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"caption": "The characters of \u003cem>An African City \u003c/em>(from left): Zainab, Ngozi, Nana Yaa, Sade and Makena (Photo: Emmanuel Bobbie/An African City Ltd.)",
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"disqusTitle": "Sex And 'An African City': A Steamy Ghanaian Show You Don't Want To Miss",
"title": "Sex And 'An African City': A Steamy Ghanaian Show You Don't Want To Miss",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>Imagine \u003cem>Sex and the City\u003c/em>, but instead of New York City, the action takes place in Accra, Ghana.\u003c/p>\n\u003cp>This remix is called \u003cem>An African City\u003c/em>, a Ghanaian series that debuted on YouTube two years ago. The girlfriends are five \u003ca href=\"https://www.youtube.com/watch?v=LfnIpZjvPlY\">fashionable\u003c/a> African women raised abroad who have returned home to continue high-powered careers, look for love and have sex. Lots of sex.\u003c/p>\n\u003cp>The very first episode opens with passengers deplaning at Ghana's Kotoka International Airport at dusk. Among them is the show's main character, Nana Yaa, who's returning to \"the continent\" after growing up in New York since age 7.\u003c/p>\n\u003cp>Dressed in a white tank top, dark denim jeans and a perfectly tailored black jacket perched atop her shoulders, Nana Yaa strides over to the customs agent. But before she has time to take her passport from her designer handbag, he tells her she's in the wrong line.\u003c/p>\n\u003cp>\"The line for the non-Ghanaians is at the other side,\" he says.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>She pushes her passport through the opening in the bulletproof glass with that \"I told you so\" cock of the head and declares in broken Twi, a local language, \"I \u003cem>am\u003c/em> Ghanaian.\"\u003c/p>\n\u003cp>Christabel Nsiah-Buadi is a journalist and writer living in Los Angeles who identifies as a British-born Ghanaian. She has watched \u003cem>An African City\u003c/em> and says that airport scene drew her right in.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=kg7hUuWKe2U\u003c/p>\n\u003cp>\"I cracked up because that's exactly what happened to me,\" Nsiah-Buadi says. \"You identify as Ghanaian and someone who you know you look like is saying to you, 'No, no, no, you don't belong in this line, you belong in that line.' \"\u003c/p>\n\u003cp>Nsiah-Buadi explains that these kinds of assumptions, based on how you're dressed or the language you speak, can immediately shatter the romantic illusion of coming back \"home.\"\u003c/p>\n\u003cp>The show's creator, Nicole Amarteifio, who was born in Ghana and raised in New York, says she wrote \u003cem>An African City\u003c/em> for women just like Nsiah-Buadi: Africans who came of age abroad, in the U.S. or Britain.\u003c/p>\n\u003cp>\"I felt that they couldn't really relate to Nollywood,\" says Amarteifio, referring to West Africa's film capital, located in Nigeria. \"But there was a lot about Hollywood they could relate to, so that gap between Nollywood and Hollywood, I was trying to fill it for that audience.\"\u003c/p>\n\u003cp>Amarteifio says she hoped to tell a story about Africa that had nothing to do with war, poverty and famine. She wanted to capture the present: a moment when young professionals, like herself, are coming back to start businesses, work for NGOs or as executives for international companies. She holds a bachelor's degree from Brandeis and a master's from Georgetown, and came back to Ghana as a social media strategist for the World Bank.\u003c/p>\n\u003cp>She says the way to tell that story — her story — came to her while lounging on her couch in Accra, watching an episode of \u003cem>Sex and the City\u003c/em>. \"What would the show be like set in Accra?\" she wondered. \"That would be the way to fight the \u003ca href=\"https://www.ted.com/talks/chimamanda_adichie_the_danger_of_a_single_story?language=en\">single story\u003c/a>,\" she says.\u003c/p>\n\u003cp>\u003cem>An African City\u003c/em>'s \"Carrie Bradshaw\" is Nana Yaa, a journalist with her own radio show. And, like Bradshaw, Nana Yaa acts as narrator, cluing us into her love drama and that of her best girlfriends: Ngozi, Makena, Sade and Zainab.\u003c/p>\n\u003cfigure id=\"attachment_21642\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/03/nanayaa_custom-144c19bd098bdcbb78e4ed28b8a575b195577162-s400-c85.jpg\" rel=\"attachment wp-att-21642\">\u003cimg class=\"size-full wp-image-21642\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/03/nanayaa_custom-144c19bd098bdcbb78e4ed28b8a575b195577162-s400-c85.jpg\" alt=\"Nana Yaa, An African City‘s protagonist, is played by New York-based actress MaameYaa Boafo. (Photo: Emmanuel Bobbie/An African City Ltd.)\" width=\"400\" height=\"600\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Nana Yaa, An African City‘s protagonist, is played by New York-based actress MaameYaa Boafo. (Photo: Emmanuel Bobbie/An African City Ltd.)\u003c/figcaption>\u003c/figure>\n\u003cp>These women and the men they date are Africa's 1 percent. They're highly educated and come from families with connections. Nana Yaa's father is the minister of energy in Ghana, and Sade's dad is the pastor of a megachurch in Nigeria. The ladies dress fabulously and are always perfectly coiffed and accessorized.\u003c/p>\n\u003cp>\"They're very privileged young women,\" says Nsiah-Buadi, the LA-based fan of the show. \"On that level, that's not realistic, to me anyway. Maybe to someone else, but that's not the life that I live.\"\u003c/p>\n\u003cp>Nsiah-Buadi says the characters's bourgie ways can irritate her at times, like when they talk down to waiters and manicurists, or blame their missing bras on \"the help.\"\u003c/p>\n\u003cp>Nsiah-Buadi chatted about the show recently with her friend and fellow Ghanaian Essie Blankson-Turner, an entrepreneur living in Los Angeles. Blankson-Turner says overall, the show's good outweighs the bad. \"I like seeing Ghanaian women on the screen, I like the fact that our stories are being told, and I like the fact that I can relate to it in some aspect,\" she says.\u003c/p>\n\u003cp>\"I love the fact that they're gorgeous,\" says Nsiah-Buadi.\u003c/p>\n\u003cp>\"Yes!\" replies Blankson-Turner.\u003c/p>\n\u003cp>\"I love the fact that they get to wear the most amazing clothes,\" adds Nsiah-Buadi.\u003c/p>\n\u003cp>\"All the time!\" returns Blankson-Turner, laughing.\u003c/p>\n\u003cp>\"I'm literally, like, I want that lipstick, I want those earrings. I mean, even that — how often do we get to do that?\" says Nsiah-Buadi.\u003c/p>\n\u003cp>And both women add: When do you ever get to see African women talk about sex so openly and see them enjoy it on screen? They told me that's just not acceptable, broadly speaking, in the larger conservative — and predominantly Christian — Ghanaian culture, where you know better than to talk about such things publicly.\u003c/p>\n\u003cfigure id=\"attachment_21640\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/03/sade_custom-6c3e8d3470735137189ffbb3d0246c3cf2ddbb61-s800-c85.jpg\" rel=\"attachment wp-att-21640\">\u003cimg class=\"size-full wp-image-21640\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/03/sade_custom-6c3e8d3470735137189ffbb3d0246c3cf2ddbb61-s800-c85.jpg\" alt=\"Sade of <em>An African City</em> is played by Ghanaian-American actress Nana Mensah. (Photo: Emmanuel Bobbie/An African City Ltd.)\" width=\"800\" height=\"532\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/03/sade_custom-6c3e8d3470735137189ffbb3d0246c3cf2ddbb61-s800-c85.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/03/sade_custom-6c3e8d3470735137189ffbb3d0246c3cf2ddbb61-s800-c85-400x266.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/03/sade_custom-6c3e8d3470735137189ffbb3d0246c3cf2ddbb61-s800-c85-768x511.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Sade of \u003cem>An African City\u003c/em> is played by Ghanaian-American actress Nana Mensah. (Photo: Emmanuel Bobbie/An African City Ltd.)\u003c/figcaption>\u003c/figure>\n\u003cp>Instead, Sade (the sexually liberated, Samantha Jones-esque character in \u003cem>An African City\u003c/em>) lets it all hang out. In one scene, the girls are lounging poolside, counseling their friend Makena on the best way to ask her boyfriend to use a condom. Sade whips out a stack to show she's always prepared.\u003c/p>\n\u003cp>\"Trojans, Durex, Fiesta, Rockdoms — pick your poison, baby!\" she says to Makena, who asks if Sade really uses all of those condoms. \"Indeed,\" Sade replies matter-of-factly. \"Take as many as you want, but leave the Rockdoms for me. I'm seeing Kwame later tonight.\"\u003c/p>\n\u003cp>Sade is played by actress Nana Mensah, whose parents immigrated from Ghana to America's East Coast, where she was raised. Mensah says she loves it when other first-generation women come up to her and say they identify with the show. And she adds that she's heard positive responses to her character, Sade, from both contemporaries and women her mom's age.\u003c/p>\n\u003cp>\"Somebody even said, 'Can Sade do a spinoff?' \" laughs Mensah. \"Yeah ... that sounds like a lot of work.\"\u003c/p>\n\u003cp>A spinoff is not in\u003cem> An\u003c/em> \u003cem>African City\u003c/em>'s future. But the show that started as a free Web series on YouTube, backed by $75,000 out of creator Amarteifio's World Bank-job savings, is now a money-making venture. You can buy an online subscription for Season 2, and the show's got licensing deals with networks in Africa.\u003c/p>\n\u003cp>Mensah hopes that in future seasons her character, Sade, will stop obsessing over the married men she's bedding and start using that degree from Harvard Business School. \"Get your own man, Sade, come on!\" she says. \"I'm feeling a little bit ready to let that go. I'd like to focus on more of Sade's work life, maybe?\"\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Nicole Amarteifio says she's not sure what's next for her characters, but she knows one thing \u003cem>won't\u003c/em> be changing: She's not going to take any of the steam out of the scenes.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Sex+And+%27An+African+City%27%3A+A+Steamy+Ghanaian+Show+You+Don%27t+Want+To+Miss&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\" alt=\"\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Imagine \u003cem>Sex and the City\u003c/em>, but instead of New York City, the action takes place in Accra, Ghana.\u003c/p>\n\u003cp>This remix is called \u003cem>An African City\u003c/em>, a Ghanaian series that debuted on YouTube two years ago. The girlfriends are five \u003ca href=\"https://www.youtube.com/watch?v=LfnIpZjvPlY\">fashionable\u003c/a> African women raised abroad who have returned home to continue high-powered careers, look for love and have sex. Lots of sex.\u003c/p>\n\u003cp>The very first episode opens with passengers deplaning at Ghana's Kotoka International Airport at dusk. Among them is the show's main character, Nana Yaa, who's returning to \"the continent\" after growing up in New York since age 7.\u003c/p>\n\u003cp>Dressed in a white tank top, dark denim jeans and a perfectly tailored black jacket perched atop her shoulders, Nana Yaa strides over to the customs agent. But before she has time to take her passport from her designer handbag, he tells her she's in the wrong line.\u003c/p>\n\u003cp>\"The line for the non-Ghanaians is at the other side,\" he says.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>She pushes her passport through the opening in the bulletproof glass with that \"I told you so\" cock of the head and declares in broken Twi, a local language, \"I \u003cem>am\u003c/em> Ghanaian.\"\u003c/p>\n\u003cp>Christabel Nsiah-Buadi is a journalist and writer living in Los Angeles who identifies as a British-born Ghanaian. She has watched \u003cem>An African City\u003c/em> and says that airport scene drew her right in.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/kg7hUuWKe2U'\n title='//www.youtube.com/embed/kg7hUuWKe2U'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\"I cracked up because that's exactly what happened to me,\" Nsiah-Buadi says. \"You identify as Ghanaian and someone who you know you look like is saying to you, 'No, no, no, you don't belong in this line, you belong in that line.' \"\u003c/p>\n\u003cp>Nsiah-Buadi explains that these kinds of assumptions, based on how you're dressed or the language you speak, can immediately shatter the romantic illusion of coming back \"home.\"\u003c/p>\n\u003cp>The show's creator, Nicole Amarteifio, who was born in Ghana and raised in New York, says she wrote \u003cem>An African City\u003c/em> for women just like Nsiah-Buadi: Africans who came of age abroad, in the U.S. or Britain.\u003c/p>\n\u003cp>\"I felt that they couldn't really relate to Nollywood,\" says Amarteifio, referring to West Africa's film capital, located in Nigeria. \"But there was a lot about Hollywood they could relate to, so that gap between Nollywood and Hollywood, I was trying to fill it for that audience.\"\u003c/p>\n\u003cp>Amarteifio says she hoped to tell a story about Africa that had nothing to do with war, poverty and famine. She wanted to capture the present: a moment when young professionals, like herself, are coming back to start businesses, work for NGOs or as executives for international companies. She holds a bachelor's degree from Brandeis and a master's from Georgetown, and came back to Ghana as a social media strategist for the World Bank.\u003c/p>\n\u003cp>She says the way to tell that story — her story — came to her while lounging on her couch in Accra, watching an episode of \u003cem>Sex and the City\u003c/em>. \"What would the show be like set in Accra?\" she wondered. \"That would be the way to fight the \u003ca href=\"https://www.ted.com/talks/chimamanda_adichie_the_danger_of_a_single_story?language=en\">single story\u003c/a>,\" she says.\u003c/p>\n\u003cp>\u003cem>An African City\u003c/em>'s \"Carrie Bradshaw\" is Nana Yaa, a journalist with her own radio show. And, like Bradshaw, Nana Yaa acts as narrator, cluing us into her love drama and that of her best girlfriends: Ngozi, Makena, Sade and Zainab.\u003c/p>\n\u003cfigure id=\"attachment_21642\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/03/nanayaa_custom-144c19bd098bdcbb78e4ed28b8a575b195577162-s400-c85.jpg\" rel=\"attachment wp-att-21642\">\u003cimg class=\"size-full wp-image-21642\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/03/nanayaa_custom-144c19bd098bdcbb78e4ed28b8a575b195577162-s400-c85.jpg\" alt=\"Nana Yaa, An African City‘s protagonist, is played by New York-based actress MaameYaa Boafo. (Photo: Emmanuel Bobbie/An African City Ltd.)\" width=\"400\" height=\"600\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Nana Yaa, An African City‘s protagonist, is played by New York-based actress MaameYaa Boafo. (Photo: Emmanuel Bobbie/An African City Ltd.)\u003c/figcaption>\u003c/figure>\n\u003cp>These women and the men they date are Africa's 1 percent. They're highly educated and come from families with connections. Nana Yaa's father is the minister of energy in Ghana, and Sade's dad is the pastor of a megachurch in Nigeria. The ladies dress fabulously and are always perfectly coiffed and accessorized.\u003c/p>\n\u003cp>\"They're very privileged young women,\" says Nsiah-Buadi, the LA-based fan of the show. \"On that level, that's not realistic, to me anyway. Maybe to someone else, but that's not the life that I live.\"\u003c/p>\n\u003cp>Nsiah-Buadi says the characters's bourgie ways can irritate her at times, like when they talk down to waiters and manicurists, or blame their missing bras on \"the help.\"\u003c/p>\n\u003cp>Nsiah-Buadi chatted about the show recently with her friend and fellow Ghanaian Essie Blankson-Turner, an entrepreneur living in Los Angeles. Blankson-Turner says overall, the show's good outweighs the bad. \"I like seeing Ghanaian women on the screen, I like the fact that our stories are being told, and I like the fact that I can relate to it in some aspect,\" she says.\u003c/p>\n\u003cp>\"I love the fact that they're gorgeous,\" says Nsiah-Buadi.\u003c/p>\n\u003cp>\"Yes!\" replies Blankson-Turner.\u003c/p>\n\u003cp>\"I love the fact that they get to wear the most amazing clothes,\" adds Nsiah-Buadi.\u003c/p>\n\u003cp>\"All the time!\" returns Blankson-Turner, laughing.\u003c/p>\n\u003cp>\"I'm literally, like, I want that lipstick, I want those earrings. I mean, even that — how often do we get to do that?\" says Nsiah-Buadi.\u003c/p>\n\u003cp>And both women add: When do you ever get to see African women talk about sex so openly and see them enjoy it on screen? They told me that's just not acceptable, broadly speaking, in the larger conservative — and predominantly Christian — Ghanaian culture, where you know better than to talk about such things publicly.\u003c/p>\n\u003cfigure id=\"attachment_21640\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/03/sade_custom-6c3e8d3470735137189ffbb3d0246c3cf2ddbb61-s800-c85.jpg\" rel=\"attachment wp-att-21640\">\u003cimg class=\"size-full wp-image-21640\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/03/sade_custom-6c3e8d3470735137189ffbb3d0246c3cf2ddbb61-s800-c85.jpg\" alt=\"Sade of <em>An African City</em> is played by Ghanaian-American actress Nana Mensah. (Photo: Emmanuel Bobbie/An African City Ltd.)\" width=\"800\" height=\"532\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/03/sade_custom-6c3e8d3470735137189ffbb3d0246c3cf2ddbb61-s800-c85.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/03/sade_custom-6c3e8d3470735137189ffbb3d0246c3cf2ddbb61-s800-c85-400x266.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/03/sade_custom-6c3e8d3470735137189ffbb3d0246c3cf2ddbb61-s800-c85-768x511.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Sade of \u003cem>An African City\u003c/em> is played by Ghanaian-American actress Nana Mensah. (Photo: Emmanuel Bobbie/An African City Ltd.)\u003c/figcaption>\u003c/figure>\n\u003cp>Instead, Sade (the sexually liberated, Samantha Jones-esque character in \u003cem>An African City\u003c/em>) lets it all hang out. In one scene, the girls are lounging poolside, counseling their friend Makena on the best way to ask her boyfriend to use a condom. Sade whips out a stack to show she's always prepared.\u003c/p>\n\u003cp>\"Trojans, Durex, Fiesta, Rockdoms — pick your poison, baby!\" she says to Makena, who asks if Sade really uses all of those condoms. \"Indeed,\" Sade replies matter-of-factly. \"Take as many as you want, but leave the Rockdoms for me. I'm seeing Kwame later tonight.\"\u003c/p>\n\u003cp>Sade is played by actress Nana Mensah, whose parents immigrated from Ghana to America's East Coast, where she was raised. Mensah says she loves it when other first-generation women come up to her and say they identify with the show. And she adds that she's heard positive responses to her character, Sade, from both contemporaries and women her mom's age.\u003c/p>\n\u003cp>\"Somebody even said, 'Can Sade do a spinoff?' \" laughs Mensah. \"Yeah ... that sounds like a lot of work.\"\u003c/p>\n\u003cp>A spinoff is not in\u003cem> An\u003c/em> \u003cem>African City\u003c/em>'s future. But the show that started as a free Web series on YouTube, backed by $75,000 out of creator Amarteifio's World Bank-job savings, is now a money-making venture. You can buy an online subscription for Season 2, and the show's got licensing deals with networks in Africa.\u003c/p>\n\u003cp>Mensah hopes that in future seasons her character, Sade, will stop obsessing over the married men she's bedding and start using that degree from Harvard Business School. \"Get your own man, Sade, come on!\" she says. \"I'm feeling a little bit ready to let that go. I'd like to focus on more of Sade's work life, maybe?\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"officialWebsiteLink": "/californiareportmagazine",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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},
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"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
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"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
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"order": 1
},
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"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"source": "Commonwealth Club of California"
},
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"id": "freakonomics-radio",
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"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
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},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
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"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"rss": "https://feeds.npr.org/510313/podcast.xml"
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
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"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"rss": "https://feeds.npr.org/510360/podcast.xml"
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},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
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"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
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"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
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