Media Literacy Glossary
Producing and designing media content to appeal to a broad audience segment. The technology of broadcasting only applies to content carried through the airwaves.
A commonsense theory, much debunked, that people are passive recipients of media information. That media can touch people and change them directly.
The delivery of media content through underground or overhead cables. Refers only to the technology of cable, but content production and design resembles narrowcasting.
The sender and receiver of information are in contact. The receiver may disagree, ask a question, or repeat information. The sender and receiver can engage in a dialogue about the message. There is an opportunity for feedback.
The process of communication whereby a person can disagree, ask a question, repeat information for understanding, or otherwise talk back in the communication process.
Those in control of the flow of information. The gatekeeper can choose to accept or reject a piece of information for public consumption. Newspaper publishers, editors and reporters, television producers, radio station owners and broadcasting executives have all been cited as examples of media gatekeepers.
Specific kinds of media content, e.g., entertainment, information, news, advertising, etc. Each category is defined with traditional conventions, but categories may overlap.
See mass media.
Any form of communication produced by a few for consumption by many people. Mass media are channels of communication through which messages flow. As the messages go through the channels, they are distorted. When people receive media messages they have no opportunity for immediate feedback with the producers of the messages.
Any physical object used to communicate. Common media are televisions, radios, telephones, and newspapers. Less common articles are building materials, paint, sculpture, dance and other conventions for communicating ideas. Singular, medium.
Agencies who produce media. Also media institutions and businesses.
Messages which are produced by the few for the many and delivered to large audiences simultaneously.
Media conventions, formats, symbols and narrative structures which cue the audience to meaning. The symbolic language of electronic media work much the same way as grammar works in print media.
The ability to read, analyze, evaluate and produce communication in a variety of media forms (television, print, radio, computers, etc.).
A record of media use, often used to assess and control personal media use.
See media content.
Audiences are media targets. Audiences are targeted, sold and delivered to advertisers by media agencies. Groups are targeted on the basis of demographics, media use patterns, zip codes, and polling by those who wish to sell or persuade.
The way people interact with media. Media use varies from person to person, group to group and at various times during an individual's life.
Singular for media. A television is a mass medium. Radios, televisions and newspapers are mass media.
Producing and designing media content in order to target a highly specific segment of the audience. Opposite of broadcasting.
The ideal that the media producer is representing a balanced viewpoint on issues. The ideal that media producers are fair, accurate and conduits for information. Opposite of subjective.
The relationship between actual places, people, events and ideas and media content. Stereotypes are a common form of media representation.
Hardware used to create and communicate with media, e.g., radios, computers, telephones, satellites, printing presses, pencils, etc.
Also on KQED.org this week ...
We Need You!
Volunteer during our current on-air radio fundraising drive. It's a great way to support KQED Radio with your time. You can really make a difference!
Enter the New "ImageMakers" Screening Room
Enjoy films from present and past seasons of KQED's short independent film series, divided into Animation, Comedy, Drama, and Suspense.