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FM","link":"/"}},"trulyca_3207":{"type":"posts","id":"trulyca_3207","meta":{"index":"posts_1591205157","site":"trulyca","id":"3207","score":null,"sort":[1595869253000]},"guestAuthors":[],"slug":"love-death-and-costumes-meet-the-sf-pride-grand-marshals-who-introduced-their-community-to-art-and-reclaimed-fashion","title":"Love, death and costumes: Meet the SF Pride Grand Marshals who introduced their community to art and reclaimed fashion.","publishDate":1595869253,"format":"video","headTitle":"Season 15 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>KQED's documentary acquisition series \u003ca href=\"https://www.youtube.com/playlist?list=PLeGdTT0--8Khz_o0pdGn7RMVcoK6z0zhw\">Truly CA: Our State, Our Stories\u003c/a> brings a feature film adapted from a previous short film released last season. The short, \u003ca href=\"https://www.kqed.org/trulyca/3024/verasphere-a-love-story-in-costume\">\u003cem>Verasphere: A Love Story in Costume\u003c/em>\u003c/a>, followed partners, David Faulk and Michael Johnstone; their story of love, survival, creation and self expression during the AIDS epidemic.\u003c/p>\n\u003cp>Now, the hour long documentary has come to the light, titled Mrs.\u003cem> Vera’s Daybook.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_3213\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3213\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-800x450.jpeg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-800x450.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-1020x574.jpeg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-160x90.jpeg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-768x432.jpeg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-1536x864.jpeg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Micheal Johnstone (L), Photographer and David Faulk (R) pose at their gallery opening at the Harvey Milk Center in San Francisco. \u003ccite>(NuReality Productions)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>During one of the darkest periods in US History, two men decide to bring joy and color to a broken community for which an entire movement has emerged.\u003c/p>\n\u003cp>Directed and Produced by Robert James, \u003cem>Mrs. Vera's Daybook, \u003c/em>a NuReality Production, tells a story of historic activism and community art through the works of two San Francisco artists, David Faulk and Michael Johnstone, who also happen to be long-term AIDS survivors.\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-3212\" style=\"font-weight: bold;background-color: transparent;color: #767676\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-800x450.jpeg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-800x450.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-1020x574.jpeg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-160x90.jpeg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-768x432.jpeg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-1536x864.jpeg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Becoming the unofficial costumers of the SF Pride Parade, the Verasphere Community has grown as the years go by. Supporters, fellow activists and members of the Queer Art Community join the film to help paint this vivid portrait of perseverance, compassion and outrageous dime-store fashion.[pullquote size=\"medium\" align=\"right\"]\u003ca href=\"https://www.youtube.com/watch?v=dmdhKJqirNI\">Watch Mrs. Vera's Daybook from NuReality Productions \u003c/a> [/pullquote]Having received the coveted Community Grand Marshal appointment for the SF PRIDE Parade in 2019, \u003cem>Daybook\u003c/em> subjects celebrate 25 years of making sensational art together.\u003c/p>\n\u003cp>[gallery columns=\"1\" size=\"medium\" ids=\"3210,3211,3216,3217,3218,3219,3220,3221,3222\" orderby=\"rand\"]\u003c/p>\n\u003ch4>\u003cb>Directors Statement, \u003c/b> Mrs. Vera’s Daybook\u003c/h4>\n\u003cp>A flamboyant subject from a feature documentary film I made wrote me an email and said ‘You should make a film about Mrs. Vera’. I didn’t know who or what Mrs. Vera was but after speaking with several people in the San Francisco art world, I set up a meeting. I soon learned that Mrs. Vera and the Verapshere was a costume-art collaboration born during desperate times when two people fell in love. Michael Johnstone and David Faulk, both long-term AIDS survivors met at a time when love was the last thing they were looking for.\u003c/p>\n\u003cp>This story turned into the Short Film VERASPHERE: A Love story in Costume in the summer of 2019 and aired on Truly CA thru KQED (PBS); but these two men that have created community art together for 25 years and delighted thousands of people was a much bigger story of historic activism and art, so we kept shooting.\u003c/p>\n\u003cp>This may be the sweetest film I’ve ever made. The idea that something shimmering and magnificent could spring from the plague years in San Francisco may not be the most original story, but the alien art experience offered for free by two loving souls that wish to include everyone sure is.\u003c/p>\n\u003cfigure id=\"attachment_3227\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-3227 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-768x576.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-1536x1152.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-2048x1536.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mrs. Vera's Daybook Director, Producer & Writer\u003c/figcaption>\u003c/figure>\n\u003ch4>\u003cstrong style=\"background-color: transparent;color: #2b2b2b;font-size: 16px\">Director Bio\u003c/strong>\u003c/h4>\n\u003cp>Robert began his film-making career at the age of 46 in 2009.\u003c/p>\n\u003cp>After 3 semesters of film production classes, he left school to intern for a celebrated documentary filmmaker in Los Angeles. Traveling the world with camera in hand he assisted on several projects learning videography and editing skills. This led to Robert co-directing his first short film ‘Library of Dust’ in 2011.\u003cspan class=\"m_8715506250476118515Apple-converted-space\"> \u003c/span>\u003c/p>\n\u003cp>Producing that film and winning several awards inspired him to launch right into future projects and soon after NuReality Productions was born.\u003cspan class=\"m_8715506250476118515Apple-converted-space\"> \u003c/span>This small independent documentary film company located in Berkeley has fostered many talented collaborators that would assist in an array of diverse media ventures. Two documentary short films, a doc feature film and a five-part series along with\u003cspan class=\"m_8715506250476118515Apple-converted-space\"> \u003c/span>a rich collection of commercial work, music video and web content has Robert and his crew busy with several future projects in the works.\u003c/p>\n\u003ch5>\u003c/h5>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_3237\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-3237 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-768x512.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Producer, Editor & Co-Writer, Nick Blond\u003c/figcaption>\u003c/figure>\n\u003ch4>\u003cstrong>Producers Bio\u003c/strong>\u003c/h4>\n\u003cp>Since moving from Humboldt County to the SF Bay Area in 2011, Nick Blond has worked as a freelance videographer, capturing and editing commercial productions, corporate events, music videos, and award winning documentaries including R\u003cem>uminations \u003c/em>(2018), \u003cem>VERASPHERE: A Love Story in Costume \u003c/em>(2019), and \u003cem>King of the Road \u003c/em>(2019).\u003c/p>\n\u003cp>Though focusing primarily on editing, Nick has worn almost every hat in the industry at one point or another. With a wide range of projects under his belt, Nick finds most of his passion in telling lesser-known stories that educate, challenge, or otherwise make an impact on viewers and promote positive social change.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[aside label=\"More from the Verasphere\" link1=\"\u003ca href=\"https://veraspherefilm.com/the-filmmakers\" target=\"_blank\" rel=\"noopener noreferrer\"> https://veraspherefilm.com/the-filmmakers\u003c/a>\" link2=\"\u003ca href=\"https://www.kqed.org/arts/13842612/ever-expanding-verasphere-testifies-to-the-restorative-power-of-creativity\">https://www.kqed.org/news/11826872/all-you-want-is-to-be-believed-the-impacts-of-unconscious-bias-in-health-care\u003c/a>\"]\u003c/p>\n\u003ch4 style=\"text-align: left\">Production Credits\u003c/h4>\n\u003cp>Written, Produced and Directed by Robert James\u003c/p>\n\u003cp>Executive Producer - Howard Grothe\u003c/p>\n\u003cp>Produced, Edited and Co-Written by Nick Blond\u003c/p>\n\u003cp>Cinematographer - Rudy Behrens\u003c/p>\n\u003cp>Original Music by Steven Clark & Andy Cowitt\u003c/p>\n\u003cp>\u003cstrong>Cast\u003c/strong>\u003c/p>\n\u003cp>David Faulk\u003c/p>\n\u003cp>Michael Johnstone\u003c/p>\n\u003cp>Dave Christenson\u003c/p>\n\u003cp>Nicola Bosco-Alvarez\u003c/p>\n\u003cp>Don Bapst\u003c/p>\n\u003cp>Jon Harris\u003c/p>\n\u003cp>Larry Boly\u003c/p>\n\u003cp>Jack Collins\u003c/p>\n\u003cp>Ron Cordova\u003c/p>\n\u003cp>Mark Trevorrow\u003c/p>\n\u003cp>Julie Blankenship\u003c/p>\n\u003cp>Dale Van Dusen\u003c/p>\n\u003cp>Michael Wertz\u003c/p>\n\u003cp>Cameron Wolf\u003c/p>\n\u003cp>Annie Sprinkle\u003c/p>\n\u003cp>Beth Stevens\u003c/p>\n\u003cp>Joshua Grannell\u003c/p>\n\u003cp>Nell Jehu\u003c/p>\n\u003cp>Daniel Dagucon\u003c/p>\n\u003cp>Sean Lord\u003c/p>\n\u003cp>Andy Cowitt\u003c/p>\n\u003cp>\u003cstrong>Crew Cont’d\u003c/strong>\u003c/p>\n\u003cp>Production Sound - Steven Lagosh\u003c/p>\n\u003cp>Camera Operator - Nick Blond\u003c/p>\n\u003cp>Additional Camera - Susan Bradley, Robert James, Julian King, Ruby Rieke\u003c/p>\n\u003cp>Additional Media Provided by - Michael Johnstone, Rick Gerharter, Don Bapst, Ben Iliili, Qi Zheng, Sean Lord\u003c/p>\n\u003cp>Title Design and Motion Graphics - Susan Bradley\u003c/p>\n\u003cp>Additional Motion Graphics - Nick Blond\u003c/p>\n\u003cp>Sound Mixer - Dan Olmsted\u003c/p>\n\u003cp>Colorist - Mark Sterne\u003c/p>\n\u003cp>Archival Footage Courtesy of Michael Johnstone, Emma King, Mark Trevorrow, Eric Smith, Rand McIlvenna, Oddball Films, KPIX CBS Bay Area, Warner Bros. Television, ABC7, Kron 4, KOFY-TV\u003c/p>\n\u003cp>Fiscal Sponsorship Provided by Center for Independent Documentary\u003c/p>\n\u003cp>Legal Clearance - Justine Jacob\u003c/p>\n\u003ch6>Special Thanks\u003c/h6>\n\u003cp>Very Special Thanks - Anthony Cianciola, California Academy of Sciences San Francisco, Carl Linkhart, Carolyn Johnston, D’Arcy Drollinger, Ethan Rayvasg, Frameline, Gabrielle Javier, Heklina, Irene Tsouprake Holombo & Hilarious Family, Jennifer Kroot, Jon Harris, Kat Kai, Mark O’Connell & Elliott Fabian\u003c/p>\n\u003cp>Special Thanks To Our Contributors - Alex Nellas, Anne Whiteside, Antonio Leony, Bruce, Cameron Wolfe, Devon Popora, Francoise Herrmann, Gary Hutton, Gloria Kemper, Jean Johnston, Jeff Jackman, Jennifer Kilpatrick, Kay Jones, Marcello Forte, Mary Lanin, Michael Cullen & Gerald Lawson, Nancy Freedman, Peter Toscani, Radu Raduta, and Sheila-Merle Johnson\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"Love, death and costumes. Meet two SF creatives who during the height of the HIV/AIDS crisis created an alter ego who kept them alive and become a community staple. ","status":"publish","parent":0,"modified":1641834644,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":true,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":59,"wordCount":1085},"headData":{"title":"Love, death and costumes: Meet the SF Pride Grand Marshals who introduced their community to art and reclaimed fashion. - Truly CA","description":"Love, art, creation and death, two S.F. artists at the height of the AIDS epidemic created a one Mrs. Vera. Her creators, David Faulk and Michael Johnstone created her in order to cope with their own diagnosis but now, many years later, she's become much more than that, watch the full documentary here.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"3207 https://ww2.kqed.org/trulyca/?p=3207","disqusUrl":"https://ww2.kqed.org/trulyca/love-death-and-costumes-meet-the-sf-pride-grand-marshals-who-introduced-their-community-to-art-and-reclaimed-fashion/","disqusTitle":"Love, death and costumes: Meet the SF Pride Grand Marshals who introduced their community to art and reclaimed fashion.","WpOldSlug":"sf-pride-grand-marshalls-introduce-their-community-built-on-art-in-the-new-documentary-mrs-veras-daybook","excludeFromSiteSearch":"Include","path":"/trulyca/3207/love-death-and-costumes-meet-the-sf-pride-grand-marshals-who-introduced-their-community-to-art-and-reclaimed-fashion","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>KQED's documentary acquisition series \u003ca href=\"https://www.youtube.com/playlist?list=PLeGdTT0--8Khz_o0pdGn7RMVcoK6z0zhw\">Truly CA: Our State, Our Stories\u003c/a> brings a feature film adapted from a previous short film released last season. The short, \u003ca href=\"https://www.kqed.org/trulyca/3024/verasphere-a-love-story-in-costume\">\u003cem>Verasphere: A Love Story in Costume\u003c/em>\u003c/a>, followed partners, David Faulk and Michael Johnstone; their story of love, survival, creation and self expression during the AIDS epidemic.\u003c/p>\n\u003cp>Now, the hour long documentary has come to the light, titled Mrs.\u003cem> Vera’s Daybook.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_3213\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3213\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-800x450.jpeg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-800x450.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-1020x574.jpeg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-160x90.jpeg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-768x432.jpeg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA-1536x864.jpeg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/uEYmYyyA.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Micheal Johnstone (L), Photographer and David Faulk (R) pose at their gallery opening at the Harvey Milk Center in San Francisco. \u003ccite>(NuReality Productions)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>During one of the darkest periods in US History, two men decide to bring joy and color to a broken community for which an entire movement has emerged.\u003c/p>\n\u003cp>Directed and Produced by Robert James, \u003cem>Mrs. Vera's Daybook, \u003c/em>a NuReality Production, tells a story of historic activism and community art through the works of two San Francisco artists, David Faulk and Michael Johnstone, who also happen to be long-term AIDS survivors.\u003c/p>\n\u003cp>\u003cimg class=\"size-medium wp-image-3212\" style=\"font-weight: bold;background-color: transparent;color: #767676\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-800x450.jpeg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-800x450.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-1020x574.jpeg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-160x90.jpeg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-768x432.jpeg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA-1536x864.jpeg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/cXJuiQWA.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Becoming the unofficial costumers of the SF Pride Parade, the Verasphere Community has grown as the years go by. Supporters, fellow activists and members of the Queer Art Community join the film to help paint this vivid portrait of perseverance, compassion and outrageous dime-store fashion.\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"\u003ca href=\"https://www.youtube.com/watch?v=dmdhKJqirNI\">Watch Mrs. Vera's Daybook from NuReality Productions \u003c/a> ","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Having received the coveted Community Grand Marshal appointment for the SF PRIDE Parade in 2019, \u003cem>Daybook\u003c/em> subjects celebrate 25 years of making sensational art together.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"columns":"1","size":"medium","ids":"3210,3211,3216,3217,3218,3219,3220,3221,3222","orderby":"rand","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch4>\u003cb>Directors Statement, \u003c/b> Mrs. Vera’s Daybook\u003c/h4>\n\u003cp>A flamboyant subject from a feature documentary film I made wrote me an email and said ‘You should make a film about Mrs. Vera’. I didn’t know who or what Mrs. Vera was but after speaking with several people in the San Francisco art world, I set up a meeting. I soon learned that Mrs. Vera and the Verapshere was a costume-art collaboration born during desperate times when two people fell in love. Michael Johnstone and David Faulk, both long-term AIDS survivors met at a time when love was the last thing they were looking for.\u003c/p>\n\u003cp>This story turned into the Short Film VERASPHERE: A Love story in Costume in the summer of 2019 and aired on Truly CA thru KQED (PBS); but these two men that have created community art together for 25 years and delighted thousands of people was a much bigger story of historic activism and art, so we kept shooting.\u003c/p>\n\u003cp>This may be the sweetest film I’ve ever made. The idea that something shimmering and magnificent could spring from the plague years in San Francisco may not be the most original story, but the alien art experience offered for free by two loving souls that wish to include everyone sure is.\u003c/p>\n\u003cfigure id=\"attachment_3227\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-3227 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-768x576.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-1536x1152.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-2048x1536.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/RJ-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mrs. Vera's Daybook Director, Producer & Writer\u003c/figcaption>\u003c/figure>\n\u003ch4>\u003cstrong style=\"background-color: transparent;color: #2b2b2b;font-size: 16px\">Director Bio\u003c/strong>\u003c/h4>\n\u003cp>Robert began his film-making career at the age of 46 in 2009.\u003c/p>\n\u003cp>After 3 semesters of film production classes, he left school to intern for a celebrated documentary filmmaker in Los Angeles. Traveling the world with camera in hand he assisted on several projects learning videography and editing skills. This led to Robert co-directing his first short film ‘Library of Dust’ in 2011.\u003cspan class=\"m_8715506250476118515Apple-converted-space\"> \u003c/span>\u003c/p>\n\u003cp>Producing that film and winning several awards inspired him to launch right into future projects and soon after NuReality Productions was born.\u003cspan class=\"m_8715506250476118515Apple-converted-space\"> \u003c/span>This small independent documentary film company located in Berkeley has fostered many talented collaborators that would assist in an array of diverse media ventures. Two documentary short films, a doc feature film and a five-part series along with\u003cspan class=\"m_8715506250476118515Apple-converted-space\"> \u003c/span>a rich collection of commercial work, music video and web content has Robert and his crew busy with several future projects in the works.\u003c/p>\n\u003ch5>\u003c/h5>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_3237\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-3237 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-768x512.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/29/2020/07/NickBlond.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Producer, Editor & Co-Writer, Nick Blond\u003c/figcaption>\u003c/figure>\n\u003ch4>\u003cstrong>Producers Bio\u003c/strong>\u003c/h4>\n\u003cp>Since moving from Humboldt County to the SF Bay Area in 2011, Nick Blond has worked as a freelance videographer, capturing and editing commercial productions, corporate events, music videos, and award winning documentaries including R\u003cem>uminations \u003c/em>(2018), \u003cem>VERASPHERE: A Love Story in Costume \u003c/em>(2019), and \u003cem>King of the Road \u003c/em>(2019).\u003c/p>\n\u003cp>Though focusing primarily on editing, Nick has worn almost every hat in the industry at one point or another. With a wide range of projects under his belt, Nick finds most of his passion in telling lesser-known stories that educate, challenge, or otherwise make an impact on viewers and promote positive social change.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"More from the Verasphere link1=\"\u003ca rel=\"noopener noreferrer\"> https://veraspherefilm.com/the-filmmakers\u003c/a>\" link2=\"\u003ca href=\"https://www.kqed.org/arts/13842612/ever-expanding-verasphere-testifies-to-the-restorative-power-of-creativity\">https://www.kqed.org/news/11826872/all-you-want-is-to-be-believed-the-impacts-of-unconscious-bias-in-health-care\u003c/a>\"","href":"https://veraspherefilm.com/the-filmmakers","target":"_blank"},"numeric":["link1=\"\u003ca","rel=\"noopener","noreferrer\">","https://veraspherefilm.com/the-filmmakers\u003c/a>\"","link2=\"\u003ca","href=\"https://www.kqed.org/arts/13842612/ever-expanding-verasphere-testifies-to-the-restorative-power-of-creativity\">https://www.kqed.org/news/11826872/all-you-want-is-to-be-believed-the-impacts-of-unconscious-bias-in-health-care\u003c/a>\""]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch4 style=\"text-align: left\">Production Credits\u003c/h4>\n\u003cp>Written, Produced and Directed by Robert James\u003c/p>\n\u003cp>Executive Producer - Howard Grothe\u003c/p>\n\u003cp>Produced, Edited and Co-Written by Nick Blond\u003c/p>\n\u003cp>Cinematographer - Rudy Behrens\u003c/p>\n\u003cp>Original Music by Steven Clark & Andy Cowitt\u003c/p>\n\u003cp>\u003cstrong>Cast\u003c/strong>\u003c/p>\n\u003cp>David Faulk\u003c/p>\n\u003cp>Michael Johnstone\u003c/p>\n\u003cp>Dave Christenson\u003c/p>\n\u003cp>Nicola Bosco-Alvarez\u003c/p>\n\u003cp>Don Bapst\u003c/p>\n\u003cp>Jon Harris\u003c/p>\n\u003cp>Larry Boly\u003c/p>\n\u003cp>Jack Collins\u003c/p>\n\u003cp>Ron Cordova\u003c/p>\n\u003cp>Mark Trevorrow\u003c/p>\n\u003cp>Julie Blankenship\u003c/p>\n\u003cp>Dale Van Dusen\u003c/p>\n\u003cp>Michael Wertz\u003c/p>\n\u003cp>Cameron Wolf\u003c/p>\n\u003cp>Annie Sprinkle\u003c/p>\n\u003cp>Beth Stevens\u003c/p>\n\u003cp>Joshua Grannell\u003c/p>\n\u003cp>Nell Jehu\u003c/p>\n\u003cp>Daniel Dagucon\u003c/p>\n\u003cp>Sean Lord\u003c/p>\n\u003cp>Andy Cowitt\u003c/p>\n\u003cp>\u003cstrong>Crew Cont’d\u003c/strong>\u003c/p>\n\u003cp>Production Sound - Steven Lagosh\u003c/p>\n\u003cp>Camera Operator - Nick Blond\u003c/p>\n\u003cp>Additional Camera - Susan Bradley, Robert James, Julian King, Ruby Rieke\u003c/p>\n\u003cp>Additional Media Provided by - Michael Johnstone, Rick Gerharter, Don Bapst, Ben Iliili, Qi Zheng, Sean Lord\u003c/p>\n\u003cp>Title Design and Motion Graphics - Susan Bradley\u003c/p>\n\u003cp>Additional Motion Graphics - Nick Blond\u003c/p>\n\u003cp>Sound Mixer - Dan Olmsted\u003c/p>\n\u003cp>Colorist - Mark Sterne\u003c/p>\n\u003cp>Archival Footage Courtesy of Michael Johnstone, Emma King, Mark Trevorrow, Eric Smith, Rand McIlvenna, Oddball Films, KPIX CBS Bay Area, Warner Bros. Television, ABC7, Kron 4, KOFY-TV\u003c/p>\n\u003cp>Fiscal Sponsorship Provided by Center for Independent Documentary\u003c/p>\n\u003cp>Legal Clearance - Justine Jacob\u003c/p>\n\u003ch6>Special Thanks\u003c/h6>\n\u003cp>Very Special Thanks - Anthony Cianciola, California Academy of Sciences San Francisco, Carl Linkhart, Carolyn Johnston, D’Arcy Drollinger, Ethan Rayvasg, Frameline, Gabrielle Javier, Heklina, Irene Tsouprake Holombo & Hilarious Family, Jennifer Kroot, Jon Harris, Kat Kai, Mark O’Connell & Elliott Fabian\u003c/p>\n\u003cp>Special Thanks To Our Contributors - Alex Nellas, Anne Whiteside, Antonio Leony, Bruce, Cameron Wolfe, Devon Popora, Francoise Herrmann, Gary Hutton, Gloria Kemper, Jean Johnston, Jeff Jackman, Jennifer Kilpatrick, Kay Jones, Marcello Forte, Mary Lanin, Michael Cullen & Gerald Lawson, Nancy Freedman, Peter Toscani, Radu Raduta, and Sheila-Merle Johnson\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3207/love-death-and-costumes-meet-the-sf-pride-grand-marshals-who-introduced-their-community-to-art-and-reclaimed-fashion","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_850"],"categories":["trulyca_38","trulyca_21","trulyca_32"],"tags":["trulyca_67","trulyca_891","trulyca_894","trulyca_68","trulyca_69","trulyca_893","trulyca_895","trulyca_890","trulyca_848","trulyca_892","trulyca_889"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3211","label":"trulyca_771"},"trulyca_3165":{"type":"posts","id":"trulyca_3165","meta":{"index":"posts_1591205157","site":"trulyca","id":"3165","score":null,"sort":[1593175534000]},"guestAuthors":[],"slug":"out-on-the-inside-transgender-women-share-stories-from-a-california-prison","title":"Out on the Inside: Transgender Women Share Stories From a California Prison","publishDate":1593175534,"format":"video","headTitle":"Season 15 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>\u003cem>Updated Jan. 14, 2021\u003c/em>\u003cbr>\n\u003cem>On Jan. 1, 2021, \u003ca href=\"https://leginfo.legislature.ca.gov/faces/billTextClient.xhtml?bill_id=201920200SB132\">Senate Bill 132\u003c/a> went into effect in California: The \"Transgender Respect, Agency, and Dignity Act,\" authored by state Sen. Scott Wiener, allows for incarcerated people to “be housed at a correctional facility designated for men or women based on the individual’s preference.”\u003c/em>\u003c/p>\n\u003cp>I arrived at a state prison in Vacaville, California, with a cart full of video equipment and two fellow reporters from KQED. We had come to meet with a group of transgender inmates and learn about their experience behind bars.\u003c/p>\n\u003cp>Prison is a challenging environment by any measure, but for the roughly two dozen transgender women living here alongside nearly 2500 men, there are unique challenges — not just for the women, but also for the prison staff responsible for keeping everyone safe.\u003c/p>\n\u003cp>The California prison system (like most) has long been set up along traditional gender lines — there are prisons for men and other ones for women, with a current total of 35 institutions located in every region of the state. But in recent years, the California Department of Corrections and Rehabilitation (CDCR) has had to contend with a growing number of offenders who do not fit into a binary gender classification system.\u003c/p>\n\u003cp>Take Jazzie Paradize Scott, for example, who said she’s been taking hormones since she was 16.\u003c/p>\n\u003cp>“I've always had my mom and my father's approval of being a trans woman,” she said. “It was just always about getting my life together and stop making so many careless mistakes. Like this — ending up in prison.”\u003c/p>\n\u003cfigure id=\"attachment_3172\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3172\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/Jazzie-ID-2-800x450.jpg\" alt=\"Jazzie Paradize Scott displays her transgender ID card, issued by the California Department of Corrections and Rehabilitation. The CDCR has designated certain prisons as hubs for transgender inmates, where support services and resources can be clustered.\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/Jazzie-ID-2-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Jazzie-ID-2-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Jazzie-ID-2-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Jazzie-ID-2-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Jazzie-ID-2.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jazzie Paradize Scott displays her transgender ID card, issued by the California Department of Corrections and Rehabilitation. The CDCR has designated certain prisons as hubs for transgender inmates, where support services and resources can be clustered. \u003ccite>(Monica Lam/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The CDCR has designated certain prisons as hubs for transgender inmates, where support services and resources can be clustered. The prison I visited, California Medical Facility (CMF), is one of those hubs, and it’s also a prison where inmates with medical and mental health needs are placed for better access to health care.\u003c/p>\n\u003cp>Scott is on her third tour of prison and wants to put what remains of her time inside to good use. She was elected to represent other transgender prisoners on the inmate advisory council and successfully lobbied to create a weekly workout club for transgender women, complete with a prison staffer as a fitness coach.\u003c/p>\n\u003cp>“It took a long journey with a long fight, but I was able to work with staff on talking to the right people to get it done,” Scott said.\u003c/p>\n\u003cp>Today’s workout began with a simple, brisk walk around the perimeter of the gym, with a couple of women following along in their wheelchairs. While one group pedaled stationary bikes, another group played a high energy game of half-court basketball that left them drenched in sweat. Afterwards, Scott led the group through a series of stretches to cool down.\u003c/p>\n\u003cfigure id=\"attachment_3169\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3169\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/bikes7-800x450.jpg\" alt=\"Transgender prisoners at California Medical Facility in Vacaville successfully lobbied to create a weekly workout club for the prison's transgender women, complete with a prison staffer as a fitness coach.\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/bikes7-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/bikes7-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/bikes7-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/bikes7-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/bikes7.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Transgender prisoners at California Medical Facility in Vacaville successfully lobbied to create a weekly workout club for the prison's transgender women, complete with a prison staffer as a fitness coach. \u003ccite>(Sruti Mamidanna/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The point of the workout club, said Scott, was “to be able to let our hair down and wear our makeup and our gym shorts” in a safe environment. In fact, while they were inside the gym, the women could take off their prison blues and wear sports bras, tank tops, and leggings. Once the workout was over, they had to once again don their prison-issued pants and loose-fitting blue shirts before exiting the gym.\u003c/p>\n\u003ch3>‘I Never Saw Myself as a Guy’\u003c/h3>\n\u003cp>Gender identity and expression inside prison is more than a matter of getting to dress as one would like. Transgender people face harassment, hatred and violence both outside and inside prison.\u003c/p>\n\u003cp>“Since I was a child, I felt like I was a girl,” said Yekaterina Wesa Patience when we sat down to talk. “No matter what nobody told me, I just never, I never saw myself as a guy.”\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\" citation=\"Yekaterina Wesa Patience\"]“I immediately cut all my hair off, grew facial hair and never grew it long again. I had to act like the toughest person I could find.”[/pullquote]\u003c/p>\n\u003cp>Her family, she said, could not accept that.\u003c/p>\n\u003cp>“My father literally would beat me, sometimes every day, just to get me to act like a boy — to toughen me up,” she said.\u003c/p>\n\u003cp>By 14, Patience said she had left home, and before long, ended up in jail. She’s been in prison since 1996 for first-degree murder, a crime she committed when she was 18.\u003c/p>\n\u003cp>Inside prison, the violence continued. Patience said she was raped twice by other prisoners. In response, she tried to hide her identity.\u003c/p>\n\u003cp>“I immediately cut all my hair off, grew facial hair and never grew it long again,” she said. “I had to act like the toughest person I could find.”\u003c/p>\n\u003cp>Even today she searches her memory for what she could have done differently to prevent the assaults.\u003c/p>\n\u003cfigure id=\"attachment_3173\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3173\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/Kat-6-800x450.jpg\" alt=\"Yekaterina Wesa Patience said that in the past, she cut off her hair and grew facial hair to protect herself from the threat of harassment, violence and sexual assault behind bars.\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/Kat-6-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Kat-6-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Kat-6-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Kat-6-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Kat-6.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Yekaterina Wesa Patience said that in the past, she cut off her hair and grew facial hair to protect herself from the threat of harassment, violence and sexual assault behind bars. \u003ccite>(Monica Lam/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>There are too many stories of \u003ca href=\"https://www.kqed.org/news/11794221/could-changing-how-transgender-inmates-are-housed-make-prison-safer-for-them\">transgender prisoners being attacked, beaten, raped or killed behind bars\u003c/a>. While violence and sexual assault inside prison is a widespread problem, a 2007 study by UC Irvine researchers found that transgender prisoners are 13 times more likely to be sexually assaulted than their cisgender counterparts. That statistic is even more striking given that transgender prisoners make up only about 1% of the total prison population in California.\u003c/p>\n\u003cp>Under the pressure of federal law and numerous prisoner-led lawsuits, California's prison system has been making changes to ensure greater safety for all its prisoners and also to make accommodations for the needs of transgender people.\u003c/p>\n\u003cp>In settling a lawsuit brought by transgender inmate Shiloh Quine, the department in 2015 started allowing access to apparel previously reserved for female prisoners at women’s prisons — items like bras, clothing, makeup and jewelry. Similar policies were put into place for transgender men at women’s prisons.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>During one of the weekly meetings of a transgender support group, which gathers in a bright room lined with blue couches, I asked about the makeup. To me, makeup seemed like one of the niceties of life that I hadn’t expected to see on a list of prison canteen items.\u003c/p>\n\u003cp>“I love my pinks,” said Cary CJay Smith, showing me a couple tubes of lip gloss. Her eyelids were also dusted a soft shade of pink. “This one is for my eyes, the volumizing,” she said, holding up a bright yellow tube of mascara.\u003c/p>\n\u003cp>With a wink, she showed me what else she used the mascara for.\u003c/p>\n\u003cp>“I cover up my gray with it,” she said, brushing the wand’s bristles against her hair. “Just a little bit on the side.”\u003c/p>\n\u003cfigure id=\"attachment_3170\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3170\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/CJ-_pinks-800x450.jpg\" alt=\"Cary CJay Smith shows her makeup in her favorite color: pink. The state prison system in 2015 started allowing access to apparel previously reserved for female prisoners at women’s prisons — items like bras, clothing, makeup and jewelry. Similar policies were put into place for transgender men at women’s prisons.\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/CJ-_pinks-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/CJ-_pinks-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/CJ-_pinks-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/CJ-_pinks-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/CJ-_pinks.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cary CJay Smith shows her makeup in her favorite color: pink. The state prison system in 2015 started allowing access to apparel previously reserved for female prisoners at women’s prisons — items like bras, clothing, makeup and jewelry. Similar policies were put into place for transgender men at women’s prisons. \u003ccite>(Monica Lam/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Many of the prisoners who have been inside for a long time said getting access to makeup was a big deal.\u003c/p>\n\u003cp>“It used to be that we didn't have real makeup and we had to improvise,” said David Bella Birrell. “Like getting China markers for eyebrow stuff.”\u003c/p>\n\u003cp>Or mixing Koolaid and Chapstick to make lipstick, added Birrell, who’s been incarcerated since 1983 for first-degree murder.\u003c/p>\n\u003cp>Smith also shared one of her hacks.\u003c/p>\n\u003cp>“I use a toothpaste box — Colgate — and I get a Q-tip, and I can rub baby oil along the red part of the box,” she said. “I can make me a little eyeshadow, a little pink eyeshadow.”\u003c/p>\n\u003cp>The support group is also where more serious topics get discussed. An animated argument flared up about whether one inmate was adequately dressed on a recent hot day.\u003c/p>\n\u003cp>“I was sitting in my cell and it's almost 90 [degrees]. I'm sitting with just my bra and my shorts, facing the wall,” said Rachael Goosen. When a passing corrections officer reprimanded her for being inappropriately dressed, Goosen was upset. “When I'm at my bed area, that's my area and I can dress as I feel,” she said.\u003c/p>\n\u003cp>But Smith disagreed, advocating that trans women should err on the side of modesty.\u003c/p>\n\u003cp>“As a woman, you should want to be covered,” Smith said. “I keep my mumu on. I mean I don't care how hot it is.”\u003c/p>\n\u003cfigure id=\"attachment_3174\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3174\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/Group-5_v2-800x450.jpg\" alt=\"Transgender women gather for a weekly support group at California Medical Facility, a state prison in Vacaville, CA.\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/Group-5_v2-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Group-5_v2-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Group-5_v2-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Group-5_v2-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Group-5_v2-1536x864.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Group-5_v2.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Transgender women gather for a weekly support group at California Medical Facility, a state prison in Vacaville, CA. \u003ccite>(Sruti Mamidanna/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Women in Men’s Prisons\u003c/h3>\n\u003cp>California prisons don’t have special housing units dedicated to transgender inmates. Instead, they are generally housed in the same type of cells as other men and in some cases share dorms with more than a hundred people.\u003c/p>\n\u003cp>How a prisoner is assigned to a particular cell at a particular prison is based on a complex calculus that incorporates his or her crime, personal profile, past behavior inside prison, requests or preferences and the types and availability of programs at individual prisons.\u003c/p>\n\u003cp>“We have a classification process for our offenders that allows for a case by case review,” said Amy Miller, associate director of the CDCR’s female offender programs.\u003c/p>\n\u003cp>During the support group, we injected ourselves into the discussion to ask the members for their opinion: Should transgender women be housed in a women’s prison?\u003c/p>\n\u003cp>The reactions were mixed.\u003c/p>\n\u003cp>Patience said housing transgender and cisgender women together would alleviate her safety concerns. “If you identify as a female then I think you should be housed around females,” she said. “I think that would eliminate a lot of the problems of being sexually assaulted or being raped, pressured.”\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[pullquote size=\"medium\" align=\"right\" citation=\"Yekaterina Wesa Patience\"]“If you identify as a female then I think you should be housed around females. I think that would eliminate a lot of the problems of being sexually assaulted or being raped, pressured.”[/pullquote]\u003c/span>\u003c/p>\n\u003cp>Ava Marie Fey, who began taking hormones last year, said she hopes to eventually obtain gender affirmation surgery and be transferred to a women’s prison.\u003c/p>\n\u003cp>“I’d love to go over to the female institution instead of this,” Fey said.\u003c/p>\n\u003cp>But Mark Peaches Cates said she was happy where she was.\u003c/p>\n\u003cp>“I wouldn't like it because I love men,” Cates said. “I'd rather be right here with a bunch of men instead of with a bunch of women.”\u003c/p>\n\u003cfigure id=\"attachment_3168\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3168\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/ava-table-6-800x450.jpg\" alt=\"Ava Marie Fey, who began taking hormones last year, said she hopes to eventually obtain gender affirmation surgery and be transferred to a women’s prison. \" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/ava-table-6-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/ava-table-6-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/ava-table-6-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/ava-table-6-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/ava-table-6.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ava Marie Fey, who began taking hormones last year, said she hopes to eventually obtain gender affirmation surgery and be transferred to a women’s prison. \u003ccite>(Sruti Mamidanna/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Last year, Democratic state Senator Scott Wiener, who represents San Francisco, had advanced legislation to allow transgender prisoners to be housed at the prison of their choice. It stalled in the fall, but Wiener said he plans to push an amended bill this year.\u003c/p>\n\u003cp>Several members of the transgender support group questioned how such a law would be enforced. How would prison officials know if someone was sincere about identifying and living as a woman? What if there are men who game the system simply in order to get inside a women’s facility?\u003c/p>\n\u003cp>CDCR’s Miller said the department was working on updating its housing classification policy but could not comment on what changes it is considering.\u003c/p>\n\u003cp>[aside label=\"More of our reporting\" link1=\"https://www.kqed.org/news/11794850/transgender-prisoners-transition-in-lockup-becoming-more-and-more-of-me,Transgender Prisoners Transition in Lockup\" link2=\"https://www.kqed.org/news/11794221/could-changing-how-transgender-inmates-are-housed-make-prison-safer-for-them,Could Changing How Transgender Inmates Are Housed Make Prison Safer for Them?\"]\u003c/p>\n\u003ch3>A Long Journey\u003c/h3>\n\u003cp>California’s prison system is one of the largest in the country, with around 114,000 inmates in its care. How the department continues to evolve and adapt to an increasingly diverse inmate population is being watched by other states, advocates, and of course, prisoners.\u003c/p>\n\u003cp>Ongoing lawsuits continue to push for further reform, from improving access to healthcare to buttressing prisoner safety, while officials scrutinize yearly whether the prisons have done enough to prevent sexual assault.\u003c/p>\n\u003cp>All the prisoners I spoke with said that things could be better. But they also agreed that life for transgender prisoners has come a long way and that they felt especially safe at CMF.\u003c/p>\n\u003cp>Prison officials said their hub system of grouping transgender prisoners together is working — together with changes to policy and prison culture.\u003c/p>\n\u003cp>“This is the first prison I've ever been to that actually had a transgender community,” Patience said.\u003c/p>\n\u003cp>She said she started growing her hair out again after coming to CMF, as well as wearing jewelry and makeup.\u003c/p>\n\u003cp>“It was actually probably the biggest load I've ever taken off my shoulders, when I just stopped saying I was going to be what everybody else wanted me to be,” said Patience.\u003c/p>\n\u003cp>As the weekly support group wound down, people broke off into smaller clumps, starting personal discussions. Goosen and another woman compared rock ‘n’ roll to hip hop music. Patience had a computer class to attend. Scott got ready to start her shift as a janitor.\u003c/p>\n\u003cp>“It’s been a long journey, but I'm comfortable in my skin,” Scott said. “I’m blessed to be where I'm at right now.”\u003c/p>\n\u003ch3>Production Credits\u003c/h3>\n\u003cp>Director & Producer: Monica Lam\u003cbr>\nEditor: Dina Maria Munsch\u003cbr>\nCamera & Sound: Sruti Mamidanna, Monica Lam\u003cbr>\nCo-Reporter: Miranda Leitsinger\u003cbr>\nExecutive Producer: Annelise Wunderlich\u003cbr>\nPost Production:Roger Chiang, Tony Cox, Simon Hui, Kim McCalla, Amy Miller, Vivian Morales\u003cbr>\nManaging Editor of Digital: Julia B. Chan\u003cbr>\nManaging Editor of News: Vinnee Tong\u003cbr>\nExecutive Editor of News: Ethan Toven-Lindsey\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"Transgender women housed at a men's prison in Vacaville, CA, share their stories of surviving, adapting and creating community behind bars.","status":"publish","parent":0,"modified":1610664457,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":63,"wordCount":2470},"headData":{"title":"Out on the Inside: Transgender Women Share Stories From a California Prison - Truly CA","description":"Transgender women housed at a men's prison in Vacaville, CA, share their stories of surviving, adapting and creating community behind bars.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"3165 https://ww2.kqed.org/trulyca/?p=3165","disqusUrl":"https://ww2.kqed.org/trulyca/out-on-the-inside-transgender-women-share-stories-from-a-california-prison/","disqusTitle":"Out on the Inside: Transgender Women Share Stories From a California Prison","videoEmbed":"https://youtu.be/y7D-JhtAQpM","path":"/trulyca/3165/out-on-the-inside-transgender-women-share-stories-from-a-california-prison","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Updated Jan. 14, 2021\u003c/em>\u003cbr>\n\u003cem>On Jan. 1, 2021, \u003ca href=\"https://leginfo.legislature.ca.gov/faces/billTextClient.xhtml?bill_id=201920200SB132\">Senate Bill 132\u003c/a> went into effect in California: The \"Transgender Respect, Agency, and Dignity Act,\" authored by state Sen. Scott Wiener, allows for incarcerated people to “be housed at a correctional facility designated for men or women based on the individual’s preference.”\u003c/em>\u003c/p>\n\u003cp>I arrived at a state prison in Vacaville, California, with a cart full of video equipment and two fellow reporters from KQED. We had come to meet with a group of transgender inmates and learn about their experience behind bars.\u003c/p>\n\u003cp>Prison is a challenging environment by any measure, but for the roughly two dozen transgender women living here alongside nearly 2500 men, there are unique challenges — not just for the women, but also for the prison staff responsible for keeping everyone safe.\u003c/p>\n\u003cp>The California prison system (like most) has long been set up along traditional gender lines — there are prisons for men and other ones for women, with a current total of 35 institutions located in every region of the state. But in recent years, the California Department of Corrections and Rehabilitation (CDCR) has had to contend with a growing number of offenders who do not fit into a binary gender classification system.\u003c/p>\n\u003cp>Take Jazzie Paradize Scott, for example, who said she’s been taking hormones since she was 16.\u003c/p>\n\u003cp>“I've always had my mom and my father's approval of being a trans woman,” she said. “It was just always about getting my life together and stop making so many careless mistakes. Like this — ending up in prison.”\u003c/p>\n\u003cfigure id=\"attachment_3172\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3172\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/Jazzie-ID-2-800x450.jpg\" alt=\"Jazzie Paradize Scott displays her transgender ID card, issued by the California Department of Corrections and Rehabilitation. The CDCR has designated certain prisons as hubs for transgender inmates, where support services and resources can be clustered.\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/Jazzie-ID-2-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Jazzie-ID-2-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Jazzie-ID-2-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Jazzie-ID-2-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Jazzie-ID-2.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jazzie Paradize Scott displays her transgender ID card, issued by the California Department of Corrections and Rehabilitation. The CDCR has designated certain prisons as hubs for transgender inmates, where support services and resources can be clustered. \u003ccite>(Monica Lam/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The CDCR has designated certain prisons as hubs for transgender inmates, where support services and resources can be clustered. The prison I visited, California Medical Facility (CMF), is one of those hubs, and it’s also a prison where inmates with medical and mental health needs are placed for better access to health care.\u003c/p>\n\u003cp>Scott is on her third tour of prison and wants to put what remains of her time inside to good use. She was elected to represent other transgender prisoners on the inmate advisory council and successfully lobbied to create a weekly workout club for transgender women, complete with a prison staffer as a fitness coach.\u003c/p>\n\u003cp>“It took a long journey with a long fight, but I was able to work with staff on talking to the right people to get it done,” Scott said.\u003c/p>\n\u003cp>Today’s workout began with a simple, brisk walk around the perimeter of the gym, with a couple of women following along in their wheelchairs. While one group pedaled stationary bikes, another group played a high energy game of half-court basketball that left them drenched in sweat. Afterwards, Scott led the group through a series of stretches to cool down.\u003c/p>\n\u003cfigure id=\"attachment_3169\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3169\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/bikes7-800x450.jpg\" alt=\"Transgender prisoners at California Medical Facility in Vacaville successfully lobbied to create a weekly workout club for the prison's transgender women, complete with a prison staffer as a fitness coach.\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/bikes7-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/bikes7-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/bikes7-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/bikes7-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/bikes7.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Transgender prisoners at California Medical Facility in Vacaville successfully lobbied to create a weekly workout club for the prison's transgender women, complete with a prison staffer as a fitness coach. \u003ccite>(Sruti Mamidanna/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The point of the workout club, said Scott, was “to be able to let our hair down and wear our makeup and our gym shorts” in a safe environment. In fact, while they were inside the gym, the women could take off their prison blues and wear sports bras, tank tops, and leggings. Once the workout was over, they had to once again don their prison-issued pants and loose-fitting blue shirts before exiting the gym.\u003c/p>\n\u003ch3>‘I Never Saw Myself as a Guy’\u003c/h3>\n\u003cp>Gender identity and expression inside prison is more than a matter of getting to dress as one would like. Transgender people face harassment, hatred and violence both outside and inside prison.\u003c/p>\n\u003cp>“Since I was a child, I felt like I was a girl,” said Yekaterina Wesa Patience when we sat down to talk. “No matter what nobody told me, I just never, I never saw myself as a guy.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"“I immediately cut all my hair off, grew facial hair and never grew it long again. I had to act like the toughest person I could find.”","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","citation":"Yekaterina Wesa Patience","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Her family, she said, could not accept that.\u003c/p>\n\u003cp>“My father literally would beat me, sometimes every day, just to get me to act like a boy — to toughen me up,” she said.\u003c/p>\n\u003cp>By 14, Patience said she had left home, and before long, ended up in jail. She’s been in prison since 1996 for first-degree murder, a crime she committed when she was 18.\u003c/p>\n\u003cp>Inside prison, the violence continued. Patience said she was raped twice by other prisoners. In response, she tried to hide her identity.\u003c/p>\n\u003cp>“I immediately cut all my hair off, grew facial hair and never grew it long again,” she said. “I had to act like the toughest person I could find.”\u003c/p>\n\u003cp>Even today she searches her memory for what she could have done differently to prevent the assaults.\u003c/p>\n\u003cfigure id=\"attachment_3173\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3173\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/Kat-6-800x450.jpg\" alt=\"Yekaterina Wesa Patience said that in the past, she cut off her hair and grew facial hair to protect herself from the threat of harassment, violence and sexual assault behind bars.\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/Kat-6-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Kat-6-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Kat-6-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Kat-6-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Kat-6.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Yekaterina Wesa Patience said that in the past, she cut off her hair and grew facial hair to protect herself from the threat of harassment, violence and sexual assault behind bars. \u003ccite>(Monica Lam/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>There are too many stories of \u003ca href=\"https://www.kqed.org/news/11794221/could-changing-how-transgender-inmates-are-housed-make-prison-safer-for-them\">transgender prisoners being attacked, beaten, raped or killed behind bars\u003c/a>. While violence and sexual assault inside prison is a widespread problem, a 2007 study by UC Irvine researchers found that transgender prisoners are 13 times more likely to be sexually assaulted than their cisgender counterparts. That statistic is even more striking given that transgender prisoners make up only about 1% of the total prison population in California.\u003c/p>\n\u003cp>Under the pressure of federal law and numerous prisoner-led lawsuits, California's prison system has been making changes to ensure greater safety for all its prisoners and also to make accommodations for the needs of transgender people.\u003c/p>\n\u003cp>In settling a lawsuit brought by transgender inmate Shiloh Quine, the department in 2015 started allowing access to apparel previously reserved for female prisoners at women’s prisons — items like bras, clothing, makeup and jewelry. Similar policies were put into place for transgender men at women’s prisons.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>During one of the weekly meetings of a transgender support group, which gathers in a bright room lined with blue couches, I asked about the makeup. To me, makeup seemed like one of the niceties of life that I hadn’t expected to see on a list of prison canteen items.\u003c/p>\n\u003cp>“I love my pinks,” said Cary CJay Smith, showing me a couple tubes of lip gloss. Her eyelids were also dusted a soft shade of pink. “This one is for my eyes, the volumizing,” she said, holding up a bright yellow tube of mascara.\u003c/p>\n\u003cp>With a wink, she showed me what else she used the mascara for.\u003c/p>\n\u003cp>“I cover up my gray with it,” she said, brushing the wand’s bristles against her hair. “Just a little bit on the side.”\u003c/p>\n\u003cfigure id=\"attachment_3170\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3170\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/CJ-_pinks-800x450.jpg\" alt=\"Cary CJay Smith shows her makeup in her favorite color: pink. The state prison system in 2015 started allowing access to apparel previously reserved for female prisoners at women’s prisons — items like bras, clothing, makeup and jewelry. Similar policies were put into place for transgender men at women’s prisons.\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/CJ-_pinks-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/CJ-_pinks-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/CJ-_pinks-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/CJ-_pinks-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/CJ-_pinks.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cary CJay Smith shows her makeup in her favorite color: pink. The state prison system in 2015 started allowing access to apparel previously reserved for female prisoners at women’s prisons — items like bras, clothing, makeup and jewelry. Similar policies were put into place for transgender men at women’s prisons. \u003ccite>(Monica Lam/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Many of the prisoners who have been inside for a long time said getting access to makeup was a big deal.\u003c/p>\n\u003cp>“It used to be that we didn't have real makeup and we had to improvise,” said David Bella Birrell. “Like getting China markers for eyebrow stuff.”\u003c/p>\n\u003cp>Or mixing Koolaid and Chapstick to make lipstick, added Birrell, who’s been incarcerated since 1983 for first-degree murder.\u003c/p>\n\u003cp>Smith also shared one of her hacks.\u003c/p>\n\u003cp>“I use a toothpaste box — Colgate — and I get a Q-tip, and I can rub baby oil along the red part of the box,” she said. “I can make me a little eyeshadow, a little pink eyeshadow.”\u003c/p>\n\u003cp>The support group is also where more serious topics get discussed. An animated argument flared up about whether one inmate was adequately dressed on a recent hot day.\u003c/p>\n\u003cp>“I was sitting in my cell and it's almost 90 [degrees]. I'm sitting with just my bra and my shorts, facing the wall,” said Rachael Goosen. When a passing corrections officer reprimanded her for being inappropriately dressed, Goosen was upset. “When I'm at my bed area, that's my area and I can dress as I feel,” she said.\u003c/p>\n\u003cp>But Smith disagreed, advocating that trans women should err on the side of modesty.\u003c/p>\n\u003cp>“As a woman, you should want to be covered,” Smith said. “I keep my mumu on. I mean I don't care how hot it is.”\u003c/p>\n\u003cfigure id=\"attachment_3174\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3174\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/Group-5_v2-800x450.jpg\" alt=\"Transgender women gather for a weekly support group at California Medical Facility, a state prison in Vacaville, CA.\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/Group-5_v2-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Group-5_v2-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Group-5_v2-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Group-5_v2-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Group-5_v2-1536x864.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/Group-5_v2.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Transgender women gather for a weekly support group at California Medical Facility, a state prison in Vacaville, CA. \u003ccite>(Sruti Mamidanna/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Women in Men’s Prisons\u003c/h3>\n\u003cp>California prisons don’t have special housing units dedicated to transgender inmates. Instead, they are generally housed in the same type of cells as other men and in some cases share dorms with more than a hundred people.\u003c/p>\n\u003cp>How a prisoner is assigned to a particular cell at a particular prison is based on a complex calculus that incorporates his or her crime, personal profile, past behavior inside prison, requests or preferences and the types and availability of programs at individual prisons.\u003c/p>\n\u003cp>“We have a classification process for our offenders that allows for a case by case review,” said Amy Miller, associate director of the CDCR’s female offender programs.\u003c/p>\n\u003cp>During the support group, we injected ourselves into the discussion to ask the members for their opinion: Should transgender women be housed in a women’s prison?\u003c/p>\n\u003cp>The reactions were mixed.\u003c/p>\n\u003cp>Patience said housing transgender and cisgender women together would alleviate her safety concerns. “If you identify as a female then I think you should be housed around females,” she said. “I think that would eliminate a lot of the problems of being sexually assaulted or being raped, pressured.”\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"“If you identify as a female then I think you should be housed around females. I think that would eliminate a lot of the problems of being sexually assaulted or being raped, pressured.”","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","citation":"Yekaterina Wesa Patience","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/span>\u003c/p>\n\u003cp>Ava Marie Fey, who began taking hormones last year, said she hopes to eventually obtain gender affirmation surgery and be transferred to a women’s prison.\u003c/p>\n\u003cp>“I’d love to go over to the female institution instead of this,” Fey said.\u003c/p>\n\u003cp>But Mark Peaches Cates said she was happy where she was.\u003c/p>\n\u003cp>“I wouldn't like it because I love men,” Cates said. “I'd rather be right here with a bunch of men instead of with a bunch of women.”\u003c/p>\n\u003cfigure id=\"attachment_3168\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3168\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/ava-table-6-800x450.jpg\" alt=\"Ava Marie Fey, who began taking hormones last year, said she hopes to eventually obtain gender affirmation surgery and be transferred to a women’s prison. \" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/ava-table-6-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/ava-table-6-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/ava-table-6-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/ava-table-6-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/ava-table-6.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ava Marie Fey, who began taking hormones last year, said she hopes to eventually obtain gender affirmation surgery and be transferred to a women’s prison. \u003ccite>(Sruti Mamidanna/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Last year, Democratic state Senator Scott Wiener, who represents San Francisco, had advanced legislation to allow transgender prisoners to be housed at the prison of their choice. It stalled in the fall, but Wiener said he plans to push an amended bill this year.\u003c/p>\n\u003cp>Several members of the transgender support group questioned how such a law would be enforced. How would prison officials know if someone was sincere about identifying and living as a woman? What if there are men who game the system simply in order to get inside a women’s facility?\u003c/p>\n\u003cp>CDCR’s Miller said the department was working on updating its housing classification policy but could not comment on what changes it is considering.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"More of our reporting ","link1":"https://www.kqed.org/news/11794850/transgender-prisoners-transition-in-lockup-becoming-more-and-more-of-me,Transgender Prisoners Transition in Lockup","link2":"https://www.kqed.org/news/11794221/could-changing-how-transgender-inmates-are-housed-make-prison-safer-for-them,Could Changing How Transgender Inmates Are Housed Make Prison Safer for Them?"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch3>A Long Journey\u003c/h3>\n\u003cp>California’s prison system is one of the largest in the country, with around 114,000 inmates in its care. How the department continues to evolve and adapt to an increasingly diverse inmate population is being watched by other states, advocates, and of course, prisoners.\u003c/p>\n\u003cp>Ongoing lawsuits continue to push for further reform, from improving access to healthcare to buttressing prisoner safety, while officials scrutinize yearly whether the prisons have done enough to prevent sexual assault.\u003c/p>\n\u003cp>All the prisoners I spoke with said that things could be better. But they also agreed that life for transgender prisoners has come a long way and that they felt especially safe at CMF.\u003c/p>\n\u003cp>Prison officials said their hub system of grouping transgender prisoners together is working — together with changes to policy and prison culture.\u003c/p>\n\u003cp>“This is the first prison I've ever been to that actually had a transgender community,” Patience said.\u003c/p>\n\u003cp>She said she started growing her hair out again after coming to CMF, as well as wearing jewelry and makeup.\u003c/p>\n\u003cp>“It was actually probably the biggest load I've ever taken off my shoulders, when I just stopped saying I was going to be what everybody else wanted me to be,” said Patience.\u003c/p>\n\u003cp>As the weekly support group wound down, people broke off into smaller clumps, starting personal discussions. Goosen and another woman compared rock ‘n’ roll to hip hop music. Patience had a computer class to attend. Scott got ready to start her shift as a janitor.\u003c/p>\n\u003cp>“It’s been a long journey, but I'm comfortable in my skin,” Scott said. “I’m blessed to be where I'm at right now.”\u003c/p>\n\u003ch3>Production Credits\u003c/h3>\n\u003cp>Director & Producer: Monica Lam\u003cbr>\nEditor: Dina Maria Munsch\u003cbr>\nCamera & Sound: Sruti Mamidanna, Monica Lam\u003cbr>\nCo-Reporter: Miranda Leitsinger\u003cbr>\nExecutive Producer: Annelise Wunderlich\u003cbr>\nPost Production:Roger Chiang, Tony Cox, Simon Hui, Kim McCalla, Amy Miller, Vivian Morales\u003cbr>\nManaging Editor of Digital: Julia B. Chan\u003cbr>\nManaging Editor of News: Vinnee Tong\u003cbr>\nExecutive Editor of News: Ethan Toven-Lindsey\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3165/out-on-the-inside-transgender-women-share-stories-from-a-california-prison","authors":["244"],"programs":["trulyca_771"],"series":["trulyca_850"],"tags":["trulyca_882","trulyca_69","trulyca_881","trulyca_883","trulyca_879","trulyca_127","trulyca_880"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3176","label":"trulyca_771"},"trulyca_3157":{"type":"posts","id":"trulyca_3157","meta":{"index":"posts_1591205157","site":"trulyca","id":"3157","score":null,"sort":[1592571645000]},"guestAuthors":[],"slug":"better-known-as-peaches-christ","title":"Better Known As Peaches Christ","publishDate":1592571645,"format":"video","headTitle":"Season 15 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>Two decades after Joshua Grannell gave birth to his bold, brazen, busty alter-ego, Peaches Christ has become a beloved cult icon.\u003c/p>\n\u003cp>This lush, intimate portrait offers a rare candid glimpse into the pre-show transformation of San Francisco’s most sought-after drag queen. Both man and queen get personal as they discuss transgression, catharsis, and how by becoming someone else, Joshua learned to love himself.\u003c/p>\n\u003cp>Through his development of Peaches Christ, Joshua was able to explore his feminine side and his sexuality. In the piece we hear from both Joshua and Peaches about their lives growing up Queer while attending Catholic school. Joshua developed the character of Peaches as a way to process and rebel against their Catholic upbringing.\u003c/p>\n\u003cp>As Joshua transforms into Peaches, we hear how Peaches helped him love himself. The film culminates in Joshua’s acceptance of himself, as we see Joshua/Peaches in their element at a drag show.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Directors Statement:\u003c/strong>\u003c/p>\n\u003cp>We were interested in the process of internal and external transformation that takes place in preparation for a drag show. Drag is as important and relevant as ever now. It’s a subversive act that is also a profound celebration of identity. I think a lot of people have felt like their identity has been under attack. We wanted to make a film, and actually a series of films, that celebrates diversity in thought, experience, and identity.\u003c/p>\n\u003cp>We wanted to make something that was accessible to people that have never seen a drag show, and get them interested in drag as an art form. At the same time, it was important to make a film about someone who learned to celebrate their own uniqueness, and we are hoping that it inspires others to embrace the qualities that make them unique. Jeff Dragomanovich and Nate Visconti (the directors) are both fans of Peaches.\u003c/p>\n\u003cp>\u003cstrong>Directors Bio:\u003c/strong>\u003c/p>\n\u003cp>Nate Visconti is a San Francisco Bay Area native. For the last 10 years, Nate has produced narrative and documentary shorts, worked on film and television sets, and shot and produced\u003cbr>\ncorporate training, recruiting, and promotional videos. Nate and the other filmmakers on Better Known as Peaches Christ have created a film collective to make films together.\u003c/p>\n\u003cp>Jeff Dragomanovich is freelance sound mixer that's worked on feature films, commercial and corporate videos. He is the owner and operator of Appetite For Production. Jeff is a San Francisco Bay Area native and has worked in the industry for nearly 10 years. His love of film led him to study cinema at San Francisco State University where he fell in love with documentary film making. Better Known as Peaches Christ is the third short documentary that he has directed.\u003c/p>\n\u003cp>To learn more about Nate & Jeff's work, check them out at the links below:\u003c/p>\n\u003cp>\u003ca href=\"http://fourcornerlabs.com\">http://fourcornerlabs.com\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/fourcornerlabs\">https://twitter.com/fourcornerlabs\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/FourCornerLabs\">https://www.facebook.com/FourCornerLabs\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://vimeo.com/fourcornerlabs\">https://vimeo.com/fourcornerlabs\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/fourcornerlabs\">https://www.instagram.com/fourcornerlabs\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Credit List\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Directed by Jeff Dragomanovich & Nate Visconti\u003cbr>\nProduced by Nate Visconti\u003cbr>\nCo-produced by Oli McCormack & Greg Armstrong\u003cbr>\nFeaturing Joshua Grannell as Peaches Christ\u003cbr>\nDirector of Photography Dan Williams\u003cbr>\nEditor Greg Armstrong\u003cbr>\nArt Direction Helen Slomowitz\u003cbr>\nGaffer Hart Perez\u003cbr>\nProduction Assistant Dan Isaacs\u003cbr>\nColorist Eric Escobar\u003cbr>\nCompositor Tim Kwong\u003cbr>\nSound engineer and Editor Patrick Schaffer\u003c/p>\n\n","blocks":[],"excerpt":null,"status":"publish","parent":0,"modified":1592534175,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":550},"headData":{"title":"Better Known As Peaches Christ - Truly CA","description":"Drag icon Peaches Christ offers a rare, intimate glimpse into her process of transformation, and describesthe path from stifled teen to brazen cult hero.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"3157 https://ww2.kqed.org/trulyca/?p=3157","disqusUrl":"https://ww2.kqed.org/trulyca/better-known-as-peaches-christ/","disqusTitle":"Better Known As Peaches Christ","videoEmbed":"https://youtu.be/LLSQUyXWlkE","path":"/trulyca/3157/better-known-as-peaches-christ","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Two decades after Joshua Grannell gave birth to his bold, brazen, busty alter-ego, Peaches Christ has become a beloved cult icon.\u003c/p>\n\u003cp>This lush, intimate portrait offers a rare candid glimpse into the pre-show transformation of San Francisco’s most sought-after drag queen. Both man and queen get personal as they discuss transgression, catharsis, and how by becoming someone else, Joshua learned to love himself.\u003c/p>\n\u003cp>Through his development of Peaches Christ, Joshua was able to explore his feminine side and his sexuality. In the piece we hear from both Joshua and Peaches about their lives growing up Queer while attending Catholic school. Joshua developed the character of Peaches as a way to process and rebel against their Catholic upbringing.\u003c/p>\n\u003cp>As Joshua transforms into Peaches, we hear how Peaches helped him love himself. The film culminates in Joshua’s acceptance of himself, as we see Joshua/Peaches in their element at a drag show.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Directors Statement:\u003c/strong>\u003c/p>\n\u003cp>We were interested in the process of internal and external transformation that takes place in preparation for a drag show. Drag is as important and relevant as ever now. It’s a subversive act that is also a profound celebration of identity. I think a lot of people have felt like their identity has been under attack. We wanted to make a film, and actually a series of films, that celebrates diversity in thought, experience, and identity.\u003c/p>\n\u003cp>We wanted to make something that was accessible to people that have never seen a drag show, and get them interested in drag as an art form. At the same time, it was important to make a film about someone who learned to celebrate their own uniqueness, and we are hoping that it inspires others to embrace the qualities that make them unique. Jeff Dragomanovich and Nate Visconti (the directors) are both fans of Peaches.\u003c/p>\n\u003cp>\u003cstrong>Directors Bio:\u003c/strong>\u003c/p>\n\u003cp>Nate Visconti is a San Francisco Bay Area native. For the last 10 years, Nate has produced narrative and documentary shorts, worked on film and television sets, and shot and produced\u003cbr>\ncorporate training, recruiting, and promotional videos. Nate and the other filmmakers on Better Known as Peaches Christ have created a film collective to make films together.\u003c/p>\n\u003cp>Jeff Dragomanovich is freelance sound mixer that's worked on feature films, commercial and corporate videos. He is the owner and operator of Appetite For Production. Jeff is a San Francisco Bay Area native and has worked in the industry for nearly 10 years. His love of film led him to study cinema at San Francisco State University where he fell in love with documentary film making. Better Known as Peaches Christ is the third short documentary that he has directed.\u003c/p>\n\u003cp>To learn more about Nate & Jeff's work, check them out at the links below:\u003c/p>\n\u003cp>\u003ca href=\"http://fourcornerlabs.com\">http://fourcornerlabs.com\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/fourcornerlabs\">https://twitter.com/fourcornerlabs\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/FourCornerLabs\">https://www.facebook.com/FourCornerLabs\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://vimeo.com/fourcornerlabs\">https://vimeo.com/fourcornerlabs\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/fourcornerlabs\">https://www.instagram.com/fourcornerlabs\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Credit List\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Directed by Jeff Dragomanovich & Nate Visconti\u003cbr>\nProduced by Nate Visconti\u003cbr>\nCo-produced by Oli McCormack & Greg Armstrong\u003cbr>\nFeaturing Joshua Grannell as Peaches Christ\u003cbr>\nDirector of Photography Dan Williams\u003cbr>\nEditor Greg Armstrong\u003cbr>\nArt Direction Helen Slomowitz\u003cbr>\nGaffer Hart Perez\u003cbr>\nProduction Assistant Dan Isaacs\u003cbr>\nColorist Eric Escobar\u003cbr>\nCompositor Tim Kwong\u003cbr>\nSound engineer and Editor Patrick Schaffer\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3157/better-known-as-peaches-christ","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_850"],"categories":["trulyca_33","trulyca_38","trulyca_21","trulyca_32","trulyca_29"],"tags":["trulyca_877","trulyca_872","trulyca_870","trulyca_869","trulyca_874","trulyca_119","trulyca_69","trulyca_873","trulyca_871","trulyca_867","trulyca_868","trulyca_875","trulyca_876","trulyca_82"],"collections":["trulyca_81"],"featImg":"trulyca_3158","label":"trulyca_771"},"trulyca_3024":{"type":"posts","id":"trulyca_3024","meta":{"index":"posts_1591205157","site":"trulyca","id":"3024","score":null,"sort":[1555363717000]},"guestAuthors":[],"slug":"verasphere-a-love-story-in-costume","title":"Verasphere: A Love Story In Costume","publishDate":1555363717,"format":"video","headTitle":"Season 14 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_3026\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3026\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/david-michael-hallway-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-1200x675.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Verasphere - David and Michael\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Verasphere: A Love Story In Costume\u003c/em> follows two San Francisco artists, David Faulk and Michael Johnstone, who fall in love at the height of the AIDS epidemic. While most of their community is overcome with grief and rage, David and Michael also discover an unlikely joy through the creation of Mrs. Vera, an outrageous costumed character made from found materials. What begins as an intimate art project and a way to pass the time while battling illness soon takes on a life of its own. Now 25 years later, a large and diverse community has evolved around Mrs. Vera, all centered around one day of costumed celebration in the San Francisco Pride Parade.\u003c/p>\n\u003cfigure id=\"attachment_3027\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-3027 size-medium\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-1200x675.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Verasphere at The San Francisco Pride Parade\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_3056\" class=\"wp-caption alignnone\" style=\"max-width: 214px\">\u003cimg class=\"size-full wp-image-3056\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/Robert-James.jpg\" alt=\"\" width=\"214\" height=\"317\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/Robert-James.jpg 214w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Robert-James-160x237.jpg 160w\" sizes=\"(max-width: 214px) 100vw, 214px\">\u003cfigcaption class=\"wp-caption-text\">Verasphere Director - Robert James\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Director Bio\u003c/strong>\u003c/p>\n\u003cp>Robert James began his cinematic career by attending film classes at San Francisco City College in his late 40s. After interning with documentary filmmaker Ondi Timoner, the two co-directed the award-winning short film \u003cem>Library of Dust\u003c/em> in 2011. This led to a 7-year project about sex and religion that is currently in development. Robert has completed his first feature-length documentary, \u003cem>Ruminations,\u003c/em> about drag hippie icon Rumi Missabu of \u003cem>The Cockettes. \u003c/em>The short documentary \u003cem>Verasphere: A Love Story in Costume\u003c/em> is being adapted into a feature-length film.\u003c/p>\n\u003cp>Robert’s Bay Area film company, NuReality Productions, is continually at work on new projects, adhering to their motto: \"I’m Not Done.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Featuring\u003c/strong>\u003c/p>\n\u003cp>David Faulk\u003c/p>\n\u003cp>Michael Johnstone\u003c/p>\n\u003cp>Joshua Grannell\u003c/p>\n\u003cp>Mark Trevorrow\u003c/p>\n\u003cp>\u003cstrong>Crew\u003c/strong>\u003c/p>\n\u003cp>Director, Writer, Producer: Robert James\u003c/p>\n\u003cp>Executive Producer: Howard Grothe\u003c/p>\n\u003cp>Producer and Editor: Nick Blond\u003c/p>\n\u003cp>Director of Photography and Associate Producer: Rudy Behrens\u003c/p>\n\u003cp>Production Sound: Steven Lagosh\u003c/p>\n\u003cp>Sound Mixer: Dan Olmsted\u003c/p>\n\u003cp>Colorist: Mark Sterne\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Additional Media: Susan Bradley, Michael Johnstone, and Rick Gerharter\u003c/p>\n\n","blocks":[],"excerpt":null,"status":"publish","parent":0,"modified":1561396100,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":20,"wordCount":307},"headData":{"title":"Verasphere: A Love Story In Costume | KQED","description":"Verasphere: A Love Story In Costume follows two San Francisco artists, David Faulk and Michael Johnstone, who fall in love at the height of the AIDS epidemic and discover an unlikely joy through the creation of Mrs. Vera, a collaborative art project.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"3024 https://ww2.kqed.org/trulyca/?p=3024","disqusUrl":"https://ww2.kqed.org/trulyca/verasphere-a-love-story-in-costume/","disqusTitle":"Verasphere: A Love Story In Costume","videoEmbed":"https://youtu.be/fpy_yCo2U7s","path":"/trulyca/3024/verasphere-a-love-story-in-costume","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_3026\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3026\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/david-michael-hallway-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-1200x675.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Verasphere - David and Michael\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Verasphere: A Love Story In Costume\u003c/em> follows two San Francisco artists, David Faulk and Michael Johnstone, who fall in love at the height of the AIDS epidemic. While most of their community is overcome with grief and rage, David and Michael also discover an unlikely joy through the creation of Mrs. Vera, an outrageous costumed character made from found materials. What begins as an intimate art project and a way to pass the time while battling illness soon takes on a life of its own. Now 25 years later, a large and diverse community has evolved around Mrs. Vera, all centered around one day of costumed celebration in the San Francisco Pride Parade.\u003c/p>\n\u003cfigure id=\"attachment_3027\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-3027 size-medium\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-1200x675.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Verasphere at The San Francisco Pride Parade\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_3056\" class=\"wp-caption alignnone\" style=\"max-width: 214px\">\u003cimg class=\"size-full wp-image-3056\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/Robert-James.jpg\" alt=\"\" width=\"214\" height=\"317\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/Robert-James.jpg 214w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Robert-James-160x237.jpg 160w\" sizes=\"(max-width: 214px) 100vw, 214px\">\u003cfigcaption class=\"wp-caption-text\">Verasphere Director - Robert James\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Director Bio\u003c/strong>\u003c/p>\n\u003cp>Robert James began his cinematic career by attending film classes at San Francisco City College in his late 40s. After interning with documentary filmmaker Ondi Timoner, the two co-directed the award-winning short film \u003cem>Library of Dust\u003c/em> in 2011. This led to a 7-year project about sex and religion that is currently in development. Robert has completed his first feature-length documentary, \u003cem>Ruminations,\u003c/em> about drag hippie icon Rumi Missabu of \u003cem>The Cockettes. \u003c/em>The short documentary \u003cem>Verasphere: A Love Story in Costume\u003c/em> is being adapted into a feature-length film.\u003c/p>\n\u003cp>Robert’s Bay Area film company, NuReality Productions, is continually at work on new projects, adhering to their motto: \"I’m Not Done.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Featuring\u003c/strong>\u003c/p>\n\u003cp>David Faulk\u003c/p>\n\u003cp>Michael Johnstone\u003c/p>\n\u003cp>Joshua Grannell\u003c/p>\n\u003cp>Mark Trevorrow\u003c/p>\n\u003cp>\u003cstrong>Crew\u003c/strong>\u003c/p>\n\u003cp>Director, Writer, Producer: Robert James\u003c/p>\n\u003cp>Executive Producer: Howard Grothe\u003c/p>\n\u003cp>Producer and Editor: Nick Blond\u003c/p>\n\u003cp>Director of Photography and Associate Producer: Rudy Behrens\u003c/p>\n\u003cp>Production Sound: Steven Lagosh\u003c/p>\n\u003cp>Sound Mixer: Dan Olmsted\u003c/p>\n\u003cp>Colorist: Mark Sterne\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Additional Media: Susan Bradley, Michael Johnstone, and Rick Gerharter\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3024/verasphere-a-love-story-in-costume","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_815"],"categories":["trulyca_45","trulyca_33","trulyca_20","trulyca_38","trulyca_21","trulyca_32","trulyca_29"],"tags":["trulyca_83","trulyca_78","trulyca_849","trulyca_69","trulyca_814","trulyca_848","trulyca_572"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3072","label":"trulyca_771"},"trulyca_2005":{"type":"posts","id":"trulyca_2005","meta":{"index":"posts_1591205157","site":"trulyca","id":"2005","score":null,"sort":[1498856782000]},"guestAuthors":[],"slug":"desert-migration","title":"Desert Migration","publishDate":1498856782,"format":"video","headTitle":"Season 12 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/31zgRPeonw8\" frameborder=\"0\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cem>Desert Migration\u003c/em> focuses on gay men living long-term with HIV who have sought out an oasis in Southern California's Palm Springs, where both their homosexuality and health condition is not just tolerated, but understood. They represent a huge number of people who migrated to this desert community burdened with memories of watching their friends die, all believing that a similar fate would befall them.\u003c/p>\n\u003cp>Over the course of a single on-screen day, we observe a group of men as they work, eat, sleep, love, recuperate and grieve. By sharing their stories, \u003cem>Desert Migration\u003c/em> reflects on subjects that relate to all of us — HIV positive or negative, young or old. How do we approach our own aging and the notion of mortality? What gives us the will to create, to achieve, and even to live at all, as our bodies and minds deteriorate?\u003c/p>\n\u003cp>Visually stunning and emotionally captivating, \u003cem>Desert Migration\u003c/em> points the camera on no fewer than eight men, focusing on their own survival, acceptance, struggle and mortality. \u003cem>Desert Migration\u003c/em> tells the story of a community overwhelmed with acceptance and heartbreak and dissects the complexities of partnership.\u003c/p>\n\u003cp>Filmmakers:\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Daniel F. Cardone - Director\u003c/p>\n\u003cp>Marc Smolowitz- Producer\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n","blocks":[],"excerpt":null,"status":"publish","parent":0,"modified":1531590310,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":true,"iframeSrcs":["https://www.youtube.com/embed/31zgRPeonw8"],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":9,"wordCount":203},"headData":{"title":"Desert Migration","description":"The devastation of the AIDS epidemic has created a significant migration of gay men living long-term with HIV to an oasis in Palm Springs. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"2005 https://ww2.kqed.org/trulyca/?p=2005","disqusUrl":"https://ww2.kqed.org/trulyca/desert-migration/","disqusTitle":"Desert Migration","originalAirdate":"June, 30th, 2017","path":"/trulyca/2005/desert-migration","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/31zgRPeonw8\" frameborder=\"0\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cem>Desert Migration\u003c/em> focuses on gay men living long-term with HIV who have sought out an oasis in Southern California's Palm Springs, where both their homosexuality and health condition is not just tolerated, but understood. They represent a huge number of people who migrated to this desert community burdened with memories of watching their friends die, all believing that a similar fate would befall them.\u003c/p>\n\u003cp>Over the course of a single on-screen day, we observe a group of men as they work, eat, sleep, love, recuperate and grieve. By sharing their stories, \u003cem>Desert Migration\u003c/em> reflects on subjects that relate to all of us — HIV positive or negative, young or old. How do we approach our own aging and the notion of mortality? What gives us the will to create, to achieve, and even to live at all, as our bodies and minds deteriorate?\u003c/p>\n\u003cp>Visually stunning and emotionally captivating, \u003cem>Desert Migration\u003c/em> points the camera on no fewer than eight men, focusing on their own survival, acceptance, struggle and mortality. \u003cem>Desert Migration\u003c/em> tells the story of a community overwhelmed with acceptance and heartbreak and dissects the complexities of partnership.\u003c/p>\n\u003cp>Filmmakers:\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Daniel F. Cardone - Director\u003c/p>\n\u003cp>Marc Smolowitz- Producer\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/2005/desert-migration","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_57"],"categories":["trulyca_45","trulyca_38","trulyca_21"],"tags":["trulyca_67","trulyca_70","trulyca_90","trulyca_66","trulyca_68","trulyca_69","trulyca_162","trulyca_505","trulyca_761","trulyca_99","trulyca_28"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_2008","label":"trulyca_771"},"trulyca_43":{"type":"posts","id":"trulyca_43","meta":{"index":"posts_1591205157","site":"trulyca","id":"43","score":null,"sort":[1469120400000]},"guestAuthors":[],"slug":"screaming-queens","title":"Screaming Queens","publishDate":1469120400,"format":"video","headTitle":"Season 1 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>\u003cem class=\"video_caption\">Watch this entire \u003cstrong>Truly CA\u003c/strong> episode: \u003cstrong>Screaming Queens\u003c/strong> by filmmakers Victor Silverman and Susan Stryker. (Running Time: 56:11)\u003c/em>\u003c/p>\n\u003cp>\u003cem>Writer, spoken word artist, biologist, and gender activist, Julia Serrano interviews Victor Silverman and Susan Stryker about their first film, Screaming Queens. (Running Time: 23:47)\u003c/em>\u003cbr>\nhttp://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2015/06/interview-103.mp3\u003c/p>\n\u003cp>It's a hot August night in San Francisco in 1966. Compton's Cafeteria, in the seedy Tenderloin district, is hopping with its usual assortment of transgender people, young street hustlers, and down-and-out regulars. The management, annoyed by the noisy crowd at one table, calls the police. When a surly cop, accustomed to manhandling Compton's clientele, attempts to arrest one of the queens, she throws her coffee in his face. Mayhem erupts -- windows break, furniture flies through the air. Police reinforcements arrive, and the fighting spills into the street. For the first time, the drag queens band together to fight back, getting the better of the cops, whom they kick and stomp with their high-heeled shoes and beat with their heavy purses. For everyone at Compton's that night, one thing was certain -- things would never be the same again.\u003c/p>\n\u003cp>\u003cb>Screaming Queens\u003c/b> introduces viewers to a diverse cast of former prostitutes, drag entertainers, police officers, ministers and neighborhood activists, all of whom played a part in the events leading up to the Compton's Cafeteria riot. Mixing recent interviews with archival footage, printed documents, impressionistic reenactments and period music, the program depicts a marginalized community few people know, one that exists in the midst of a city famous for its cosmopolitan glamour. With extraordinary candor and from differing points of view, the subjects recount the difficulties they encountered in the Tenderloin, as well as the sense of community they created there in the mid-1960s. Felicia Elizondo tells of prostituting herself in order to survive. Aleshia Brevard, a drag entertainer, describes how her talent spared her from street prostitution. Perhaps most surprising is Sgt. Elliot Blackstone, who helps explain the conflict between the San Francisco Police Department and the city's transgender community and how the SFPD's policies changed to reflect greater acceptance in the years following the 1966 riot.\u003c/p>\n\u003cp>The documentary goes on to show the connection between transgender activism and the larger social upheavals affecting the United States in the 1960s: the civil rights and sexual liberation movements, the youth counterculture, urban renewal, and Great Society antipoverty programs. \"Glide Memorial Methodist Church first reached out to the transgender community in these years,\" the Rev. Ed Hansen explains, \"because of new thinking about the church's role in society.\" Amanda St. Jaymes and Tamara Ching, both transsexual activists and former prostitutes, recount the ferment in the Tenderloin in the 1960s as well as the growing sense of dignity among transgender people. But in the summer of 1966, many others, including most San Francisco police officers, did not share these new ideas. By bringing these social and political tensions to light, \u003cb>Screaming Queens\u003c/b> offers viewers a fuller understanding of the events and conditions that led up to the riot.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Further, \u003cb>Screaming Queens\u003c/b> explores the reverberations, both large and small, of the rise of transgender activism, a story in which the riot at Compton's Cafeteria plays a pivotal role. Sgt. Blackstone tells of singing \"We Shall Overcome\" with Tenderloin activists who successfully fought for new social services for their community. Suzie Cooke recounts her job as a transsexual counselor in one of the new agencies founded after the riot. Ching connects the Tenderloin transsexuals' new activism to the rising Gay liberation movement. And St. Jaymes explains that although the queens from Compton's were \"wild as the wind,\" they were \"determined to make something of themselves, and be something other than prostitutes.\"\u003c/p>\n\u003cp>The film ends on a high note. It shows how in just two short years transgender activism helped transform San Francisco culture in subtle and profound ways and presents reflective comments from the Compton's Cafeteria subjects who bravely ushered in a controversial revolution that continues today.\u003c/p>\n\u003cp>\u003cb>Screaming Queens\u003c/b> sets out to foster a better understanding of the experiences of transgender people and to inform a broad audience of their often-difficult lives and unheralded accomplishments. Along the way, the program also illuminates the interplay of urban politics, community mobilization and social services in creating the modern inner city.\u003c/p>\n\u003cp>This important documentary tells a forgotten San Francisco story of dramatic social change from the compelling perspective of firsthand participants. The film's story focuses on the experiences of the rioters themselves, the police and the social-activist clergy members. It also follows historian Susan Stryker's rediscovery of the 1966 disturbance at Compton's Cafeteria. At that time, transgender people faced serious employment discrimination, police harassment and other difficulties. The program's subjects describe the challenging circumstances and the misconduct of officials that drove them to take militant action in the streets. \u003cb>Screaming Queens\u003c/b> then examines the significant changes -- in police practices, social services and self-image -- that came out of the conflict. In her story within the story, Stryker reveals how the Compton's Cafeteria riot, although not as large as New York's Stonewall conflict, was a dramatic turning point in a decades-long process of transgender community formation and political mobilization in San Francisco, a process that involved dramatic changes in medical practices, urban politics, neighborhood geography and public consciousness.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Screaming Queens: The Riot at Compton's Cafeteria\u003c/b> is produced in association with The Independent Television Service (ITVS) and KQED Public Television.\u003c/p>\n\n","blocks":[],"excerpt":"\u003cstrong> Screaming Queens\u003c/strong> introduces viewers to a diverse cast of former prostitutes, drag entertainers, police officers, ministers and neighborhood activists, all of whom played a part in the events leading up to San Francisco's Compton's Cafeteria riot of 1966.","status":"publish","parent":0,"modified":1537998921,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":12,"wordCount":936},"headData":{"title":"Screaming Queens | KQED","description":" Screaming Queens introduces viewers to a diverse cast of former prostitutes, drag entertainers, police officers, ministers and neighborhood activists, all of whom played a part in the events leading up to San Francisco's Compton's Cafeteria riot of 1966.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"43 http://kqed2.wsmtechs.net/trulyca/screaming-queens/","disqusUrl":"https://ww2.kqed.org/trulyca/screaming-queens/","disqusTitle":"Screaming Queens","videoEmbed":"https://www.youtube.com/watch?v=G-WASW9dRBU","originalAirdate":"June 19, 2005","path":"/trulyca/43/screaming-queens","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem class=\"video_caption\">Watch this entire \u003cstrong>Truly CA\u003c/strong> episode: \u003cstrong>Screaming Queens\u003c/strong> by filmmakers Victor Silverman and Susan Stryker. (Running Time: 56:11)\u003c/em>\u003c/p>\n\u003cp>\u003cem>Writer, spoken word artist, biologist, and gender activist, Julia Serrano interviews Victor Silverman and Susan Stryker about their first film, Screaming Queens. (Running Time: 23:47)\u003c/em>\u003cbr>\nhttp://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2015/06/interview-103.mp3\u003c/p>\n\u003cp>It's a hot August night in San Francisco in 1966. Compton's Cafeteria, in the seedy Tenderloin district, is hopping with its usual assortment of transgender people, young street hustlers, and down-and-out regulars. The management, annoyed by the noisy crowd at one table, calls the police. When a surly cop, accustomed to manhandling Compton's clientele, attempts to arrest one of the queens, she throws her coffee in his face. Mayhem erupts -- windows break, furniture flies through the air. Police reinforcements arrive, and the fighting spills into the street. For the first time, the drag queens band together to fight back, getting the better of the cops, whom they kick and stomp with their high-heeled shoes and beat with their heavy purses. For everyone at Compton's that night, one thing was certain -- things would never be the same again.\u003c/p>\n\u003cp>\u003cb>Screaming Queens\u003c/b> introduces viewers to a diverse cast of former prostitutes, drag entertainers, police officers, ministers and neighborhood activists, all of whom played a part in the events leading up to the Compton's Cafeteria riot. Mixing recent interviews with archival footage, printed documents, impressionistic reenactments and period music, the program depicts a marginalized community few people know, one that exists in the midst of a city famous for its cosmopolitan glamour. With extraordinary candor and from differing points of view, the subjects recount the difficulties they encountered in the Tenderloin, as well as the sense of community they created there in the mid-1960s. Felicia Elizondo tells of prostituting herself in order to survive. Aleshia Brevard, a drag entertainer, describes how her talent spared her from street prostitution. Perhaps most surprising is Sgt. Elliot Blackstone, who helps explain the conflict between the San Francisco Police Department and the city's transgender community and how the SFPD's policies changed to reflect greater acceptance in the years following the 1966 riot.\u003c/p>\n\u003cp>The documentary goes on to show the connection between transgender activism and the larger social upheavals affecting the United States in the 1960s: the civil rights and sexual liberation movements, the youth counterculture, urban renewal, and Great Society antipoverty programs. \"Glide Memorial Methodist Church first reached out to the transgender community in these years,\" the Rev. Ed Hansen explains, \"because of new thinking about the church's role in society.\" Amanda St. Jaymes and Tamara Ching, both transsexual activists and former prostitutes, recount the ferment in the Tenderloin in the 1960s as well as the growing sense of dignity among transgender people. But in the summer of 1966, many others, including most San Francisco police officers, did not share these new ideas. By bringing these social and political tensions to light, \u003cb>Screaming Queens\u003c/b> offers viewers a fuller understanding of the events and conditions that led up to the riot.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Further, \u003cb>Screaming Queens\u003c/b> explores the reverberations, both large and small, of the rise of transgender activism, a story in which the riot at Compton's Cafeteria plays a pivotal role. Sgt. Blackstone tells of singing \"We Shall Overcome\" with Tenderloin activists who successfully fought for new social services for their community. Suzie Cooke recounts her job as a transsexual counselor in one of the new agencies founded after the riot. Ching connects the Tenderloin transsexuals' new activism to the rising Gay liberation movement. And St. Jaymes explains that although the queens from Compton's were \"wild as the wind,\" they were \"determined to make something of themselves, and be something other than prostitutes.\"\u003c/p>\n\u003cp>The film ends on a high note. It shows how in just two short years transgender activism helped transform San Francisco culture in subtle and profound ways and presents reflective comments from the Compton's Cafeteria subjects who bravely ushered in a controversial revolution that continues today.\u003c/p>\n\u003cp>\u003cb>Screaming Queens\u003c/b> sets out to foster a better understanding of the experiences of transgender people and to inform a broad audience of their often-difficult lives and unheralded accomplishments. Along the way, the program also illuminates the interplay of urban politics, community mobilization and social services in creating the modern inner city.\u003c/p>\n\u003cp>This important documentary tells a forgotten San Francisco story of dramatic social change from the compelling perspective of firsthand participants. The film's story focuses on the experiences of the rioters themselves, the police and the social-activist clergy members. It also follows historian Susan Stryker's rediscovery of the 1966 disturbance at Compton's Cafeteria. At that time, transgender people faced serious employment discrimination, police harassment and other difficulties. The program's subjects describe the challenging circumstances and the misconduct of officials that drove them to take militant action in the streets. \u003cb>Screaming Queens\u003c/b> then examines the significant changes -- in police practices, social services and self-image -- that came out of the conflict. In her story within the story, Stryker reveals how the Compton's Cafeteria riot, although not as large as New York's Stonewall conflict, was a dramatic turning point in a decades-long process of transgender community formation and political mobilization in San Francisco, a process that involved dramatic changes in medical practices, urban politics, neighborhood geography and public consciousness.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Screaming Queens: The Riot at Compton's Cafeteria\u003c/b> is produced in association with The Independent Television Service (ITVS) and KQED Public Television.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/43/screaming-queens","authors":["8666"],"programs":["trulyca_771"],"series":["trulyca_3"],"categories":["trulyca_38","trulyca_21"],"tags":["trulyca_123","trulyca_124","trulyca_128","trulyca_70","trulyca_90","trulyca_122","trulyca_120","trulyca_119","trulyca_69","trulyca_97","trulyca_505","trulyca_88","trulyca_82","trulyca_761","trulyca_126","trulyca_125","trulyca_121","trulyca_127","trulyca_99","trulyca_28"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_2532","label":"trulyca_771"},"trulyca_16":{"type":"posts","id":"trulyca_16","meta":{"index":"posts_1591205157","site":"trulyca","id":"16","score":null,"sort":[1443164460000]},"guestAuthors":[],"slug":"howdy-partner","title":"Howdy Partner","publishDate":1443164460,"format":"video","headTitle":"Shorts | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>\u003cem class=\"video_caption\">View \u003cstrong>Howdy Partner\u003c/strong> by Christie Herring. (Running Time: 3:37)\u003c/em>\u003c/p>\n\u003cp>The term partner has become the convention for describing committed gay and lesbian relationships. But what does this word mean? Even the longhand -- Domestic Partner -- has a different legal meaning depending on country, state, and city. Praised for its parity and criticized for its ambiguity, the word partner can be liberating for some but remains frustrating for others. During a time when defining gay and lesbian relationships, through words or legislation, frames a national debate, \u003cb>Howdy Partner\u003c/b> is a spirited visual meditation on how one slippery word means more -- and, consequently, less -- than we may think.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"View Christie Herring's short film, \u003cb>Howdy Partner\u003c/b>, a spirited visual meditation on how one slippery word means more -- and, consequently, less -- than we may think.","status":"publish","parent":0,"modified":1538002673,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":4,"wordCount":108},"headData":{"title":"Howdy Partner | KQED","description":"View Christie Herring's short film, Howdy Partner, a spirited visual meditation on how one slippery word means more -- and, consequently, less -- than we may think.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"16 http://kqed2.wsmtechs.net/trulyca/howdy-partner/","disqusUrl":"https://ww2.kqed.org/trulyca/howdy-partner/","disqusTitle":"Howdy Partner","videoEmbed":"https://www.youtube.com/watch?v=aD9qiaxiFa4","path":"/trulyca/16/howdy-partner","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem class=\"video_caption\">View \u003cstrong>Howdy Partner\u003c/strong> by Christie Herring. (Running Time: 3:37)\u003c/em>\u003c/p>\n\u003cp>The term partner has become the convention for describing committed gay and lesbian relationships. But what does this word mean? Even the longhand -- Domestic Partner -- has a different legal meaning depending on country, state, and city. Praised for its parity and criticized for its ambiguity, the word partner can be liberating for some but remains frustrating for others. During a time when defining gay and lesbian relationships, through words or legislation, frames a national debate, \u003cb>Howdy Partner\u003c/b> is a spirited visual meditation on how one slippery word means more -- and, consequently, less -- than we may think.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/16/howdy-partner","authors":["8666"],"programs":["trulyca_771"],"series":["trulyca_2"],"categories":["trulyca_30","trulyca_38","trulyca_21"],"tags":["trulyca_90","trulyca_146","trulyca_83","trulyca_69","trulyca_267","trulyca_28"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_2548","label":"trulyca_771"},"trulyca_91":{"type":"posts","id":"trulyca_91","meta":{"index":"posts_1591205157","site":"trulyca","id":"91","score":null,"sort":[1352656800000]},"guestAuthors":[],"slug":"stage-left-a-story-of-theater-in-san-francisco","title":"Stage Left: A Story of Theater in San Francisco","publishDate":1352656800,"format":"video","headTitle":"Season 8 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>https://www.youtube.com/watch?v=hR1Zl18pX_w\u003c/p>\n\u003cp>\u003cem class=\"video_caption\">See a preview of this \u003cstrong>Truly CA\u003c/strong> episode. \u003c/em>\u003c/p>\n\u003cp>San Francisco's history of risk-taking exploration and the Bay Area's diverse local cultures and climate of social activism have long provided artists with a perfect storm of inspiration. It's no surprise that amidst this collision the definition of experimental theatrical form has taken center stage in San Francisco. Their interest in redefining performance -- where it takes place, how it is staged, and what it encompasses -- has influenced theater in the United States and around the world.\u003c/p>\n\u003cp>On any given day in the last 50 years, someone in the Bay Area might attend a performance for a theatrical political protest, a bacchanalian festival, a humorous satire, a surrealist manifesto, a gay fantasia, or perhaps all of the above. \u003cstrong>Stage Left\u003c/strong> traces the evolution of this rich culture, including the San Francisco Actor's Workshop, which premiered and staged works by the most avant-garde playwrights of its day; the San Francisco Mime Troupe with its long history of political engagement; the Magic Theatre's fruitful relationship with playwright Sam Shepard; El Teatro Campesino, the world's first Chicano theater; the Cockettes and Theater Rhinoceros, who reveled in alternative and gay culture; the groundbreaking experimentation in the 70s and 80s of George Coates, Soon 3, Snake Theater, The Blake Street Hawkeyes, and Antenna Theater; and the world premiere of \u003cem>Angels in America\u003c/em> at the Eureka Theater in 1991.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"From the founding of the Actor's Workshop in 1952 through present day, experimentation and political consciousness have become hallmarks of San Francisco's theater community. \u003cstrong>Stage Left\u003c/strong> is a colorful history of the intriguing, influential and often outrageous theatrical innovations of Bay Area artists.","status":"publish","parent":0,"modified":1537995156,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":5,"wordCount":248},"headData":{"title":"Stage Left: A Story of Theater in San Francisco | KQED","description":"From the founding of the Actor's Workshop in 1952 through present day, experimentation and political consciousness have become hallmarks of San Francisco's theater community. Stage Left is a colorful history of the intriguing, influential and often outrageous theatrical innovations of Bay Area artists.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"91 http://kqed2.wsmtechs.net/trulyca/stage-left-a-story-of-theater-in-san-francisco/","disqusUrl":"https://ww2.kqed.org/trulyca/stage-left-a-story-of-theater-in-san-francisco/","disqusTitle":"Stage Left: A Story of Theater in San Francisco","originalAirdate":"November 11, 2012","path":"/trulyca/91/stage-left-a-story-of-theater-in-san-francisco","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/hR1Zl18pX_w'\n title='//www.youtube.com/embed/hR1Zl18pX_w'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cem class=\"video_caption\">See a preview of this \u003cstrong>Truly CA\u003c/strong> episode. \u003c/em>\u003c/p>\n\u003cp>San Francisco's history of risk-taking exploration and the Bay Area's diverse local cultures and climate of social activism have long provided artists with a perfect storm of inspiration. It's no surprise that amidst this collision the definition of experimental theatrical form has taken center stage in San Francisco. Their interest in redefining performance -- where it takes place, how it is staged, and what it encompasses -- has influenced theater in the United States and around the world.\u003c/p>\n\u003cp>On any given day in the last 50 years, someone in the Bay Area might attend a performance for a theatrical political protest, a bacchanalian festival, a humorous satire, a surrealist manifesto, a gay fantasia, or perhaps all of the above. \u003cstrong>Stage Left\u003c/strong> traces the evolution of this rich culture, including the San Francisco Actor's Workshop, which premiered and staged works by the most avant-garde playwrights of its day; the San Francisco Mime Troupe with its long history of political engagement; the Magic Theatre's fruitful relationship with playwright Sam Shepard; El Teatro Campesino, the world's first Chicano theater; the Cockettes and Theater Rhinoceros, who reveled in alternative and gay culture; the groundbreaking experimentation in the 70s and 80s of George Coates, Soon 3, Snake Theater, The Blake Street Hawkeyes, and Antenna Theater; and the world premiere of \u003cem>Angels in America\u003c/em> at the Eureka Theater in 1991.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/91/stage-left-a-story-of-theater-in-san-francisco","authors":["8666"],"programs":["trulyca_771"],"series":["trulyca_10"],"categories":["trulyca_30","trulyca_38","trulyca_21","trulyca_34","trulyca_35"],"tags":["trulyca_344","trulyca_345","trulyca_220","trulyca_360","trulyca_359","trulyca_342","trulyca_353","trulyca_349","trulyca_60","trulyca_69","trulyca_357","trulyca_358","trulyca_82","trulyca_355","trulyca_356","trulyca_347","trulyca_352","trulyca_348","trulyca_354","trulyca_346","trulyca_351","trulyca_361","trulyca_350","trulyca_343","trulyca_99","trulyca_28"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_2604","label":"trulyca_771"},"trulyca_54":{"type":"posts","id":"trulyca_54","meta":{"index":"posts_1591205157","site":"trulyca","id":"54","score":null,"sort":[1163959200000]},"guestAuthors":[],"slug":"frisbee-the-life-and-death-of-a-hippie-preacher","title":"Frisbee: The Life and Death of a Hippie Preacher","publishDate":1163959200,"format":"video","headTitle":"Season 2 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>Reminiscent of an Old Testament prophet, Lonnie Frisbee was a young hippie seeker fully immersed in the counter culture when he experienced a dramatic encounter with God while on an acid trip out in the Tahquitz mountains. This event so transformed him that Lonnie immediately became an itinerant Christian evangelist, something of a John the Baptist of southern California who compelled thousands of fellow spiritual seekers to make a profession of faith in Jesus Christ.\u003c/p>\n\u003cp>During the 1970s, Lonnie Frisbee became widely known as California's \"hippie preacher,\" the quintessential \"Jesus freak\" whose pictures frequented such magazines as \u003ci>Time\u003c/i> and \u003ci>Life\u003c/i> magazines as the media told the story of a burgeoning \"Jesus movement\" throughout North America. Lonnie was part of one of the first Christian hippie outposts in San Francisco's Haight-Ashbury district before joining the fledgling Calvary Chapel church in Costa Mesa, California. Though he only stayed there for four years, from 1968 to 1971, Lonnie Frisbee was the charismatic sparkplug that launched the \"little country church\" into a worldwide ministry, and propelled some of its then fledgling leaders into some of the most powerful movers and shakers of the evangelical movement.\u003c/p>\n\u003cp>During the 1980s, Lonnie was at the center of the \"signs and wonders\" movement, one that focused on reviving the practice of spiritual power through divine healing, speaking in tongues and other demonstrative manners of manifesting the power of God. For four years, between 1980 and 1983, Lonnie's prowess in these areas helped launch the Association of Vineyard Churches as a prominent revitalization movement within the evangelical world.\u003c/p>\n\u003cp>Beside the dynamic influence that Frisbee had over the lives of countless individuals, and beyond the miraculous stories that swirl in the wake of his life, what makes the story most fascinating is that God called Lonnie Frisbee while he was deeply involved in the homosexual lifestyle in Laguna Beach, California. Because of this, however, his spiritual mentors were always skittish about involving him in their ministries even though they could not deny the influence and dramatic results that occurred whenever Lonnie was around. After his death in 1993 from AIDS, he was basically stricken from the written record of those ministries. At his funeral he was eulogized as the biblical character Samson, a man of great spiritual strength whose personal frailties ultimately got the best of him.\u003c/p>\n\u003cp>\u003cb>Frisbee\u003c/b> tells the story of evangelist Lonnie Frisbee, offering insights from his friends and family, and complimented by rare and unseen archival pictures and film footage. The documentary tells the story of a simple man whom God empowered to fulfill a grand purpose, and who suffered the mistreatment of his spiritual overseers because of his honesty and his struggles. For anyone who has suffered the abuses of organized religion but still wants to hold on to faith, Lonnie Frisbee's life is a testament that God still finds favor among the regular everyday people.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"\u003cstrong> Frisbee\u003c/strong> tells the story of evangelist Lonnie Frisbee, a young hippie fully immersed in the 1960s counterculture when he found God while on an acid trip.","status":"publish","parent":0,"modified":1538422652,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":7,"wordCount":487},"headData":{"title":"Frisbee: The Life and Death of a Hippie Preacher | KQED","description":" Frisbee tells the story of evangelist Lonnie Frisbee, a young hippie fully immersed in the 1960s counterculture when he found God while on an acid trip.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"54 http://kqed2.wsmtechs.net/trulyca/frisbee-the-life-and-death-of-a-hippie-preacher/","disqusUrl":"https://ww2.kqed.org/trulyca/frisbee-the-life-and-death-of-a-hippie-preacher/","disqusTitle":"Frisbee: The Life and Death of a Hippie Preacher","originalAirdate":"November 19, 2006","path":"/trulyca/54/frisbee-the-life-and-death-of-a-hippie-preacher","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Reminiscent of an Old Testament prophet, Lonnie Frisbee was a young hippie seeker fully immersed in the counter culture when he experienced a dramatic encounter with God while on an acid trip out in the Tahquitz mountains. This event so transformed him that Lonnie immediately became an itinerant Christian evangelist, something of a John the Baptist of southern California who compelled thousands of fellow spiritual seekers to make a profession of faith in Jesus Christ.\u003c/p>\n\u003cp>During the 1970s, Lonnie Frisbee became widely known as California's \"hippie preacher,\" the quintessential \"Jesus freak\" whose pictures frequented such magazines as \u003ci>Time\u003c/i> and \u003ci>Life\u003c/i> magazines as the media told the story of a burgeoning \"Jesus movement\" throughout North America. Lonnie was part of one of the first Christian hippie outposts in San Francisco's Haight-Ashbury district before joining the fledgling Calvary Chapel church in Costa Mesa, California. Though he only stayed there for four years, from 1968 to 1971, Lonnie Frisbee was the charismatic sparkplug that launched the \"little country church\" into a worldwide ministry, and propelled some of its then fledgling leaders into some of the most powerful movers and shakers of the evangelical movement.\u003c/p>\n\u003cp>During the 1980s, Lonnie was at the center of the \"signs and wonders\" movement, one that focused on reviving the practice of spiritual power through divine healing, speaking in tongues and other demonstrative manners of manifesting the power of God. For four years, between 1980 and 1983, Lonnie's prowess in these areas helped launch the Association of Vineyard Churches as a prominent revitalization movement within the evangelical world.\u003c/p>\n\u003cp>Beside the dynamic influence that Frisbee had over the lives of countless individuals, and beyond the miraculous stories that swirl in the wake of his life, what makes the story most fascinating is that God called Lonnie Frisbee while he was deeply involved in the homosexual lifestyle in Laguna Beach, California. Because of this, however, his spiritual mentors were always skittish about involving him in their ministries even though they could not deny the influence and dramatic results that occurred whenever Lonnie was around. After his death in 1993 from AIDS, he was basically stricken from the written record of those ministries. At his funeral he was eulogized as the biblical character Samson, a man of great spiritual strength whose personal frailties ultimately got the best of him.\u003c/p>\n\u003cp>\u003cb>Frisbee\u003c/b> tells the story of evangelist Lonnie Frisbee, offering insights from his friends and family, and complimented by rare and unseen archival pictures and film footage. The documentary tells the story of a simple man whom God empowered to fulfill a grand purpose, and who suffered the mistreatment of his spiritual overseers because of his honesty and his struggles. For anyone who has suffered the abuses of organized religion but still wants to hold on to faith, Lonnie Frisbee's life is a testament that God still finds favor among the regular everyday people.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/54/frisbee-the-life-and-death-of-a-hippie-preacher","authors":["8666"],"programs":["trulyca_771"],"series":["trulyca_4"],"categories":["trulyca_33","trulyca_21"],"tags":["trulyca_663","trulyca_664","trulyca_83","trulyca_256","trulyca_668","trulyca_665","trulyca_667","trulyca_248","trulyca_60","trulyca_69","trulyca_669","trulyca_666","trulyca_466","trulyca_99","trulyca_28"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_2844","label":"trulyca_771"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2023/08/possible-5gxfizEbKOJ-pbF5ASgxrs_.1400x1400.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. 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We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. 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Is it the officers, or the public they've sworn to serve?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/01/OOW_Tile_Final.png","imageAlt":"On Our Watch from NPR and KQED","officialWebsiteLink":"/podcasts/onourwatch","meta":{"site":"news","source":"kqed","order":"1"},"link":"/podcasts/onourwatch","subscribe":{"apple":"https://podcasts.apple.com/podcast/id1567098962","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw","npr":"https://rpb3r.app.goo.gl/onourwatch","spotify":"https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x","tuneIn":"https://tunein.com/radio/On-Our-Watch-p1436229/","stitcher":"https://www.stitcher.com/show/on-our-watch","rss":"https://feeds.npr.org/510360/podcast.xml"}},"on-the-media":{"id":"on-the-media","title":"On The Media","info":"Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. 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