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"content": "\u003cp>We live in a golden age of television, and it’s not just happening in America. Thanks to the availability of international TV the Internet and an expansive list of speciality channels has made available, you don’t have to travel to Scandinavia to watch the much-talked-about Danish series \u003cem>The Killing\u003c/em> or \u003cem>The Bridge\u003c/em>, on which the American adaptations were based. You can watch them from the comfort of your own home.\u003c/p>\n\u003cp>Here are five European television dramas that are on par with the best of what American television has to offer.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>Real Humans\u003c/em> (Sweden)\u003c/strong>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=VKOZoAdhHso\u003c/p>\n\u003cp>I love character-based science fiction, and the genre has enjoyed a renaissance on American television in recent years. But my favorite sci-fi series may be a Swedish one. Äkta människor, translated to Real Humans for English-speaking viewers, is the story of a near-future in which androids (called hubots) have been integrated into most peoples’ everyday lives, often in the most intimate of ways. That isn’t just a subtle reference to sex-bots, which do exist in this world, but to the way in which humans have become attached to the artificially-intelligent beings living in their homes and, in many cases, as parts of their families.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In its two seasons (20 episodes), \u003cem>Real Humans\u003c/em> follows two families and their respective members’ relationships to the hubots in their lives, as well as a ragtag band of liberated hubots, who have gained free will and have managed temporary escape from their lives of service. They work to gain their freedom, but are opposed by an ever-growing anti-hubot movement that calls itself “Real Humans.” Like the best science fiction, \u003cem>Real Humans\u003c/em> is nuanced, thought-provoking, and poses prescient questions about the consequences humanity risks when allowing technology to serve so many functions in our lives.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>The Returned\u003c/em> (France)\u003c/strong>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=5bv_5IBPVuo\u003c/p>\n\u003cp>In a mountain town in rural France, five dead members of the community come back to life in \u003cem>The Returned\u003c/em>, a French drama with one eight-episode season under its belt and another in production. \u003cem>The Returned\u003c/em> isn’t a tale of brain-dead zombies feasting on the living. These returned people don’t remember having died. They are not out to wreak havoc or eat brains. Their motivations are as myriad as their living counterparts, which is to say governed by a desire to be loved and accepted by the people they love and accept.\u003c/p>\n\u003cp>If this story sounds familiar, it’s because it has been told in many incarnations in the last decade -- including ABC’s \u003cem>Resurrection\u003c/em> and a forthcoming \u003cem>The Returned\u003c/em> adaptation from A&E -- but it is hard to imagine anything topping this atmospheric slow burn of a series. \u003cem>The Returned\u003c/em> is beautifully directed with stunning visuals of the French countryside. It yields powerful performances from its ensemble cast, and is thematically underscored by a haunting soundtrack from Scottish post-rock band Mogwai.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>Borgen\u003c/em> (Denmark)\u003c/strong>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=bz_SyOXB1kM\u003c/p>\n\u003cp>If you miss \u003cem>The West Wing\u003c/em> or are still lamenting the cancellation of short-lived British drama \u003cem>Party Animals\u003c/em>, then \u003cem>Borgen\u003c/em> is the show for you. Focused on the unexpected rise of the first (fictional) female prime minister of Denmark, this political drama masterfully straddles the line between realistic and idealistic, while also exploring the sometimes impossible balance between professional and private spheres.\u003c/p>\n\u003cp>Though \u003cem>Borgen\u003c/em>’s story is led by Prime Minister Birgitte Nyborg, it is a true ensemble show. Its cast of well-drawn characters expands the world of political machinations to its many corrupt and complicated parts, from the various Danish political parties to the TV newsroom. With three seasons (30 episodes) already produced, the world of \u003cem>Borgen\u003c/em> has so much to offer and will have you caring about Danish politics more than you ever thought possible.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem> Black Mirror\u003c/em> (U.K.)\u003c/strong>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=d0TmXRrDpP8\u003c/p>\n\u003cp>Garnering comparisons to classic TV anthology series \u003cem>The Twilight Zone\u003c/em>, Britain’s \u003cem>Black Mirror\u003c/em> has already made serious waves in the U.S. Its episodes explore the dark potentialities of our technology culture, a.k.a. the “black mirror” of our many screens. Each installment features an entirely different setting, premise, and cast. This non-traditional format may stretch the definition of what it means to be a TV series, but it’s too good not to include on this list.\u003c/p>\n\u003cp>\u003cem>Black Mirror\u003c/em> is at its best when it examines large questions through an intimate lens, such as in “Fifteen Million Merits,” one of the series' best episodes, which tackles the topic of entertainment shows like \u003cem>American Idol\u003c/em> and the culture of distraction of which they are a part. “Bing” Madsen is our gateway character for the episode, a 20-something bored by his everyday existence: generating power by cycling on an exercise bike for hours on end, perpetually bombarded by distraction in the form of ubiquitous screens. When he meets Abi, a beautiful girl he hears singing in the bathroom, Bing uses most of his merits to give her a chance to audition for TV talent show Hot Shots. What happens next is a comment on the dangers of accepting distraction without question, and the range of choices we are given and make in a world where even anger can be commoditized.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem> In the Flesh\u003c/em> (U.K.)\u003c/strong>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=3uAJklDka_U\u003c/p>\n\u003cp>Many contemporary TV shows and movies use apocalypse as a theme, but British drama \u003cem>In the Flesh\u003c/em> is concerned with what happens after the zombie apocalypse, expertly applying a supernatural filter to the real life horrors of social intolerance and discrimination. The show is set in post-zombie Britain, where scientists have found a way to “cure” the undead with medication. In the pilot, protagonist Kieren Walker, a partially-deceased syndrome (PDS) sufferer, returns to his family and rural community for the first time following his death and “rising.” The show follows Kieren’s struggle with his own guilt over the people he ate in his “untreated” state, as well as his efforts to reacclimate both to a family still dealing with his death and a town stuck in survival mode.\u003c/p>\n\u003cp>\u003cem>In the Flesh\u003c/em> has run for two seasons, with the fate of its third yet to be announced by Britain’s BBC Three. It would be a shame to lose a TV series about the complexities of how we deal with trauma at the individual and societal level. But, even if it isn't renewed, \u003cem>In the Flesh\u003c/em> is still well worth a watch.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Do you watch any foreign TV shows? What European shows would you suggest to others looking to expand their media horizons? Sound off in the comments below.\u003c/em>\u003c/p>\n\n",
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They work to gain their freedom, but are opposed by an ever-growing anti-hubot movement that calls itself “Real Humans.” Like the best science fiction, \u003cem>Real Humans\u003c/em> is nuanced, thought-provoking, and poses prescient questions about the consequences humanity risks when allowing technology to serve so many functions in our lives.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>The Returned\u003c/em> (France)\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/5bv_5IBPVuo'\n title='//www.youtube.com/embed/5bv_5IBPVuo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In a mountain town in rural France, five dead members of the community come back to life in \u003cem>The Returned\u003c/em>, a French drama with one eight-episode season under its belt and another in production. \u003cem>The Returned\u003c/em> isn’t a tale of brain-dead zombies feasting on the living. 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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"radiolab": {
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"reveal": {
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"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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},
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"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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