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"caption": "Death row inmate Kevin Cooper's painting \"It’s a Generation Thing in America,\" part of the \"Windows on Death Row\" exhibition.",
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"title": "L.A. Exhibition Showcases Art From Inside Death Row",
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"content": "\u003cp>Right now, 746 inmates await execution in California. We don’t often hear from those inmates, let alone see artwork they make in prison. But organizers of a \u003ca href=\"http://www.windowsondeathrow.com/\" target=\"_blank\">Los Angeles exhibition\u003c/a> of art made by death row inmates from across the country say they hope to reveal the humanity of those people whose lives hang in the balance.\u003c/p>\n\u003cp>On July 16, 2014, U.S. District Judge Cormac J. Carney ruled that California’s death penalty violates the U.S. Constitution’s ban on cruel and unusual punishment because it is arbitrary and plagued with delays. But that decision was overturned on Nov. 12, 2015, on technical grounds, which means executions could potentially move forward. The last execution in the state was in 2006.\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/237170725″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]\u003c/p>\n\u003cp>\u003ca href=\"http://www.windowsondeathrow.com/incarceratedart/#/kevin-cooper/\" target=\"_blank\">Kevin Cooper\u003c/a> has been on death row in San Quentin State Prison for 30 years. He’s on a short list of at least 17 death row inmates who have exhausted their appeals and would be the first to be put to death if executions resume in California. He spends much of his day in his cell.\u003c/p>\n\u003cp>“I live in a cage that is 4½ feet wide by 11 feet long,” Cooper says. “And everything that I do within this cage I do mostly to stay sane. But I have a TV, a typewriter, my art supplies and my books.”\u003c/p>\n\u003cfigure id=\"attachment_10790891\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10790891 size-full\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/12/KevinCooperWOrganizers.jpg\" alt=\"\" width=\"1920\" height=\"1206\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/KevinCooperWOrganizers.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/KevinCooperWOrganizers-400x251.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/KevinCooperWOrganizers-800x503.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/KevinCooperWOrganizers-768x482.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/KevinCooperWOrganizers-1440x905.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/KevinCooperWOrganizers-1180x741.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/KevinCooperWOrganizers-960x603.jpg 960w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">San Quentin death row inmate Kevin Cooper (C), with ‘Windows on Death Row’ organizers Patrick Chappatte (L) and Anne Widmann. \u003ccite>(Courtesy Patrick Chappatte)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>There’s a tray slot in the door where guards pass him his meals or a cellphone. In 1985, Cooper was convicted of murdering four people in the Chino Hills area of Southern California. \u003ca href=\"http://articles.latimes.com/2010/jan/03/local/la-me-kevincooper3-2010jan03\" target=\"_blank\">His case is controversial\u003c/a>. People have marched to have him executed, while others have protested to demand his release. He has always maintained his innocence.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In 2004, Cooper was scheduled to be executed. Less than four hours before he was set to receive a lethal injection, it was postponed to allow for more DNA testing, which still failed to exonerate him. Still, he’s become a figurehead in the movement to abolish the death penalty.\u003c/p>\n\u003cp>[contextly_sidebar id=”kvfLbDPqPmuNxu24neZbunnXMlc6wn65″]\u003c/p>\n\u003cp>“I knew after I survived that stuff that my life wasn’t my own no more, that it belonged to this movement. And I’ve been involved in this movement for a very long time. And that is where I get my strength,” Cooper says.\u003c/p>\n\u003cp>Cooper is one of a couple dozen inmate artists represented in “\u003ca href=\"http://www.windowsondeathrow.com/\">Windows on Death Row\u003c/a>,” an exhibition at the University of Southern California. His acrylic paintings draw connections between slavery and prison labor. One, called “It’s a Generation Thing in America,” shows three black men — a grandfather, father and son — all wearing prison uniforms. Another piece, “Free Me,” shows a man cupping his hand to his mouth and shouting.\u003c/p>\n\u003cfigure id=\"attachment_10790938\" class=\"wp-caption alignright\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10790938\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/12/CooperFreeMe.jpg\" alt=\"Kevin Cooper's "Free Me," part of the "Windows on Death Row" exhibition.\" width=\"1920\" height=\"2425\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/CooperFreeMe.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/CooperFreeMe-400x505.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/CooperFreeMe-800x1010.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/CooperFreeMe-768x970.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/CooperFreeMe-1440x1819.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/CooperFreeMe-1180x1490.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/CooperFreeMe-960x1213.jpg 960w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Kevin Cooper’s “Free Me,” part of the “Windows on Death Row” exhibition. \u003ccite>(Courtesy Kevin Cooper/Windows on Death Row)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Sometimes when you’re in a place like this and you tell people certain things, it’s just like they don’t hear. You have to scream it,” Cooper says. “And sometimes when you scream, they still don’t hear you.”\u003c/p>\n\u003cp>“Windows on Death Row” was organized by a Swiss couple: Patrick Chappatte, a political cartoonist for the International New York Times, and TV journalist and documentary filmmaker Anne Widmann. Chappatte says they wanted to reveal the humanity of the inmates.\u003c/p>\n\u003cp>“And that’s what is a bit unsettling, might be unsettling for some viewers, because death row is a place, is a forgotten place where we put, as a society we put people that are seen as monsters, and we don’t pay attention to what’s going on there. And what you see through the art is actually, you see beauty, you see human emotions,” Chappatte said.\u003c/p>\n\u003cp>Over 70 framed drawings and paintings line the walls. Some of those include political cartoons submitted by Chappatte’s fellow cartoonists. All the pieces in the show are critical of capital punishment. Chappatte said he reached out to conservative cartoonists but they, too, were against capital punishment.\u003c/p>\n\u003cp>“One of the cartoonists says that he’s describing in one of his cartoons that he was for death penalty, then changed his mind. Another of the conservative cartoonists told me, ‘You know what, I’m pro-life all the way, so I’m anti-abortion and anti-death penalty,’ ” Chappatte recalls.\u003c/p>\n\u003cp>[gallery type=\"rectangular\" size=\"large\" ids=\"10790941,10790943\"]\u003c/p>\n\u003cp>The cartoonist who changed his mind about the death penalty is Jack Ohman, editorial cartoonist for the Sacramento Bee and president of the Association of American Editorial Cartoonists.\u003c/p>\n\u003cp>“I don’t want to be executing somebody who — even if they had committed the crime — I don’t think that sends the right signal. As a society, if you’re saying killing is wrong, killing is wrong. We shouldn’t be killing,” Ohman says.\u003c/p>\n\u003cp>Widmann says “Windows on Death Row” is not about taking sides between criminals and victims. She points out that the group “Murder Victims’ Families for Human Rights” is one of the show’s sponsors. But she does want visitors to think about how race and class factor into how likely defendants are to be sentenced to death.\u003c/p>\n\u003cp>“I mean, look at this system. It’s broken. I mean, how come terrible murderers are not on death row, and how come some are? How come some people have money to hire great lawyers, and how come others don’t?” Widmann says. “It has nothing to do with empathy with criminals, you see what I mean?”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Windows on Death Row” will travel to North Carolina and Ohio after it closes in Los Angeles on Dec. 18.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Right now, 746 inmates await execution in California. We don’t often hear from those inmates, let alone see artwork they make in prison. But organizers of a \u003ca href=\"http://www.windowsondeathrow.com/\" target=\"_blank\">Los Angeles exhibition\u003c/a> of art made by death row inmates from across the country say they hope to reveal the humanity of those people whose lives hang in the balance.\u003c/p>\n\u003cp>On July 16, 2014, U.S. District Judge Cormac J. Carney ruled that California’s death penalty violates the U.S. Constitution’s ban on cruel and unusual punishment because it is arbitrary and plagued with delays. But that decision was overturned on Nov. 12, 2015, on technical grounds, which means executions could potentially move forward. The last execution in the state was in 2006.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='”166″'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/237170725″&visual=true&”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false”'\n title='”https://api.soundcloud.com/tracks/237170725″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.windowsondeathrow.com/incarceratedart/#/kevin-cooper/\" target=\"_blank\">Kevin Cooper\u003c/a> has been on death row in San Quentin State Prison for 30 years. He’s on a short list of at least 17 death row inmates who have exhausted their appeals and would be the first to be put to death if executions resume in California. He spends much of his day in his cell.\u003c/p>\n\u003cp>“I live in a cage that is 4½ feet wide by 11 feet long,” Cooper says. “And everything that I do within this cage I do mostly to stay sane. But I have a TV, a typewriter, my art supplies and my books.”\u003c/p>\n\u003cfigure id=\"attachment_10790891\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10790891 size-full\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/12/KevinCooperWOrganizers.jpg\" alt=\"\" width=\"1920\" height=\"1206\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/KevinCooperWOrganizers.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/KevinCooperWOrganizers-400x251.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/KevinCooperWOrganizers-800x503.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/KevinCooperWOrganizers-768x482.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/KevinCooperWOrganizers-1440x905.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/KevinCooperWOrganizers-1180x741.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/KevinCooperWOrganizers-960x603.jpg 960w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">San Quentin death row inmate Kevin Cooper (C), with ‘Windows on Death Row’ organizers Patrick Chappatte (L) and Anne Widmann. \u003ccite>(Courtesy Patrick Chappatte)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>There’s a tray slot in the door where guards pass him his meals or a cellphone. In 1985, Cooper was convicted of murdering four people in the Chino Hills area of Southern California. \u003ca href=\"http://articles.latimes.com/2010/jan/03/local/la-me-kevincooper3-2010jan03\" target=\"_blank\">His case is controversial\u003c/a>. People have marched to have him executed, while others have protested to demand his release. He has always maintained his innocence.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In 2004, Cooper was scheduled to be executed. Less than four hours before he was set to receive a lethal injection, it was postponed to allow for more DNA testing, which still failed to exonerate him. Still, he’s become a figurehead in the movement to abolish the death penalty.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>“I knew after I survived that stuff that my life wasn’t my own no more, that it belonged to this movement. And I’ve been involved in this movement for a very long time. And that is where I get my strength,” Cooper says.\u003c/p>\n\u003cp>Cooper is one of a couple dozen inmate artists represented in “\u003ca href=\"http://www.windowsondeathrow.com/\">Windows on Death Row\u003c/a>,” an exhibition at the University of Southern California. His acrylic paintings draw connections between slavery and prison labor. One, called “It’s a Generation Thing in America,” shows three black men — a grandfather, father and son — all wearing prison uniforms. Another piece, “Free Me,” shows a man cupping his hand to his mouth and shouting.\u003c/p>\n\u003cfigure id=\"attachment_10790938\" class=\"wp-caption alignright\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10790938\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/12/CooperFreeMe.jpg\" alt=\"Kevin Cooper's "Free Me," part of the "Windows on Death Row" exhibition.\" width=\"1920\" height=\"2425\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/CooperFreeMe.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/CooperFreeMe-400x505.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/CooperFreeMe-800x1010.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/CooperFreeMe-768x970.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/CooperFreeMe-1440x1819.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/CooperFreeMe-1180x1490.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/CooperFreeMe-960x1213.jpg 960w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Kevin Cooper’s “Free Me,” part of the “Windows on Death Row” exhibition. \u003ccite>(Courtesy Kevin Cooper/Windows on Death Row)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Sometimes when you’re in a place like this and you tell people certain things, it’s just like they don’t hear. You have to scream it,” Cooper says. “And sometimes when you scream, they still don’t hear you.”\u003c/p>\n\u003cp>“Windows on Death Row” was organized by a Swiss couple: Patrick Chappatte, a political cartoonist for the International New York Times, and TV journalist and documentary filmmaker Anne Widmann. Chappatte says they wanted to reveal the humanity of the inmates.\u003c/p>\n\u003cp>“And that’s what is a bit unsettling, might be unsettling for some viewers, because death row is a place, is a forgotten place where we put, as a society we put people that are seen as monsters, and we don’t pay attention to what’s going on there. And what you see through the art is actually, you see beauty, you see human emotions,” Chappatte said.\u003c/p>\n\u003cp>Over 70 framed drawings and paintings line the walls. Some of those include political cartoons submitted by Chappatte’s fellow cartoonists. All the pieces in the show are critical of capital punishment. Chappatte said he reached out to conservative cartoonists but they, too, were against capital punishment.\u003c/p>\n\u003cp>“One of the cartoonists says that he’s describing in one of his cartoons that he was for death penalty, then changed his mind. Another of the conservative cartoonists told me, ‘You know what, I’m pro-life all the way, so I’m anti-abortion and anti-death penalty,’ ” Chappatte recalls.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The cartoonist who changed his mind about the death penalty is Jack Ohman, editorial cartoonist for the Sacramento Bee and president of the Association of American Editorial Cartoonists.\u003c/p>\n\u003cp>“I don’t want to be executing somebody who — even if they had committed the crime — I don’t think that sends the right signal. As a society, if you’re saying killing is wrong, killing is wrong. We shouldn’t be killing,” Ohman says.\u003c/p>\n\u003cp>Widmann says “Windows on Death Row” is not about taking sides between criminals and victims. She points out that the group “Murder Victims’ Families for Human Rights” is one of the show’s sponsors. But she does want visitors to think about how race and class factor into how likely defendants are to be sentenced to death.\u003c/p>\n\u003cp>“I mean, look at this system. It’s broken. I mean, how come terrible murderers are not on death row, and how come some are? How come some people have money to hire great lawyers, and how come others don’t?” Widmann says. “It has nothing to do with empathy with criminals, you see what I mean?”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Windows on Death Row” will travel to North Carolina and Ohio after it closes in Los Angeles on Dec. 18.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"politicalbreakdown": {
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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},
"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
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"source": "npr"
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"rss": "http://feeds.revealradio.org/revealpodcast"
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},
"rightnowish": {
"id": "rightnowish",
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