Stephanie Syjuco's International Orange Commemorative Store (A Proposition)
For the 75th anniversary of the Golden Gate Bridge, Spark-featured artist Stephanie Syjuco was commissioned by the FOR-SITE foundation to create an artistic response to San Francisco's famous orange landmark. Syjuco produced an expansive shop of souvenirs, all in a monochrome palette: the memorable orange hue of the Golden Gate Bridge. Working with the same paint used to keep the bridge looking fresh, Syjuco's installation features all things reddish-orange: teacups, jewelry, postcards and tchotchkes that are surprisingly not for sale, but presented together as a conceptual art installation. This project contributes to the artist's oeuvre, which instigates dialogue about consumerism and our natural desire for objects and mementos.
We stopped by Syjuco's studio and interviewed her about her International Orange project and got a behind-the-scenes look at her collaborative process. Her project is part of several artworks to be installed at Fort Point in celebration of the Bridge's milestone anniversary.
If you're an educator, head over to KQED's EdSpace for an Educator Guide with lesson plan ideas related to Syjuco's work and other International Orange artists' projects.
More on Visual Arts
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Event | May 20, 2013
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Book Review | May 20, 2013
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Art Review | May 19, 2013
Don't miss the SFAI class of 2013 and their year-end MFA exhibition at the strange and wonderful Old Mint building. By Sarah Hotchkiss
Art & Design
Engineers have figured out a way to get crystals to form rose and tulip sculptures, each smaller than a strand of hair. The gardens sprout up on a penny dipped in a salt solution. The technique is similar to 3-D printing and could one day be used to make any complex shape.
Giuseppe Arcimboldo was a 16th-century artist who liked to play with his food, transforming it into the building blocks of many of his fantastical portraits. Artist Philip Haas has taken those portraits out of museums, reinterpreting them as colossal statues that interact with the natural environment.
A dropped cigarette butt, a chewed-up piece of gum, a stray hair. Artist Heather Dewey-Hagborg uses DNA from trash she's picked up around New York City to generate 3-D portraits of those who left it behind.
The stencil of a young boy sewing the Union Jack is the centerpiece of an exhibition in London, after which it will head to the U.S. where it is to be part of a private collection. Organizers say Slave Labour is not being put up for sale, but residents of the London neighborhood from which it disappeared want it back.
Also on KQED.org this week ...
We Need You!
Volunteer during our current on-air radio fundraising drive. It's a great way to support KQED Radio with your time. You can really make a difference!
Enter the New "ImageMakers" Screening Room
Enjoy films from present and past seasons of KQED's short independent film series, divided into Animation, Comedy, Drama, and Suspense.