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Lee","firstName":"Marie K.","lastName":"Lee","slug":"mlee","email":"mklee@kqed.org","display_author_email":false,"staff_mastheads":[],"title":null,"bio":"Marie K. Lee is a product manager at KQED. Lee produces sites for \u003ca href=\"http://blogs.kqed.org/makingof/\">\u003cb>The Making Of...\u003c/b>\u003c/a>, \u003ca href=\"http://www.pbs.org/soundtracks/\">\u003cb>Sound Tracks\u003c/b>\u003c/a>, \u003ca href=\"http://www.kqed.org/w/filmschoolshorts/\">\u003cb>Film School Shorts\u003c/b>\u003c/a>, \u003ca href=\"http://www.kqed.org/arts/programs/trulyca/\">\u003cb>Truly CA\u003c/b>\u003c/a>, \u003ca href=\"http://www.kqed.org/arts/programs/imagemakers/\">\u003cb>ImageMakers\u003c/b>\u003c/a>, and \u003ca href=\"http://www.kqed.org/arts/programs/spark/\">\u003cb>Spark\u003c/b>\u003c/a>. For her work on the \u003cb>Spark\u003c/b> site, she garnered a 2003 Northern California Area EMMY Award for Interactivity. Together with Mark Taylor, Lee created the video podcast \u003ca href=\"http://www.kqed.org/arts/programs/gallerycrawl/\">\u003cb>Gallery Crawl\u003c/b>\u003c/a>, which she co-produced from 2005-07. She was also on the reading panel of the audio podcast \u003ca href=\"http://www.kqed.org/arts/programs/writersblock/\">\u003cb>The Writers' Block\u003c/b>\u003c/a>.\r\n\r\n She earned a B.A. in visual arts at Bowdoin College. Being a farm gal from Maine, she's obsessed with crafting and will not give-up wearing her threadbare flannel shirts. Her other passions include eating, sleeping, dancing, traveling, watching films, playing Scrabble, and checking out art galleries.","avatar":"https://secure.gravatar.com/avatar/672c2170de4adaa3348f7be01e3a15a5?s=600&d=blank&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["Contributor","subscriber"]},{"site":"styleguide","roles":["subscriber"]},{"site":"imagemakers","roles":["subscriber"]}],"headData":{"title":"Marie K. 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What are the odds for a young boy to achieve his dreams? Depends on your drive and depends on your luck. How badly do you want to achieve your goals? How about rising to the #1 Bay Area Elvis Tribute Artist since 2008 on Gigmasters?\u003c/p>\n\u003cp>As we hear testimony from Rick’s former drama teacher, his bandmates and, those who have hired him to be a part of their special occasions, we learn about Rick’s struggles and what inspires him to keep going.\u003c/p>\n\u003cp>[gallery size=\"medium\" ids=\"3334,3333,3332\"]\u003c/p>\n\u003cp>\u003cstrong>Directors Note:\u003c/strong>\u003cbr>\nLike many people, I am drawn to a good story. We all have special talents to share and unique voices. When I come across something or someone that inspires me, I want to share that inspiration with others.\u003c/p>\n\u003cp>\u003cem>[aside label=\"Check out the interview with director, Cate Celso\" link1=\"\u003ca href=\"https://www.npr.org/player/embed/508608745/509179603\">https://www.npr.org/https://matthewtoffolo.com/2020/08/08/interview-with-filmmaker-cate-celso-king-of-the-road/player/embed/508608745/509179603\u003c/a>, Daily Summary, Matthew Toffolo\"]\u003c/em>\u003c/p>\n\u003cp>I met Rick six years ago when the company I worked for hired him to perform on-site. As I watched his energy fill the room he transformed his audience, I became curious about him and wanted to know more about his path, his story.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Our paths crossed again back in 2017 and for me, it was a sign to tackle my first documentary and share Rick’s inspirational story with you.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso.jpg\">\u003cimg class=\"size-medium wp-image-3327 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso.jpg\" alt=\"\" width=\"600\" height=\"300\" data-wp-editing=\"1\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso.jpg 600w, https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso-160x80.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Cate Celso\u003c/strong> (Director) – is a filmmaker based in San Francisco, CA. She has worked for several years in live-action and animation film production. Cate started writing and directing short films with some fellow co-workers and eventually joined indie film groups where she continues to contribute her skills. Currently, she is working on building her body of work as a Director. This is her first documentary and third short film.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt.jpg\">\u003cimg class=\"size-full wp-image-3326 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt.jpg\" alt=\"\" width=\"600\" height=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt.jpg 600w, https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt-160x80.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Ashley Hirt\u003c/strong> (Producer) – Ashley Hirt is a Canadian born filmmaker living in Los Angeles. Her storytelling often reflects her mixed cultural roots of growing up in a Metis and Scottish family. Known for co-producing the feature film \"Black Field\" which has received numerous accolades including the Amazon Video Direct Award (2017) at the Sundance Film Festival (2017). Ashley’s work is usually female-driven content and supports Indigenous artists. She is an alumna of the National Screen Institute of Canada and the Royal Academy of Dramatic Art (London).\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells.jpg\">\u003cimg class=\"size-full wp-image-3328 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells.jpg\" alt=\"\" width=\"600\" height=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells.jpg 600w, https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells-160x80.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Sean Wells\u003c/strong> (Director of Photography) - Sean makes stuff and likes to help other people make stuff. He mostly works in the dark as a colorist but as Director of Photography on King of the Road, he's working with light.\u003c/p>\n\n","disqusIdentifier":"3323 https://ww2.kqed.org/trulyca/?p=3323","disqusUrl":"https://ww2.kqed.org/trulyca/imitation-continues-to-be-the-highest-form-of-flattery-in-short-doc-king-of-the-road/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":474,"hasGoogleForm":false,"hasGallery":true,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":15},"modified":1610391248,"excerpt":null,"headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Growing up in east San Jose, California the youngest of six children from a single-parent household, Rick Torres had a passion for entertaining. What are the odds for a young boy to achieve his dreams? Depends on your drive and depends on your luck. How badly do you want to achieve your goals? How about","title":"Imitation continues to be the highest form of flattery, in short doc, King of the Road - Truly CA","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Imitation continues to be the highest form of flattery, in short doc, King of the Road","datePublished":"2021-01-08T05:00:42-08:00","dateModified":"2021-01-11T10:54:08-08:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"imitation-continues-to-be-the-highest-form-of-flattery-in-short-doc-king-of-the-road","status":"publish","videoEmbed":"https://www.youtube.com/watch?v=v6dw9TsezUQ","path":"/trulyca/3323/imitation-continues-to-be-the-highest-form-of-flattery-in-short-doc-king-of-the-road","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Growing up in east San Jose, California the youngest of six children from a single-parent household, Rick Torres had a passion for entertaining. What are the odds for a young boy to achieve his dreams? Depends on your drive and depends on your luck. How badly do you want to achieve your goals? How about rising to the #1 Bay Area Elvis Tribute Artist since 2008 on Gigmasters?\u003c/p>\n\u003cp>As we hear testimony from Rick’s former drama teacher, his bandmates and, those who have hired him to be a part of their special occasions, we learn about Rick’s struggles and what inspires him to keep going.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"size":"medium","ids":"3334,3333,3332","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Directors Note:\u003c/strong>\u003cbr>\nLike many people, I am drawn to a good story. We all have special talents to share and unique voices. When I come across something or someone that inspires me, I want to share that inspiration with others.\u003c/p>\n\u003cp>\u003cem>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"Check out the interview with director, Cate Celso link1=\"\u003ca href=\"https://www.npr.org/player/embed/508608745/509179603\">https://www.npr.org/https://matthewtoffolo.com/2020/08/08/interview-with-filmmaker-cate-celso-king-of-the-road/player/embed/508608745/509179603\u003c/a>, Daily Summary, Matthew Toffolo\""},"numeric":["link1=\"\u003ca","href=\"https://www.npr.org/player/embed/508608745/509179603\">https://www.npr.org/https://matthewtoffolo.com/2020/08/08/interview-with-filmmaker-cate-celso-king-of-the-road/player/embed/508608745/509179603\u003c/a>,","Daily","Summary,","Matthew","Toffolo\""]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/em>\u003c/p>\n\u003cp>I met Rick six years ago when the company I worked for hired him to perform on-site. As I watched his energy fill the room he transformed his audience, I became curious about him and wanted to know more about his path, his story.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Our paths crossed again back in 2017 and for me, it was a sign to tackle my first documentary and share Rick’s inspirational story with you.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso.jpg\">\u003cimg class=\"size-medium wp-image-3327 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso.jpg\" alt=\"\" width=\"600\" height=\"300\" data-wp-editing=\"1\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso.jpg 600w, https://ww2.kqed.org/app/uploads/sites/29/2021/01/CateCelso-160x80.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Cate Celso\u003c/strong> (Director) – is a filmmaker based in San Francisco, CA. She has worked for several years in live-action and animation film production. Cate started writing and directing short films with some fellow co-workers and eventually joined indie film groups where she continues to contribute her skills. Currently, she is working on building her body of work as a Director. This is her first documentary and third short film.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt.jpg\">\u003cimg class=\"size-full wp-image-3326 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt.jpg\" alt=\"\" width=\"600\" height=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt.jpg 600w, https://ww2.kqed.org/app/uploads/sites/29/2021/01/AshleyHirt-160x80.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Ashley Hirt\u003c/strong> (Producer) – Ashley Hirt is a Canadian born filmmaker living in Los Angeles. Her storytelling often reflects her mixed cultural roots of growing up in a Metis and Scottish family. Known for co-producing the feature film \"Black Field\" which has received numerous accolades including the Amazon Video Direct Award (2017) at the Sundance Film Festival (2017). Ashley’s work is usually female-driven content and supports Indigenous artists. She is an alumna of the National Screen Institute of Canada and the Royal Academy of Dramatic Art (London).\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells.jpg\">\u003cimg class=\"size-full wp-image-3328 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells.jpg\" alt=\"\" width=\"600\" height=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells.jpg 600w, https://ww2.kqed.org/app/uploads/sites/29/2021/01/SeanWells-160x80.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Sean Wells\u003c/strong> (Director of Photography) - Sean makes stuff and likes to help other people make stuff. He mostly works in the dark as a colorist but as Director of Photography on King of the Road, he's working with light.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3323/imitation-continues-to-be-the-highest-form-of-flattery-in-short-doc-king-of-the-road","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_850"],"categories":["trulyca_33","trulyca_20","trulyca_31","trulyca_34","trulyca_32"],"tags":["trulyca_944","trulyca_947","trulyca_943","trulyca_946","trulyca_945"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3325","label":"trulyca_771"},"trulyca_3285":{"type":"posts","id":"trulyca_3285","meta":{"index":"posts_1716263798","site":"trulyca","id":"3285","score":null,"sort":[1599217235000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1599217235,"format":"video","disqusTitle":"Doing Stand Up as the Can't Stand up Comedian - The Dan Smith Story","title":"Doing Stand Up as the Can't Stand up Comedian - The Dan Smith Story","headTitle":"Season 15 | Truly CA | Truly CA | KQED Arts","content":"\u003cp>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.facebook.com/CantStandUpComedy\">Dan Smith is the “The Can’t Stand Up Comedian,”\u003c/a> a Sacramento comic born with \u003c/span>\u003cspan style=\"font-weight: 400\">spina bifida\u003c/span>\u003cspan style=\"font-weight: 400\">, \u003c/span>\u003cspan style=\"font-weight: 400\">a condition that occurs when the spine and spinal cord don't form properly. His is the most severe form of spina bifida, \u003c/span>\u003cspan style=\"font-weight: 400\">myelomeningocele, because, as Dan jokes, “if you’re going to commit to something, go all the way.” Dan has always been funny but he’d never felt confident enough to get up on stage himself until taking a stand up comedy class in 2017.\u003c/span>\u003cspan style=\"font-weight: 400\"> Now, just 3 years later, Dan is hosting and headlining comedy shows online and around the city. Including the now online Body Posi Comedy Show run by \u003ca href=\"https://www.facebook.com/stabcomedytheater\">STAB! Comedy\u003c/a>.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> In this short documentary, Dan shares his experiences in the Sacramento comedy scene, opens up about his sobriety, and chronicles his evolution as a sitting-down stand up comedian. Writing and performing comedy, along with people's laughter, is what has kept him going through some of his darkest times. \u003c/span>\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\"]\u003ca href=\"https://www.youtube.com/watch?v=XS7-dR8znvY\">Watch The Dan Smith Story Here By. Ainé Henderson\u003c/a> [/pullquote]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I first met Dan Smith on a dare. A dare to try one of the most terrifying things known to humanity: stand up comedy. Dan and I met at an open mic hosted at the famous Italian restaurant, Vince’s, which is delightfully snuggled up in between a Motel 6 parking lot and a Del Taco in South Sacramento. It was my first time doing stand up and Dan, the comedy pro, was hard to miss. He was the only one who took the term “front and center stage” seriously. There was a bar placed horizontally across the stage exactly at hip height, my hip height, which is where Dan’s face height is when he’s sitting in his wheelchair. To be seen, he had to perform in front of the stage. As an outsider and a newcomer, I was full of nerves but Dan greeted me warmly and the rest of the comedians greeted him with love and admiration.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">That night, Dan had me rolling with laughter, the kind of laughter that comes from a combination of agony mixing with humor, the kind that makes you feel uncomfortable for laughing, but so uncomfortable you continue to laugh. My favorite type of comedy: dark comedy. I’d never come across a comic who used comedy to express themselves like Dan had. Sure, I’d just been on stage talking about my broken love life and that got some laughs but Dan’s story was unique, just as he is. His jokes ranged from getting a DUI in his wheelchair to “running” not running in the family. After that night, Dan and I stayed in touch and he opened up to the possibility of being the subject of this documentary.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[pullquote size=\"large\" align=\"left\"]I’ve begun to refer to Dan as an onion, not only because he makes me cry laughing, but because the more you get to know him, the more layers you begin to see he has. [/pullquote] Dan is one of the goofiest and sweetest people I’ve met. At first glance, I saw someone with a disability using comedy to express themselves. But the more I got to know him, I saw someone who has used the transformative power of comedy to better themselves. Dan credits stand up comedy for his sobriety, a statement that very few people can identify with as many comedians are notorious for drug use. Dan’s passion for making people laugh and for connecting with his fellow comedians, is what drove him to quit drinking. This drive to self betterment, an evolution of strength and ability to overcome whatever health adversity he is thrown, is inspiring. The love Dan has for his wife is also inspiring. I’m honored to be able to share some of Dan’s story.\u003c/span>\u003c/p>\n\u003cp>[aside label=\"More from Dan Smith\" link1=\"\u003ca href=\"http://www.stspodcast.com/tag/dan-the-cant-stand-up-comedian-smith/\">http://www.stspodcast.com/tag/dan-the-cant-stand-up-comedian-smith/\u003c/a>, Dan Smith on Serious Talk. Seriously. Podcast\"]\u003c/p>\n\u003cp>[gallery columns=\"1\" size=\"medium\" link=\"file\" ids=\"3286,3287,3288\"]\u003c/p>\n\u003cp>\u003cstrong style=\"font-style: italic;background-color: transparent\">[ad fullwidth]\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Dan Smith Bio: \u003c/strong>\u003c/p>\n\u003cp>Dan Smith (aka Dan the Can’t Stand Up Comedian) was born in Walnut Creek. He was born with a birth defect called Spina Bifida and has been a paraplegic his whole life. Much of his material comes from his experiences spending his life in a wheelchair. He has been performing comedy for 3 years in clubs, including Punch Line, Laughs Unlimited and all over Sacramento, as well as performing in San Francisco, and Reno and numerous other places throughout California and Nevada. When he’s not doing comedy, he enjoys spending time with his wife Anna and their Boston Terrier Kepi Joe.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Credits:\u003c/b>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Ainé Henderson\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Asal Ehsanipour\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Alex Irwin\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Janelle Hessig\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Music\u003c/b>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Black Silhouette\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">By. Blockhead & Alan Parker & Eric Allen &\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Frank Reidy & Peter Shade\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">De Wolfe Music // De Wolfe LTD\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Documentary Minimalism\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">By. Benjamin McAvoy\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">De Wolfe Music // De Wolfe LTD \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Special Thanks \u003c/b>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Dan Smith\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Justin Isaacks \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Highwater Restaurant\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Vic Mauleon\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Sasha Khokha\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Amy Miller\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Abby Staeble\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Derek Dozier\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The Body Posi Comedy Show\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n","disqusIdentifier":"3285 https://ww2.kqed.org/trulyca/?p=3285","disqusUrl":"https://ww2.kqed.org/trulyca/doing-stand-up-as-the-cant-stand-up-comedian-the-dan-smith-story/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":894,"hasGoogleForm":false,"hasGallery":true,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":35},"modified":1599232426,"excerpt":"Dan Smith calls himself the “Can’t Stand Up Comedian.” Born with the most severe type of spina bifida, he’s turned to comedy to express himself.","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Dan Smith calls himself the “Can’t Stand Up Comedian.” Born with the most severe type of spina bifida, he’s turned to comedy to express himself.","title":"Doing Stand Up as the Can't Stand up Comedian - The Dan Smith Story - Truly CA","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Doing Stand Up as the Can't Stand up Comedian - The Dan Smith Story","datePublished":"2020-09-04T04:00:35-07:00","dateModified":"2020-09-04T08:13:46-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"doing-stand-up-as-the-cant-stand-up-comedian-the-dan-smith-story","status":"publish","videoEmbed":"https://www.youtube.com/watch?v=XS7-dR8znvY","WpOldSlug":"sf-pride-grand-marshalls-introduce-their-community-built-on-art-in-the-new-documentary-mrs-veras-daybook","path":"/trulyca/3285/doing-stand-up-as-the-cant-stand-up-comedian-the-dan-smith-story","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.facebook.com/CantStandUpComedy\">Dan Smith is the “The Can’t Stand Up Comedian,”\u003c/a> a Sacramento comic born with \u003c/span>\u003cspan style=\"font-weight: 400\">spina bifida\u003c/span>\u003cspan style=\"font-weight: 400\">, \u003c/span>\u003cspan style=\"font-weight: 400\">a condition that occurs when the spine and spinal cord don't form properly. His is the most severe form of spina bifida, \u003c/span>\u003cspan style=\"font-weight: 400\">myelomeningocele, because, as Dan jokes, “if you’re going to commit to something, go all the way.” Dan has always been funny but he’d never felt confident enough to get up on stage himself until taking a stand up comedy class in 2017.\u003c/span>\u003cspan style=\"font-weight: 400\"> Now, just 3 years later, Dan is hosting and headlining comedy shows online and around the city. Including the now online Body Posi Comedy Show run by \u003ca href=\"https://www.facebook.com/stabcomedytheater\">STAB! Comedy\u003c/a>.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> In this short documentary, Dan shares his experiences in the Sacramento comedy scene, opens up about his sobriety, and chronicles his evolution as a sitting-down stand up comedian. Writing and performing comedy, along with people's laughter, is what has kept him going through some of his darkest times. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"\u003ca href=\"https://www.youtube.com/watch?v=XS7-dR8znvY\">Watch The Dan Smith Story Here By. Ainé Henderson\u003c/a> ","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I first met Dan Smith on a dare. A dare to try one of the most terrifying things known to humanity: stand up comedy. Dan and I met at an open mic hosted at the famous Italian restaurant, Vince’s, which is delightfully snuggled up in between a Motel 6 parking lot and a Del Taco in South Sacramento. It was my first time doing stand up and Dan, the comedy pro, was hard to miss. He was the only one who took the term “front and center stage” seriously. There was a bar placed horizontally across the stage exactly at hip height, my hip height, which is where Dan’s face height is when he’s sitting in his wheelchair. To be seen, he had to perform in front of the stage. As an outsider and a newcomer, I was full of nerves but Dan greeted me warmly and the rest of the comedians greeted him with love and admiration.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">That night, Dan had me rolling with laughter, the kind of laughter that comes from a combination of agony mixing with humor, the kind that makes you feel uncomfortable for laughing, but so uncomfortable you continue to laugh. My favorite type of comedy: dark comedy. I’d never come across a comic who used comedy to express themselves like Dan had. Sure, I’d just been on stage talking about my broken love life and that got some laughs but Dan’s story was unique, just as he is. His jokes ranged from getting a DUI in his wheelchair to “running” not running in the family. After that night, Dan and I stayed in touch and he opened up to the possibility of being the subject of this documentary.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"I’ve begun to refer to Dan as an onion, not only because he makes me cry laughing, but because the more you get to know him, the more layers you begin to see he has. ","name":"pullquote","attributes":{"named":{"size":"large","align":"left","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp> Dan is one of the goofiest and sweetest people I’ve met. At first glance, I saw someone with a disability using comedy to express themselves. But the more I got to know him, I saw someone who has used the transformative power of comedy to better themselves. Dan credits stand up comedy for his sobriety, a statement that very few people can identify with as many comedians are notorious for drug use. Dan’s passion for making people laugh and for connecting with his fellow comedians, is what drove him to quit drinking. This drive to self betterment, an evolution of strength and ability to overcome whatever health adversity he is thrown, is inspiring. The love Dan has for his wife is also inspiring. I’m honored to be able to share some of Dan’s story.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"More from Dan Smith link1=\"\u003ca href=\"http://www.stspodcast.com/tag/dan-the-cant-stand-up-comedian-smith/\">http://www.stspodcast.com/tag/dan-the-cant-stand-up-comedian-smith/\u003c/a>, Dan Smith on Serious Talk. Seriously. Podcast\""},"numeric":["link1=\"\u003ca","href=\"http://www.stspodcast.com/tag/dan-the-cant-stand-up-comedian-smith/\">http://www.stspodcast.com/tag/dan-the-cant-stand-up-comedian-smith/\u003c/a>,","Dan","Smith","on","Serious","Talk.","Seriously.","Podcast\""]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"columns":"1","size":"medium","link":"file","ids":"3286,3287,3288","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong style=\"font-style: italic;background-color: transparent\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Dan Smith Bio: \u003c/strong>\u003c/p>\n\u003cp>Dan Smith (aka Dan the Can’t Stand Up Comedian) was born in Walnut Creek. He was born with a birth defect called Spina Bifida and has been a paraplegic his whole life. Much of his material comes from his experiences spending his life in a wheelchair. He has been performing comedy for 3 years in clubs, including Punch Line, Laughs Unlimited and all over Sacramento, as well as performing in San Francisco, and Reno and numerous other places throughout California and Nevada. When he’s not doing comedy, he enjoys spending time with his wife Anna and their Boston Terrier Kepi Joe.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Credits:\u003c/b>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Ainé Henderson\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Asal Ehsanipour\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Alex Irwin\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Janelle Hessig\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Music\u003c/b>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Black Silhouette\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">By. Blockhead & Alan Parker & Eric Allen &\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Frank Reidy & Peter Shade\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">De Wolfe Music // De Wolfe LTD\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Documentary Minimalism\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">By. Benjamin McAvoy\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">De Wolfe Music // De Wolfe LTD \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Special Thanks \u003c/b>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Dan Smith\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Justin Isaacks \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Highwater Restaurant\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Vic Mauleon\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Sasha Khokha\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Amy Miller\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Abby Staeble\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Derek Dozier\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The Body Posi Comedy Show\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3285/doing-stand-up-as-the-cant-stand-up-comedian-the-dan-smith-story","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_850"],"categories":["trulyca_33","trulyca_40","trulyca_39","trulyca_20","trulyca_21","trulyca_34"],"tags":["trulyca_916","trulyca_640","trulyca_71","trulyca_914","trulyca_915","trulyca_918","trulyca_550","trulyca_919","trulyca_804","trulyca_917","trulyca_912","trulyca_911","trulyca_913"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3287","label":"trulyca_771"},"trulyca_2026":{"type":"posts","id":"trulyca_2026","meta":{"index":"posts_1716263798","site":"trulyca","id":"2026","score":null,"sort":[1501277309000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1501277309,"format":"video","disqusTitle":"F R E E","title":"F R E E","headTitle":"Season 12 | Truly CA | Truly CA | KQED Arts","content":"\u003cp>\u003cimg class=\"alignnone size-full wp-image-2629\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2017/07/free.png\" alt=\"\" width=\"672\" height=\"372\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2017/07/free.png 672w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/free-160x89.png 160w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/free-240x133.png 240w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/free-375x208.png 375w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/free-520x288.png 520w\" sizes=\"(max-width: 672px) 100vw, 672px\">\u003c/p>\n\u003cp>\u003cem>F R E E\u003c/em> is an award-winning documentary that follows five teens through a life-changing year with the Destiny Arts Youth Performance Company in Oakland, California.\u003c/p>\n\u003cp>Each year, a diverse group of teens audition for a spot at Destiny Arts, where they will spend months working together to create an emotionally charged performance based on their lives. However, in a city plagued by violence and high student dropout rates, can they fight the external forces to complete their study?\u003c/p>\n\u003cp>Central to the film are the stories of five youth: Jamany, who once thought guns, violence, and drugs were the way to fit in who barely escapes juvenile hall; Tilly, who has little outlet for the pain of a difficult relationship with her girlfriend and resorts to self-harm; Nee Nee, who lives with her mother recently diagnosed with breast cancer and unable to pay the water bill; Alaysia, a young woman trying to cope with childhood sexual trauma; and Omar, who has been through 11 foster homes and is living with HIV.\u003c/p>\n\u003cp>As they unite to create their production, the teens find their voice and a community.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Under the careful guidance of Destiny’s Artistic Director Sarah Crowell, their journey reveals how collaborative art can be a foundation for personal strength, liberation, and hope.\u003c/p>\n\n","disqusIdentifier":"2026 https://ww2.kqed.org/trulyca/?p=2026","disqusUrl":"https://ww2.kqed.org/trulyca/f-r-e-e/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":219,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":8},"modified":1537998280,"excerpt":null,"headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"F R E E tells the stories of five teenagers as they spend a life-changing year at the Destiny Arts Youth Performance Company in Oakland, California. ","title":"F R E E","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"F R E E","datePublished":"2017-07-28T14:28:29-07:00","dateModified":"2018-09-26T14:44:40-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"f-r-e-e","status":"publish","originalAirdate":"July 28th, 2017","path":"/trulyca/2026/f-r-e-e","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cimg class=\"alignnone size-full wp-image-2629\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2017/07/free.png\" alt=\"\" width=\"672\" height=\"372\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2017/07/free.png 672w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/free-160x89.png 160w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/free-240x133.png 240w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/free-375x208.png 375w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/free-520x288.png 520w\" sizes=\"(max-width: 672px) 100vw, 672px\">\u003c/p>\n\u003cp>\u003cem>F R E E\u003c/em> is an award-winning documentary that follows five teens through a life-changing year with the Destiny Arts Youth Performance Company in Oakland, California.\u003c/p>\n\u003cp>Each year, a diverse group of teens audition for a spot at Destiny Arts, where they will spend months working together to create an emotionally charged performance based on their lives. However, in a city plagued by violence and high student dropout rates, can they fight the external forces to complete their study?\u003c/p>\n\u003cp>Central to the film are the stories of five youth: Jamany, who once thought guns, violence, and drugs were the way to fit in who barely escapes juvenile hall; Tilly, who has little outlet for the pain of a difficult relationship with her girlfriend and resorts to self-harm; Nee Nee, who lives with her mother recently diagnosed with breast cancer and unable to pay the water bill; Alaysia, a young woman trying to cope with childhood sexual trauma; and Omar, who has been through 11 foster homes and is living with HIV.\u003c/p>\n\u003cp>As they unite to create their production, the teens find their voice and a community.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Under the careful guidance of Destiny’s Artistic Director Sarah Crowell, their journey reveals how collaborative art can be a foundation for personal strength, liberation, and hope.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/2026/f-r-e-e","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_57"],"categories":["trulyca_45","trulyca_30","trulyca_34","trulyca_35","trulyca_46"],"tags":["trulyca_86","trulyca_90","trulyca_146","trulyca_148","trulyca_83","trulyca_145","trulyca_68","trulyca_60","trulyca_147","trulyca_505","trulyca_149","trulyca_761","trulyca_99","trulyca_28"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_2028","label":"trulyca_771"},"trulyca_2017":{"type":"posts","id":"trulyca_2017","meta":{"index":"posts_1716263798","site":"trulyca","id":"2017","score":null,"sort":[1501271693000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1501271693,"format":"video","disqusTitle":"The Mundane Afrofuturist Manifesto","title":"The Mundane Afrofuturist Manifesto","headTitle":"Season 12 | Truly CA | Truly CA | KQED Arts","content":"\u003cp>\u003cimg class=\"alignnone size-medium wp-image-2085\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2017/07/maxresdefault-1-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2017/07/maxresdefault-1-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/maxresdefault-1-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/maxresdefault-1-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/maxresdefault-1-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/maxresdefault-1-1180x664.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/maxresdefault-1-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/maxresdefault-1-240x135.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/maxresdefault-1-375x211.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/maxresdefault-1-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>From public television station KCET in Southern California comes the tale of a new framework for black diasporic art production as it takes shape in contemporary Los Angeles. This hour-long documentary from the \u003cem>Artbound\u003c/em> series proposes a new theory of the black aesthetic in the 21st century. The film explores the tensions between conventional, segregated channels of media distribution and the black imagination and features in-depth interviews with artists such as novelist Tisa Bryant, musician/producer Delroy Edwards and visual artist Nicole Miller.\u003c/p>\n\u003cp>Filmmaker:\u003c/p>\n\u003cp>KCET & Martine Syms\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","disqusIdentifier":"2017 https://ww2.kqed.org/trulyca/?p=2017","disqusUrl":"https://ww2.kqed.org/trulyca/the-mundane-afrofuturist-manifesto/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":92,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":6},"modified":1537998499,"excerpt":null,"headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"This hour-long documentary examines the tension between conventional channels of media distribution and the Black imagination.","title":"The Mundane Afrofuturist Manifesto","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"The Mundane Afrofuturist Manifesto","datePublished":"2017-07-28T12:54:53-07:00","dateModified":"2018-09-26T14:48:19-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"the-mundane-afrofuturist-manifesto","status":"publish","originalAirdate":"July, 14th, 2017","path":"/trulyca/2017/the-mundane-afrofuturist-manifesto","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cimg class=\"alignnone size-medium wp-image-2085\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2017/07/maxresdefault-1-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2017/07/maxresdefault-1-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/maxresdefault-1-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/maxresdefault-1-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/maxresdefault-1-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/maxresdefault-1-1180x664.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/maxresdefault-1-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/maxresdefault-1-240x135.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/maxresdefault-1-375x211.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/maxresdefault-1-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>From public television station KCET in Southern California comes the tale of a new framework for black diasporic art production as it takes shape in contemporary Los Angeles. This hour-long documentary from the \u003cem>Artbound\u003c/em> series proposes a new theory of the black aesthetic in the 21st century. The film explores the tensions between conventional, segregated channels of media distribution and the black imagination and features in-depth interviews with artists such as novelist Tisa Bryant, musician/producer Delroy Edwards and visual artist Nicole Miller.\u003c/p>\n\u003cp>Filmmaker:\u003c/p>\n\u003cp>KCET & Martine Syms\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/2017/the-mundane-afrofuturist-manifesto","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_57"],"categories":["trulyca_45","trulyca_39","trulyca_20","trulyca_21","trulyca_34","trulyca_32","trulyca_29"],"tags":["trulyca_160","trulyca_154","trulyca_86","trulyca_161","trulyca_64","trulyca_155","trulyca_157","trulyca_153","trulyca_94","trulyca_60","trulyca_95","trulyca_159","trulyca_158","trulyca_505","trulyca_761","trulyca_152","trulyca_156","trulyca_28"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_2085","label":"trulyca_771"},"trulyca_2012":{"type":"posts","id":"trulyca_2012","meta":{"index":"posts_1716263798","site":"trulyca","id":"2012","score":null,"sort":[1499462914000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1499462914,"format":"video","disqusTitle":"3 Still Standing","title":"3 Still Standing","headTitle":"Season 12 | Truly CA | Truly CA | KQED Arts","content":"\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/_B8ZPM0xEno\" frameborder=\"0\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Everyone knows Robin Williams, Dana Carvey and Paula Poundstone.\u003c/p>\n\u003cp>This is the story about their friends, the other jokers in the room, the ones who stayed in San Francisco, worked the clubs and rode a comedy movement right up until the comedy bubble burst in 1992.\u003c/p>\n\u003cp>In the 1980s, the comedy scene in San Francisco wasn’t commercial. In the pursuit of brilliant comedy, nothing was too experimental, too bold or too crass. Unlike New York or Los Angeles, there were rarely TV cameras there. Comics weren’t jockeying for a spot on \u003cem>The Tonight Show.\u003c/em> The real prize was making other comedians laugh. These San Francisco headliners, Will Durst, Larry “Bubbles” Brown and Johnny Steele were the comedians’ comedians.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>3 Still Standing\u003c/em>\u003c/strong> is about how Will, Larry and Johnny fight for their art in an increasingly corporatized world that seeks young, TV-friendly faces and eschews controversy. It’s a story for anyone who’s worried about being downsized. It’s about reinvention, resilience and the search to remain true to yourself. Oh, and it’ll make you laugh. With an all-star supporting cast, including Dana Carvey, Paula Poundstone, Rob Schneider and Robin Williams.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Filmmakers:\u003c/strong>\u003c/p>\n\u003cp>Robert Campos\u003c/p>\n\u003cp>Donna LoCicero\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n","disqusIdentifier":"2012 https://ww2.kqed.org/trulyca/?p=2012","disqusUrl":"https://ww2.kqed.org/trulyca/3-still-standing/","stats":{"hasVideo":true,"hasChartOrMap":true,"hasAudio":false,"hasPolis":false,"wordCount":213,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":["https://www.youtube.com/embed/_B8ZPM0xEno"],"paragraphCount":10},"modified":1531590305,"excerpt":null,"headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Everyone knows Robin Williams, Dana Carvey and Paula Poundstone. This is the story about their friends, the other jokers in the room, the ones who stayed in San Francisco, worked the clubs and rode a comedy movement right up until the comedy bubble burst in 1992. In the 1980s, the comedy scene in San Francisco","title":"3 Still Standing | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"3 Still Standing","datePublished":"2017-07-07T14:28:34-07:00","dateModified":"2018-07-14T10:45:05-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"3-still-standing","status":"publish","originalAirdate":"July 7th, 2017","path":"/trulyca/2012/3-still-standing","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/_B8ZPM0xEno\" frameborder=\"0\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Everyone knows Robin Williams, Dana Carvey and Paula Poundstone.\u003c/p>\n\u003cp>This is the story about their friends, the other jokers in the room, the ones who stayed in San Francisco, worked the clubs and rode a comedy movement right up until the comedy bubble burst in 1992.\u003c/p>\n\u003cp>In the 1980s, the comedy scene in San Francisco wasn’t commercial. In the pursuit of brilliant comedy, nothing was too experimental, too bold or too crass. Unlike New York or Los Angeles, there were rarely TV cameras there. Comics weren’t jockeying for a spot on \u003cem>The Tonight Show.\u003c/em> The real prize was making other comedians laugh. These San Francisco headliners, Will Durst, Larry “Bubbles” Brown and Johnny Steele were the comedians’ comedians.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>3 Still Standing\u003c/em>\u003c/strong> is about how Will, Larry and Johnny fight for their art in an increasingly corporatized world that seeks young, TV-friendly faces and eschews controversy. It’s a story for anyone who’s worried about being downsized. It’s about reinvention, resilience and the search to remain true to yourself. Oh, and it’ll make you laugh. With an all-star supporting cast, including Dana Carvey, Paula Poundstone, Rob Schneider and Robin Williams.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Filmmakers:\u003c/strong>\u003c/p>\n\u003cp>Robert Campos\u003c/p>\n\u003cp>Donna LoCicero\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/2012/3-still-standing","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_57"],"categories":["trulyca_45","trulyca_40","trulyca_20","trulyca_34"],"tags":["trulyca_71","trulyca_72","trulyca_74","trulyca_505","trulyca_75","trulyca_761","trulyca_76","trulyca_28","trulyca_73"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_2016","label":"trulyca_771"},"trulyca_96":{"type":"posts","id":"trulyca_96","meta":{"index":"posts_1716263798","site":"trulyca","id":"96","score":null,"sort":[1459522800000]},"parent":0,"labelTerm":{"site":"trulyca","term":771},"blocks":[],"publishDate":1459522800,"format":"video","disqusTitle":"Last Fast Ride: The Life, Love and Death of a Punk Goddess","title":"Last Fast Ride: The Life, Love and Death of a Punk Goddess","headTitle":"Season 9 | Truly CA | Truly CA | KQED Arts","content":"\u003cp>\u003cem class=\"video_caption\">See a preview of this \u003cstrong>Truly CA\u003c/strong> episode.\u003c/em>\u003c/p>\n\u003cp>She exploded onto the Bay Area punk scene shortly after arriving from Modesto, California, and established herself as a powerful live act. As lead singer of The Insaints, Marian Anderson reigned as one of San Francisco's most provocative and controversial lead singers of the '90s. She was also working as a dominatrix at an underground S&M club and quickly became known for incorporating wild sex acts into her performances. Eventually arrested for lewd and lascivious acts, the ACLU came to her aid and the press had a field day.\u003c/p>\n\u003cp>Narrated by former Black Flag frontman Henry Rollins, \u003cstrong>Last Fast Ride: The Life, Love and Death of a Punk Goddess\u003c/strong> is Marian's tumultuous story. A victim of sexual abuse and a teenage runaway, she found herself self-medicating with drugs and cycling through psychiatric institutions. One of her bandmates described her as singer with a \"Siouxsie Sioux presence... [and] a Lydia Lunch edge about her.\" On stage, she had ferocity akin to her contemporaries Naked Aggression and Bikini Kill. 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As lead singer of The Insaints, Marian Anderson reigned as one of San Francisco's most provocative and controversial lead singers of the '90s. She was also working as a dominatrix at an underground S&M club and quickly became known for incorporating wild sex acts into her performances. Eventually arrested for lewd and lascivious acts, the ACLU came to her aid and the press had a field day.\u003c/p>\n\u003cp>Narrated by former Black Flag frontman Henry Rollins, \u003cstrong>Last Fast Ride: The Life, Love and Death of a Punk Goddess\u003c/strong> is Marian's tumultuous story. A victim of sexual abuse and a teenage runaway, she found herself self-medicating with drugs and cycling through psychiatric institutions. One of her bandmates described her as singer with a \"Siouxsie Sioux presence... [and] a Lydia Lunch edge about her.\" On stage, she had ferocity akin to her contemporaries Naked Aggression and Bikini Kill. 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Narrated by Laurence Fishburne.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","disqusIdentifier":"87 http://kqed2.wsmtechs.net/trulyca/everyday-sunshine-the-story-of-fishbone/","disqusUrl":"https://ww2.kqed.org/trulyca/everyday-sunshine-the-story-of-fishbone/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":118,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":5},"modified":1538001128,"excerpt":"Narrated by Laurence Fishburne, \u003cstrong>Everyday Sunshine: The Story of Fishbone\u003c/strong> reveals the creative alchemy, the clash of egos, and the enduring friendships behind Fishbone's storied career.","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Narrated by Laurence Fishburne, Everyday Sunshine: The Story of Fishbone reveals the creative alchemy, the clash of egos, and the enduring friendships behind Fishbone's storied career.","title":"Everyday Sunshine: The Story of Fishbone | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Everyday Sunshine: The Story of Fishbone","datePublished":"2016-04-01T06:00:00-07:00","dateModified":"2018-09-26T15:32:08-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"everyday-sunshine-the-story-of-fishbone","status":"publish","videoEmbed":"https://youtu.be/06ICCOqA8lQ","originalAirdate":"February 19, 2012","path":"/trulyca/87/everyday-sunshine-the-story-of-fishbone","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem class=\"video_caption\">See a preview of this \u003cstrong>Truly CA\u003c/strong> episode.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Everyday Sunshine: The Story of Fishbone\u003c/strong> charts the turbulent history of the pioneering all-Black rock band Fishbone. Formed in 1979 in South Central Los Angeles, Fishbone landed a major label record deal soon after graduating high school. However, after this early success, the band struggled for acceptance in a racially stratified music industry, while their unabashedly hybrid style has kept them proudly out of fashion for over three decades.\u003c/p>\n\u003cp>Through frank interviews with the band, including eccentric co-founders Angelo Moore and Norwood Fisher, the film reveals the creative alchemy, the clash of egos, and the enduring friendships behind Fishbone's storied career. 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For a man who joyfully embraced life and preached \"follow your own weird,\" the repressive McCarthy era brought inner turmoil and even an attempt to \"straighten himself out.\" Ultimately, Broughton's experimental films and poetry helped free both his own spirit and that of a new generation, and at the young age of 61, he met the love of his life.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","disqusIdentifier":"1320 http://ww2.kqed.org/trulyca/?p=1320","disqusUrl":"https://ww2.kqed.org/trulyca/big-joy/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":164,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":5},"modified":1538002441,"excerpt":"Poet and filmmaker James Broughton (1913-1999) lived by the motto \"follow your own weird.\" His remarkable story spans the Beat generation, his escape to Europe during the McCarthy years and his ascendancy as a revered bard of sexual liberation.","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Poet and filmmaker James Broughton (1913-1999) lived by the motto "follow your own weird." 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(Running Time: 53:52)\u003c/em>\u003c/p>\n\u003cp>A key player in the artistic renaissance of San Francisco after World War II, James Broughton fathered a child with film critic Pauline Kael, wrote poetry alongside Allen Ginsberg and Lawrence Ferlinghetti, received an award from Jean Cocteau at Cannes, and went on to push the boundaries of artistic expression and sexual liberation.\u003c/p>\n\u003cp>While celebrating the impact of Broughton’s art, \u003cem>Big Joy: The Adventures of James Broughton\u003c/em> also explores his deeply intertwined creative and personal lives. 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You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg","imageAlt":"KQED MindShift: How We Will Learn","officialWebsiteLink":"/mindshift/","meta":{"site":"news","source":"kqed","order":"2"},"link":"/podcasts/mindshift","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5","npr":"https://www.npr.org/podcasts/464615685/mind-shift-podcast","stitcher":"https://www.stitcher.com/podcast/kqed/stories-teachers-share","spotify":"https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"}},"morning-edition":{"id":"morning-edition","title":"Morning Edition","info":"\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. 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