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Landscapes Through Time with David Dunlop Previous Broadcasts

Frederic Church's Olana In Hudson River Valley, Ny (Episode #113)

KQED Life: Tue, Nov 26, 2013 -- 2:30 PM

David visits Olana, Frederic Church's Persian-inspired home in the Hudson River Valley, painting the expansive vista of the Hudson River Valley. The Hudson River Painters, considered the first American school of painting, were profoundly influenced by European traditions, especially the Ideal Italian landscapes of Claude Lorrain. They were popular from 1825 to 1875 and gave Americans their pictorial sense of national identity.

American Impressionists at Lieutenant River, Ct (Episode #112)

KQED Life: Tue, Nov 19, 2013 -- 2:30 PM

David examines the distinctly American style of Impressionism that retained more of a basis of drawing and sketching and more of a reliance on classical forms - all inherited from the Hudson River Painters. He considers the new technologies in paint, new scientific ideas of perception, and their methods for realizing a sensual, personal vision on canvas as he paints a River scene reminiscent of the painting by Childe Hassam called Summer Afternoon.

The Hudson River Painters at Kaaterskill Falls, Ny (Episode #111)

KQED Life: Tue, Nov 12, 2013 -- 2:30 PM

David visits the top of the 300-foot Kaaterskill Falls in the Catskill Mountains, painted by many Hudson River artists. These artists, considered the first American school of painting, portrayed the awesome immensity and sublime effects of nature. These artists painted from a various motivations but always with a scrupulous observation of nature, in the words of Thomas Cole (1800 - 1848), considered the father of the Hudson River painters. David paints the magnificent wilderness painted by discussing Thomas Cole and Sanford Gifford (1823-1880).

The Luminous Landscapes of John Frederick Kensett, Contentment Island, CT (Episode #110)

KQED Life: Tue, Nov 5, 2013 -- 2:30 PM

The Luminists were considered to be a subgroup of the Hudson River Painters. While these younger painters shared the same traditions of the Hudson River Painters, artists such as John Kensett (1816-1872) were more interested in the subtle effects of daylight, especially at dawn and dusk, than in the graphic representation of a specific place or landscape. This program will outline the evolution of Kensett from a Hudson River Artist-Explorer to an American Luminist. We will visit Contentment Island in Connecticut, where he lived and painted after the end of the Civil War and sought to reveal the serene quality of light and weather. Through Kensett, Dunlop will explore the techniques for evoking a suffused unified light, the American appetite for tranquility in art after the Civil War, and the eternal legacy of the Luminists.

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