastNight_02292020_9389-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/024_KQED_SanFrancisco_Amnesia_LastNight_02292020_9389-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/024_KQED_SanFrancisco_Amnesia_LastNight_02292020_9389-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/024_KQED_SanFrancisco_Amnesia_LastNight_02292020_9389-1-1020x679.jpg 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The band Tong opens during Amnesia’s last show on Feb. 29, 2020. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As the final show at Amnesia begins Saturday night, Parker Simon plays bass for the band Tong. This is the band’s tenth time playing at the venue, and Simon said, “We found our identity as a band at Amnesia.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>When asked about the closure of the venue and what it means to him, he said, “It scares me. Especially seeing somewhere like this to close. As you’re coming up as a new band … these are the only kinds of places where you can start to build. You can’t go straight to the Independent or anything like that. These places are so essential because they’ll give anybody a chance. It’s one less place supporting creativity.”\u003c/p>\n\u003cfigure id=\"attachment_11804491\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11804491\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/03/012_KQED_SanFrancisco_Amnesia_LastNight_02292020_4871.jpg\" alt=\"Patrons dance to the band Novio Electrico during the last night of Amnesia on Saturday.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/012_KQED_SanFrancisco_Amnesia_LastNight_02292020_4871.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/012_KQED_SanFrancisco_Amnesia_LastNight_02292020_4871-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/012_KQED_SanFrancisco_Amnesia_LastNight_02292020_4871-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/012_KQED_SanFrancisco_Amnesia_LastNight_02292020_4871-1020x680.jpg 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Patrons dance to the band Novio Electrico during the last night of Amnesia on Saturday. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11804477\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11804477\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/03/023_KQED_SanFrancisco_Amnesia_LastNight_02292020_9357.jpg\" alt=\"A slim selection of beer remained at Amnesia in San Francisco during the music venue's last night on Saturday. The sign reads, "Thank you! It has been one HELL of a run." The bar will reopen in another capacity in the future, but not as a music venue. In a statement from the current owner Craig Wathen, who also owns City Beer Store, he said "In 2015 we took over the helm at Amnesia. In those five years, we have put on over 4,000 shows, shared countless experiences, served thousands of beers, and created many joyful memories. Amnesia has been a great experience for our families, and we want to thank all the musicians, patrons and employees for that gift." He goes on to say that, "We’ve explored many options over the course of the past two years, but the hard truth is that this business is not fiscally sustainable."\" width=\"1920\" height=\"1278\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/023_KQED_SanFrancisco_Amnesia_LastNight_02292020_9357.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/023_KQED_SanFrancisco_Amnesia_LastNight_02292020_9357-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/023_KQED_SanFrancisco_Amnesia_LastNight_02292020_9357-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/023_KQED_SanFrancisco_Amnesia_LastNight_02292020_9357-1020x679.jpg 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The drink board is unusually empty during Amnesia’s last show. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On a drink board once full of craft beer choices, only a few remain. The sign reads, “Thank you! It has been one HELL of a run.”\u003c/p>\n\u003cp>The bar will reopen in another capacity in the future, but not as a music venue. In a statement from Wathen, who also owns City Beer Store, he said, “In 2015 we took over the helm at Amnesia. In those five years, we have put on over 4,000 shows, shared countless experiences, served thousands of beers and created many joyful memories. Amnesia has been a great experience for our families, and we want to thank all the musicians, patrons and employees for that gift. We’ve explored many options over the course of the past two years, but the hard truth is that this business is not fiscally sustainable.”\u003c/p>\n\u003cfigure id=\"attachment_11804417\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11804417\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/03/020_KQED_SanFrancisco_Amnesia_LastNight_02292020_4839.jpg\" alt=\"Rex Shelverton plays in Novio Electrico during the last night of the small music venue Amnesia on Saturday night. The band has played at Amnesia just about every 6 weeks for the past 1 1/2 years. Rex Shelverton said, "I've been playing here since it was called the Chameleon. It feels like such a neighborhood spot. It doesn't feel like such a destination like the way The Chapel does. I love all those places too. This is just more casual, you can just show up." When asked about the future of small music venue's in San Francisco he said, "City's change. Unfortunately, it's the way it goes."\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/020_KQED_SanFrancisco_Amnesia_LastNight_02292020_4839.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/020_KQED_SanFrancisco_Amnesia_LastNight_02292020_4839-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/020_KQED_SanFrancisco_Amnesia_LastNight_02292020_4839-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/020_KQED_SanFrancisco_Amnesia_LastNight_02292020_4839-1020x680.jpg 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Guitarist Rex Shelverton plays with Novio Electrico. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Next up on stage is Novio Electrico. Rex Shelverton plays guitar for the band, which has played at Amnesia just about every month for the past one and a half years.\u003c/p>\n\u003cp>“I’ve been playing here since it was called the Chameleon. It feels like such a neighborhood spot. It doesn’t feel like such a destination like the way The Chapel does. I love all those places, too. This is just more casual, you can just show up,” Shelverton said.\u003c/p>\n\u003cp>When asked about the future of small music venues in San Francisco, he said, “Cities change. Unfortunately, it’s the way it goes.”\u003c/p>\n\u003cfigure id=\"attachment_11804485\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11804485 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/03/013_KQED_SanFrancisco_Amnesia_LastNight_02292020_4894-800x533.jpg\" alt=\"Amnesia's General Manager Adam Del Rio (left) hangs out backstage during the last show at the venue on Saturday night. He said that there was a combination of problems that lead to the closure. “The last year has been a struggle. Shows haven’t been as well attended and people have been drinking less in general.” He has many fond memories of the bar, including playing his own music and "watching the kids who cut their teeth here. They're stoked to play and have a rock n roll show."\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/013_KQED_SanFrancisco_Amnesia_LastNight_02292020_4894-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/013_KQED_SanFrancisco_Amnesia_LastNight_02292020_4894-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/013_KQED_SanFrancisco_Amnesia_LastNight_02292020_4894-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/013_KQED_SanFrancisco_Amnesia_LastNight_02292020_4894.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Amnesia’s General Manager Adam Del Rio (left) hangs out backstage during the last show at the venue on Saturday night. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Hanging out backstage, Amnesia’s General Manager, Adam Del Rio, talked about his favorite memories of the bar, including playing his own music and “watching the kids who cut their teeth here. They’re stoked to play and have a rock ‘n’ roll show.”\u003c/p>\n\u003cfigure id=\"attachment_11804486\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11804486 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/03/013_KQED_SanFrancisco_Amnesia_LastNight_02292020_9511-1-800x533.jpg\" alt=\"Indiana Hale plays during the last night at Amnesia on Saturday night. The bar was known for its eclectic music nights, cozy space and dim red lighting. Mondays were bluegrass and Wednesdays were jazz and other nights could be anything and everything in between.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/013_KQED_SanFrancisco_Amnesia_LastNight_02292020_9511-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/013_KQED_SanFrancisco_Amnesia_LastNight_02292020_9511-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/013_KQED_SanFrancisco_Amnesia_LastNight_02292020_9511-1-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/013_KQED_SanFrancisco_Amnesia_LastNight_02292020_9511-1.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Indianna Hale plays during the last night at Amnesia on Saturday night. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11804425\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11804425\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/03/022_KQED_SanFrancisco_Amnesia_LastNight_02292020_4864.jpg\" alt=\"Regulars, band members and staff fill Amnesia during the last night of music on Saturday.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/022_KQED_SanFrancisco_Amnesia_LastNight_02292020_4864.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/022_KQED_SanFrancisco_Amnesia_LastNight_02292020_4864-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/022_KQED_SanFrancisco_Amnesia_LastNight_02292020_4864-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/022_KQED_SanFrancisco_Amnesia_LastNight_02292020_4864-1020x680.jpg 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Regulars, band members and staff fill Amnesia during the last night of music on Saturday. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The bar was known for its eclectic music nights, cozy space and dim red lighting. Mondays were bluegrass, Wednesdays were jazz and other nights could be anything and everything in between.\u003c/p>\n\u003cfigure id=\"attachment_11804484\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11804484\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/03/015_KQED_SanFrancisco_Amnesia_LastNight_02292020_9533-800x533.jpg\" alt=\"Caravan 222 plays during the last night before the venue closes on March 1, 2020.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/015_KQED_SanFrancisco_Amnesia_LastNight_02292020_9533-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/015_KQED_SanFrancisco_Amnesia_LastNight_02292020_9533-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/015_KQED_SanFrancisco_Amnesia_LastNight_02292020_9533-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/015_KQED_SanFrancisco_Amnesia_LastNight_02292020_9533.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Caravan 222 plays during the last night before the venue closes. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11804490\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11804490 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/03/014_KQED_SanFrancisco_Amnesia_LastNight_02292020_4915-800x533.jpg\" alt='Caravan 222 plays the last set during the last night at Amnesia on Saturday. They announced during their set that due to the closing of Amnesia they would change their name to the Chinatown Mustangs. Guitarist Jacob Landry said, \"this is a huge loss for me.\"' width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/014_KQED_SanFrancisco_Amnesia_LastNight_02292020_4915-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/014_KQED_SanFrancisco_Amnesia_LastNight_02292020_4915-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/014_KQED_SanFrancisco_Amnesia_LastNight_02292020_4915-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/03/014_KQED_SanFrancisco_Amnesia_LastNight_02292020_4915.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd watches Caravan 222 play on Feb. 29, 2020. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>To close the night, Caravan 222 plays the last set for Amnesia’s final show. In between songs, the band announces that due to the closing of Amnesia, they are changing their name to the Chinatown Mustangs. “We’ve had a lot of good times here. And we’ll have a lot of good times in the future,” the band said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Looking for another small venue in the Mission District to see local or underground music? Here are some places to stop by: \u003ca href=\"http://www.makeoutroom.com/\">The Makeout Room\u003c/a>, \u003ca href=\"https://theknockoutsf.com/\">The Knockout\u003c/a>, \u003ca href=\"http://ritespotcafe.net/\">Rite Spot\u003c/a>, \u003ca href=\"http://www.amadossf.com/\">Amado’s\u003c/a> and \u003ca href=\"https://www.elriosf.com/\">El Rio\u003c/a> host a consistent rotation of music. Missing gypsy jazz? Check out \u003ca href=\"http://www.revolutioncafesf.com/\">Revolution Cafe\u003c/a>. For an acoustic set, \u003ca href=\"https://www.thelostchurch.com/san-francisco.html\">The Lost Church\u003c/a> has you covered. While \u003ca href=\"https://www.thechapelsf.com/\">The Chapel\u003c/a> and \u003ca href=\"https://www.brickandmortarmusic.com/\">Brick & Mortar\u003c/a> are larger venues, they book both local and touring bands.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"title": "Live from Here Highlights",
"info": "Chris Thile steps to the mic as the host of Live from Here (formerly A Prairie Home Companion), a live public radio variety show. Download Chris’s Song of the Week plus other highlights from the broadcast. Produced by American Public Media.",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 13
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"info": "Presented by KQED, KCRW and KPCC, and created and hosted by award-winning journalist Farai Chideya, Our Body Politic is unapologetically centered on reporting on not just how women of color experience the major political events of today, but how they’re impacting those very issues.",
"airtime": "SAT 6pm-7pm, SUN 1am-2am",
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"order": 15
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
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"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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