Theater Review | Dec 16, 2013
Marsh solo show on love addiction makes sex sound pretty darned unsexy. By Sam Hurwitt
Event | Dec 11, 2013
S.F. native performs with his regular comedy troupe at quartet of new shows. By Jonathan Curiel
Theater Review | Dec 05, 2013
British two-man parody whizzes through the wizard world of Harry Potter. By Sam Hurwitt
Theater Review | Dec 03, 2013
The 10th anniversary production of Kneehigh's Tristan & Yseult is a refashioning of the cheekily irreverent show that first put the British troupe on the map. By Liz Mak
Performance | Nov 29, 2013
A sprinkling of Santastic spectacles dashing into sight on Bay Area stages. By Sam Hurwitt
Theater Review | Nov 26, 2013
A military wife finds her voice in this musical at the Magic. By Sam Hurwitt
Performance | Nov 24, 2013
What we eat and why are themes that the Berkeley Rep is tackling in a new project involving playwrights from around the country. San Francisco writers Octavio Solis and Lauren Gunderson are letting the topic of food take them inwards, towards self-doubt and self-realization. By Monica Lam
Truly CA Shorts | Nov 23, 2013
View Brian Favorite's short film, Heklina, which profiles the hostess of Trannyshack, San Francisco's longest running, current drag show.
Event | Nov 20, 2013
Not many crowds cheer at the appearance of the table of elements as though a favorite baseball player has taken the field, but at Apocalyptical, Radiolab's live show at Oakland's Paramount Theater on Sunday, that is exactly what happened. By Emily Eifler
Theater Review | Nov 19, 2013
A management consultant session turns sinister in Ideation, Aaron Loeb's new play. By Sam Hurwitt
Voice-over work often demands that Arthur Chu, recent Jeopardy! champ, feign speaking English in a "Chinese accent," rather than the meticulously practiced American English that now comes naturally.
In London, a matinee ticket for Matilda costs about $60; in New York, it's $137. What's going on? The West End has weaker unions and subsidized theater, while Broadway has amenities.
An experiment at a new production of Carmen has many wondering how technology will affect operagoers' experience. NPR's Arun Rath talks to Kim Witman, director of the Wolf Trap Opera.
Rita Moreno is the only Latina to have won Emmy, Grammy, Oscar, and Tony awards. In this encore conversation, host Michel Martin speaks to her about the highlights and challenges of her long career.
Also on KQED.org this week ...
KQED Summer Fun Adventures
This summer, KQED is partnering with tons of fun places in the Bay Area offering exciting adventures and special savings when you show your MemberCard.
KQED's Hot Summer Days and Night Guide
Our critics pick for the season's best concerts, books, movies, outdoor plays, visual arts and more.