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"content": "\u003cp>Valentine’s Month in San Francisco should be less inhibited than anywhere else in the country. We have a reputation to uphold, after all. So the normally innocuous phrase “date movie” necessarily must take on a different meaning, sans innocence. Infuse it with inuendo and suggestiveness, and when the lights go down, whisper sweet nothings in his or her ear. These films will do the rest.\u003c/p>\n\u003cp>With a lineup deviously strewn with half-demented fictions and outré visions, S.F. Indiefest (Feb 6-20, 2014 at the Roxie) is a magnet for adventurous lovebirds and existential slackers. Pick your rose-red poison from a bouquet of singular works. Here are two exceptionally seductive lookers. \u003ci>Cheatin’\u003c/i> (Feb. 7 and 11 at the Roxie, Feb. 17 at the New Parkway) finds the wildly imaginative animator Bill Plympton applying his puckish worldview to a love story jump-started by a minor car accident. Sparks fly, desires ignite and, eventually, the green-eyed monster makes an appearance. \u003ci>Loveless Zoritsa\u003c/i> (Feb. 9 and 11 at the Roxie) is a dark-haired sorceress who inflames passions in a Serbian village: Anyone who falls for her meets an untimely demise, while everyone else thinks she’s a witch or worse. When a cop arrives to investigate, black comedy and romance square off in a heartfelt battle. For \u003ca href=\"http://sfindie.com/festivals/sf-indiefest/\">more information\u003c/a> visit sfindie.com.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/zoritsa.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>\u003ci>Loveless Zoritsa\u003c/i>\u003cbr>\u003c/center>\n\u003cp>Experimental film revels in the nonlinear, poetic and abstract. Love is illogical. See the connection? Open your mind — and someone else’s — at the second ASKEW Film and Performance Festival at Yerba Bunea Center for the Arts. The three-night extravaganza, curated by Madison Young under the auspices of Femina Potens Art Gallery’s Live Art Movement, draws on a range of art forms (film, dance, song, etc.) to rebuke, reject and revoke conventional views of conformity, gender and sexuality. Each program is different, and it’s mighty hard to choose among We All Live Here: Primal Expressionism (Feb 6), Breaking Stones: Defining New Roles of Masculinity (Feb 7) and The Sacred and the Profane (Feb 8), the one most germane to this month’s theme. Feel lucky? You should. For \u003ca href=\"http://www.ybca.org/femina-potens\">more information\u003c/a> visit ybca.org.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/leweekend.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>\u003ci>Le Week-end\u003c/i>\u003cbr>\u003c/center>\n\u003cp>\u003ci>Le Week-end\u003c/i>, Roger Michell’s wise and enthralling portrait of an English couple marking and occasionally celebrating their 30th anniversary on a sojourn to Paris, asks us to consider the numerous things that familiarity breeds. The opening night selection (Feb 13 at the Jewish Community Center) of the annual Mostly British Film Festival (running through Feb 20 at the Vogue, and Feb 18-20 at the Smith Rafael Film Center) stars the criminally underappreciated Jim Broadbent opposite Lindsay Duncan. It’s hard to imagine any of the pretty young things dipping and darting through \u003ci>Love Me ‘Till Monday\u003c/i> (Feb 14) sticking with a partner for three decades, which doesn’t make Justin Hardy’s debut feature any less juicy a Valentine’s Day treat. For \u003ca href=\"http://mostlybritish.org/\">more information\u003c/a> visit mostlybritish.org. If you prefer your romantic and emotional climaxes in 90 seconds or less, you’re already a fan of the annual British Arrow Awards (Feb 13-20 at Yerba Buena Center for the Arts) saluting the best ads of the year from across the pond. Or do you say adverts? For \u003ca href=\"http://www.ybca.org/british-arrows\">more information\u003c/a> visit ybca.org.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/colorpurple.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>\u003ci>The Color Purple\u003c/i>\u003cbr>\u003c/center>\n\u003cp>What’s the hottest color? There are multiple answers at the Castro in February. Marc Huestis choreographs a Valentine’s Day homage with Academy Award-nominated actress Margaret Avery (Shug) dishing the goods onstage before \u003ci>The Color Purple\u003c/i>. Filmmaker Pratibha Parmar joins in the festivities with a chunk of her new documentary, \u003ci>Alice Walker: Beauty in Truth\u003c/i>. If, by some bizarre circumstance, you need help getting in the mood, the intense French (do I repeat myself?) relationship drama \u003ci>Blue Is the Warmest Color\u003c/i> plays Feb 3. And if you detest Valentine’s Day above all other holidays, Wednesdays provide a stiff antidote with Coen Brothers Abridged (Feb 12, 19, 26). Love is in desperately short supply in this mini-retrospective. For \u003ca href=\"www.castrotheatre.com/coming-soon.html\">more information\u003c/a> visit castrotheatre.com.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/hump.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>\u003ci>Hump!\u003c/i>\u003cbr>\u003c/center>\n\u003cp>\u003c/p>\n\u003cp>Five minutes is enough time to — whoa! Is that all you think about? I was going to say construct a potent and satisfying short story on film (or digital video, more likely). If the subject matter happens to be sex, well, odds are we’re referring to the Hump! Tour. Curated by the proudly subversive advice columnist Dan Savage from a starburst of entries from regular folks in the Pacific Northwest, the 15 short films on view (seven shows spread across Feb 28 and Mar 1 at the Roxie) cover the SGLBT waterfront. (S is for straight, don’t you know.) What may sound like catnip for voyeurs is likely, at some point, to turn into embarrassed or amused self-recognition. Go with someone you want to love. For \u003ca href=\"http://www.roxie.com/ai1ec_event/hump-tour/?instance_id=520\">more information\u003c/a> visit roxie.com.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Valentine’s Month in San Francisco should be less inhibited than anywhere else in the country. We have a reputation to uphold, after all. So the normally innocuous phrase “date movie” necessarily must take on a different meaning, sans innocence. Infuse it with inuendo and suggestiveness, and when the lights go down, whisper sweet nothings in his or her ear. These films will do the rest.\u003c/p>\n\u003cp>With a lineup deviously strewn with half-demented fictions and outré visions, S.F. Indiefest (Feb 6-20, 2014 at the Roxie) is a magnet for adventurous lovebirds and existential slackers. Pick your rose-red poison from a bouquet of singular works. Here are two exceptionally seductive lookers. \u003ci>Cheatin’\u003c/i> (Feb. 7 and 11 at the Roxie, Feb. 17 at the New Parkway) finds the wildly imaginative animator Bill Plympton applying his puckish worldview to a love story jump-started by a minor car accident. Sparks fly, desires ignite and, eventually, the green-eyed monster makes an appearance. \u003ci>Loveless Zoritsa\u003c/i> (Feb. 9 and 11 at the Roxie) is a dark-haired sorceress who inflames passions in a Serbian village: Anyone who falls for her meets an untimely demise, while everyone else thinks she’s a witch or worse. When a cop arrives to investigate, black comedy and romance square off in a heartfelt battle. For \u003ca href=\"http://sfindie.com/festivals/sf-indiefest/\">more information\u003c/a> visit sfindie.com.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/zoritsa.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>\u003ci>Loveless Zoritsa\u003c/i>\u003cbr>\u003c/center>\n\u003cp>Experimental film revels in the nonlinear, poetic and abstract. Love is illogical. See the connection? Open your mind — and someone else’s — at the second ASKEW Film and Performance Festival at Yerba Bunea Center for the Arts. The three-night extravaganza, curated by Madison Young under the auspices of Femina Potens Art Gallery’s Live Art Movement, draws on a range of art forms (film, dance, song, etc.) to rebuke, reject and revoke conventional views of conformity, gender and sexuality. Each program is different, and it’s mighty hard to choose among We All Live Here: Primal Expressionism (Feb 6), Breaking Stones: Defining New Roles of Masculinity (Feb 7) and The Sacred and the Profane (Feb 8), the one most germane to this month’s theme. Feel lucky? You should. For \u003ca href=\"http://www.ybca.org/femina-potens\">more information\u003c/a> visit ybca.org.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/leweekend.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>\u003ci>Le Week-end\u003c/i>\u003cbr>\u003c/center>\n\u003cp>\u003ci>Le Week-end\u003c/i>, Roger Michell’s wise and enthralling portrait of an English couple marking and occasionally celebrating their 30th anniversary on a sojourn to Paris, asks us to consider the numerous things that familiarity breeds. The opening night selection (Feb 13 at the Jewish Community Center) of the annual Mostly British Film Festival (running through Feb 20 at the Vogue, and Feb 18-20 at the Smith Rafael Film Center) stars the criminally underappreciated Jim Broadbent opposite Lindsay Duncan. It’s hard to imagine any of the pretty young things dipping and darting through \u003ci>Love Me ‘Till Monday\u003c/i> (Feb 14) sticking with a partner for three decades, which doesn’t make Justin Hardy’s debut feature any less juicy a Valentine’s Day treat. For \u003ca href=\"http://mostlybritish.org/\">more information\u003c/a> visit mostlybritish.org. If you prefer your romantic and emotional climaxes in 90 seconds or less, you’re already a fan of the annual British Arrow Awards (Feb 13-20 at Yerba Buena Center for the Arts) saluting the best ads of the year from across the pond. Or do you say adverts? For \u003ca href=\"http://www.ybca.org/british-arrows\">more information\u003c/a> visit ybca.org.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/colorpurple.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>\u003ci>The Color Purple\u003c/i>\u003cbr>\u003c/center>\n\u003cp>What’s the hottest color? There are multiple answers at the Castro in February. Marc Huestis choreographs a Valentine’s Day homage with Academy Award-nominated actress Margaret Avery (Shug) dishing the goods onstage before \u003ci>The Color Purple\u003c/i>. Filmmaker Pratibha Parmar joins in the festivities with a chunk of her new documentary, \u003ci>Alice Walker: Beauty in Truth\u003c/i>. If, by some bizarre circumstance, you need help getting in the mood, the intense French (do I repeat myself?) relationship drama \u003ci>Blue Is the Warmest Color\u003c/i> plays Feb 3. And if you detest Valentine’s Day above all other holidays, Wednesdays provide a stiff antidote with Coen Brothers Abridged (Feb 12, 19, 26). Love is in desperately short supply in this mini-retrospective. For \u003ca href=\"www.castrotheatre.com/coming-soon.html\">more information\u003c/a> visit castrotheatre.com.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/hump.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>\u003ci>Hump!\u003c/i>\u003cbr>\u003c/center>\n\u003cp>\u003c/p>\n\u003cp>Five minutes is enough time to — whoa! Is that all you think about? I was going to say construct a potent and satisfying short story on film (or digital video, more likely). If the subject matter happens to be sex, well, odds are we’re referring to the Hump! Tour. Curated by the proudly subversive advice columnist Dan Savage from a starburst of entries from regular folks in the Pacific Northwest, the 15 short films on view (seven shows spread across Feb 28 and Mar 1 at the Roxie) cover the SGLBT waterfront. (S is for straight, don’t you know.) What may sound like catnip for voyeurs is likely, at some point, to turn into embarrassed or amused self-recognition. Go with someone you want to love. For \u003ca href=\"http://www.roxie.com/ai1ec_event/hump-tour/?instance_id=520\">more information\u003c/a> visit roxie.com.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"soldout": {
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