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Music from Pacific Time
In January 2003, Pacific Time producer and director Nina Thorsen put together a list of albums from which she frequently draws music clips for Pacific Time.

If you are interested in buying one of the CDs below, you can support KQED by purchasing it through Amazon.com. Simply click the link in the album's title and you will be taken to the item on Amazon's site. Most of these CDs are also available from other sources.

Pacific Time Hit Parade
by Nina Thorsen,
Producer and Director, Pacific Time

My first-ever list of some of the great Asian and Asian-American music that you might have heard on Pacific Time!

Great production music (that's the formal name for the stuff you hear for 15, 20 or maybe 30 seconds between stories on a lot of public radio programs) is not always great music. In fact, there are some pieces that I use on the show that I wouldn't listen to for more than 15 seconds, and conversely, there are a lot of really great CDs that don't work at all for the purposes of production music, mostly because they take too long to go somewhere. But here are some CDs that work both ways, at least for me. All of the CDs listed here are currently listed as available through Amazon.com, and if you buy them through our page, KQED will get a little bit of money, some of which might even trickle down to my CD budget, and so I'd thank you very much! However, you might also find some of these in stock in your local record store, and any store that does special-order CDs should be able to get them for you.

1. Khac Chi Ensemble - Moonlight in Viet Nam
This is in the #1 spot because it was the first acquisition of the Pacific Time music library, actually predating the premiere of the show by about six months because I bought it for a California Report story on Memorial Day weekend of 2000. The Khac Chi Ensemble is a Canadian group playing traditional Vietnamese music and instruments, but in modern arrangements and with some electric components; some vocals and some instrumentals. This is a very nice, very listenable CD with excellent liner notes.

2. Cui Jian - Power of the Powerless
This was the second CD that I bought in anticipation of the premiere of Pacific Time, and like the Khac Chi Ensemble, I used it in both the pilot and the first program on November 16, 2000. It also contains the single most requested piece of music on the program, "Slackers (Hunze)," a slamming combination of rock and Chinese percussion which is often heard as one of the 59-second mid-show music breaks (if your station doesn't use this as a cutaway opportunity). In fact, it was my discovery that the first 42 seconds and the last 17 seconds of this piece could be edited together that led me to create the 59-second mid-show music break. Well, enough of that trivia, this is a superlatively good CD and you ought to lose no time in adding it to your record library. Cui Jian is variously compared to Dylan, Lennon, and Springsteen for his pioneering role in Chinese rock and his social commentary; but this CD is enjoyable even if you don't understand Mandarin and don't know anything about modern China. The liner notes have the lyrics in Chinese and an English translation and that's it, but you can find out more about Cui Jian on his Web site: www.cuijian.com.

3. Various Artists - The Rough Guide to Japan
Various Artists - The Rough Guide to Okinawa
Various Artists - The Rough Guide to Indonesia
Various Artists - The Rough Guide to Hawaii

All of the Rough Guide series (at least all of these four, which I have; there seem to be about 90 in all) are terrific, wide-ranging surveys of each genre from very traditional to very pop; quite a lot is music that is difficult or impossible to get elsewhere in the U.S. and it's great value for money. If you don't like any given cut on the CD, don't worry because the next one is almost certainly going to be nothing like it. The liner notes are knowledgeable without being academic, and will help a lot if you're interested in finding out more about the different kinds of music. The Rough Guide to Japan contains the second-most-requested piece of music on Pacific Time, which is the fabulous rendition of the James Bond theme by the Surf Champlers.

4. Shonen Knife - Let's Knife
Shonen Knife - Happy Hour (Import Version)
Shonen Knife - Brand New Knife

Shonen Knife, in their own words, is an "u-u-ultra eccentric, super-cool, punk-pop" band, comprised of (now) middle-aged women from Osaka. This is my favorite band on earth. But a lot of people don't like them. It's not that it's an acquired taste -- certain of my colleagues have been obliged to listen to a considerable amount of Shonen Knife since Pacific Time went on the air, and it hasn't helped. Many people take their songs at face value and think that the band is shallow and cute. This is not true, but if you really don't like things that appear to be happy and sweet on the surface, you probably won't like Shonen Knife. But if you do, I'd say these three albums are the best places to start collecting their considerable output. "Let's Knife" is the most uniformly cheerful, including the must-have "Riding on the Rocket" and the Ventures homage, "Milky Way," which I have used for closing music on Pacific Time several times, because it's a rare instrumental. "Brand New Knife" and "Happy Hour" have a wider range of songs, and if you get certain pressings of "Brand New Knife" or the import version of "Happy Hour" you will get two versions of several of the songs, one in Japanese and one in English. Shonen Knife is still performing and recording, although founding member Michie Nakatani is no longer with the group. In addition to being a great bass player, she wrote the most thoughtful songs, of which "The Perfect World" on "Brand New Knife" and "Catch Your Bus" on "Happy Hour" are two examples. Unlike practically any other rock or pop band in history, Shonen Knife doesn't write songs about sex or drugs (okay, except for catnip) which makes them an excellent choice for giving to kids. Or extremely immature adults ... like me!

5. Takako Minekawa - Cloudy Cloud Calculator
If, on the other hand, you have a difficult college-age person to shop for, who rolls his or her eyes at most attempts to be cool, try this. Your worst-case scenario is that the kid already has it. It's highly crafted synthesizer-based music which is completely dependent on a reliable source of electricity for its very existence, but which is also sweet and happy and optimistic in a sophisticated way. This has a wonderful, extremely slowed-down version of "Telstar" with a lot of jungle sound effects mixed into it for some reason, which I've used for end music a couple of times. Play this for your friends and see how long it takes for them to figure out what the tune is!

6. Won Il - Asura
If you go to Amazon's page for this you'll see they have the artist's name as "Mon" Il, but this is a typo. This CD is out of print, but apparently Amazon can access some used copies. Anyhow, whatever source you use, I would strongly advise you to get your hands on this CD. Won Il is a South Korean musician and composer who recorded this album in Los Angeles with a bunch of musicians and instruments from all over the world: accordion, Irish pipes, Asian drums, synthesizers -- you name it, it's probably on here; I think there's maybe even an autoharp. Moods range from cheery polka-ish numbers, to a moving song about Korean reunification, to a haunting and solemn piece that I used for the mid-show break on the September 13, 2001 edition of Pacific Time.

7. Various Artists - Club Nisei
Club Nisei (there's also a sequel, Club Nisei Encore!) is a collection of original recordings nicely remastered from the 1940s and 1950s by Japanese-American big bands in Hawaii. It's a lot of fun and cannot fail to please anyone who enjoys the music of that era. The songs include popular numbers of the time like "Tokyo Boogie" as well as versions of folk songs like "Asadora Yunta" and the all-time Bon Odori hit, "Tanko Bushi," which had a lot of people calling in search of the CD when I played it on the show.

8. Shang Shang Typhoon - Shang Shang Typhoon 2
Shang Shang Typhoon is a Japanese group influenced by the Okinawan folk boom as well as Hawaiian and Latin sounds and traditional festival music. On this CD they are playing (as far as I can tell) all original songs, rather than traditional ones, with the exception of a cover of "Let It Be" which by itself is absolutely worth the steep import price. The other songs are all excellent too; one of my favorites is "Yokokusa Burning Night," which is an extremely happy and cheerful song that never fails to elevate my mood, although the lyrics seem to have something to do with American military bases on Okinawa. Instrumentation includes guitars, drums (both taiko and rock-band), Chinese gongs, accordion, piano, banjo and kazoo, and the vocals include a lot of the classic sweet female high harmonies that you hear in Japanese and Okinawan singing; the general effect is a really wild party! Shang Shang Typhoon has released a number of CDs; though this is the only one I've heard so far.

9. Jiang Jian Hua - The Earth
Jiang Jian Hua plays the erhu, a traditional Chinese two-stringed violin, with a couple of large ensembles of Chinese musicians. This incredibly lovely record seems to be out of print, but Amazon lists it as possible to order used. Whatever struggles you might have to go through to find it will be amply rewarded. The instrumentation is lush, and could so easily have become a sort of "101 Strings Do The Chinese Classics," but instead is beautifully restrained and tasteful. All pieces are instrumental; they include some traditional, some modern compositions in a traditional style, and two popular Okinawan songs from the last couple of decades: Shoukichi Kina's "Hana" (Flower) and Kazufumi Miyazawa's "Shima Uta" (Island Song), in which it's possible to hear the affinities between Chinese and Okinawan music.

10 . Shoukichi Kina - Peppermint Tea House
Shoukichi Kina - The Music Power From Okinawa

So far I think I have used far too many superlatives in making up this list, so let me try to restore a bit of credibility with some criticism: the pink-and-blue jacket art for Peppermint Tea House is kind of ugly, and reading the notes is almost as challenging to the eye as reading old issues of Wired. So, after you buy this CD -- which you absolutely must do -- if you don't care for it either, you could refold it so that the lyrics were on the outside. Well, enough of finding fault. Shoukichi Kina is the great Okinawan musician and "Peppermint Tea House," a compilation, is an excellent introduction to his work and to Okinawan music in general. It includes Kina's best-known songs, "Haisai Ojisan" and "Hana," and Ry Cooder plays on three of the cuts and wrote the liner notes. "The Music Power From Okinawa" was originally released in 1977; it contains two songs that are also on "Tea House," and it has a less-polished feel, but it's also very good. Shoukichi Kina is excellent car music. Either one will keep you or your friends and family wide-awake during a long journey!

11 . Nguyen Le - Tales From Viet Nam
No complaints about the CD package here; this German label issues CDs in heavy card folders instead of jewel boxes, and it's printed in an elegant design that would hardly need wrapping to make a lovely present. And the music is great too! Jazz guitarist Nguyen Le was born in France to Vietnamese parents. For this CD, he brought traditional Vietnamese musicians together with European jazz performers to improvise on folk tunes. It's sophisticated, elegant, and engaging.



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