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Together with Mark Taylor, Lee created the video podcast \u003ca href=\"http://www.kqed.org/arts/programs/gallerycrawl/\">\u003cb>Gallery Crawl\u003c/b>\u003c/a>, which she co-produced from 2005-07. She was also on the reading panel of the audio podcast \u003ca href=\"http://www.kqed.org/arts/programs/writersblock/\">\u003cb>The Writers' Block\u003c/b>\u003c/a>.\r\n\r\n She earned a B.A. in visual arts at Bowdoin College. Being a farm gal from Maine, she's obsessed with crafting and will not give-up wearing her threadbare flannel shirts. 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His extraordinary shoes made from found materials have been featured in magazines like \u003ca href=\"https://www.vogue.com/article/chris-francis-shoe-designer-lovecraft-leather\">\u003cem>Vogue\u003c/em>\u003c/a> and have also been presented as objets d’art in major museums. This short documentary \u003cem>Chris Francis: Shoes\u003c/em> provides a snapshot of the year following his first museum exhibition at Craft Contemporary in Los Angeles and on to a major footwear convention where he feels pressure to reconcile his two identities.\u003c/p>\n\u003cp>\u003cstrong>Director Statement\u003c/strong>\u003c/p>\n\u003cp>For quite some time Chris and I talked about a film about his childhood in Kokomo Indiana, growing up among the relics of the steel factories.However, after several years of not being in touch with Chris he invited me to his small shoe making studio, at the time in DT LA. When I saw the space, filled with his shoes, drawings of his shoes, old machinery used to make his shoes, and listened to him speak about his views and process of making his shoes. I knew then that this was the film I was going to make about Chris.\u003c/p>\n\u003cp>Naturally its not easy to be the subject of a film, especially when one has extreme social anxieties from which Chris suffers. However it is Chris’great testimony to courage that he is able to overcome and convey his authentic self and true nature.As a film maker, I am thrilled to have such a subject be so open. But more importantly, as a friend of Chris’ and knowing him the way I do, I am most proud that he set aside his extreme unease with being in front of the camera and share himself with all of us.\u003c/p>\n\u003cfigure id=\"attachment_2890\" class=\"wp-caption alignnone\" style=\"max-width: 352px\">\u003cimg class=\" wp-image-2890\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/03/Virginia_Lee_Hunter-800x829.jpg\" alt=\"\" width=\"352\" height=\"399\">\u003cfigcaption class=\"wp-caption-text\">Chris Francis: Shoes Director - Virginia Lee Hunter\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Director Bio\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Virginia Lee Hunter is an award winning photo-journalist who’s career began in Los Angeles in the late eighties working for the venerable LA Weekly. Assignments took her into homes of LA’s most unique, off beat talents, and into back alleys capturing the most down trodden during the beginning of the meth crisis. During her tenure, she also covered the LA Riots and several of the natural disasters during the 90’s. Beyond the Weekly’s assignments she also worked for labor organizations and environmental groups such as Greenpeace, and other various media, both nationally and internationally.\u003c/p>\n\u003cp>Hunter transitioned to film making with her first documentary CARNY in 2006, a collaboration with Canadian filmmaker Alison Murray. CARNY was inspired by Hunter’s photo book,CARNY: Americana on the Midway, published by Umbrage Press. She has worked on a number of documentaries, ‘Fambul Tok', ‘The Source’, and‘Folk’. ‘Tumbling from the Mountain of Truth; the art of Anselm Spring’ is Hunter’s first solo film, about German artist Anselm Spring who lives in remote part of Utah.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n","blocks":[],"excerpt":"Chris Francis is equal parts artist and designer. His extraordinary shoes made from found materials have been featured in magazines like Vogue and have also been presented as objets d’art in major museums.","status":"publish","parent":0,"modified":1554414955,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":9,"wordCount":482},"headData":{"title":"Chris Francis: Shoes | KQED","description":"Chris Francis is equal parts artist and designer. 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His extraordinary shoes made from found materials have been featured in magazines like \u003ca href=\"https://www.vogue.com/article/chris-francis-shoe-designer-lovecraft-leather\">\u003cem>Vogue\u003c/em>\u003c/a> and have also been presented as objets d’art in major museums. This short documentary \u003cem>Chris Francis: Shoes\u003c/em> provides a snapshot of the year following his first museum exhibition at Craft Contemporary in Los Angeles and on to a major footwear convention where he feels pressure to reconcile his two identities.\u003c/p>\n\u003cp>\u003cstrong>Director Statement\u003c/strong>\u003c/p>\n\u003cp>For quite some time Chris and I talked about a film about his childhood in Kokomo Indiana, growing up among the relics of the steel factories.However, after several years of not being in touch with Chris he invited me to his small shoe making studio, at the time in DT LA. When I saw the space, filled with his shoes, drawings of his shoes, old machinery used to make his shoes, and listened to him speak about his views and process of making his shoes. I knew then that this was the film I was going to make about Chris.\u003c/p>\n\u003cp>Naturally its not easy to be the subject of a film, especially when one has extreme social anxieties from which Chris suffers. However it is Chris’great testimony to courage that he is able to overcome and convey his authentic self and true nature.As a film maker, I am thrilled to have such a subject be so open. But more importantly, as a friend of Chris’ and knowing him the way I do, I am most proud that he set aside his extreme unease with being in front of the camera and share himself with all of us.\u003c/p>\n\u003cfigure id=\"attachment_2890\" class=\"wp-caption alignnone\" style=\"max-width: 352px\">\u003cimg class=\" wp-image-2890\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/03/Virginia_Lee_Hunter-800x829.jpg\" alt=\"\" width=\"352\" height=\"399\">\u003cfigcaption class=\"wp-caption-text\">Chris Francis: Shoes Director - Virginia Lee Hunter\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Director Bio\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Virginia Lee Hunter is an award winning photo-journalist who’s career began in Los Angeles in the late eighties working for the venerable LA Weekly. Assignments took her into homes of LA’s most unique, off beat talents, and into back alleys capturing the most down trodden during the beginning of the meth crisis. During her tenure, she also covered the LA Riots and several of the natural disasters during the 90’s. Beyond the Weekly’s assignments she also worked for labor organizations and environmental groups such as Greenpeace, and other various media, both nationally and internationally.\u003c/p>\n\u003cp>Hunter transitioned to film making with her first documentary CARNY in 2006, a collaboration with Canadian filmmaker Alison Murray. CARNY was inspired by Hunter’s photo book,CARNY: Americana on the Midway, published by Umbrage Press. She has worked on a number of documentaries, ‘Fambul Tok', ‘The Source’, and‘Folk’. ‘Tumbling from the Mountain of Truth; the art of Anselm Spring’ is Hunter’s first solo film, about German artist Anselm Spring who lives in remote part of Utah.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/2888/chris-francis-shoes","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_815"],"categories":["trulyca_45","trulyca_33","trulyca_20","trulyca_29"],"tags":["trulyca_86","trulyca_821","trulyca_822","trulyca_610","trulyca_814","trulyca_823","trulyca_99","trulyca_820"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_2893","label":"trulyca_771"},"trulyca_2283":{"type":"posts","id":"trulyca_2283","meta":{"index":"posts_1591205157","site":"trulyca","id":"2283","score":null,"sort":[1533324403000]},"guestAuthors":[],"slug":"desert-x","title":"Desert X","publishDate":1533324403,"format":"standard","headTitle":"Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cfigure id=\"attachment_2324\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-2324\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-768x512.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Desert X - Coachella Valley, CA - 2017\u003c/figcaption>\u003c/figure>\n\u003cp>The vast, strange, sometimes contradictory world of the urban desert and its people are explored in 11 public art exhibits and their respective locations scattered throughout Coachella Valley. Art includes Will Boone’s “Monument,” an underground bunker off Ramon Road in Rancho Mirage and Phillip K. Smith III’s “Circle of Land and Sky” in Palm Desert. Desert X is a site-specific biennial exhibition that first took place in the spring of 2017 where artists from different parts of the world were invited to create work in response to the unique conditions of the Coachella Valley.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"The world of the urban desert are explored in 11 public art exhibits throughout Coachella Valley.","status":"publish","parent":0,"modified":1537918516,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":3,"wordCount":111},"headData":{"title":"Desert X | KQED","description":"The world of the urban desert are explored in 11 public art exhibits throughout Coachella Valley.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Desert X","datePublished":"2018-08-03T19:26:43.000Z","dateModified":"2018-09-25T23:35:16.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"2283 https://ww2.kqed.org/trulyca/?p=2283","disqusUrl":"https://ww2.kqed.org/trulyca/desert-x/","disqusTitle":"Desert X","videoEmbed":"https://www.kcet.org/shows/artbound/episodes/desert-x","path":"/trulyca/2283/desert-x","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_2324\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-2324\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-768x512.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/05/doug_aitken_-_mirage_02_-_photo_by_osceola_refetoff-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Desert X - Coachella Valley, CA - 2017\u003c/figcaption>\u003c/figure>\n\u003cp>The vast, strange, sometimes contradictory world of the urban desert and its people are explored in 11 public art exhibits and their respective locations scattered throughout Coachella Valley. Art includes Will Boone’s “Monument,” an underground bunker off Ramon Road in Rancho Mirage and Phillip K. Smith III’s “Circle of Land and Sky” in Palm Desert. Desert X is a site-specific biennial exhibition that first took place in the spring of 2017 where artists from different parts of the world were invited to create work in response to the unique conditions of the Coachella Valley.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/2283/desert-x","authors":["11272"],"programs":["trulyca_771"],"categories":["trulyca_45","trulyca_21","trulyca_32","trulyca_29"],"tags":["trulyca_86","trulyca_626","trulyca_498","trulyca_83","trulyca_765","trulyca_28"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_2324","label":"trulyca_771"},"trulyca_2256":{"type":"posts","id":"trulyca_2256","meta":{"index":"posts_1591205157","site":"trulyca","id":"2256","score":null,"sort":[1529949200000]},"guestAuthors":[],"slug":"between-worlds","title":"Between Worlds","publishDate":1529949200,"format":"video","headTitle":"Season 13 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>\u003cem>Between Worlds\u003c/em> documents a year-long collaboration between two artists from seemingly opposite disciplines – long exposure photographer Henthorne and earthscape artist Andrés Amador. It is a partnership challenged by the disparate natures of their respective crafts. While Andrés can only produce his art within a very narrow duration between tides, Henthorne can only capture his images with specific natural light and perspective. Between Worlds gives the viewer a glimpse into the artistic and personal challenges faced by both artists as they combine their pursuits into a perceptive, united vision.\u003c/p>\n\u003cp>Executive Producer: \u003cstrong>Christopher Frey\u003c/strong>\u003cbr>\nExecutive Producer: \u003cstrong>Nicholas Allen\u003c/strong>\u003cbr>\nProducer and Director: \u003cstrong>Brad Kremer\u003c/strong>\u003cbr>\nAssociate Producer: \u003cstrong>Philippa Frey\u003c/strong>\u003cbr>\nDirector of Photography: \u003cstrong>Brad Kremer\u003c/strong>\u003cstrong>\u003cbr>\n\u003c/strong>Featuring: \u003cstrong>Andrés Amador, Henthorne, Ember DeQuincy, Kavi\u003c/strong>\u003cstrong>\u003cbr>\n\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Between Worlds documents a year-long collaboration between two artists from seemingly opposite disciplines – long exposure photographer Henthorne and earthscape artist Andrés Amador.","status":"publish","parent":0,"modified":1531517801,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":4,"wordCount":135},"headData":{"title":"Between Worlds | KQED","description":"Between Worlds documents a year-long collaboration between two artists from seemingly opposite disciplines – long exposure photographer Henthorne and earthscape artist Andrés Amador.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Between Worlds","datePublished":"2018-06-25T17:53:20.000Z","dateModified":"2018-07-13T21:36:41.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"2256 https://ww2.kqed.org/trulyca/?p=2256","disqusUrl":"https://ww2.kqed.org/trulyca/between-worlds/","disqusTitle":"Between Worlds","videoEmbed":"https://www.youtube.com/watch?v=ayycJX33H2U&t=5s","path":"/trulyca/2256/between-worlds","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Between Worlds\u003c/em> documents a year-long collaboration between two artists from seemingly opposite disciplines – long exposure photographer Henthorne and earthscape artist Andrés Amador. It is a partnership challenged by the disparate natures of their respective crafts. While Andrés can only produce his art within a very narrow duration between tides, Henthorne can only capture his images with specific natural light and perspective. Between Worlds gives the viewer a glimpse into the artistic and personal challenges faced by both artists as they combine their pursuits into a perceptive, united vision.\u003c/p>\n\u003cp>Executive Producer: \u003cstrong>Christopher Frey\u003c/strong>\u003cbr>\nExecutive Producer: \u003cstrong>Nicholas Allen\u003c/strong>\u003cbr>\nProducer and Director: \u003cstrong>Brad Kremer\u003c/strong>\u003cbr>\nAssociate Producer: \u003cstrong>Philippa Frey\u003c/strong>\u003cbr>\nDirector of Photography: \u003cstrong>Brad Kremer\u003c/strong>\u003cstrong>\u003cbr>\n\u003c/strong>Featuring: \u003cstrong>Andrés Amador, Henthorne, Ember DeQuincy, Kavi\u003c/strong>\u003cstrong>\u003cbr>\n\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/2256/between-worlds","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_77"],"categories":["trulyca_45","trulyca_21"],"tags":["trulyca_86","trulyca_648","trulyca_765"],"collections":["trulyca_81"],"featImg":"trulyca_2377","label":"trulyca_771"},"trulyca_2123":{"type":"posts","id":"trulyca_2123","meta":{"index":"posts_1591205157","site":"trulyca","id":"2123","score":null,"sort":[1512586400000]},"guestAuthors":[],"slug":"lady-bountiful","title":"Lady Bountiful","publishDate":1512586400,"format":"video","headTitle":"Season 13 | Truly CA | KQED Arts","labelTerm":{"term":77,"site":"trulyca"},"content":"\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">Lady Bountiful\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> is a look inside the world of 85-year-old artist Joan Von Briesen, aka Joanie. The film starts with beauty shots of Joanie’s house in the Cole Valley, San Francisco. Joan is sleeping in her bed. Then, her sister Asha talks about Joanie. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Joanie goes through her object finding routine out in the city and then she goes through her storage garage. One of her boarders, Tara, talks about first seeing Joanie’s house. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Joanie talks about her love for discovering objects and bikes around the SF. We see her discover a fake breast and continues rummaging through her found objects.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Asha discusses their childhood and how Joanie loved gathering objects as a child. There’s a montage of the house and Joanie is interacting with her tenants. Joanie is seen painting a nude model and discusses her thoughts on portraiture. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Joanie and Asha reminisce over old photos in Joanie’s home. \u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Eric, Joanie’s partner, is introduced and they discuss the story of when Eric first said “I love you” to Joanie and their relationship. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Joanie is seen in baker beach and recounts how her mother asked her to drink beer at the beach in her honor after she passed away. Joanie discusses her relationship with her mother and she recites a poem that her mother had written prior to her death. The film concludes with Joanie discussing life and a shot of her swimming in San Francisco Bay.\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Filmmaker Bio:\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Ethan \u003c/span>\u003cspan style=\"font-weight: 400\">Goldwater is a filmmaker and founder of Hover Pictures, a production company dedicated to making an explorative documentary and narrative work and supporting directors to bring new films to life.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">His work as a filmmaker builds on his prior careers as a journalist in San Francisco, and as a public school teacher in NYC. He spent two years in Brazil learning Portuguese and working with music and street theater and then moved to NYC, where he received a Masters in Education and spent three years teaching ESL to public middle school students.\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">While working as a teacher he also began making short films, and was soon making videos full-time for organizations such as BRAC, IMEU, UNICEF, Dell Innovation Foundation, Drug Policy Alliance, and KIPP, and teaching workshops in Bangladesh, Palestine, Uganda, and Ghana aimed at empowering people to use filmmaking as a tool for telling their stories. \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">His short film, The Last Waterman of Wittman, was selected as a Vimeo staff pick and played at the Chesapeake film festival and Camden film festival. He’s currently in post-production on his first feature documentary, Cura.\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Cast\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Joan Van Briesen\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Asha Greer\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Andres Ramirez\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Tara Sadooghi\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Jonah Bay\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Eric Festin\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Crew\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Directed & Produced by Ethan Goldwater\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Cinematography: Ethan Goldwater, Max Basch, Tyler Pakstis, Ken Fisher\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Sound Recordist: Jan Midelfort\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Editor: Jake Gervich\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Assistant Editors: Mindy Lee, Elea Wilder\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Associate Producers: Elea Wilder, Sam Neeley\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Original Music: Lathan Spaulding Dave Maholey\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Colorist: Begonia Colomar\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Sound Mix & Design: A Voz Do Brasil\u003c/span>\u003c/p>\n\n","blocks":[],"excerpt":"Take a look into the world of 85 year old artist Joan Von Briesen. A mother, painter and 'the original of recycling,' Joanie has lived in her Victorian house in Cole Valley, San Francisco for almost fifty years making it a hub for artists around the world.","status":"publish","parent":0,"modified":1531524170,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":31,"wordCount":518},"headData":{"title":"Lady Bountiful","description":"An octogenarian San Francisco artist named Joanie faces her life, cancer and death in mysterious, delightful, and civic minded ways.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Lady Bountiful","datePublished":"2017-12-06T18:53:20.000Z","dateModified":"2018-07-13T23:22:50.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"2123 https://ww2.kqed.org/trulyca/?p=2123","disqusUrl":"https://ww2.kqed.org/trulyca/lady-bountiful/","disqusTitle":"Lady Bountiful","videoEmbed":"https://www.youtube.com/watch?v=9udEgFL1lYc&t=640s","originalAirdate":"June, 2018","path":"/trulyca/2123/lady-bountiful","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">Lady Bountiful\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> is a look inside the world of 85-year-old artist Joan Von Briesen, aka Joanie. The film starts with beauty shots of Joanie’s house in the Cole Valley, San Francisco. Joan is sleeping in her bed. Then, her sister Asha talks about Joanie. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Joanie goes through her object finding routine out in the city and then she goes through her storage garage. One of her boarders, Tara, talks about first seeing Joanie’s house. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Joanie talks about her love for discovering objects and bikes around the SF. We see her discover a fake breast and continues rummaging through her found objects.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Asha discusses their childhood and how Joanie loved gathering objects as a child. There’s a montage of the house and Joanie is interacting with her tenants. Joanie is seen painting a nude model and discusses her thoughts on portraiture. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Joanie and Asha reminisce over old photos in Joanie’s home. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Eric, Joanie’s partner, is introduced and they discuss the story of when Eric first said “I love you” to Joanie and their relationship. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Joanie is seen in baker beach and recounts how her mother asked her to drink beer at the beach in her honor after she passed away. Joanie discusses her relationship with her mother and she recites a poem that her mother had written prior to her death. The film concludes with Joanie discussing life and a shot of her swimming in San Francisco Bay.\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Filmmaker Bio:\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Ethan \u003c/span>\u003cspan style=\"font-weight: 400\">Goldwater is a filmmaker and founder of Hover Pictures, a production company dedicated to making an explorative documentary and narrative work and supporting directors to bring new films to life.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">His work as a filmmaker builds on his prior careers as a journalist in San Francisco, and as a public school teacher in NYC. He spent two years in Brazil learning Portuguese and working with music and street theater and then moved to NYC, where he received a Masters in Education and spent three years teaching ESL to public middle school students.\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">While working as a teacher he also began making short films, and was soon making videos full-time for organizations such as BRAC, IMEU, UNICEF, Dell Innovation Foundation, Drug Policy Alliance, and KIPP, and teaching workshops in Bangladesh, Palestine, Uganda, and Ghana aimed at empowering people to use filmmaking as a tool for telling their stories. \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">His short film, The Last Waterman of Wittman, was selected as a Vimeo staff pick and played at the Chesapeake film festival and Camden film festival. He’s currently in post-production on his first feature documentary, Cura.\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Cast\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Joan Van Briesen\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Asha Greer\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Andres Ramirez\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Tara Sadooghi\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Jonah Bay\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Eric Festin\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Crew\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Directed & Produced by Ethan Goldwater\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Cinematography: Ethan Goldwater, Max Basch, Tyler Pakstis, Ken Fisher\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Sound Recordist: Jan Midelfort\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Editor: Jake Gervich\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Assistant Editors: Mindy Lee, Elea Wilder\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Associate Producers: Elea Wilder, Sam Neeley\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Original Music: Lathan Spaulding Dave Maholey\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Colorist: Begonia Colomar\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Sound Mix & Design: A Voz Do Brasil\u003c/span>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/2123/lady-bountiful","authors":["11272"],"series":["trulyca_77"],"categories":["trulyca_45","trulyca_33","trulyca_39","trulyca_20","trulyca_29"],"tags":["trulyca_86","trulyca_83","trulyca_87","trulyca_84","trulyca_505","trulyca_82","trulyca_765","trulyca_85","trulyca_504"],"collections":["trulyca_81"],"featImg":"trulyca_2124","label":"trulyca_77"},"trulyca_2033":{"type":"posts","id":"trulyca_2033","meta":{"index":"posts_1591205157","site":"trulyca","id":"2033","score":null,"sort":[1505326613000]},"guestAuthors":[],"slug":"artesanosartisans","title":"Artesanos/Artisans","publishDate":1505326613,"format":"video","headTitle":"Season 12 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>\u003cimg class=\"alignnone size-full wp-image-2625\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2017/09/artbound_artesanos_artisans.jpg\" alt=\"\" width=\"596\" height=\"335\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2017/09/artbound_artesanos_artisans.jpg 596w, https://ww2.kqed.org/app/uploads/sites/29/2017/09/artbound_artesanos_artisans-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2017/09/artbound_artesanos_artisans-240x135.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2017/09/artbound_artesanos_artisans-375x211.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2017/09/artbound_artesanos_artisans-520x292.jpg 520w\" sizes=\"(max-width: 596px) 100vw, 596px\">\u003c/p>\n\u003cp>The highly skilled artisans migrating from Mexico and Latin America are the backbone of high-end design and retail in Los Angeles, producing some of the most exquisite furniture, textiles and design goods. But they represent a creative force that seems invisible to the city. This \u003cem>Artbound\u003c/em> film uncovers their stories and their role in making Los Angeles and Southern California the creative capital of the world.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":null,"status":"publish","parent":0,"modified":1537998053,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":4,"wordCount":70},"headData":{"title":"Artesanos/Artisans","description":"Meet some of the highly skilled artisans migrating from Mexico and Latin America who are the backbone of high-end design and retail in Los Angeles.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Artesanos/Artisans","datePublished":"2017-09-13T18:16:53.000Z","dateModified":"2018-09-26T21:40:53.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"2033 https://ww2.kqed.org/trulyca/?p=2033","disqusUrl":"https://ww2.kqed.org/trulyca/artesanosartisans/","disqusTitle":"Artesanos/Artisans","originalAirdate":"August, 25th, 2017","path":"/trulyca/2033/artesanosartisans","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cimg class=\"alignnone size-full wp-image-2625\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2017/09/artbound_artesanos_artisans.jpg\" alt=\"\" width=\"596\" height=\"335\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2017/09/artbound_artesanos_artisans.jpg 596w, https://ww2.kqed.org/app/uploads/sites/29/2017/09/artbound_artesanos_artisans-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2017/09/artbound_artesanos_artisans-240x135.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2017/09/artbound_artesanos_artisans-375x211.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2017/09/artbound_artesanos_artisans-520x292.jpg 520w\" sizes=\"(max-width: 596px) 100vw, 596px\">\u003c/p>\n\u003cp>The highly skilled artisans migrating from Mexico and Latin America are the backbone of high-end design and retail in Los Angeles, producing some of the most exquisite furniture, textiles and design goods. But they represent a creative force that seems invisible to the city. This \u003cem>Artbound\u003c/em> film uncovers their stories and their role in making Los Angeles and Southern California the creative capital of the world.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/2033/artesanosartisans","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_57"],"categories":["trulyca_45","trulyca_37"],"tags":["trulyca_86","trulyca_129","trulyca_64","trulyca_90","trulyca_134","trulyca_136","trulyca_132","trulyca_133","trulyca_95","trulyca_131","trulyca_130","trulyca_505","trulyca_761","trulyca_135","trulyca_99","trulyca_28"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_2034","label":"trulyca_771"},"trulyca_2026":{"type":"posts","id":"trulyca_2026","meta":{"index":"posts_1591205157","site":"trulyca","id":"2026","score":null,"sort":[1501277309000]},"guestAuthors":[],"slug":"f-r-e-e","title":"F R E E","publishDate":1501277309,"format":"video","headTitle":"Season 12 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>\u003cimg class=\"alignnone size-full wp-image-2629\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2017/07/free.png\" alt=\"\" width=\"672\" height=\"372\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2017/07/free.png 672w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/free-160x89.png 160w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/free-240x133.png 240w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/free-375x208.png 375w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/free-520x288.png 520w\" sizes=\"(max-width: 672px) 100vw, 672px\">\u003c/p>\n\u003cp>\u003cem>F R E E\u003c/em> is an award-winning documentary that follows five teens through a life-changing year with the Destiny Arts Youth Performance Company in Oakland, California.\u003c/p>\n\u003cp>Each year, a diverse group of teens audition for a spot at Destiny Arts, where they will spend months working together to create an emotionally charged performance based on their lives. However, in a city plagued by violence and high student dropout rates, can they fight the external forces to complete their study?\u003c/p>\n\u003cp>Central to the film are the stories of five youth: Jamany, who once thought guns, violence, and drugs were the way to fit in who barely escapes juvenile hall; Tilly, who has little outlet for the pain of a difficult relationship with her girlfriend and resorts to self-harm; Nee Nee, who lives with her mother recently diagnosed with breast cancer and unable to pay the water bill; Alaysia, a young woman trying to cope with childhood sexual trauma; and Omar, who has been through 11 foster homes and is living with HIV.\u003c/p>\n\u003cp>As they unite to create their production, the teens find their voice and a community.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Under the careful guidance of Destiny’s Artistic Director Sarah Crowell, their journey reveals how collaborative art can be a foundation for personal strength, liberation, and hope.\u003c/p>\n\n","blocks":[],"excerpt":null,"status":"publish","parent":0,"modified":1537998280,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":219},"headData":{"title":"F R E E","description":"F R E E tells the stories of five teenagers as they spend a life-changing year at the Destiny Arts Youth Performance Company in Oakland, California. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"F R E E","datePublished":"2017-07-28T21:28:29.000Z","dateModified":"2018-09-26T21:44:40.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"2026 https://ww2.kqed.org/trulyca/?p=2026","disqusUrl":"https://ww2.kqed.org/trulyca/f-r-e-e/","disqusTitle":"F R E E","originalAirdate":"July 28th, 2017","path":"/trulyca/2026/f-r-e-e","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cimg class=\"alignnone size-full wp-image-2629\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2017/07/free.png\" alt=\"\" width=\"672\" height=\"372\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2017/07/free.png 672w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/free-160x89.png 160w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/free-240x133.png 240w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/free-375x208.png 375w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/free-520x288.png 520w\" sizes=\"(max-width: 672px) 100vw, 672px\">\u003c/p>\n\u003cp>\u003cem>F R E E\u003c/em> is an award-winning documentary that follows five teens through a life-changing year with the Destiny Arts Youth Performance Company in Oakland, California.\u003c/p>\n\u003cp>Each year, a diverse group of teens audition for a spot at Destiny Arts, where they will spend months working together to create an emotionally charged performance based on their lives. However, in a city plagued by violence and high student dropout rates, can they fight the external forces to complete their study?\u003c/p>\n\u003cp>Central to the film are the stories of five youth: Jamany, who once thought guns, violence, and drugs were the way to fit in who barely escapes juvenile hall; Tilly, who has little outlet for the pain of a difficult relationship with her girlfriend and resorts to self-harm; Nee Nee, who lives with her mother recently diagnosed with breast cancer and unable to pay the water bill; Alaysia, a young woman trying to cope with childhood sexual trauma; and Omar, who has been through 11 foster homes and is living with HIV.\u003c/p>\n\u003cp>As they unite to create their production, the teens find their voice and a community.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Under the careful guidance of Destiny’s Artistic Director Sarah Crowell, their journey reveals how collaborative art can be a foundation for personal strength, liberation, and hope.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/2026/f-r-e-e","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_57"],"categories":["trulyca_45","trulyca_30","trulyca_34","trulyca_35","trulyca_46"],"tags":["trulyca_86","trulyca_90","trulyca_146","trulyca_148","trulyca_83","trulyca_145","trulyca_68","trulyca_60","trulyca_147","trulyca_505","trulyca_149","trulyca_761","trulyca_99","trulyca_28"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_2028","label":"trulyca_771"},"trulyca_2017":{"type":"posts","id":"trulyca_2017","meta":{"index":"posts_1591205157","site":"trulyca","id":"2017","score":null,"sort":[1501271693000]},"guestAuthors":[],"slug":"the-mundane-afrofuturist-manifesto","title":"The Mundane Afrofuturist Manifesto","publishDate":1501271693,"format":"video","headTitle":"Season 12 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>\u003cimg class=\"alignnone size-medium wp-image-2085\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2017/07/maxresdefault-1-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2017/07/maxresdefault-1-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/maxresdefault-1-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/maxresdefault-1-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/maxresdefault-1-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/maxresdefault-1-1180x664.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/maxresdefault-1-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/maxresdefault-1-240x135.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/maxresdefault-1-375x211.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/maxresdefault-1-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>From public television station KCET in Southern California comes the tale of a new framework for black diasporic art production as it takes shape in contemporary Los Angeles. This hour-long documentary from the \u003cem>Artbound\u003c/em> series proposes a new theory of the black aesthetic in the 21st century. The film explores the tensions between conventional, segregated channels of media distribution and the black imagination and features in-depth interviews with artists such as novelist Tisa Bryant, musician/producer Delroy Edwards and visual artist Nicole Miller.\u003c/p>\n\u003cp>Filmmaker:\u003c/p>\n\u003cp>KCET & Martine Syms\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":null,"status":"publish","parent":0,"modified":1537998499,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":6,"wordCount":92},"headData":{"title":"The Mundane Afrofuturist Manifesto","description":"This hour-long documentary examines the tension between conventional channels of media distribution and the Black imagination.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"The Mundane Afrofuturist Manifesto","datePublished":"2017-07-28T19:54:53.000Z","dateModified":"2018-09-26T21:48:19.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"2017 https://ww2.kqed.org/trulyca/?p=2017","disqusUrl":"https://ww2.kqed.org/trulyca/the-mundane-afrofuturist-manifesto/","disqusTitle":"The Mundane Afrofuturist Manifesto","originalAirdate":"July, 14th, 2017","path":"/trulyca/2017/the-mundane-afrofuturist-manifesto","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cimg class=\"alignnone size-medium wp-image-2085\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2017/07/maxresdefault-1-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2017/07/maxresdefault-1-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/maxresdefault-1-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/maxresdefault-1-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/maxresdefault-1-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/maxresdefault-1-1180x664.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/maxresdefault-1-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/maxresdefault-1-240x135.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/maxresdefault-1-375x211.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/maxresdefault-1-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>From public television station KCET in Southern California comes the tale of a new framework for black diasporic art production as it takes shape in contemporary Los Angeles. 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(Running Time: 53:09)\u003c/em>\u003c/p>\n\u003cp>Oakland made it onto two \"top\" lists: Top Five travel destinations in the U.S., and Top Five most dangerous cities. Once a month, those two realities meet at First Friday.\u003c/p>\n\u003cp>What started as simple art crawl on the first Friday of every month has grown into a cross-cultural and intergenerational event drawing thousands of people to downtown Oakland for food, entertainment and every kind of art imaginable. The event's popularity has fueled the city's larger cultural and economic renaissance. But after a teenager was murdered during one of the events, the future of First Fridays is uncertain.\u003c/p>\n\u003cp>\u003cem>First Friday\u003c/em> follows several Oakland residents as they prepare for one evening's event and confront the tension between gentrification and inequality.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Oakland has been rated a top travel destination ... and one of the most dangerous cities in the U.S. Once a month, those two realities meet at First Friday, an immersive art and community experience.","status":"publish","parent":0,"modified":1537999268,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":6,"wordCount":148},"headData":{"title":"First Friday | KQED","description":"Oakland has been rated a top travel destination ... and one of the most dangerous cities in the U.S. Once a month, those two realities meet at First Friday, an immersive art and community experience.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"First Friday","datePublished":"2016-04-02T03:00:44.000Z","dateModified":"2018-09-26T22:01:08.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"1322 http://ww2.kqed.org/trulyca/?p=1322","disqusUrl":"https://ww2.kqed.org/trulyca/first-friday/","disqusTitle":"First Friday","videoEmbed":"https://www.youtube.com/watch?v=UBQ01VngyM4","originalAirdate":"November 22, 2015","path":"/trulyca/1322/first-friday","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem class=\"video_caption\">Watch this entire \u003cstrong>Truly CA\u003c/strong> episode: \u003cstrong>First Friday\u003c/strong> by filmmakers N'Jeri Eaton and Mario Furloni. (Running Time: 53:09)\u003c/em>\u003c/p>\n\u003cp>Oakland made it onto two \"top\" lists: Top Five travel destinations in the U.S., and Top Five most dangerous cities. Once a month, those two realities meet at First Friday.\u003c/p>\n\u003cp>What started as simple art crawl on the first Friday of every month has grown into a cross-cultural and intergenerational event drawing thousands of people to downtown Oakland for food, entertainment and every kind of art imaginable. The event's popularity has fueled the city's larger cultural and economic renaissance. But after a teenager was murdered during one of the events, the future of First Fridays is uncertain.\u003c/p>\n\u003cp>\u003cem>First Friday\u003c/em> follows several Oakland residents as they prepare for one evening's event and confront the tension between gentrification and inequality.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/1322/first-friday","authors":["21"],"programs":["trulyca_771"],"series":["trulyca_27"],"categories":["trulyca_45","trulyca_21","trulyca_46"],"tags":["trulyca_86","trulyca_64","trulyca_90","trulyca_169","trulyca_172","trulyca_60","trulyca_171","trulyca_170","trulyca_147","trulyca_505","trulyca_761","trulyca_99","trulyca_28"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_1309","label":"trulyca_771"},"trulyca_56":{"type":"posts","id":"trulyca_56","meta":{"index":"posts_1591205157","site":"trulyca","id":"56","score":null,"sort":[1459555200000]},"guestAuthors":[],"slug":"gumby-dharma","title":"Gumby Dharma","publishDate":1459555200,"format":"video","headTitle":"Season 3 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>http://youtu.be/iQVpRxUwi8U\u003c/p>\n\u003cp>This is the story of Art Clokey, who in 1954 took a humble slab of clay and molded it into the cartoon legend \u003cb>Gumby\u003c/b>. At once quirky and colorful, heartbreaking and redemptive, \u003cb>Gumby Dharma\u003c/b> takes us on a journey through the life and career of a spiritual seeker whose famous characters, Gumby and Pokey, and Davy and Goliath, echoed the spiritual path of their creator. It's a journey that leads us from an orphanage to adored adopted father, from the Seminary to Hollywood, from nuclear family to hippie counterculture, and from the traditional Episcopalian church to Buddhism and Indian guru Sai Baba.\u003c/p>\n\u003cp>\u003cb>Gumby Dharma\u003c/b> features candid and revealing interviews with an 85-year-old Clokey, vivid scenes from \u003cb>Gumby\u003c/b> episodes, home movies shot by Art when he was a kid, and interviews with contemporary leaders in animation, including Director Henry Selick (\u003cb>Nightmare Before Christmas\u003c/b>, \u003cb>James and the Giant Peach\u003c/b>) and special effects legend Ray Harryhausen (\u003cb>Jason and the Argonauts\u003c/b>, \u003cb>Adventures of Sinbad\u003c/b>). 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At once quirky and colorful, heartbreaking and redemptive, \u003cb>Gumby Dharma\u003c/b> takes us on a journey through the life and career of a spiritual seeker whose famous characters, Gumby and Pokey, and Davy and Goliath, echoed the spiritual path of their creator. 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Also included is new stop motion animation of Gumby and Pokey, who narrate this playful and touching homage to the grandfather of clay animation, Art Clokey.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/56/gumby-dharma","authors":["8666"],"programs":["trulyca_771"],"series":["trulyca_5"],"categories":["trulyca_33","trulyca_21","trulyca_29"],"tags":["trulyca_113","trulyca_86","trulyca_110","trulyca_64","trulyca_90","trulyca_111","trulyca_118","trulyca_112","trulyca_108","trulyca_109","trulyca_116","trulyca_60","trulyca_505","trulyca_114","trulyca_117","trulyca_761","trulyca_115","trulyca_99","trulyca_28"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_2545","label":"trulyca_771"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. 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