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Infinity Hall Live Previous Broadcasts

Fountains of Wayne (Episode #203H)

KQED Life: Sat, Apr 22, 2017 -- 10:00 PM

If you love serious, brooding, sonically experimental musical artists, then Fountains of Wayne is not the group for you. Full of bright guitars, wry lyrics and catchy hooks, the foursome manages to create upbeat songs that both reference classic melodic British pop while staying wholly modern, American and slightly adolescent. Many music critics have dubbed the band's sound as power pop, but frontman and vocalist Chris Collingwood has other ideas. "A lot of people say that what we play is power pop. I don't think so. I would just say it's rock and roll." The genesis of Fountains of Wayne began in 1986 when bassist Adam Schlesinger and guitarist Chris Collingwood met as students at Williams College in Massachusetts. Sharing a love for British pop, the two friends played music together, as well as with other bands until eventually going their separate ways after graduation. Schlesinger found success as a songwriter penning the title track to the Tom Hanks film That Thing You Do! and earning himself an Academy Award and Grammy nomination. Then in 1996, Collingwood and Schlesinger - joined by guitarist Jody Porter and drummer Brian Young - came together with their first self-titled LP, followed in 1999 with Utopia Parkway. Both records found modest college radio success, but it was nothing compared to the mainstream commercial success the group saw in 2003 with Welcome Interstate Managers. The album's single "Stacy's Mom" charted well on Billboard's Top 40, supported by a hit MTV music video featuring model Rachel Hunter as the title character. The group's loyal alternative rock fan base was joined by legions of new admirers discovering the group's impossibly upbeat style of pop perfection. Their set at Norfolk's Infinity Hall is bright and bouncy and features fifteen song selections from their career. The catchy "Radiation Vibe" from their debut LP proves to be a crowd favorite. With the group's college alma mater just 50 miles north of the concert venue, the audience gets swept up in the nostalgic ode to Williams College, "Valley Winter Song." Though Schlesinger cautioned the crowd at the beginning of the concert from calling out for their biggest hit, Fountains of Wayne does eventually give the people what they want with a rousing performance of "Stacy's Mom."

Repeat Broadcasts:

  • KQED Life: Sun, Apr 23, 2017 -- 4:00 AM

Cowboy Junkies (Episode #202H)

KQED Life: Sat, Apr 8, 2017 -- 10:00 PM

With their languid guitars and ethereal vocals, the Canadian group Cowboy Junkies cast a narcotic spell over their Infinity Hall audience in this intimate concert performance. Consisting of Alan Anton (bass), and siblings Michael Timmins (guitar), Peter Timmins (drums) and Margo Timmins (vocals), Cowboy Junkies specialize in a unique sound that combines country, blues and folk, but often with a touch of melancholy thrown in for good measure. As Margo Timmins jokingly told the audience, "I figure if you're here tonight, you like sad songs. At least I hope you do. If you don't, you should probably leave about now." The group began in Toronto when Michael and Alan returned from Europe after an unsuccessful stint with a couple of musical acts. Back home, they began jamming with Michael's brother Peter on drums and sister Margo on vocals, despite the fact that she was a social worker who had never performed in public before. Their first significant release was The Trinity Session in 1988, which they recorded in one night with one microphone inside Toronto's Church of the Holy Trinity. The album proved to be a cult hit garnering critical acclaim and college radio airplay for the songs "Sweet Jane" and "Misguided Angel." Since that time, the band had built and maintained a loyal fan base who appreciate their smart, bluesy compositions and daring, independent style. Most recently, Cowboy Junkies began a unique four-album cycle called The Nomad Series over an 18-month period with every album built around a different (but common) narrative, from time spent in China to a tribute record to the late musician Vic Chestnutt. Fans of the Cowboy Junkies won't be disappointed with their Infinity Hall set, which offers a nice mix of old and new songs from their 26-year career, including the crowd favorite "Sweet Jane," a lyrical, mandolin-accompanied version of "Fairytale," Vic Chestnutt's "See You Around," and a cover of Neil Young's "Powderfinger."

Repeat Broadcasts:

  • KQED Life: Sun, Apr 9, 2017 -- 4:00 AM

Rhiannon Giddens (Episode #501H)

KQED Plus: Thu, Apr 6, 2017 -- 11:00 PM

Rhiannon Giddens' triumphant performance is fiercely loyal to her roots. During this passionately intelligent performance her bare-footed elegance and fearless banjo and fiddle playing are surpassed only by her vocal prowess. For the IHL audience Giddens offer the fervor of a spiritual on "Waterboy", the yips of a field holler on "Duncan and Jimmy" and a Gaelic-style hootenanny on "Mouth Music". Folk duo Birds of Chicago add to the harmony on "Lost on the River" from The New Basement Tapes project. Interview with Giddens.

Repeat Broadcasts:

  • KQED Plus: Fri, Apr 7, 2017 -- 5:00 AM

Tori Amos (Episode #201H)

KQED Life: Sat, Apr 1, 2017 -- 10:00 PM

Singer-songwriter and classically trained pianist Tori Amos comes to Infinity Hall for a stirring performance of compositions that span the breadth of her career. Backed by a lush string octet, Amos holds court at the grand piano and keyboards - sometimes playing both simultaneously - while delighting fans who came from across the country to see this rare concert performance, her only live date in 2012. Amos, whose career took off in 1992 with her debut solo album Little Earthquakes, has built a career of intense, introspective musical poetry. As the daughter of a Methodist minister, she began singing in the church choir at age four and quickly showed a command for the piano and songwriting. While often compared to the mystical Kate Bush and the confessional Joni Mitchell throughout her career, Amos has nevertheless forged her own path in the music industry creating a powerful canon of critically acclaimed albums that explore identity, religion, sexual awakening, rape and more. At Infinity Hall, Amos performs "Leather and "Winter" from Little Earthquakes, takes a passionate turn at "Taxi Ride," from Scarlett's Walk, and offers an emotional testament to her 12-year-old daughter with "Ribbons Undone, " from her eighth studio album, The Beekeeper.

Repeat Broadcasts:

  • KQED Life: Sun, Apr 2, 2017 -- 4:00 AM
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TV Technical Issues

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    • KQED TV All Channels: Planned outage late Fri/early Sat 1/14 midnight-2am

      All KQED television channels will be off the air late Friday/early Saturday 1/14 beginning at midnight for approximately two hours to perform maintenance and upgrades to our electrical system. These improvements will help KQED maintain and continue our broadcast service to the community. We will return to our regularly scheduled programs as soon as work […]

    • Wed 12/28: KQET DT25 Over the Air signal restored

      UPDATE: signal was restored apx 6pm (DT25.1 through 25.3) We are aware that our transmitter servicing the Watsonville/Monterey/Salinas area, KQET, is off the air. Engineers are on their way from San Francisco to check it out. Estimated time for repairs not yet known.

    • Planned KQET (DT25) outage: early Sun 12/18 apx 1am

      (DT25.1 through 25.3) Due to maintenance and software update work being done by one of the paid signal providers, KQET-25 will need to go off the air for apx 15-30 minutes at apx 1am.

To view previous issues and how they were resolved, go to our TV Technical Issues page.

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