Visual Arts
Barry McGee at BAM/PFA
Barry McGee is internationally known and one of San Francisco's own. He's an artist we love to brag about, and many of us are admittedly influenced by his style. His appearances are ambitious, rare, and spread out so widely across the world that a local retrospective is an enormous blessing -- an opportunity to see the best of over thirty years of his artwork and exhibits in one place.
The Berkeley Art Museum has aggressive, concrete architecture not unlike a parking structure, which is fitting since McGee installed a signature wrecked vehicle, an overstocked bodega, and a TV tower, among other face-melting installations. It's not a big show at Deitch Projects, or a museum installation, or a bunch of Internet photos. This well-earned retrospective is a chance to truly feel the heart and the history of McGee's life and career.
Barry McGee @ BAM/PFA 2012 from kristin farr on Vimeo.
The work represents everything about the artist. These are the things he's collected, painted, lettered, sorted, and kept close. This is his life. This is what he's obsessed with and where he finds beauty and importance. Nothing is insignificant. Ziplock baggies full of drawings are just as important as ceramic sculptures. McGee's friends and family are represented in vitrines of art and ephemera contributed by his crew. Everything represents his interests in community, street culture, objects with history, and life's contrasts. Everything is on the table. To some it's chaotic, but there are clear formal concerns that are realized in a style that has felt exciting forever.
The artist's scholarly documentation of graffiti in the days before it was commodified to death is an important part of the show. There is evidence of time spent painting in the train yards and bombing the streets. McGee uses everything he can get his hands on as installation materials and canvases: printmaking trays, surfboards, spray cans, reclaimed wood, vehicles, books, buildings, and broken VCRs. He has a magical capacity for making damaged and discarded objects desirable again.
Legions of young artists owe a debt to McGee. His influence is constant like a heartbeat. When it comes to life, art, and objects, maybe it's true that "you can't take it with you," but McGee's legacy thus far proves that you can leave a bright, shining mark on the world, and the scale is up to you. And while anyone's life experiences and loves could be translated into an enormous museum show, nobody could ever do it quite like Barry McGee.
For more on McGee, check out this 2008 interview with Barry at Ratio 3 in San Francisco:
Barry McGee is on view through December 9, 2012 at the Berkeley Art Museum. For more information, visit bampfa.berkeley.edu.
More on Visual Arts
-
Art Review : Annie Leibovitz Makes a 'Pilgrimage' to San Jose
-
Help Desk : Curating Like a Fool
-
Visual Arts : On Permanence: Barbara Shawcroft's 'Legs' and the Challenges of Public Art
-
Art Review : SFMOMA Borrows Crissy Field for a Year for Mark di Suvero
-
Visual Arts : If Money was No Object, or How I would $pend to Support Art
The Bay Bridged | Jun 19, 2013
2013 Phono del Sol Music & Food Festival
Listen to the Bay Bridged mix of bands performing at this year's Phono del Sol festival, including: Thee Oh Sees, Social Studies, Radiation City, Cool Ghouls, K. Flay and more.
Art Review | Jun 18, 2013
Bedford Gallery's 'Larger Than Life' Is the Best Show Ever
A giant pink inflatable elephant, a yeti hugging a unicorn, and a big blue head -- what could be better? By Kristin Farr
Noise Pop | Jun 18, 2013
Treasure Island Music Festival 2013 Lineup
Listen to the Noise Pop Podcast previewing some of the acts that will be performing at the Treasure Island Music Festival including: Animal Collective, Disclosure, James Blake, Phantogram, Sleigh Bells and more.
Event | Jun 17, 2013
Across the Finish Line at the 2013 Music Video Race
Last Saturday, awards were given for best videos produced in 48 hours by Bay Area bands and filmmakers. Even without a red carpet or paparazzi, the event was truly special, bringing together two vibrant artistic communities. By Amanda Roscoe Mayo
Theater Review | Jun 17, 2013
No Game Over in Crowded Fire's Videogame Afterlife
Playing Dance Dance Revolution in the Chinese Land of the Dead is par for the course in Frances Ya-Chu Cowhig's play 410[GONE]. By Sam Hurwitt
Art & Design
-
The Art Of Life: Claes Oldenburg At MOMA
Claes Oldenburg is one of the best-known American pop artists. Critic Lloyd Schwartz found himself not alone in enjoying the current Oldenburg exhibit at the Museum of Modern Art, which continues through Aug. 5.
-
Change Is On The Horizon For London's Famous Skyline
The city of London boasts centuries of architectural history. But a building boom is threatening the city's traditionally low-rise aesthetic and the views of some of that history. Critics — including UNESCO — are very worried about London's changing skyline.
-
Fighting Unwanted Cat Calls, One Poster At A Time
For women on city streets, unwanted attention from men often comes in the form of cat calls, whistles and roving eyes. New York artist Tatayana Fazlalizadeh says she's had enough and is taking her art to the streets.
-
Are We Hard-Wired For Beauty?
Psychologist Nancy Etcoff explains why beauty inspires and motivates us. Etcoff says our response to beauty is visceral.








