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Rough Cut - Woodworking with Tommy Mac Previous Broadcasts

Serving Tray (Episode #109)

KQED Life: Mon, Nov 26, 2012 -- 1:30 PM

Though the Serving Tray in this episode may look simple, it involves a complicated compound angle that defeats many woodworkers. But, Tommy has an answer for you - a trick that makes compound angles easy. In this episode, he provides detailed instruction and discusses the technique of creating compound angles. Then he joins Gerry Ward from Boston's Museum of Fine Arts at the First Church of Ipswich, Massachusetts. Later, Tommy returns to his workshop for a visit from the North Bennet Street School's Steve Brown.

Keepsake Box (Episode #108H)

KQED Life: Mon, Nov 19, 2012 -- 1:30 PM

The Keepsake Box is a perfect project for anyone who wants to learn simple, small box construction. The box would make a great jewelry box or even a humidor. A special feature of this box is the herringbone inlay - a dramatic embellishment featured on top. In this episode, Tommy demonstrates how to build the box and then explains how to create the magnificent herringbone veneer pattern for the top. It is a lot easier than it looks! Then, Tommy takes a trip to the John Adams House in Quincy, Massachusetts, to see one of John Adams's desks, covered in spectacular veneer and banding. Later, Tommy is joined in his shop by Neil Lamens of Furnitology.com.

Mitered Hall Table (Episode #304H)

KQED Life: Sat, Nov 17, 2012 -- 10:30 AM

This week on Rough Cut we're making a Mitered Hall Table out of one giant slab of figured maple. Tommy will show us how he achieves the look of one continuous grain pattern by interpreting the wood. And for the Road Trip Tommy takes us to Berkshire Hardwoods in Western Massachusetts where we meet owner, Jeff Poirier, and learn how he takes a local tree and turns it into a beautiful piece of stock.

Finishes (Episode #107)

KQED Life: Mon, Nov 12, 2012 -- 1:30 PM

Tommy is the first to say, finishes are an art unto themselves. That's why he dedicated an entire episode to this topic featuring two very talented finishers, Christine Thomson, a period finisher from Salem, Massachusetts, and Mark Libby, a local finisher who has worked with Tommy for years. In this episode, Tommy provides detailed project instruction for work requiring a finishing technique. He visits Christine's shop to see some of her techniques, and later, Mark Libby swings by Tommy's shop.

Barley Twist Lamp (Episode #303H)

KQED Life: Sat, Nov 10, 2012 -- 10:30 AM

On this Rough Cut episode, Tommy tackles the difficult technique of off-set turning on a lathe when he makes the unique Barley Twist Lamp. The lamp is made out of beautiful mahogany and topped off with a specially made glass top designed and created just for this project. For the Road Trip, Tommy visits his good friend, glassblower, Niels Cosman at his Rhode Island School of Design studio. Niels will make a special appearance back at the Rough Cut shop when he personally delivers the finished lampshade to Tommy.

Octagonal Lazy Susan (Episode #104)

KQED Life: Mon, Nov 5, 2012 -- 1:30 PM

The Octagonal Lazy Susan featured this week has a lot of bang for the buck. Not only is the octagonal shape beautiful to look at, but the inlaid veneer of birdseye maple and beeswing mahogany really make the piece magnificent. In this episode, Tommy provides detailed instructions on how to build the initial shape, but then takes particular care with his instruction on how to do the inlay. On a very special Rough Cut Road Trip, Tommy gets a behind-the-scenes peek at Historic New England, a massive warehouse of historic artifacts and furniture that is not open to the public. Back in the shop, fellow North Bennet Street School graduate Eli Cleveland joins Tommy to build the Lazy Susan.

Workbench (Episode #302H)

KQED Life: Sat, Nov 3, 2012 -- 10:30 AM

This time, on Rough Cut, Tommy takes on the key tool in any woodshop - the workbench. With help from his shop coordinator and Rough Cut technical advisor, Eli Cleveland, Tommy will demonstrate how to make a workbench with mortise and tenon joinery and a beautiful solid maple top.

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