"A friend of mine who helped me write, he gave me a note before I went on," she says. The note, she recalls, said: Be true to yourself. Never apologize. Burn it to the ground.
Arguably, she did just that: "I wouldn't change a single word. I'm very happy with what I said, and I'm glad I stuck to my guns."
On what makes the White House Correspondents' Dinner a "bad room" for comedy
It's a large ballroom. The audience isn't miked so ... the laughs aren't very audible in general. But it's also ... formal [and] people don't laugh as much when they're dressed up. There's round tables and people are eating or drinking, so by the virtue of a round table, people are partially turned away from you.
And it's televised and there are all these people that may or may not be able to show genuine reactions and so [some audience members are] constantly thinking, 'I need to react in a way that will come off well on TV.' ... [That laughing would] make them look partisan or make them look like they're laughing at someone they shouldn't be laughing at.
On whether the organizers knew her work
I think sometimes they look at a woman and they think 'Oh, she'll be nice,' and if you've seen any of my comedy you know that I don't — I'm not. I don't pull punches. I'm not afraid to talk about things. And I don't think they expected that from me. I think they still have preconceived notions of how women will present themselves and I don't fit in that box.
On having more liberty to make fun of women because she's a woman
As a woman, I have access to hit women in a way that men might not be able to hit them with jokes. I don't mean physically hit. But you know, because I'm a woman, I can say things about women, because I know what it's like to be a woman, if that makes any sense. ... I think in general when I talk about women, like in my special when I talked about Hillary [Clinton], I called Hillary a b****, which you later find out is a compliment. But no, I don't think a man could've gotten away with saying that. It would've sounded misogynistic.
On her joke that White House press secretary Sarah Sanders's "smoky" eye shadow comes from burning "facts"
I think people have a lot of preconceived notions about Sarah's looks and I think a lot of what's happening is they're projecting onto this joke. ... I think it's clear that the joke wasn't about Sarah's looks, but I don't think — to me it's so obvious that I don't even really need to defend it. I think if you listen to the joke you'll understand that it's about the fact that she lies and if it's taken another way I think you should go back and listen to it again. ...
If there [are] two people that I actually made fun of their looks on Saturday it was Mitch McConnell and Chris Christie and no one is jumping to their defense. I made fun of Mitch McConnell's neck and I did a small jab at Chris Christie's weight and no one is jumping to their defense.
On comparing Sanders to Aunt Lydia on The Handmaid's Tale TV series because she's the "mouthpiece" for the administration
I was talking about her personality and I think it says a lot about our society that you would immediately think I was talking about her looks rather than her personality. Because I think if it was a man you wouldn't have jumped to those conclusions. If I was talking about a man you would've been like, 'She's talking about his abilities,' but because I was talking about a woman you're like, 'She's talking about her looks.'
What we didn't see at the White House Correspondents' Dinner
Part of the dinner that wasn't televised is they were giving out awards and everyone was standing to congratulate the people that were getting awards and [White House press secretary] Sarah [Sanders] was sitting. ... CNN reporters got awards. ... They came up to accept them and [Sanders] sat the whole time, while we all stood and shook their hands. I would say if this is about celebrating the media, she wasn't there to celebrate the media.
Heidi Saman and Seth Kelley produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Meghan Sullivan adapted it for the Web.
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