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"content": "\u003cp>It has been more than a year since Stephen Colbert \u003ca href=\"http://www.npr.org/sections/monkeysee/2014/04/10/301467811/stephen-colbert-the-end-of-one-joke-the-start-of-many-more\">took over\u003c/a> as host of CBS' \u003cem>The Late Show\u003c/em>, and he's finally feeling comfortable being himself and not a character.\u003c/p>\n\u003cp>Before \u003cem>The Late Show\u003c/em>, Colbert spent nine years playing the role of a self-important blowhard on Comedy Central's \u003cem>The Colbert Report.\u003c/em> He tells \u003cem>Fresh Air\u003c/em>'s Terry Gross that he initially shied away from discussing politics or current events on \u003cem>The Late Show \u003c/em>in an effort to differentiate himself from his \u003cem>Colbert\u003c/em> persona.\u003c/p>\n\u003cp>\"It took me almost half a year to realize ... that you can have a highly opinionated, highly topical show as yourself and not essentially fall back into the basket of \u003cem>The Colbert Report,\" \u003c/em>he says.\u003cem> \"\u003c/em>Now I have no qualms about being sharp and satirical and highly opinionated and saying whatever's on my mind as quickly as I can.\"\u003c/p>\n\u003cp>This fall, Colbert's mind has been on the election. He's been doing political comedy nearly every night, but don't expect him to be at his \u003cem>Late Show \u003c/em>desk on election night. Colbert's Nov. 8 show will be pre-empted by CBS News coverage, so instead he'll be hosting the Showtime special \u003cem>Stephen Colbert's Live Election Night Democracy's Series Finale: Who's Going To Clean Up This S***? \u003c/em>He promises guest stars, special political commercials, musical guests and, of course, election results.\u003c/p>\n\u003chr>\n\u003ch3>Interview Highlights\u003c/h3>\n\u003cp>\u003cstrong>On why he decided to end \u003c/strong>\u003cstrong>\u003cem>The Colbert R\u003c/em>\u003c/strong>\u003cstrong>\u003cem>eport\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The idea of \"truthiness\" — that was the thesis statement for the entire show, that how you feel is more important than what the facts are, and that the truth that you feel is correct is more important than anything that the facts could support. ... We embodied it satirically, though it's not really a new idea. ... But I didn't want to play that game anymore. ... I just couldn't take playing that character anymore. ... I began to feel like I was stumbling downhill with an armful of bottles and that I couldn't actually keep up the discipline, because it took discipline to remind myself every day to be the character, don't be yourself. ...\u003c/p>\n\u003cp>And so I decided a couple years before the show ended that I was going to end the show. ... It wasn't because I didn't like it anymore — I still liked it — but I just thought, \u003cem>I'm not sure if I can actually keep this up without hurting someone. \u003c/em>\u003cem>... \u003c/em>\u003c/p>\n\u003cp>I thought maybe I would make some big mistake with the character because he would say terrible things. And I got away with some of the terrible things he would say or do because it was all filtered through his mask, but if I didn't maintain the mask, it would just be me being terrible.\u003c/p>\n\u003cp>\u003cstrong>On getting \u003cem>The Late Show\u003c/em> offer\u003c/strong>\u003c/p>\n\u003cp>It fell out of the sky. It was absolutely no part of my plans when I decided to end \u003cem>The Colbert R\u003c/em>\u003cem>eport. \u003c/em>It was a complete surprise to me. It hadn't been an ambition of mine, and I had just been an enormous fan of [David Letterman] and so I had great respect for what he had built. But when they called and said, \"OK, how about you?\" I was shocked. ...\u003c/p>\n\u003cp>I love a live audience, I love the grind of every day and I love the people I work with. And it gave me all the things that I loved, and that was not a hard decision. ... To know that I could continue that was the greatest draw, and I also couldn't think of anything after \u003cem>The\u003c/em> \u003cem>Colbert Report\u003c/em> that would seem like a promotion other than taking over for Dave.\u003c/p>\n\u003cp>\u003cstrong>On leaving his \u003cem>Colbert\u003c/em> character behind and finding his authentic voice on \u003cem>The Late Show\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>There's a confessional aspect to wearing a mask, the same reason why it's easier to confess behind a screen to a priest than face to face. So the character was a 10-year confession, perhaps indulging ego and appetite through the person of this character. Then you go onstage as yourself and you're responsible for everything you say and there's a natural inclination to pull your punch because you have to be responsible for what you're saying. You cannot hide behind the mask. ... It took me a little while to realize that the character was not in danger of re-emerging.\u003c/p>\n\u003cp>\u003cstrong>On the work pace of \u003cem>The Late Show\u003c/em> compared to \u003cem>The Colbert Report\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>We would talk about a single subject maybe for a week, or we would think about one idea that we might do three or four days from now, or maybe two weeks from now as we developed the idea and how my character might put himself in that news story.\u003c/p>\n\u003cp>Now, it's how fast can you talk about everything that happened in the news or in popular culture in the last 24 hours, and it's much faster than we used to work.\u003c/p>\n\u003cp>The joke I've made is that we went from go-kart to NASCAR, with all the advertising stickers on the side of our car, too. But it's a different, much faster way of working than we used to. It's less essay; it's more like reportage with jokes than a columnist. I used be like a columnist and now I'm writing daily headlines.\u003c/p>\n\u003cp>\u003cstrong>On how he handles the stress of the job\u003c/strong>\u003c/p>\n\u003cp>You got to like the stress. ... I don't know how to attach a positive feeling to stress and pressure, but there is one. There's a bulletproof feeling that comes over you, and it's really a pleasant one, and you kind of have to like that. ...\u003c/p>\n\u003cp>To do one of these jobs, you got to kind of love the flaming toboggan ride of it. You got to like it because everybody else is in the toboggan with you. You're doing it together, that's the joy. Everybody is doing it together and at the end of it you go, 'Hey! We survived! Pretty good show! Let's do it again tomorrow.'\u003c/p>\n\u003cp>That's it. It's the movement forward, because it never stops. You gotta love the downhill hurtle. There's no finish line. 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"excerpt": "The comic initially avoided joking about politics on \u003cem>The Late Show\u003c/em> for fear that he would fall into his \u003cem>Colbert Report\u003c/em> persona. He says, \u003cem>\"\u003c/em>Now, I have no qualms about being sharp and satirical.\"",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It has been more than a year since Stephen Colbert \u003ca href=\"http://www.npr.org/sections/monkeysee/2014/04/10/301467811/stephen-colbert-the-end-of-one-joke-the-start-of-many-more\">took over\u003c/a> as host of CBS' \u003cem>The Late Show\u003c/em>, and he's finally feeling comfortable being himself and not a character.\u003c/p>\n\u003cp>Before \u003cem>The Late Show\u003c/em>, Colbert spent nine years playing the role of a self-important blowhard on Comedy Central's \u003cem>The Colbert Report.\u003c/em> He tells \u003cem>Fresh Air\u003c/em>'s Terry Gross that he initially shied away from discussing politics or current events on \u003cem>The Late Show \u003c/em>in an effort to differentiate himself from his \u003cem>Colbert\u003c/em> persona.\u003c/p>\n\u003cp>\"It took me almost half a year to realize ... that you can have a highly opinionated, highly topical show as yourself and not essentially fall back into the basket of \u003cem>The Colbert Report,\" \u003c/em>he says.\u003cem> \"\u003c/em>Now I have no qualms about being sharp and satirical and highly opinionated and saying whatever's on my mind as quickly as I can.\"\u003c/p>\n\u003cp>This fall, Colbert's mind has been on the election. He's been doing political comedy nearly every night, but don't expect him to be at his \u003cem>Late Show \u003c/em>desk on election night. Colbert's Nov. 8 show will be pre-empted by CBS News coverage, so instead he'll be hosting the Showtime special \u003cem>Stephen Colbert's Live Election Night Democracy's Series Finale: Who's Going To Clean Up This S***? \u003c/em>He promises guest stars, special political commercials, musical guests and, of course, election results.\u003c/p>\n\u003chr>\n\u003ch3>Interview Highlights\u003c/h3>\n\u003cp>\u003cstrong>On why he decided to end \u003c/strong>\u003cstrong>\u003cem>The Colbert R\u003c/em>\u003c/strong>\u003cstrong>\u003cem>eport\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"perspectives": {
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
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"source": "Possible"
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"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
"id": "reveal",
"title": "Reveal",
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