The Writers' Block | Feb 08, 2012
Blueprints of the Afterlife
Ryan Boudinot reads a passage from Blueprints of the Afterlife about the aftermath of a sentient glacier wiping out most of North America. By Ryan Boudinot
Art Review | Feb 07, 2012
Walker Evans Observed at the Cantor Arts Center
The 125-plus piece exhibition opens with three modest self portraits and then gets to the good stuff quickly. By Ben Marks
Art Review | Feb 07, 2012
'A Selection of Everything' at Important Projects
The exhibition of just seven images from a much larger project documenting every object in Aurora Crispin's custody, provides a glimpse into the artist's interests, sensibilities, and most importantly, aesthetic accomplishments. By Sarah Hotchkiss
Visual Arts | Feb 06, 2012
Help Desk: School Daze
In which our obliging advice columnist considers the ins and outs, ups and downs of art school. By Bean Gilsdorf
Art Practical | Feb 05, 2012
Flannel and Fur
Keith's repeated subject matter demonstrates a similar devoted, prolonged engagement, and his formal use of repetition within the brushwork and composition of each portrait symbolizes this emotional connection. By Mary Anne Kluth
Music
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'How To Be Black' Author Offers Up His Playlist
In his new book, writer and comedian Baratunde Thurston writes about straddling two worlds: the troubled Washington, D.C. neighborhood where he grew up, and the elite halls of Harvard, the college he attended. As part of Tell Me More's occasional series, "In Your Year," Thurston talks about the songs that move and inspire him.
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Watch St. Vincent As A Giant Crumbling Sculpture In 'Cheerleader'
Watch the new video for the Strange Mercy track, in which Annie Clark plays an oversized museum sculpture.
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Chuck Prophet's 'Beautiful' Homage To San Francisco
Prophet has described his new album, Temple Beautiful, as a "love letter to San Francisco." Rock critic Ken Tucker says you don't have to be a Bay Area native to enjoy Prophet's melodies.
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Dead Skeletons: A Spiritual Battle Song
"Dead Mantra" always returns to its core sentiment: that "he who fears death cannot enjoy life."








