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"disqusTitle": "10 Films You Need to See to Have a Conversation in San Francisco",
"title": "10 Films You Need to See to Have a Conversation in San Francisco",
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"content": "\u003cfigure id=\"attachment_11727\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/?attachment_id=11727\" rel=\"attachment wp-att-11727\">\u003cimg class=\"size-full wp-image-11727\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/03/vertigo.jpg\" alt=\"Photo: Universal Pictures\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/03/vertigo.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/03/vertigo-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Universal Pictures\u003c/figcaption>\u003c/figure>\n\u003cp>Every clique and every city has those films that inevitably come up with greater frequency in conversation. Whether it's because it features the city brilliantly, was made by local talent, has an aesthetic that's been embraced by the neighborhood creatives or is just so brilliant it was bound to be championed by the local thinkers, some films are just beloved city-wide.\u003c/p>\n\u003cp>In my interviews and conversations with other writers and people in the entertainment industry, one theme about our city keeps asserting itself: San Francisco is incredibly film savvy. But of course: we've had Coppola down the block since the '70s, more film festivals than you can count and an active and engaged Film Commission that's making San Francisco a nouveau production Mecca. \u003c/p>\n\u003cp>There could be 30 films on this list of movies you need to see to have a conversation in SF, but I'm going to narrow it down to the films that are most referenced in my personal circles; otherwise, we'd be here all night! If I miss any of your favorites (spoiler alert: I will), leave the title in the comments below!\u003c/p>\n\u003cp>\u003cstrong>Modern Times\u003c/strong>\u003cem>\u003c/em> (1936)\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/IjarLbD9r30\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>Charlie Chaplin's relationship with the Bay Area goes back a century; many of his earliest shorts were filmed across the Bay in the charming \u003cem>ville\u003c/em> of Niles Canyon (check out their main street and you'll find lots of Little Tramp branding at local businesses). Any true film lover has an appreciation for the comedic and balletic genius that is Charlie Chaplin and, in San Francisco, \u003cem>Modern Times\u003c/em> seems to be the film most people have the greatest affinity for. It's no surprise Chaplin's indictment of soulless industry, spirit-crushing capitalism and automation (as best personified by the famous scene where Chaplin slips through an assembly-line's gears) continues to resonate with local, politically left audiences. Fun fact: it's the only Chaplin film that features the Little Tramp walking down the dusty road at the end of the film with a friend, the film's heroine, Paulette Goddarrd (his wife at the time). Runner up Chaplin film: \u003cem>City Lights\u003c/em>, 1931.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Pink Flamingos\u003c/em>\u003c/strong> (1972)\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/vUd_6FF4AtM\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>Although John Waters is a filmmaker most closely associated with his hometown of Baltimore, he has been embraced in San Francisco since he began touring here for screenings with his drag queen star Divine in the late 1960s. Something about Waters' appreciation of aesthetic kitsch, his \"hippies who were really punks\" characters, his zing-y dialogue amidst absurdly joyful plots and his totally irreverent championing of the outsider has always spoken directly to the spirt of the city. How lucky are we that Waters now makes his home here part of the year? His most famous/notorious film remains 1972's \u003cem>Pink Flamingos,\u003c/em> and if you don't know why it's notorious, we're not going to tell you. What we \u003cem>can\u003c/em> tell you about the film is that it stars Divine and Waters' other iconic \"Dreamland\" actors (Edith Massey, Mink Stole, Mary Vivian Pierce, David Lockary) battling to see who is most worthy of the title \"The Filthiest People Alive.\" It's not just the gays that reference John Waters in San Francisco; all the cool straight people of any generation also know this film and for good reason.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Grey Gardens \u003c/em>\u003c/strong>(1975)\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/mumWYU5aHBU\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>\"Let's make the hat a little more \u003cem>Grey Gardens\u003c/em>.\" \"She hadn't cleaned in so long, it looked like \u003cem>Grey Gardens\u003c/em> up in her place.\" \"I love her. She's such a Little Edie type.\" These are all references people have made to the 1975 documentary \u003cem>Grey Gardens\u003c/em> in the last two days alone. The Maysles Brothers' film chronicles the lives of \"Big Edie\" Bouvier Beale and her daughter \"Little Edie\" Beale -- aunt and cousin of former First Lady Jacqueline Kennedy Onassis -- who were living in a rather decayed East Hampton mansion that was the frequent target of the local board of health. The vivid, amusing and poetic mother and daughter (79 and 56 at the time of filming) sang, danced and bickered through Tennessee Williams-esque looks back at their pasts and started countless fashion trends with their DIY bohemian costumes. Little Edie's penchant for head coverings, sweaters worn as skirts (and capes), bathing suit bodices with lace curtain sarongs all held together by a broach have been famously paid homage in various fashion magazines, music videos and art exhibitions, and the film remains a touchstone for documentary film lovers around the world. The Edies' strong streaks of individuality are probably what rings the truest for San Franciscans; aristocrats throwing off their constraints to live like artists was once a very San Francisco quality.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>The Maltese Falcon \u003c/em>\u003c/strong>(1941)\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/phUxnXGhEiI\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>Although none of the noir classic was actually shot in San Francisco (there's some stock footage used for establishing shots at the beginning of the film), you feel like you're actually in the Tenderloin of the '30s and '40s whenever you watch the famed Humphrey Bogart detective film. When you think San Francisco noir, you think of Dashiell Hammett's \u003cem>The Maltese Falcon\u003c/em> (almost every trope of the genre came from this film). It is your civic duty to watch and reference this film at least once a year and, at least once in your life, you must visit the falcon displayed at John's Grill and then swing by Dashiell Hammett Alley (where the writer's Tenderloin apartment was located) to pay your respects. Don't embarrass yourself by not getting references to \"the stuff dreams are made of\" or any other moments from the film. Netflix it! Or better yet, see it at the Castro Theatre next time it's playing.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>So I Married an Axe Murder \u003c/em>\u003c/strong>(1993)\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/O3TgDBN7wk4\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>Everything \u003cem>The Maltese Falcon\u003c/em> is to 1930s San Francisco, \u003cem>So, I Married An Axe Murderer\u003c/em> is to 1990s San Francisco. Natives all know this film: the then under-appreciated Mike Myers comedy has some extremely good vista shots of the city (unexpected neighborhoods too, like Noe Valley and North Beach). It also takes one back to the Beat revival of the '90s coffee house scene for laugh out loud scenes where Myers performs poems about his ex girlfriends with a jazz band. There are thousands of in-jokes still quoted with regularity by kids who grew up in San Francisco in the '90s. Plus, this is the movie that taught us what a haggis is! \"Helllllloooo!\" By the way, you can call me Vicki.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Gimme Shelter\u003c/strong>\u003c/em> (1970)\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/nPNeh4d9guk\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>The Maysles Brothers' documentary following the Rolling Stones on tour has a notorious Bay Area connection: the disastrous Altamont Free Concert was filmed on location at the speedway in Livermore, where a teen was famously stabbed to death during a riot. That said, it's a film that continues to come up in conversation for the incredible footage of the Stones performing live and because many a local camera crew was swept into the production for addition footage. The men and women that were there still love to share their stories, whether they were crew or concert-goer. My favorite comes from a friend who was working with a group of KQED camera operators at the concert: \"You just used the camera to guard yourself and hoped it was still capturing something.\"\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Eraserhead \u003c/em>\u003c/strong>(1977)\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/dU7OqGCIcak\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>David Lynch's dark, experimental and slightly revolting (in the best sense of the word) midnight movie \u003cem>Eraserhead\u003c/em> is not a film to everyone's liking, but for some reason has a loyal San Francisco following. Screenings at the Castro, Roxie and elsewhere in recent years have always been full, and the occasional cutesy drag homage to the film's dancing roast chickens and the lady in the radiator are always good fun. Only in San Francisco can a film that has terrified other audiences with its surreal depictions of nightmarish infants be seen as a beloved aesthetic reference. My favorite local \u003cem>Eraserhead\u003c/em> moment would have to be the bartender whose ringtone was the Pixies' cover of the film's theme song: \"In Heaven, Everything is Fine.\"\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Hemingway and Gellhorn\u003c/em>\u003c/strong> (2012)\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/pWFuQlLqqZk\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>Phillip Kaufman's 2012 HBO bio about the marriage between writers Ernest Hemingway and Martha Gellhorn (staring Clive Owen and Nicole Kidman) received mixed reviews, but for months after, San Franciscans couldn't help but mention the Bay Area locations that doubled as foreign countries in film. Marin is Spain! Sausalito is Cuba! Herbst Theater is New York! Even though we're not given credit for it, San Francisco has never looked so good on screen, even if we're playing another city. Nicole Kidman's performance as pioneering female war correspondent Martha Gellhorn also garnered some much deserved praise, easily her strongest character since Virginia Woolf.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Bullit\u003c/strong>\u003c/em> (1968)\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/-Lbs_nYW3-o\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>I'm going to be totally honest with you: I know I've seen the entire Steve McQueen film \u003cem>Bullit\u003c/em> more than once in its entirety, but I only have a vague sense of what the plot is. Something about McQueen as a detective guarding a mob witness and... Yeah, let's just talk about the car chase. One of the most famous car chases in American cinema is featured in \u003cem>Bullit\u003c/em> where McQueen, in a 1968 Ford Mustang, goes after the bad guys up and down the hills of San Francisco, as they race around in a 1968 Dodge Charger. Both cars have become iconic to film fans and gear heads alike, and the chase showed off San Francisco like no other film before or since. All these years later, we're still proudly talking about McQueen's bad-assery in this film and it's still fun to try retracing the chase route. Anyone with a '68 Charger want to give me a ride for a follow-up blog?\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Vertigo \u003c/em>\u003c/strong>(1958)\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/Z5jvQwwHQNY\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>It has been called one of the most perfect films in cinematic history, and it was mostly shot in San Francisco. No wonder we can't stop talking about it! The Hitchcock classic about dual identity and a certain dizzying feelings stars Jimmy Stewart and Kim Novak in two of the best performances of their careers, and let's just leave plot and character at that. If you haven't seen \u003cem>Vertigo\u003c/em>, I do not want to be the one that gives it away! Fort Point, the Legion of Honor and the Mission Dolores cemetery all have beautiful scenic cameos. Don't let this one fly over your head in conversation any longer; see the movie and then reference away the next time you're bantering with one of our informed cinema citizenry at the next film festival cocktail party.\u003c/p>\n\n",
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"excerpt": "Don't let any more film references go over you head! These are the movies every San Franciscan should know.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_11727\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/?attachment_id=11727\" rel=\"attachment wp-att-11727\">\u003cimg class=\"size-full wp-image-11727\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/03/vertigo.jpg\" alt=\"Photo: Universal Pictures\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/03/vertigo.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/03/vertigo-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Universal Pictures\u003c/figcaption>\u003c/figure>\n\u003cp>Every clique and every city has those films that inevitably come up with greater frequency in conversation. Whether it's because it features the city brilliantly, was made by local talent, has an aesthetic that's been embraced by the neighborhood creatives or is just so brilliant it was bound to be championed by the local thinkers, some films are just beloved city-wide.\u003c/p>\n\u003cp>In my interviews and conversations with other writers and people in the entertainment industry, one theme about our city keeps asserting itself: San Francisco is incredibly film savvy. But of course: we've had Coppola down the block since the '70s, more film festivals than you can count and an active and engaged Film Commission that's making San Francisco a nouveau production Mecca. \u003c/p>\n\u003cp>There could be 30 films on this list of movies you need to see to have a conversation in SF, but I'm going to narrow it down to the films that are most referenced in my personal circles; otherwise, we'd be here all night! If I miss any of your favorites (spoiler alert: I will), leave the title in the comments below!\u003c/p>\n\u003cp>\u003cstrong>Modern Times\u003c/strong>\u003cem>\u003c/em> (1936)\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/IjarLbD9r30\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>Charlie Chaplin's relationship with the Bay Area goes back a century; many of his earliest shorts were filmed across the Bay in the charming \u003cem>ville\u003c/em> of Niles Canyon (check out their main street and you'll find lots of Little Tramp branding at local businesses). Any true film lover has an appreciation for the comedic and balletic genius that is Charlie Chaplin and, in San Francisco, \u003cem>Modern Times\u003c/em> seems to be the film most people have the greatest affinity for. It's no surprise Chaplin's indictment of soulless industry, spirit-crushing capitalism and automation (as best personified by the famous scene where Chaplin slips through an assembly-line's gears) continues to resonate with local, politically left audiences. Fun fact: it's the only Chaplin film that features the Little Tramp walking down the dusty road at the end of the film with a friend, the film's heroine, Paulette Goddarrd (his wife at the time). Runner up Chaplin film: \u003cem>City Lights\u003c/em>, 1931.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Pink Flamingos\u003c/em>\u003c/strong> (1972)\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/vUd_6FF4AtM\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>Although John Waters is a filmmaker most closely associated with his hometown of Baltimore, he has been embraced in San Francisco since he began touring here for screenings with his drag queen star Divine in the late 1960s. Something about Waters' appreciation of aesthetic kitsch, his \"hippies who were really punks\" characters, his zing-y dialogue amidst absurdly joyful plots and his totally irreverent championing of the outsider has always spoken directly to the spirt of the city. How lucky are we that Waters now makes his home here part of the year? His most famous/notorious film remains 1972's \u003cem>Pink Flamingos,\u003c/em> and if you don't know why it's notorious, we're not going to tell you. What we \u003cem>can\u003c/em> tell you about the film is that it stars Divine and Waters' other iconic \"Dreamland\" actors (Edith Massey, Mink Stole, Mary Vivian Pierce, David Lockary) battling to see who is most worthy of the title \"The Filthiest People Alive.\" It's not just the gays that reference John Waters in San Francisco; all the cool straight people of any generation also know this film and for good reason.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Grey Gardens \u003c/em>\u003c/strong>(1975)\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/mumWYU5aHBU\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>\"Let's make the hat a little more \u003cem>Grey Gardens\u003c/em>.\" \"She hadn't cleaned in so long, it looked like \u003cem>Grey Gardens\u003c/em> up in her place.\" \"I love her. She's such a Little Edie type.\" These are all references people have made to the 1975 documentary \u003cem>Grey Gardens\u003c/em> in the last two days alone. The Maysles Brothers' film chronicles the lives of \"Big Edie\" Bouvier Beale and her daughter \"Little Edie\" Beale -- aunt and cousin of former First Lady Jacqueline Kennedy Onassis -- who were living in a rather decayed East Hampton mansion that was the frequent target of the local board of health. The vivid, amusing and poetic mother and daughter (79 and 56 at the time of filming) sang, danced and bickered through Tennessee Williams-esque looks back at their pasts and started countless fashion trends with their DIY bohemian costumes. Little Edie's penchant for head coverings, sweaters worn as skirts (and capes), bathing suit bodices with lace curtain sarongs all held together by a broach have been famously paid homage in various fashion magazines, music videos and art exhibitions, and the film remains a touchstone for documentary film lovers around the world. The Edies' strong streaks of individuality are probably what rings the truest for San Franciscans; aristocrats throwing off their constraints to live like artists was once a very San Francisco quality.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>The Maltese Falcon \u003c/em>\u003c/strong>(1941)\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/phUxnXGhEiI\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>Although none of the noir classic was actually shot in San Francisco (there's some stock footage used for establishing shots at the beginning of the film), you feel like you're actually in the Tenderloin of the '30s and '40s whenever you watch the famed Humphrey Bogart detective film. When you think San Francisco noir, you think of Dashiell Hammett's \u003cem>The Maltese Falcon\u003c/em> (almost every trope of the genre came from this film). It is your civic duty to watch and reference this film at least once a year and, at least once in your life, you must visit the falcon displayed at John's Grill and then swing by Dashiell Hammett Alley (where the writer's Tenderloin apartment was located) to pay your respects. Don't embarrass yourself by not getting references to \"the stuff dreams are made of\" or any other moments from the film. Netflix it! Or better yet, see it at the Castro Theatre next time it's playing.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>So I Married an Axe Murder \u003c/em>\u003c/strong>(1993)\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/O3TgDBN7wk4\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>Everything \u003cem>The Maltese Falcon\u003c/em> is to 1930s San Francisco, \u003cem>So, I Married An Axe Murderer\u003c/em> is to 1990s San Francisco. Natives all know this film: the then under-appreciated Mike Myers comedy has some extremely good vista shots of the city (unexpected neighborhoods too, like Noe Valley and North Beach). It also takes one back to the Beat revival of the '90s coffee house scene for laugh out loud scenes where Myers performs poems about his ex girlfriends with a jazz band. There are thousands of in-jokes still quoted with regularity by kids who grew up in San Francisco in the '90s. Plus, this is the movie that taught us what a haggis is! \"Helllllloooo!\" By the way, you can call me Vicki.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Gimme Shelter\u003c/strong>\u003c/em> (1970)\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/nPNeh4d9guk\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>The Maysles Brothers' documentary following the Rolling Stones on tour has a notorious Bay Area connection: the disastrous Altamont Free Concert was filmed on location at the speedway in Livermore, where a teen was famously stabbed to death during a riot. That said, it's a film that continues to come up in conversation for the incredible footage of the Stones performing live and because many a local camera crew was swept into the production for addition footage. The men and women that were there still love to share their stories, whether they were crew or concert-goer. My favorite comes from a friend who was working with a group of KQED camera operators at the concert: \"You just used the camera to guard yourself and hoped it was still capturing something.\"\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Eraserhead \u003c/em>\u003c/strong>(1977)\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/dU7OqGCIcak\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>David Lynch's dark, experimental and slightly revolting (in the best sense of the word) midnight movie \u003cem>Eraserhead\u003c/em> is not a film to everyone's liking, but for some reason has a loyal San Francisco following. Screenings at the Castro, Roxie and elsewhere in recent years have always been full, and the occasional cutesy drag homage to the film's dancing roast chickens and the lady in the radiator are always good fun. Only in San Francisco can a film that has terrified other audiences with its surreal depictions of nightmarish infants be seen as a beloved aesthetic reference. My favorite local \u003cem>Eraserhead\u003c/em> moment would have to be the bartender whose ringtone was the Pixies' cover of the film's theme song: \"In Heaven, Everything is Fine.\"\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Hemingway and Gellhorn\u003c/em>\u003c/strong> (2012)\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/pWFuQlLqqZk\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>Phillip Kaufman's 2012 HBO bio about the marriage between writers Ernest Hemingway and Martha Gellhorn (staring Clive Owen and Nicole Kidman) received mixed reviews, but for months after, San Franciscans couldn't help but mention the Bay Area locations that doubled as foreign countries in film. Marin is Spain! Sausalito is Cuba! Herbst Theater is New York! Even though we're not given credit for it, San Francisco has never looked so good on screen, even if we're playing another city. Nicole Kidman's performance as pioneering female war correspondent Martha Gellhorn also garnered some much deserved praise, easily her strongest character since Virginia Woolf.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Bullit\u003c/strong>\u003c/em> (1968)\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/-Lbs_nYW3-o\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>I'm going to be totally honest with you: I know I've seen the entire Steve McQueen film \u003cem>Bullit\u003c/em> more than once in its entirety, but I only have a vague sense of what the plot is. Something about McQueen as a detective guarding a mob witness and... Yeah, let's just talk about the car chase. One of the most famous car chases in American cinema is featured in \u003cem>Bullit\u003c/em> where McQueen, in a 1968 Ford Mustang, goes after the bad guys up and down the hills of San Francisco, as they race around in a 1968 Dodge Charger. Both cars have become iconic to film fans and gear heads alike, and the chase showed off San Francisco like no other film before or since. All these years later, we're still proudly talking about McQueen's bad-assery in this film and it's still fun to try retracing the chase route. Anyone with a '68 Charger want to give me a ride for a follow-up blog?\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Vertigo \u003c/em>\u003c/strong>(1958)\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/Z5jvQwwHQNY\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It has been called one of the most perfect films in cinematic history, and it was mostly shot in San Francisco. No wonder we can't stop talking about it! The Hitchcock classic about dual identity and a certain dizzying feelings stars Jimmy Stewart and Kim Novak in two of the best performances of their careers, and let's just leave plot and character at that. If you haven't seen \u003cem>Vertigo\u003c/em>, I do not want to be the one that gives it away! Fort Point, the Legion of Honor and the Mission Dolores cemetery all have beautiful scenic cameos. Don't let this one fly over your head in conversation any longer; see the movie and then reference away the next time you're bantering with one of our informed cinema citizenry at the next film festival cocktail party.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"how-i-built-this": {
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"airtime": "SUN 7:30pm-8pm",
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"info": "Inside Europe, a one-hour weekly news magazine hosted by Helen Seeney and Keith Walker, explores the topical issues shaping the continent. No other part of the globe has experienced such dynamic political and social change in recent years.",
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
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"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"live-from-here-highlights": {
"id": "live-from-here-highlights",
"title": "Live from Here Highlights",
"info": "Chris Thile steps to the mic as the host of Live from Here (formerly A Prairie Home Companion), a live public radio variety show. Download Chris’s Song of the Week plus other highlights from the broadcast. Produced by American Public Media.",
"airtime": "SAT 6pm-8pm, SUN 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Live-From-Here-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"rss": "https://feeds.publicradio.org/public_feeds/a-prairie-home-companion-highlights/rss/rss"
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"marketplace": {
"id": "marketplace",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"mindshift": {
"id": "mindshift",
"title": "MindShift",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 13
},
"link": "/podcasts/mindshift",
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"morning-edition": {
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"onourwatch": {
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"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"order": 12
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"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
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"our-body-politic": {
"id": "our-body-politic",
"title": "Our Body Politic",
"info": "Presented by KQED, KCRW and KPCC, and created and hosted by award-winning journalist Farai Chideya, Our Body Politic is unapologetically centered on reporting on not just how women of color experience the major political events of today, but how they’re impacting those very issues.",
"airtime": "SAT 6pm-7pm, SUN 1am-2am",
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"meta": {
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},
"link": "/radio/program/our-body-politic",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS9feGFQaHMxcw",
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},
"perspectives": {
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"officialWebsiteLink": "/perspectives/",
"meta": {
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"order": 15
},
"link": "/perspectives",
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"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
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"politicalbreakdown": {
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"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/politicalbreakdown",
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"order": 6
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5Nzk2MzI2MTEx",
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"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
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