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So, You Want to Be a Filmmaker?

Scott Dwyer, who produces KQED's ImageMakers and Film School Shorts, discusses what it takes to be a filmmaker. Read his advice at KQED Arts.

ImageMakers Top Ten Films

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    Collateral Damage

    Hop, Skip & Jump
    Love and humanity can be difficult to see when you are on the other side of a sniper's rifle. A couple have a nasty falling out during the 1984 Olympics in Sarajevo. Nine years later they find themselves on opposing sides of war. After war, demolished buildings and economic infrastructures can be rebuilt, but what about a survivor's faith in mankind - can that be rebuilt? Directed and written by Srdjan Vuletic, who during the war stayed in Sarajevo, where he worked as a volunteer medical technician in a hospital.
    Length: 16 minutes

    The Barber
    In 1943 in a small village in occupied France, a fateful decision seems to rest on the shoulders of a timid barber. The Nazi officer whom he is shaving is in a vulnerable position and at his mercy. Will he take justice into his own hands?
    Length: 9 minutes

    It is the end of World War II. The Reich is crumbling. The Soviets are advancing. Into this chaos, two Jewish prisoners escape the fate of the death marches. But they are not alone. Out of the freezing night emerge two German soldiers retreating from the front lines. All four find shelter in the same abandoned barn. Written and directed by Jared Micah Herman, grandson of the Holocaust survivor on which this story is based.
    Length: 23 minutes

    A battle-hardened soldier returns from the Falklands War. The previously gung-ho macho man, once idolized by his younger brother, has transformed into a frightening stranger.
    Length: 11 minutes

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