Broadway is booming, much of its success fueled by out-of-town audiences who join with New Yorkers in their collective anticipation of each new season's plays and musicals. Tapping into, and even influencing, this enthusiasm is this remarkable public television series. Co-hosted by Michael Riedel, the influential Broadway columnist for the New York Post, and series producer Susan Haskins, it is a unique forum for the New York theater scene, featuring conversations with the actors, directors, playwrights and other artists whose work makes live theater so exciting. Video excerpts highlight the in-depth interviews with these outspoken personalities about their shows. In addition to featuring each season's current crop of plays and musicals, the series also showcases authors and historians discussing theater legends and masterpieces, as well as New York's top critics and reporters on the latest productions (with insightful, blistering or hilarious comments virtually guaranteed).
Theater Talk Previous Broadcasts
Writers Elice and Brickman On Jersey Boys (Episode #124)
KQED Life: Sun, Apr 28, 2013 -- 5:30 PM
Hit musical Jersey Boys' librettists Marshall Brickman and Rick Elice.
Spring Season Preview 2013 (Episode #615)
KQED Life: Sun, Apr 14, 2013 -- 5:30 PM
Jesse Green, of New York Magazine, Michael Musto, of The Village Voice, and Patrick Pacheco of the LA Times discuss the shows they most look forward to, both on and Off-Broadway.
The Heritage of Broadway (Episode #614)
KQED Life: Sun, Apr 7, 2013 -- 5:30 PM
We look at the history of Broadway and the world of the theater from two different perspectives. First, producer Michael Kantor, discusses his new PBS documentary Broadway Musicals: A Jewish Legacy, which examines how Jewish culture and liturgical music helped in the creation of the modern Broadway musical. Also on the program, writer Robert Simonson, and actor Nick Wyman, President of Actors' Equity Association, look back at the first 100 years of the influential performers' union and how it strives to help, not only the situation of individual performers, but also the quality of live theater throughout the country.